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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #754BD5CE it is the complementary color #8AB42ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #754BD5CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #754BD5CE shade: #7A4BD0CE, #8B5DE3CE, #9C6FF6CE, #AD81FFCE and #BE93FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #754BD5CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #754BD5CE shade: #754BD5CE, #6439C2CE, #5327AFCE, #42159CCE and #310389CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #754BD5CE shade: #7449D4, #9949D4, #BF49D4, #D449C5 and #D4499F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #754BD5CE shade: #7449D4, #4E49D4 and #4949D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #754BD5CE shade matches the following richer shades: #7449D4, #6C37E7 and #6525F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #754BD5CE shade: #7449D4, #7B5BC2, #826EB0, #89809E and #90928C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #754BD5CE shade: #496AD4, #4E49D4, #7349D4, #9849D4 and #BD49D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #754BD5CE shade: #4D27A4, #5D2EC6, #7449D4, #8D6BDC and #A78CE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #754BD5CE shade: #754BD5, #D4498F and #57D449

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #754BD5CE shade: #754BD5, #D47349 and #49D473

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #754BD5CE shade: #754BD5, #D4498F, #ABD449 and #49D48F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #754BD5CE shade: #754BD5, #D44965, #ABD449 and #49D4B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 52 / 0 / 13

HEX #754BD5CE

RGBA 117 75 213 0.81

HSLA 258.26, 0.62%, 0.56%, 0.81

LABA 43.68, 49.11, -65.01, 0.81

 

Complementary color

CMYK 19 / 0 / 62 / 24

HEX #8AB42ACE

RGBA 138 180 42 0.81

HSLA 78.26, 0.62%, 0.44%, 0.81

LABA 68.18, -33.26, 60.91, 0.81

 

CMYK 33 / 52 / 0 / 15

HEX #7A4BD0CE

RGBA 122 75 208 0.81

HSLA 261.2, 0.59%, 0.55%, 0.81

LABA 43.83, 48.75, -61.86, 0.81

 

CMYK 31 / 48 / 0 / 9

HEX #8B5DE3CE

RGBA 139 93 227 0.81

HSLA 260.6, 0.71%, 0.63%, 0.81

LABA 50.53, 47.62, -61.78, 0.81

 

CMYK 30 / 44 / 0 / 3

HEX #9C6FF6CE

RGBA 156 111 246 0.81

HSLA 260, 0.88%, 0.7%, 0.81

LABA 57.16, 46.5, -61.65, 0.81

 

CMYK 26 / 40 / 0 / 0

HEX #AD81FFCE

RGBA 173 129 255 0.81

HSLA 260.95, 1%, 0.75%, 0.81

LABA 63.18, 42.94, -56.89, 0.81

 

CMYK 21 / 34 / 0 / 0

HEX #BE93FFCE

RGBA 190 147 255 0.81

HSLA 263.89, 1%, 0.79%, 0.81

LABA 68.78, 37.45, -47.93, 0.81

 

CMYK 37 / 52 / 0 / 13

HEX #754BD5CE

RGBA 117 75 213 0.81

HSLA 258.26, 0.62%, 0.56%, 0.81

LABA 43.68, 49.11, -65.01, 0.81

 

CMYK 39 / 57 / 0 / 19

HEX #6439C2CE

RGBA 100 57 194 0.81

HSLA 258.83, 0.55%, 0.49%, 0.81

LABA 36.99, 50.29, -64.99, 0.81

 

CMYK 43 / 63 / 0 / 25

HEX #5327AFCE

RGBA 83 39 175 0.81

HSLA 259.41, 0.64%, 0.42%, 0.81

LABA 30.36, 51.2, -64.67, 0.81

 

CMYK 47 / 70 / 0 / 31

HEX #42159CCE

RGBA 66 21 156 0.81

HSLA 260, 0.76%, 0.35%, 0.81

LABA 23.98, 51.39, -63.75, 0.81

 

CMYK 52 / 79 / 0 / 37

HEX #310389CE

RGBA 49 3 137 0.81

HSLA 260.6, 0.96%, 0.27%, 0.81

LABA 18.03, 50.34, -61.89, 0.81

 

