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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7533AF it is the complementary color #8ACC50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7533AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7533AF shade: #7A33AA, #8B45BD, #9C57D0, #AD69E3 and #BE7BF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7533AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7533AF shade: #7533AF, #64219C, #530F89, #420076 and #310063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7533AF shade: #7432AE, #9532AE, #AE32A5, #AE3284 and #AE3263

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7533AF shade: #7432AE, #5332AE and #3232AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7533AF shade matches the following richer shades: #7432AE, #7520C0 and #770ED2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7533AF shade: #7432AE, #73459C, #72578A, #716977 and #6F7B65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7533AF shade: #3235AE, #5132AE, #7232AE, #9332AE and #AE32A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7533AF shade: #49206E, #5F298E, #7432AE, #8942C8 and #9D62D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7533AF shade: #7533AF, #AE3255 and #32AE41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7533AF shade: #7533AF, #AE7232 and #32AE72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7533AF shade: #7533AF, #AE3255, #6EAE32 and #32AE8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7533AF shade: #7533AF, #AE3532, #6EAE32 and #32ACAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 71 / 0 / 31

HEX #7533AF

RGB 117 51 175

HSL 271.94, 0.55%, 0.44%

LAB 36.45, 51.47, -54.56

 

Complementary color

CMYK 32 / 0 / 61 / 20

HEX #8ACC50

RGB 138 204 80

HSL 91.94, 0.55%, 0.56%

LAB 75.56, -41.37, 53.85

 

CMYK 28 / 70 / 0 / 33

HEX #7A33AA

RGB 122 51 170

HSL 275.8, 0.54%, 0.43%

LAB 36.76, 51.33, -51.05

 

CMYK 26 / 63 / 0 / 26

HEX #8B45BD

RGB 139 69 189

HSL 275, 0.48%, 0.51%

LAB 43.39, 50.83, -51.47

 

CMYK 25 / 58 / 0 / 18

HEX #9C57D0

RGB 156 87 208

HSL 274.21, 0.56%, 0.58%

LAB 50.02, 50.09, -51.7

 

CMYK 24 / 54 / 0 / 11

HEX #AD69E3

RGB 173 105 227

HSL 273.44, 0.69%, 0.65%

LAB 56.62, 49.26, -51.82

 

CMYK 23 / 50 / 0 / 4

HEX #BE7BF6

RGB 190 123 246

HSL 272.68, 0.87%, 0.72%

LAB 63.15, 48.4, -51.89

 

CMYK 33 / 71 / 0 / 31

HEX #7533AF

RGB 117 51 175

HSL 271.94, 0.55%, 0.44%

LAB 36.45, 51.47, -54.56

 

CMYK 36 / 79 / 0 / 39

HEX #64219C

RGB 100 33 156

HSL 272.68, 0.65%, 0.37%

LAB 29.9, 51.57, -53.86

 

CMYK 39 / 89 / 0 / 46

HEX #530F89

RGB 83 15 137

HSL 273.44, 0.8%, 0.3%

LAB 23.63, 50.6, -52.49

 

CMYK 44 / 100 / 0 / 54

HEX #420076

RGB 66 0 118

HSL 273.56, 1%, 0.23%

LAB 17.77, 48.05, -50.16

 

CMYK 51 / 100 / 0 / 61

HEX #310063

RGB 49 0 99

HSL 269.7, 1%, 0.19%

LAB 12.95, 41.87, -45.77

 

CMYK 33 / 71 / 0 / 32

HEX #7432AE

RGB 116 50 174

HSL 271.94, 0.55%, 0.44%

LAB 36.08, 51.49, -54.57

 

CMYK 14 / 71 / 0 / 32

HEX #9532AE

RGB 149 50 174

HSL 287.9, 0.55%, 0.44%

LAB 40.78, 58.37, -46.75

 

CMYK 0 / 71 / 5 / 32

HEX #AE32A5

RGB 174 50 165

HSL 304.35, 0.55%, 0.44%

LAB 44.23, 62.4, -35.67

 

CMYK 0 / 71 / 24 / 32

HEX #AE3284

RGB 174 50 132

HSL 320.32, 0.55%, 0.44%

LAB 42.68, 57.56, -18.16

 

CMYK 0 / 71 / 43 / 32

HEX #AE3263

RGB 174 50 99

HSL 336.29, 0.55%, 0.44%

LAB 41.5, 53.69, 0.52

 

CMYK 33 / 71 / 0 / 32

HEX #7432AE

RGB 116 50 174

HSL 271.94, 0.55%, 0.44%

LAB 36.08, 51.49, -54.57

 

CMYK 52 / 71 / 0 / 32

HEX #5332AE

RGB 83 50 174

HSL 255.97, 0.55%, 0.44%

LAB 32.2, 45.45, -61.05

 

CMYK 71 / 71 / 0 / 32

HEX #3232AE

RGB 50 50 174

HSL 240, 0.55%, 0.44%

LAB 29.45, 40.89, -65.68

 

CMYK 33 / 71 / 0 / 32

HEX #7432AE

RGB 116 50 174

HSL 271.94, 0.55%, 0.44%

LAB 36.08, 51.49, -54.57

 

CMYK 39 / 83 / 0 / 25

HEX #7520C0

RGB 117 32 192

HSL 271.88, 0.71%, 0.44%

LAB 35.24, 62.85, -66.58

 

CMYK 43 / 93 / 0 / 18

HEX #770ED2

RGB 119 14 210

HSL 272.14, 0.88%, 0.44%

LAB 35.77, 71.23, -76.21

 

CMYK 33 / 71 / 0 / 32

HEX #7432AE

RGB 116 50 174

HSL 271.94, 0.55%, 0.44%

LAB 36.08, 51.49, -54.57

 

