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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7541A3 it is the complementary color #8ABE5C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7541A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7541A3 shade: #7A419E, #8B53B1, #9C65C4, #AD77D7 and #BE89EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7541A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7541A3 shade: #7541A3, #642F90, #531D7D, #420B6A and #310057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7541A3 shade: #7641A4, #9041A4, #A4419D, #A44183 and #A44168

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7541A3 shade: #7641A4, #5B41A4 and #4141A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7541A3 shade matches the following richer shades: #7641A4, #772FB7, #781CC9 and #790ADC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7541A3 shade: #7641A4, #755492, #73677F, #72796C and #718C5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7541A3 shade: #4143A4, #5A41A4, #7441A4, #8F41A4 and #A4419F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7541A3 shade: #4B2A69, #613687, #7641A4, #8B54BB and #9F71C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7541A3 shade: #7541A3, #A4415D and #41A44D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7541A3 shade: #7541A3, #A47441 and #41A474

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7541A3 shade: #7541A3, #A4415D, #71A441 and #41A488

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7541A3 shade: #7541A3, #A44341, #71A441 and #41A2A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 60 / 0 / 36

HEX #7541A3

RGB 117 65 163

HSL 271.84, 0.43%, 0.45%

LAB 38.21, 41.47, -44.55

 

Complementary color

CMYK 27 / 0 / 52 / 25

HEX #8ABE5C

RGB 138 190 92

HSL 91.84, 0.43%, 0.55%

LAB 71.56, -33.87, 43.69

 

CMYK 23 / 59 / 0 / 38

HEX #7A419E

RGB 122 65 158

HSL 276.77, 0.42%, 0.44%

LAB 38.53, 41.55, -41.01

 

CMYK 21 / 53 / 0 / 31

HEX #8B53B1

RGB 139 83 177

HSL 275.74, 0.38%, 0.51%

LAB 45.43, 40.71, -41.19

 

CMYK 20 / 48 / 0 / 23

HEX #9C65C4

RGB 156 101 196

HSL 274.74, 0.45%, 0.58%

LAB 52.24, 39.84, -41.29

 

CMYK 20 / 45 / 0 / 16

HEX #AD77D7

RGB 173 119 215

HSL 273.75, 0.55%, 0.65%

LAB 58.96, 38.98, -41.37

 

CMYK 19 / 41 / 0 / 8

HEX #BE89EA

RGB 190 137 234

HSL 272.78, 0.7%, 0.73%

LAB 65.58, 38.17, -41.45

 

CMYK 28 / 60 / 0 / 36

HEX #7541A3

RGB 117 65 163

HSL 271.84, 0.43%, 0.45%

LAB 38.21, 41.47, -44.55

 

CMYK 31 / 67 / 0 / 44

HEX #642F90

RGB 100 47 144

HSL 272.78, 0.51%, 0.37%

LAB 31.24, 42.26, -44.34

 

CMYK 34 / 77 / 0 / 51

HEX #531D7D

RGB 83 29 125

HSL 273.75, 0.62%, 0.3%

LAB 24.32, 42.65, -43.81

 

CMYK 38 / 90 / 0 / 58

HEX #420B6A

RGB 66 11 106

HSL 274.74, 0.81%, 0.23%

LAB 17.64, 41.96, -42.58

 

CMYK 44 / 100 / 0 / 66

HEX #310057

RGB 49 0 87

HSL 273.79, 1%, 0.17%

LAB 11.56, 38.99, -39.98

 

CMYK 28 / 60 / 0 / 36

HEX #7641A4

RGB 118 65 164

HSL 272.12, 0.43%, 0.45%

LAB 38.4, 41.96, -44.85

 

CMYK 12 / 60 / 0 / 36

HEX #9041A4

RGB 144 65 164

HSL 287.88, 0.43%, 0.45%

LAB 41.83, 48.59, -39.17

 

