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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #754B25CE it is the complementary color #8AB4DACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #754B25CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #754B25CE shade: #7A4B20CE, #8B5D33CE, #9C6F46CE, #AD8159CE and #BE936CCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #754B25CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #754B25CE shade: #754B25CE, #643912CE, #532700CE, #421500CE and #310300CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #754B25CE shade: #744B25, #743525 and #742525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #754B25CE shade: #744B25, #746025, #737425, #5E7425 and #487425

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #754B25CE shade matches the following richer shades: #744B25, #814A18 and #8D490C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #754B25CE shade: #744B25, #684B31, #5C4C3D, #4F4C4A and #434D56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #754B25CE shade: #74252A, #743525, #744A25, #745F25 and #747425

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #754B25CE shade: #362211, #55361B, #744B25, #945F2F and #B37339

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #754B25CE shade: #754B25, #3F7425 and #2A2574

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #754B25CE shade: #754B25, #25744A and #4A2574

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #754B25CE shade: #754B25, #3F7425, #254F74 and #5A2574

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #754B25CE shade: #754B25, #277425, #254F74 and #722574

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 55 / 44

HEX #754B25CE

RGBA 117 75 37 0.81

HSLA 28.5, 0.52%, 0.3%, 0.81

LABA 35.88, 13.86, 29.45, 0.81

 

Complementary color

CMYK 30 / 14 / 0 / 12

HEX #8AB4DACE

RGBA 138 180 218 0.81

HSLA 208.5, 0.52%, 0.7%, 0.81

LABA 71.63, -4.71, -23.62, 0.81

 

CMYK 0 / 31 / 60 / 42

HEX #7A4B20CE

RGBA 122 75 32 0.81

HSLA 28.67, 0.58%, 0.3%, 0.81

LABA 36.51, 15.88, 33.03, 0.81

 

CMYK 0 / 27 / 51 / 37

HEX #8B5D33CE

RGBA 139 93 51 0.81

HSLA 28.64, 0.46%, 0.37%, 0.81

LABA 43.59, 14.3, 31.36, 0.81

 

CMYK 0 / 23 / 45 / 31

HEX #9C6F46CE

RGBA 156 111 70 0.81

HSLA 28.6, 0.38%, 0.44%, 0.81

LABA 50.55, 13.02, 29.74, 0.81

 

CMYK 0 / 21 / 39 / 26

HEX #AD8159CE

RGBA 173 129 89 0.81

HSLA 28.57, 0.34%, 0.51%, 0.81

LABA 57.37, 11.96, 28.23, 0.81

 

CMYK 0 / 18 / 35 / 21

HEX #BE936CCE

RGBA 190 147 108 0.81

HSLA 28.54, 0.39%, 0.58%, 0.81

LABA 64.08, 11.08, 26.84, 0.81

 

CMYK 0 / 29 / 55 / 44

HEX #754B25CE

RGBA 117 75 37 0.81

HSLA 28.5, 0.52%, 0.3%, 0.81

LABA 35.88, 13.86, 29.45, 0.81

 

CMYK 0 / 35 / 66 / 49

HEX #643912CE

RGBA 100 57 18 0.81

HSLA 28.54, 0.69%, 0.23%, 0.81

LABA 28.59, 15.66, 31.06, 0.81

 

CMYK 0 / 43 / 81 / 55

HEX #532700CE

RGBA 83 39 0 0.81

HSLA 28.19, 1%, 0.16%, 0.81

LABA 21.17, 17.85, 30.65, 0.81

 

CMYK 0 / 55 / 81 / 60

HEX #421500CE

RGBA 66 21 0 0.81

HSLA 19.09, 1%, 0.13%, 0.81

LABA 13.8, 20.57, 21, 0.81

 

CMYK 0 / 76 / 81 / 65

HEX #310300CE

RGBA 49 3 0 0.81

HSLA 3.67, 1%, 0.1%, 0.81

LABA 6.49, 22.62, 10.18, 0.81

 

