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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #753CAB it is the complementary color #8AC354. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #753CAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #753CAB shade: #7A3CA6, #8B4EB9, #9C60CC, #AD72DF and #BE84F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #753CAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #753CAB shade: #753CAB, #642A98, #531885, #420672 and #31005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #753CAB shade: #743CAA, #923CAA, #AA3CA4, #AA3C86 and #AA3C69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #753CAB shade: #743CAA, #573CAA and #3C3CAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #753CAB shade matches the following richer shades: #743CAA, #7529BC, #7517CF and #7604E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #753CAB shade: #743CAA, #744E97, #736185, #737372 and #728660

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #753CAB shade: #3C3FAA, #553CAA, #733CAA, #903CAA and #AA3CA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #753CAB shade: #4A266D, #5F318B, #743CAA, #894EC1 and #9D6CCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #753CAB shade: #753CAB, #AA3C5D and #3CAA47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #753CAB shade: #753CAB, #AA733C and #3CAA73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #753CAB shade: #753CAB, #AA3C5D, #73AA3C and #3CAA89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #753CAB shade: #753CAB, #AA3C3C, #73AA3C and #3CAAAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 65 / 0 / 33

HEX #753CAB

RGB 117 60 171

HSL 270.81, 0.48%, 0.45%

LAB 37.76, 46.08, -50.06

 

Complementary color

CMYK 29 / 0 / 57 / 24

HEX #8AC354

RGB 138 195 84

HSL 90.81, 0.48%, 0.55%

LAB 72.94, -37, 49.09

 

CMYK 27 / 64 / 0 / 35

HEX #7A3CA6

RGB 122 60 166

HSL 275.09, 0.47%, 0.44%

LAB 38.06, 46.04, -46.56

 

CMYK 25 / 58 / 0 / 27

HEX #8B4EB9

RGB 139 78 185

HSL 274.21, 0.43%, 0.52%

LAB 44.86, 45.27, -46.78

 

CMYK 24 / 53 / 0 / 20

HEX #9C60CC

RGB 156 96 204

HSL 273.33, 0.51%, 0.59%

LAB 51.6, 44.41, -46.89

 

CMYK 22 / 49 / 0 / 13

HEX #AD72DF

RGB 173 114 223

HSL 272.48, 0.63%, 0.66%

LAB 58.27, 43.53, -46.95

 

CMYK 21 / 45 / 0 / 5

HEX #BE84F2

RGB 190 132 242

HSL 271.64, 0.81%, 0.73%

LAB 64.85, 42.68, -47

 

CMYK 32 / 65 / 0 / 33

HEX #753CAB

RGB 117 60 171

HSL 270.81, 0.48%, 0.45%

LAB 37.76, 46.08, -50.06

 

CMYK 34 / 72 / 0 / 40

HEX #642A98

RGB 100 42 152

HSL 271.64, 0.57%, 0.38%

LAB 30.95, 46.7, -49.71

 

CMYK 38 / 82 / 0 / 48

HEX #531885

RGB 83 24 133

HSL 272.48, 0.69%, 0.31%

LAB 24.28, 46.68, -48.92

 

CMYK 42 / 95 / 0 / 55

HEX #420672

RGB 66 6 114

HSL 273.33, 0.9%, 0.24%

LAB 17.93, 45.34, -47.3

 

CMYK 48 / 100 / 0 / 63

HEX #31005F

RGB 49 0 95

HSL 270.95, 1%, 0.19%

LAB 12.48, 40.91, -43.87

 

CMYK 32 / 65 / 0 / 33

HEX #743CAA

RGB 116 60 170

HSL 270.55, 0.48%, 0.45%

LAB 37.57, 45.61, -49.78

 

CMYK 14 / 65 / 0 / 33

HEX #923CAA

RGB 146 60 170

HSL 286.91, 0.48%, 0.45%

LAB 41.6, 52.66, -43.09

 