CMYK 0 / 60 / 4 / 36

HEX #A4419D

RGB 164 65 157

HSL 304.24, 0.43%, 0.45%

LAB 44.39, 52.58, -30.76

 

CMYK 0 / 60 / 20 / 36

HEX #A44183

RGB 164 65 131

HSL 320, 0.43%, 0.45%

LAB 43.23, 48.39, -16.85

 

CMYK 0 / 60 / 37 / 36

HEX #A44168

RGB 164 65 104

HSL 336.36, 0.43%, 0.45%

LAB 42.27, 44.75, -1.69

 

CMYK 28 / 60 / 0 / 36

HEX #7641A4

RGB 118 65 164

HSL 272.12, 0.43%, 0.45%

LAB 38.4, 41.96, -44.85

 

CMYK 45 / 60 / 0 / 36

HEX #5B41A4

RGB 91 65 164

HSL 255.76, 0.43%, 0.45%

LAB 35.37, 35.56, -49.88

 

CMYK 60 / 60 / 0 / 36

HEX #4141A4

RGB 65 65 164

HSL 240, 0.43%, 0.45%

LAB 33.1, 30.31, -53.66

 

CMYK 28 / 60 / 0 / 36

HEX #7641A4

RGB 118 65 164

HSL 272.12, 0.43%, 0.45%

LAB 38.4, 41.96, -44.85

 

CMYK 35 / 74 / 0 / 28

HEX #772FB7

RGB 119 47 183

HSL 271.76, 0.59%, 0.45%

LAB 36.69, 55.53, -58.9

 

CMYK 40 / 86 / 0 / 21

HEX #781CC9

RGB 120 28 201

HSL 271.91, 0.76%, 0.45%

LAB 36.06, 66.42, -70.49

 

CMYK 45 / 95 / 0 / 14

HEX #790ADC

RGB 121 10 220

HSL 271.71, 0.91%, 0.45%

LAB 36.84, 74.11, -80.22

 

CMYK 28 / 60 / 0 / 36

HEX #7641A4

RGB 118 65 164

HSL 272.12, 0.43%, 0.45%

LAB 38.4, 41.96, -44.85

 

CMYK 20 / 42 / 0 / 43

HEX #755492

RGB 117 84 146

HSL 271.94, 0.27%, 0.45%

LAB 41.53, 26.34, -29.08

 

CMYK 9 / 19 / 0 / 50

HEX #73677F

RGB 115 103 127

HSL 270, 0.1%, 0.45%

LAB 45.47, 9.7, -11.6

 

CMYK 6 / 0 / 11 / 53

HEX #72796C

RGB 114 121 108

HSL 92.31, 0.06%, 0.45%

LAB 49.9, -5.22, 6.23

 

CMYK 19 / 0 / 36 / 45

HEX #718C5A

RGB 113 140 90

HSL 92.4, 0.22%, 0.45%

LAB 55.08, -19.06, 23.66

 

CMYK 60 / 59 / 0 / 36

HEX #4143A4

RGB 65 67 164

HSL 238.79, 0.43%, 0.45%

LAB 33.6, 29.03, -52.85

 

CMYK 45 / 60 / 0 / 36

HEX #5A41A4

RGB 90 65 164

HSL 255.15, 0.43%, 0.45%

LAB 35.27, 35.34, -50.04

 

CMYK 29 / 60 / 0 / 36

HEX #7441A4

RGB 116 65 164

HSL 270.91, 0.43%, 0.45%

LAB 38.15, 41.47, -45.25

 

CMYK 13 / 60 / 0 / 36

HEX #8F41A4

RGB 143 65 164

HSL 287.27, 0.43%, 0.45%

LAB 41.69, 48.33, -39.4

 

CMYK 0 / 60 / 3 / 36

HEX #A4419F

RGB 164 65 159

HSL 303.03, 0.43%, 0.45%

LAB 44.48, 52.92, -31.8

 

