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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #752762 it is the complementary color #8AD89D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #752762. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #752762 shade: #7A275D, #8B3970, #9C4B83, #AD5D96 and #BE6FA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #752762. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #752762 shade: #752762, #64154F, #53033C, #420029 and #310016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #752762 shade: #772863, #77284E, #772839 and #772828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #752762 shade: #772863, #752877, #5F2877, #4A2877 and #352877

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #752762 shade matches the following richer shades: #772863, #831B6A, #900E70 and #9D0177

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #752762 shade: #772863, #6A345D, #5D4156, #504E50 and #435B49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #752762 shade: #5F2877, #742877, #772864, #77284F and #77283A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #752762 shade: #39132F, #581D49, #772863, #96327D and #B43C97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #752762 shade: #752762, #774A28 and #287769

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #752762 shade: #752762, #647728 and #286477

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #752762 shade: #752762, #774A28, #28773A and #285477

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #752762 shade: #752762, #776128, #28773A and #283D77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 16 / 54

HEX #752762

RGB 117 39 98

HSL 314.62, 0.5%, 0.31%

LAB 29.7, 41.14, -17.61

 

Complementary color

CMYK 36 / 0 / 27 / 15

HEX #8AD89D

RGB 138 216 157

HSL 134.62, 0.5%, 0.69%

LAB 80.15, -36.28, 21.68

 

CMYK 0 / 68 / 24 / 52

HEX #7A275D

RGB 122 39 93

HSL 320.96, 0.52%, 0.32%

LAB 30.35, 41.85, -13.3

 

CMYK 0 / 59 / 19 / 45

HEX #8B3970

RGB 139 57 112

HSL 319.76, 0.42%, 0.38%

LAB 37.09, 41.59, -14.85

 

CMYK 0 / 52 / 16 / 39

HEX #9C4B83

RGB 156 75 131

HSL 318.52, 0.35%, 0.45%

LAB 43.86, 40.99, -16

 

CMYK 0 / 46 / 13 / 32

HEX #AD5D96

RGB 173 93 150

HSL 317.25, 0.33%, 0.52%

LAB 50.59, 40.25, -16.91

 

CMYK 0 / 42 / 11 / 25

HEX #BE6FA9

RGB 190 111 169

HSL 315.95, 0.38%, 0.59%

LAB 57.25, 39.48, -17.66

 

CMYK 0 / 67 / 16 / 54

HEX #752762

RGB 117 39 98

HSL 314.62, 0.5%, 0.31%

LAB 29.7, 41.14, -17.61

 

CMYK 0 / 79 / 21 / 61

HEX #64154F

RGB 100 21 79

HSL 315.95, 0.65%, 0.24%

LAB 23.03, 40.68, -15.65

 

CMYK 0 / 96 / 28 / 67

HEX #53033C

RGB 83 3 60

HSL 317.25, 0.93%, 0.17%

LAB 16.65, 39, -12.71

 

CMYK 0 / 100 / 38 / 74

HEX #420029

RGB 66 0 41

HSL 322.73, 1%, 0.13%

LAB 11.4, 33.44, -7.33

 

CMYK 0 / 100 / 55 / 81

HEX #310016

RGB 49 0 22

HSL 333.06, 1%, 0.1%

LAB 6.42, 26.25, -0.68

 

CMYK 0 / 66 / 17 / 53

HEX #772863

RGB 119 40 99

HSL 315.19, 0.5%, 0.31%

LAB 30.26, 41.44, -17.37

 

CMYK 0 / 66 / 34 / 53

HEX #77284E

RGB 119 40 78

HSL 331.14, 0.5%, 0.31%

LAB 29.39, 38.36, -4.99

 

CMYK 0 / 66 / 52 / 53

HEX #772839

RGB 119 40 57

HSL 347.09, 0.5%, 0.31%

LAB 28.73, 35.96, 7.99

 

CMYK 0 / 66 / 66 / 53

HEX #772828

RGB 119 40 40

HSL 0, 0.5%, 0.31%

LAB 28.36, 34.55, 18.7

 

CMYK 0 / 66 / 17 / 53

HEX #772863

RGB 119 40 99

HSL 315.19, 0.5%, 0.31%

LAB 30.26, 41.44, -17.37

 

CMYK 2 / 66 / 0 / 53

HEX #752877

RGB 117 40 119

HSL 298.48, 0.5%, 0.31%

LAB 30.95, 44.38, -29.08

 

CMYK 20 / 66 / 0 / 53

HEX #5F2877

RGB 95 40 119

HSL 281.77, 0.5%, 0.31%

LAB 27.52, 38.66, -34.74

 

CMYK 38 / 66 / 0 / 53

HEX #4A2877

RGB 74 40 119

HSL 265.82, 0.5%, 0.31%

LAB 24.66, 33.46, -39.5

 

CMYK 55 / 66 / 0 / 53

HEX #352877

RGB 53 40 119

HSL 249.87, 0.5%, 0.31%

LAB 22.32, 28.86, -43.39

 

CMYK 0 / 66 / 17 / 53

HEX #772863

RGB 119 40 99

HSL 315.19, 0.5%, 0.31%

LAB 30.26, 41.44, -17.37

 

CMYK 0 / 79 / 19 / 49

HEX #831B6A

RGB 131 27 106

HSL 314.42, 0.66%, 0.31%

LAB 31, 50.7, -20.56

 

CMYK 0 / 90 / 22 / 44

HEX #900E70

RGB 144 14 112

HSL 314.77, 0.82%, 0.31%

LAB 32.73, 57.63, -21.5

 

CMYK 0 / 99 / 24 / 38

HEX #9D0177

RGB 157 1 119

HSL 314.62, 0.99%, 0.31%

LAB 35.05, 63.03, -22.14

 