CMYK 0 / 65 / 4 / 33

HEX #AA3CA4

RGB 170 60 164

HSL 303.27, 0.48%, 0.45%

LAB 44.88, 57.48, -34.09

 

CMYK 0 / 65 / 21 / 33

HEX #AA3C86

RGB 170 60 134

HSL 319.64, 0.48%, 0.45%

LAB 43.51, 52.8, -18.17

 

CMYK 0 / 65 / 38 / 33

HEX #AA3C69

RGB 170 60 105

HSL 335.45, 0.48%, 0.45%

LAB 42.46, 49.07, -1.91

 

CMYK 32 / 65 / 0 / 33

HEX #743CAA

RGB 116 60 170

HSL 270.55, 0.48%, 0.45%

LAB 37.57, 45.61, -49.78

 

CMYK 49 / 65 / 0 / 33

HEX #573CAA

RGB 87 60 170

HSL 254.73, 0.48%, 0.45%

LAB 34.31, 39.43, -55.2

 

CMYK 65 / 65 / 0 / 33

HEX #3C3CAA

RGB 60 60 170

HSL 240, 0.48%, 0.45%

LAB 32.02, 34.7, -59.04

 

CMYK 32 / 65 / 0 / 33

HEX #743CAA

RGB 116 60 170

HSL 270.55, 0.48%, 0.45%

LAB 37.57, 45.61, -49.78

 

CMYK 38 / 78 / 0 / 26

HEX #7529BC

RGB 117 41 188

HSL 271.02, 0.64%, 0.45%

LAB 35.98, 58.79, -63.02

 

CMYK 43 / 89 / 0 / 19

HEX #7517CF

RGB 117 23 207

HSL 270.65, 0.8%, 0.45%

LAB 35.79, 68.63, -74.45

 

CMYK 48 / 98 / 0 / 11

HEX #7604E2

RGB 118 4 226

HSL 270.81, 0.97%, 0.45%

LAB 36.8, 75.85, -83.74

 

CMYK 32 / 65 / 0 / 33

HEX #743CAA

RGB 116 60 170

HSL 270.55, 0.48%, 0.45%

LAB 37.57, 45.61, -49.78

 

CMYK 23 / 48 / 0 / 41

HEX #744E97

RGB 116 78 151

HSL 271.23, 0.32%, 0.45%

LAB 40.24, 30.83, -34.12

 

CMYK 14 / 27 / 0 / 48

HEX #736185

RGB 115 97 133

HSL 270, 0.16%, 0.45%

LAB 44.07, 14.7, -17.33

 

CMYK 0 / 0 / 1 / 55

HEX #737372

RGB 115 115 114

HSL 60, 0%, 0.45%

LAB 48.41, -0.2, 0.55

 

CMYK 15 / 0 / 28 / 47

HEX #728660

RGB 114 134 96

HSL 91.58, 0.17%, 0.45%

LAB 53.46, -14.55, 18.14

 

CMYK 65 / 63 / 0 / 33

HEX #3C3FAA

RGB 60 63 170

HSL 238.36, 0.48%, 0.45%

LAB 32.74, 32.81, -57.86

 

CMYK 50 / 65 / 0 / 33

HEX #553CAA

RGB 85 60 170

HSL 253.64, 0.48%, 0.45%

LAB 34.12, 39.04, -55.53

 

CMYK 32 / 65 / 0 / 33

HEX #733CAA

RGB 115 60 170

HSL 270, 0.48%, 0.45%

LAB 37.44, 45.39, -49.99

 

CMYK 15 / 65 / 0 / 33

HEX #903CAA

RGB 144 60 170

HSL 285.82, 0.48%, 0.45%

LAB 41.32, 52.18, -43.56

 

CMYK 0 / 65 / 2 / 33

HEX #AA3CA6

RGB 170 60 166

HSL 302.18, 0.48%, 0.45%

LAB 44.98, 57.82, -35.12

 