CMYK 29 / 60 / 0 / 59

HEX #4B2A69

RGB 75 42 105

HSL 271.43, 0.43%, 0.29%

LAB 24.23, 28.72, -31.19

 

CMYK 28 / 60 / 0 / 47

HEX #613687

RGB 97 54 135

HSL 271.85, 0.43%, 0.37%

LAB 31.64, 35.47, -38.16

 

CMYK 28 / 60 / 0 / 36

HEX #7641A4

RGB 118 65 164

HSL 272.12, 0.43%, 0.45%

LAB 38.4, 41.96, -44.85

 

CMYK 26 / 55 / 0 / 27

HEX #8B54BB

RGB 139 84 187

HSL 272.04, 0.43%, 0.53%

LAB 46.2, 42.51, -45.8

 

CMYK 20 / 43 / 0 / 22

HEX #9F71C7

RGB 159 113 199

HSL 272.09, 0.43%, 0.61%

LAB 55.38, 34.67, -38.04

 

CMYK 28 / 60 / 0 / 36

HEX #7541A3

RGB 117 65 163

HSL 271.84, 0.43%, 0.45%

LAB 38.21, 41.47, -44.55

 

CMYK 0 / 60 / 43 / 36

HEX #A4415D

RGB 164 65 93

HSL 343.03, 0.43%, 0.45%

LAB 41.94, 43.5, 4.68

 

CMYK 60 / 0 / 53 / 36

HEX #41A44D

RGB 65 164 77

HSL 127.27, 0.43%, 0.45%

LAB 60.08, -47.35, 36.41

 

CMYK 28 / 60 / 0 / 36

HEX #7541A3

RGB 117 65 163

HSL 271.84, 0.43%, 0.45%

LAB 38.21, 41.47, -44.55

 

CMYK 0 / 29 / 60 / 36

HEX #A47441

RGB 164 116 65

HSL 30.91, 0.43%, 0.45%

LAB 52.69, 13.26, 35.29

 

CMYK 60 / 0 / 29 / 36

HEX #41A474

RGB 65 164 116

HSL 150.91, 0.43%, 0.45%

LAB 60.72, -40.38, 16.5

 

CMYK 28 / 60 / 0 / 36

HEX #7541A3

RGB 117 65 163

HSL 271.84, 0.43%, 0.45%

LAB 38.21, 41.47, -44.55

 

CMYK 0 / 60 / 43 / 36

HEX #A4415D

RGB 164 65 93

HSL 343.03, 0.43%, 0.45%

LAB 41.94, 43.5, 4.68

 

CMYK 31 / 0 / 60 / 36

HEX #71A441

RGB 113 164 65

HSL 90.91, 0.43%, 0.45%

LAB 62.03, -33.9, 45.01

 

CMYK 60 / 0 / 17 / 36

HEX #41A488

RGB 65 164 136

HSL 163.03, 0.43%, 0.45%

LAB 61.18, -35.77, 5.99

 

CMYK 28 / 60 / 0 / 36

HEX #7541A3

RGB 117 65 163

HSL 271.84, 0.43%, 0.45%

LAB 38.21, 41.47, -44.55

 

CMYK 0 / 59 / 60 / 36

HEX #A44341

RGB 164 67 65

HSL 1.21, 0.43%, 0.45%

LAB 41.67, 39.98, 21.63

 

CMYK 31 / 0 / 60 / 36

HEX #71A441

RGB 113 164 65

HSL 90.91, 0.43%, 0.45%

LAB 62.03, -33.9, 45.01

 

CMYK 60 / 1 / 0 / 36

HEX #41A2A4

RGB 65 162 164

HSL 181.21, 0.43%, 0.45%

LAB 61.35, -27.32, -9.52

 

Description

Color code: HEX #7541A3 | qconv.com Color code: HEX #7541A3 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 65 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 65 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 60 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 60% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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