CMYK 0 / 35 / 68 / 55

HEX #744B25

RGB 116 75 37

HSL 28.86, 0.52%, 0.3%

LAB 35.75, 13.4, 29.26

 

CMYK 0 / 54 / 68 / 55

HEX #743525

RGB 116 53 37

HSL 12.15, 0.52%, 0.3%

LAB 30.38, 26.35, 22.97

 

CMYK 0 / 68 / 68 / 55

HEX #742525

RGB 116 37 37

HSL 0, 0.52%, 0.3%

LAB 27.21, 34.65, 19.09

 

CMYK 0 / 35 / 68 / 55

HEX #744B25

RGB 116 75 37

HSL 28.86, 0.52%, 0.3%

LAB 35.75, 13.4, 29.26

 

CMYK 0 / 17 / 68 / 55

HEX #746025

RGB 116 96 37

HSL 44.81, 0.52%, 0.3%

LAB 41.55, 0.79, 35.7

 

CMYK 1 / 0 / 68 / 55

HEX #737425

RGB 115 116 37

HSL 60.76, 0.52%, 0.3%

LAB 47.33, -11.12, 41.76

 

CMYK 19 / 0 / 68 / 55

HEX #5E7425

RGB 94 116 37

HSL 76.71, 0.52%, 0.3%

LAB 45.64, -20.59, 39.48

 

CMYK 38 / 0 / 68 / 55

HEX #487425

RGB 72 116 37

HSL 93.42, 0.52%, 0.3%

LAB 44.24, -29.63, 37.56

 

CMYK 0 / 35 / 68 / 55

HEX #744B25

RGB 116 75 37

HSL 28.86, 0.52%, 0.3%

LAB 35.75, 13.4, 29.26

 

CMYK 0 / 43 / 81 / 49

HEX #814A18

RGB 129 74 24

HSL 28.57, 0.69%, 0.3%

LAB 37.17, 19.3, 37.97

 

CMYK 0 / 48 / 91 / 45

HEX #8D490C

RGB 141 73 12

HSL 28.37, 0.84%, 0.3%

LAB 38.65, 24.9, 44.65

 

CMYK 0 / 35 / 68 / 55

HEX #744B25

RGB 116 75 37

HSL 28.86, 0.52%, 0.3%

LAB 35.75, 13.4, 29.26

 

CMYK 0 / 28 / 53 / 59

HEX #684B31

RGB 104 75 49

HSL 28.36, 0.36%, 0.3%

LAB 34.39, 8.82, 20.25

 

CMYK 0 / 17 / 34 / 64

HEX #5C4C3D

RGB 92 76 61

HSL 29.03, 0.2%, 0.3%

LAB 33.52, 4.2, 11.44

 

CMYK 0 / 4 / 6 / 69

HEX #4F4C4A

RGB 79 76 74

HSL 24, 0.03%, 0.3%

LAB 32.54, 0.82, 1.62

 

CMYK 22 / 10 / 0 / 66

HEX #434D56

RGB 67 77 86

HSL 208.42, 0.12%, 0.3%

LAB 32.2, -1.73, -6.65

 

CMYK 0 / 68 / 64 / 55

HEX #74252A

RGB 116 37 42

HSL 356.2, 0.52%, 0.3%

LAB 27.31, 35, 15.93

 

CMYK 0 / 54 / 68 / 55

HEX #743525

RGB 116 53 37

HSL 12.15, 0.52%, 0.3%

LAB 30.38, 26.35, 22.97

 

CMYK 0 / 36 / 68 / 55

HEX #744A25

RGB 116 74 37

HSL 28.1, 0.52%, 0.3%

LAB 35.49, 14, 28.96

 

CMYK 0 / 18 / 68 / 55

HEX #745F25

RGB 116 95 37

HSL 44.05, 0.52%, 0.3%

LAB 41.27, 1.38, 35.39

 