CMYK 26 / 56 / 0 / 39

HEX #73459C

RGB 115 69 156

HSL 271.72, 0.39%, 0.44%

LAB 38.38, 37, -40.1

 

CMYK 17 / 37 / 0 / 46

HEX #72578A

RGB 114 87 138

HSL 271.76, 0.23%, 0.44%

LAB 41.58, 21.63, -24.2

 

CMYK 5 / 12 / 0 / 53

HEX #716977

RGB 113 105 119

HSL 274.29, 0.06%, 0.44%

LAB 45.56, 6, -6.67

 

CMYK 10 / 0 / 18 / 52

HEX #6F7B65

RGB 111 123 101

HSL 92.73, 0.1%, 0.44%

LAB 50.08, -8.82, 10.55

 

CMYK 71 / 70 / 0 / 32

HEX #3235AE

RGB 50 53 174

HSL 238.55, 0.55%, 0.44%

LAB 30.11, 39.08, -64.59

 

CMYK 53 / 71 / 0 / 32

HEX #5132AE

RGB 81 50 174

HSL 255, 0.55%, 0.44%

LAB 32, 45.13, -61.39

 

CMYK 34 / 71 / 0 / 32

HEX #7232AE

RGB 114 50 174

HSL 270.97, 0.55%, 0.44%

LAB 35.82, 51.1, -55.01

 

CMYK 16 / 71 / 0 / 32

HEX #9332AE

RGB 147 50 174

HSL 286.94, 0.55%, 0.44%

LAB 40.48, 57.94, -47.26

 

CMYK 0 / 71 / 3 / 32

HEX #AE32A8

RGB 174 50 168

HSL 302.9, 0.55%, 0.44%

LAB 44.39, 62.89, -37.21

 

CMYK 34 / 71 / 0 / 57

HEX #49206E

RGB 73 32 110

HSL 271.54, 0.55%, 0.28%

LAB 22.21, 35.23, -37.68

 

CMYK 33 / 71 / 0 / 44

HEX #5F298E

RGB 95 41 142

HSL 272.08, 0.55%, 0.36%

LAB 29.34, 43.67, -46.22

 

CMYK 33 / 71 / 0 / 32

HEX #7432AE

RGB 116 50 174

HSL 271.94, 0.55%, 0.44%

LAB 36.08, 51.49, -54.57

 

CMYK 32 / 67 / 0 / 22

HEX #8942C8

RGB 137 66 200

HSL 271.79, 0.55%, 0.52%

LAB 43.34, 54.41, -57.96

 

CMYK 25 / 53 / 0 / 18

HEX #9D62D1

RGB 157 98 209

HSL 271.89, 0.55%, 0.6%

LAB 52.41, 44.75, -48.46

 

CMYK 33 / 71 / 0 / 31

HEX #7533AF

RGB 117 51 175

HSL 271.94, 0.55%, 0.44%

LAB 36.45, 51.47, -54.56

 

CMYK 0 / 71 / 51 / 32

HEX #AE3255

RGB 174 50 85

HSL 343.06, 0.55%, 0.44%

LAB 41.11, 52.38, 8.75

 

CMYK 71 / 0 / 63 / 32

HEX #32AE41

RGB 50 174 65

HSL 127.26, 0.55%, 0.44%

LAB 62.79, -55.66, 45.21

 

CMYK 33 / 71 / 0 / 31

HEX #7533AF

RGB 117 51 175

HSL 271.94, 0.55%, 0.44%

LAB 36.45, 51.47, -54.56

 

CMYK 0 / 34 / 71 / 32

HEX #AE7232

RGB 174 114 50

HSL 30.97, 0.55%, 0.44%

LAB 53.24, 17.81, 43.89

 

CMYK 71 / 0 / 34 / 32

HEX #32AE72

RGB 50 174 114

HSL 150.97, 0.55%, 0.44%

LAB 63.48, -47.74, 21.29

 

CMYK 33 / 71 / 0 / 31

HEX #7533AF

RGB 117 51 175

HSL 271.94, 0.55%, 0.44%

LAB 36.45, 51.47, -54.56

 

CMYK 0 / 71 / 51 / 32

HEX #AE3255

RGB 174 50 85

HSL 343.06, 0.55%, 0.44%

LAB 41.11, 52.38, 8.75

 

CMYK 37 / 0 / 71 / 32

HEX #6EAE32

RGB 110 174 50

HSL 90.97, 0.55%, 0.44%

LAB 64.82, -40.7, 54.27

 

CMYK 71 / 0 / 20 / 32

HEX #32AE8B

RGB 50 174 139

HSL 163.06, 0.55%, 0.44%

LAB 64.01, -42.07, 8.32

 

CMYK 33 / 71 / 0 / 31

HEX #7533AF

RGB 117 51 175

HSL 271.94, 0.55%, 0.44%

LAB 36.45, 51.47, -54.56

 

CMYK 0 / 70 / 71 / 32

HEX #AE3532

RGB 174 53 50

HSL 1.45, 0.55%, 0.44%

LAB 40.86, 48.84, 30.06

 

CMYK 37 / 0 / 71 / 32

HEX #6EAE32

RGB 110 174 50

HSL 90.97, 0.55%, 0.44%

LAB 64.82, -40.7, 54.27

 

CMYK 71 / 1 / 0 / 32

HEX #32ACAE

RGB 50 172 174

HSL 180.97, 0.55%, 0.44%

LAB 64.35, -31.61, -10.67

 

Description

Color code: HEX #7533AF | qconv.com Color code: HEX #7533AF | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 51 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 51 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 71 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 71% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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