CMYK 0 / 66 / 17 / 53

HEX #772863

RGB 119 40 99

HSL 315.19, 0.5%, 0.31%

LAB 30.26, 41.44, -17.37

 

CMYK 0 / 51 / 12 / 58

HEX #6A345D

RGB 106 52 93

HSL 314.44, 0.34%, 0.31%

LAB 30.18, 30.07, -13.78

 

CMYK 0 / 30 / 8 / 64

HEX #5D4156

RGB 93 65 86

HSL 315, 0.18%, 0.31%

LAB 31.3, 16.01, -7.73

 

CMYK 0 / 2 / 0 / 69

HEX #504E50

RGB 80 78 80

HSL 300, 0.01%, 0.31%

LAB 33.42, 1.25, -0.89

 

CMYK 26 / 0 / 20 / 64

HEX #435B49

RGB 67 91 73

HSL 135, 0.15%, 0.31%

LAB 36.28, -13.23, 7.48

 

CMYK 20 / 66 / 0 / 53

HEX #5F2877

RGB 95 40 119

HSL 281.77, 0.5%, 0.31%

LAB 27.52, 38.66, -34.74

 

CMYK 3 / 66 / 0 / 53

HEX #742877

RGB 116 40 119

HSL 297.72, 0.5%, 0.31%

LAB 30.79, 44.11, -29.35

 

CMYK 0 / 66 / 16 / 53

HEX #772864

RGB 119 40 100

HSL 314.43, 0.5%, 0.31%

LAB 30.3, 41.6, -17.94

 

CMYK 0 / 66 / 34 / 53

HEX #77284F

RGB 119 40 79

HSL 330.38, 0.5%, 0.31%

LAB 29.42, 38.49, -5.59

 

CMYK 0 / 66 / 51 / 53

HEX #77283A

RGB 119 40 58

HSL 346.33, 0.5%, 0.31%

LAB 28.76, 36.06, 7.36

 

CMYK 0 / 67 / 18 / 78

HEX #39132F

RGB 57 19 47

HSL 315.79, 0.5%, 0.15%

LAB 12.87, 22.94, -9.67

 

CMYK 0 / 67 / 17 / 65

HEX #581D49

RGB 88 29 73

HSL 315.25, 0.5%, 0.23%

LAB 21.71, 32.8, -13.82

 

CMYK 0 / 66 / 17 / 53

HEX #772863

RGB 119 40 99

HSL 315.19, 0.5%, 0.31%

LAB 30.26, 41.44, -17.37

 

CMYK 0 / 67 / 17 / 41

HEX #96327D

RGB 150 50 125

HSL 315, 0.5%, 0.39%

LAB 38.28, 50.05, -20.97

 

CMYK 0 / 67 / 16 / 29

HEX #B43C97

RGB 180 60 151

HSL 314.5, 0.5%, 0.47%

LAB 45.87, 58.01, -24.67

 

CMYK 0 / 67 / 16 / 54

HEX #752762

RGB 117 39 98

HSL 314.62, 0.5%, 0.31%

LAB 29.7, 41.14, -17.61

 

CMYK 0 / 38 / 66 / 53

HEX #774A28

RGB 119 74 40

HSL 25.82, 0.5%, 0.31%

LAB 35.93, 15.61, 27.89

 

CMYK 66 / 0 / 12 / 53

HEX #287769

RGB 40 119 105

HSL 169.37, 0.5%, 0.31%

LAB 45.17, -27.46, 0.67

 

CMYK 0 / 67 / 16 / 54

HEX #752762

RGB 117 39 98

HSL 314.62, 0.5%, 0.31%

LAB 29.7, 41.14, -17.61

 

CMYK 16 / 0 / 66 / 53

HEX #647728

RGB 100 119 40

HSL 74.43, 0.5%, 0.31%

LAB 47.05, -19.3, 39.75

 

CMYK 66 / 16 / 0 / 53

HEX #286477

RGB 40 100 119

HSL 194.43, 0.5%, 0.31%

LAB 39.41, -12.95, -16.42

 

CMYK 0 / 67 / 16 / 54

HEX #752762

RGB 117 39 98

HSL 314.62, 0.5%, 0.31%

LAB 29.7, 41.14, -17.61

 

CMYK 0 / 38 / 66 / 53

HEX #774A28

RGB 119 74 40

HSL 25.82, 0.5%, 0.31%

LAB 35.93, 15.61, 27.89

 

CMYK 66 / 0 / 51 / 53

HEX #28773A

RGB 40 119 58

HSL 133.67, 0.5%, 0.31%

LAB 44.16, -38.06, 26.53

 

CMYK 66 / 29 / 0 / 53

HEX #285477

RGB 40 84 119

HSL 206.58, 0.5%, 0.31%

LAB 34.24, -3.29, -24.42

 

CMYK 0 / 67 / 16 / 54

HEX #752762

RGB 117 39 98

HSL 314.62, 0.5%, 0.31%

LAB 29.7, 41.14, -17.61

 

CMYK 0 / 18 / 66 / 53

HEX #776128

RGB 119 97 40

HSL 43.29, 0.5%, 0.31%

LAB 42.19, 1.84, 34.98

 

CMYK 66 / 0 / 51 / 53

HEX #28773A

RGB 40 119 58

HSL 133.67, 0.5%, 0.31%

LAB 44.16, -38.06, 26.53

 

CMYK 66 / 49 / 0 / 53

HEX #283D77

RGB 40 61 119

HSL 224.05, 0.5%, 0.31%

LAB 27.08, 12.01, -35.76

 

Description

Color code: HEX #752762 | qconv.com Color code: HEX #752762 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 39 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 39 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 16 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 16% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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