CMYK 0 / 0 / 68 / 55

HEX #747425

RGB 116 116 37

HSL 60, 0.52%, 0.3%

LAB 47.41, -10.66, 41.88

 

CMYK 0 / 37 / 69 / 79

HEX #362211

RGB 54 34 17

HSL 27.57, 0.52%, 0.14%

LAB 15.32, 7.36, 15.05

 

CMYK 0 / 36 / 68 / 67

HEX #55361B

RGB 85 54 27

HSL 27.93, 0.52%, 0.22%

LAB 25.71, 10.8, 22.35

 

CMYK 0 / 35 / 68 / 55

HEX #744B25

RGB 116 75 37

HSL 28.86, 0.52%, 0.3%

LAB 35.75, 13.4, 29.26

 

CMYK 0 / 36 / 68 / 42

HEX #945F2F

RGB 148 95 47

HSL 28.51, 0.52%, 0.38%

LAB 45.2, 16.91, 35.67

 

CMYK 0 / 36 / 68 / 30

HEX #B37339

RGB 179 115 57

HSL 28.52, 0.52%, 0.46%

LAB 54.18, 19.83, 41.63

 

CMYK 0 / 36 / 68 / 54

HEX #754B25

RGB 117 75 37

HSL 28.5, 0.52%, 0.3%

LAB 35.88, 13.86, 29.45

 

CMYK 46 / 0 / 68 / 55

HEX #3F7425

RGB 63 116 37

HSL 100.25, 0.52%, 0.3%

LAB 43.77, -32.92, 36.92

 

CMYK 64 / 68 / 0 / 55

HEX #2A2574

RGB 42 37 116

HSL 243.8, 0.52%, 0.3%

LAB 20.35, 27.75, -44.74

 

CMYK 0 / 36 / 68 / 54

HEX #754B25

RGB 117 75 37

HSL 28.5, 0.52%, 0.3%

LAB 35.88, 13.86, 29.45

 

CMYK 68 / 0 / 36 / 55

HEX #25744A

RGB 37 116 74

HSL 148.1, 0.52%, 0.3%

LAB 43.33, -34.39, 16.39

 

CMYK 36 / 68 / 0 / 55

HEX #4A2574

RGB 74 37 116

HSL 268.1, 0.52%, 0.3%

LAB 23.8, 34.34, -38.97

 

CMYK 0 / 36 / 68 / 54

HEX #754B25

RGB 117 75 37

HSL 28.5, 0.52%, 0.3%

LAB 35.88, 13.86, 29.45

 

CMYK 46 / 0 / 68 / 55

HEX #3F7425

RGB 63 116 37

HSL 100.25, 0.52%, 0.3%

LAB 43.77, -32.92, 36.92

 

CMYK 68 / 32 / 0 / 55

HEX #254F74

RGB 37 79 116

HSL 208.1, 0.52%, 0.3%

LAB 32.36, -1.79, -25.5

 

CMYK 22 / 68 / 0 / 55

HEX #5A2574

RGB 90 37 116

HSL 280.25, 0.52%, 0.3%

LAB 26.03, 38.22, -35.26

 

CMYK 0 / 36 / 68 / 54

HEX #754B25

RGB 117 75 37

HSL 28.5, 0.52%, 0.3%

LAB 35.88, 13.86, 29.45

 

CMYK 66 / 0 / 68 / 55

HEX #277425

RGB 39 116 37

HSL 118.48, 0.52%, 0.3%

LAB 42.85, -40, 35.65

 

CMYK 68 / 32 / 0 / 55

HEX #254F74

RGB 37 79 116

HSL 208.1, 0.52%, 0.3%

LAB 32.36, -1.79, -25.5

 

CMYK 2 / 68 / 0 / 55

HEX #722574

RGB 114 37 116

HSL 298.48, 0.52%, 0.3%

LAB 29.82, 44.34, -29.01

 

Description

Color code: HEX #754B25CE | qconv.com Color code: HEX #754B25CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 75 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 75 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 55 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 55% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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