CMYK 45 / 66 / 0 / 17

HEX #7449D4

RGB 116 73 212

HSL 258.56, 0.62%, 0.56%

LAB 43.11, 49.72, -65.37

 

CMYK 28 / 66 / 0 / 17

HEX #9949D4

RGB 153 73 212

HSL 274.53, 0.62%, 0.56%

LAB 47.35, 57.23, -58.29

 

CMYK 10 / 66 / 0 / 17

HEX #BF49D4

RGB 191 73 212

HSL 290.94, 0.62%, 0.56%

LAB 52.5, 65.66, -49.75

 

CMYK 0 / 66 / 7 / 17

HEX #D449C5

RGB 212 73 197

HSL 306.47, 0.62%, 0.56%

LAB 54.86, 68.05, -37.24

 

CMYK 0 / 66 / 25 / 17

HEX #D4499F

RGB 212 73 159

HSL 322.88, 0.62%, 0.56%

LAB 53.24, 62.62, -17.65

 

CMYK 45 / 66 / 0 / 17

HEX #7449D4

RGB 116 73 212

HSL 258.56, 0.62%, 0.56%

LAB 43.11, 49.72, -65.37

 

CMYK 63 / 66 / 0 / 17

HEX #4E49D4

RGB 78 73 212

HSL 242.16, 0.62%, 0.56%

LAB 39.81, 43.38, -70.89

 

CMYK 66 / 66 / 0 / 17

HEX #4949D4

RGB 73 73 212

HSL 240, 0.62%, 0.56%

LAB 39.47, 42.69, -71.46

 

CMYK 45 / 66 / 0 / 17

HEX #7449D4

RGB 116 73 212

HSL 258.56, 0.62%, 0.56%

LAB 43.11, 49.72, -65.37

 

CMYK 53 / 76 / 0 / 9

HEX #6C37E7

RGB 108 55 231

HSL 258.07, 0.79%, 0.56%

LAB 40.72, 62.4, -80.16

 

CMYK 59 / 85 / 0 / 2

HEX #6525F9

RGB 101 37 249

HSL 258.11, 0.95%, 0.56%

LAB 39.46, 73.09, -92.43

 

CMYK 45 / 66 / 0 / 17

HEX #7449D4

RGB 116 73 212

HSL 258.56, 0.62%, 0.56%

LAB 43.11, 49.72, -65.37

 

CMYK 37 / 53 / 0 / 24

HEX #7B5BC2

RGB 123 91 194

HSL 258.64, 0.46%, 0.56%

LAB 46.43, 36.25, -49.6

 

CMYK 26 / 38 / 0 / 31

HEX #826EB0

RGB 130 110 176

HSL 258.18, 0.29%, 0.56%

LAB 50.72, 22.24, -32.32

 

CMYK 13 / 19 / 0 / 38

HEX #89809E

RGB 137 128 158

HSL 258, 0.13%, 0.56%

LAB 55.3, 9.59, -14.79

 

CMYK 1 / 0 / 4 / 43

HEX #90928C

RGB 144 146 140

HSL 80, 0.03%, 0.56%

LAB 60.23, -1.88, 2.91

 

CMYK 66 / 50 / 0 / 17

HEX #496AD4

RGB 73 106 212

HSL 225.76, 0.62%, 0.56%

LAB 47.6, 22.21, -58.26

 

CMYK 63 / 66 / 0 / 17

HEX #4E49D4

RGB 78 73 212

HSL 242.16, 0.62%, 0.56%

LAB 39.81, 43.38, -70.89

 

CMYK 46 / 66 / 0 / 17

HEX #7349D4

RGB 115 73 212

HSL 258.13, 0.62%, 0.56%

LAB 43.01, 49.53, -65.54

 

CMYK 28 / 66 / 0 / 17

HEX #9849D4

RGB 152 73 212

HSL 274.1, 0.62%, 0.56%

LAB 47.23, 57.02, -58.5

 