CMYK 32 / 65 / 0 / 57

HEX #4A266D

RGB 74 38 109

HSL 270.42, 0.48%, 0.29%

LAB 23.49, 31.88, -34.97

 

CMYK 32 / 65 / 0 / 45

HEX #5F318B

RGB 95 49 139

HSL 270.67, 0.48%, 0.37%

LAB 30.63, 38.77, -42.29

 

CMYK 32 / 65 / 0 / 33

HEX #743CAA

RGB 116 60 170

HSL 270.55, 0.48%, 0.45%

LAB 37.57, 45.61, -49.78

 

CMYK 29 / 60 / 0 / 24

HEX #894EC1

RGB 137 78 193

HSL 270.78, 0.48%, 0.53%

LAB 45.11, 46.68, -51.06

 

CMYK 23 / 47 / 0 / 20

HEX #9D6CCC

RGB 157 108 204

HSL 270.63, 0.48%, 0.61%

LAB 54.29, 38.07, -42.62

 

CMYK 32 / 65 / 0 / 33

HEX #753CAB

RGB 117 60 171

HSL 270.81, 0.48%, 0.45%

LAB 37.76, 46.08, -50.06

 

CMYK 0 / 65 / 45 / 33

HEX #AA3C5D

RGB 170 60 93

HSL 342, 0.48%, 0.45%

LAB 42.11, 47.78, 5.05

 

CMYK 65 / 0 / 58 / 33

HEX #3CAA47

RGB 60 170 71

HSL 126, 0.48%, 0.45%

LAB 61.8, -51.56, 41.36

 

CMYK 32 / 65 / 0 / 33

HEX #753CAB

RGB 117 60 171

HSL 270.81, 0.48%, 0.45%

LAB 37.76, 46.08, -50.06

 

CMYK 0 / 32 / 65 / 33

HEX #AA733C

RGB 170 115 60

HSL 30, 0.48%, 0.45%

LAB 53.1, 16.1, 38.58

 

CMYK 65 / 0 / 32 / 33

HEX #3CAA73

RGB 60 170 115

HSL 150, 0.48%, 0.45%

LAB 62.46, -44.16, 19.41

 

CMYK 32 / 65 / 0 / 33

HEX #753CAB

RGB 117 60 171

HSL 270.81, 0.48%, 0.45%

LAB 37.76, 46.08, -50.06

 

CMYK 0 / 65 / 45 / 33

HEX #AA3C5D

RGB 170 60 93

HSL 342, 0.48%, 0.45%

LAB 42.11, 47.78, 5.05

 

CMYK 32 / 0 / 65 / 33

HEX #73AA3C

RGB 115 170 60

HSL 90, 0.48%, 0.45%

LAB 63.93, -36.34, 49.37

 

CMYK 65 / 0 / 19 / 33

HEX #3CAA89

RGB 60 170 137

HSL 162, 0.48%, 0.45%

LAB 62.94, -39.18, 7.94

 

CMYK 32 / 65 / 0 / 33

HEX #753CAB

RGB 117 60 171

HSL 270.81, 0.48%, 0.45%

LAB 37.76, 46.08, -50.06

 

CMYK 0 / 65 / 65 / 33

HEX #AA3C3C

RGB 170 60 60

HSL 0, 0.48%, 0.45%

LAB 41.38, 45.07, 24.51

 

CMYK 32 / 0 / 65 / 33

HEX #73AA3C

RGB 115 170 60

HSL 90, 0.48%, 0.45%

LAB 63.93, -36.34, 49.37

 

CMYK 65 / 0 / 0 / 33

HEX #3CAAAA

RGB 60 170 170

HSL 180, 0.48%, 0.45%

LAB 63.85, -30.37, -9.17

 

Description

Color code: HEX #753CAB | qconv.com Color code: HEX #753CAB | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 60 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 60 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 65 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 65% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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