CMYK 11 / 66 / 0 / 17

HEX #BD49D4

RGB 189 73 212

HSL 290.07, 0.62%, 0.56%

LAB 52.22, 65.21, -50.23

 

CMYK 53 / 76 / 0 / 36

HEX #4D27A4

RGB 77 39 164

HSL 258.24, 0.62%, 0.4%

LAB 28.67, 47.29, -60.86

 

CMYK 53 / 77 / 0 / 22

HEX #5D2EC6

RGB 93 46 198

HSL 258.55, 0.62%, 0.48%

LAB 34.72, 55.64, -71.07

 

CMYK 45 / 66 / 0 / 17

HEX #7449D4

RGB 116 73 212

HSL 258.56, 0.62%, 0.56%

LAB 43.11, 49.72, -65.37

 

CMYK 36 / 51 / 0 / 14

HEX #8D6BDC

RGB 141 107 220

HSL 258.05, 0.62%, 0.64%

LAB 53.33, 38.41, -53.33

 

CMYK 27 / 39 / 0 / 11

HEX #A78CE4

RGB 167 140 228

HSL 258.41, 0.62%, 0.72%

LAB 63.81, 28.53, -41.05

 

CMYK 45 / 65 / 0 / 16

HEX #754BD5

RGB 117 75 213

HSL 258.26, 0.62%, 0.56%

LAB 43.68, 49.11, -65.01

 

CMYK 0 / 66 / 33 / 17

HEX #D4498F

RGB 212 73 143

HSL 329.78, 0.62%, 0.56%

LAB 52.67, 60.65, -9.05

 

CMYK 59 / 0 / 66 / 17

HEX #57D449

RGB 87 212 73

HSL 113.96, 0.62%, 0.56%

LAB 75.82, -60.42, 56.5

 

CMYK 45 / 65 / 0 / 16

HEX #754BD5

RGB 117 75 213

HSL 258.26, 0.62%, 0.56%

LAB 43.68, 49.11, -65.01

 

CMYK 0 / 46 / 66 / 17

HEX #D47349

RGB 212 115 73

HSL 18.13, 0.62%, 0.56%

LAB 58.73, 34.49, 39.69

 

CMYK 66 / 0 / 46 / 17

HEX #49D473

RGB 73 212 115

HSL 138.13, 0.62%, 0.56%

LAB 75.91, -58.07, 37.2

 

CMYK 45 / 65 / 0 / 16

HEX #754BD5

RGB 117 75 213

HSL 258.26, 0.62%, 0.56%

LAB 43.68, 49.11, -65.01

 

CMYK 0 / 66 / 33 / 17

HEX #D4498F

RGB 212 73 143

HSL 329.78, 0.62%, 0.56%

LAB 52.67, 60.65, -9.05

 

CMYK 19 / 0 / 66 / 17

HEX #ABD449

RGB 171 212 73

HSL 77.7, 0.62%, 0.56%

LAB 79.74, -33.24, 61.86

 

CMYK 66 / 0 / 33 / 17

HEX #49D48F

RGB 73 212 143

HSL 150.22, 0.62%, 0.56%

LAB 76.37, -53.04, 23.45

 

CMYK 45 / 65 / 0 / 16

HEX #754BD5

RGB 117 75 213

HSL 258.26, 0.62%, 0.56%

LAB 43.68, 49.11, -65.01

 

CMYK 0 / 66 / 52 / 17

HEX #D44965

RGB 212 73 101

HSL 347.91, 0.62%, 0.56%

LAB 51.5, 56.47, 14.4

 

CMYK 19 / 0 / 66 / 17

HEX #ABD449

RGB 171 212 73

HSL 77.7, 0.62%, 0.56%

LAB 79.74, -33.24, 61.86

 

CMYK 66 / 0 / 13 / 17

HEX #49D4B9

RGB 73 212 185

HSL 168.35, 0.62%, 0.56%

LAB 77.28, -43.54, 2.44

 

Description

Color code: HEX #754BD5CE | qconv.com Color code: HEX #754BD5CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 75 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 75 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 52 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 52% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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