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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75202F it is the complementary color #8ADFD0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75202F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75202F shade: #7A202A, #8B323D, #9C4450, #AD5663 and #BE6876

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75202F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75202F shade: #75202F, #640E1C, #530009, #420000 and #310000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75202F shade: #74202F and #742020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75202F shade: #74202F, #742045, #74205C, #742073 and #5F2074

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75202F shade matches the following richer shades: #74202F, #801427 and #8C081F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75202F shade: #74202F, #682C36, #5C383E, #504446 and #44504E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75202F shade: #74205C, #742046, #74202F, #742720 and #743D20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75202F shade: #330E15, #541722, #74202F, #94293C and #B53249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75202F shade: #75202F, #737420 and #205174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75202F shade: #75202F, #2F7420 and #202F74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75202F shade: #75202F, #737420, #207465 and #212074

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75202F shade: #75202F, #597420, #207465 and #3A2074

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 60 / 54

HEX #75202F

RGB 117 32 47

HSL 349.41, 0.57%, 0.29%

LAB 26.79, 37.96, 11.95

 

Complementary color

CMYK 38 / 0 / 7 / 13

HEX #8ADFD0

RGB 138 223 208

HSL 169.41, 0.57%, 0.71%

LAB 83.3, -29.15, -0.78

 

CMYK 0 / 74 / 66 / 52

HEX #7A202A

RGB 122 32 42

HSL 353.33, 0.58%, 0.3%

LAB 27.68, 39.3, 16.63

 

CMYK 0 / 64 / 56 / 45

HEX #8B323D

RGB 139 50 61

HSL 352.58, 0.47%, 0.37%

LAB 34.2, 38.75, 13.47

 

CMYK 0 / 56 / 49 / 39

HEX #9C4450

RGB 156 68 80

HSL 351.82, 0.39%, 0.44%

LAB 40.87, 37.84, 11.07

 

CMYK 0 / 50 / 43 / 32

HEX #AD5663

RGB 173 86 99

HSL 351.03, 0.35%, 0.51%

LAB 47.55, 36.82, 9.16

 

CMYK 0 / 45 / 38 / 25

HEX #BE6876

RGB 190 104 118

HSL 350.23, 0.4%, 0.58%

LAB 54.19, 35.81, 7.59

 

CMYK 0 / 73 / 60 / 54

HEX #75202F

RGB 117 32 47

HSL 349.41, 0.57%, 0.29%

LAB 26.79, 37.96, 11.95

 

CMYK 0 / 86 / 72 / 61

HEX #640E1C

RGB 100 14 28

HSL 350.23, 0.75%, 0.22%

LAB 20.47, 37.63, 16

 

CMYK 0 / 100 / 89 / 67

HEX #530009

RGB 83 0 9

HSL 353.49, 1%, 0.16%

LAB 14.73, 35.73, 19.29

 

CMYK 0 / 100 / 100 / 74

HEX #420000

RGB 66 0 0

HSL 0, 1%, 0.13%

LAB 10.25, 30.37, 16.16

 

CMYK 0 / 100 / 100 / 81

HEX #310000

RGB 49 0 0

HSL 0, 1%, 0.1%

LAB 5.9, 24.15, 9.32

 

CMYK 0 / 72 / 59 / 55

HEX #74202F

RGB 116 32 47

HSL 349.29, 0.57%, 0.29%

LAB 26.6, 37.62, 11.65

 

CMYK 0 / 72 / 72 / 55

HEX #742020

RGB 116 32 32

HSL 0, 0.57%, 0.29%

LAB 26.3, 36.59, 21.23

 

CMYK 0 / 72 / 59 / 55

HEX #74202F

RGB 116 32 47

HSL 349.29, 0.57%, 0.29%

LAB 26.6, 37.62, 11.65

 

CMYK 0 / 72 / 41 / 55

HEX #742045

RGB 116 32 69

HSL 333.57, 0.57%, 0.29%

LAB 27.23, 39.8, -2.27

 

CMYK 0 / 72 / 21 / 55

HEX #74205C

RGB 116 32 92

HSL 317.14, 0.57%, 0.29%

LAB 28.16, 42.9, -16.1

 

CMYK 0 / 72 / 1 / 55

HEX #742073

RGB 116 32 115

HSL 300.71, 0.57%, 0.29%

LAB 29.37, 46.71, -29.05

 

CMYK 18 / 72 / 0 / 55

HEX #5F2074

RGB 95 32 116

HSL 285, 0.57%, 0.29%

LAB 25.94, 41.83, -35.37

 

CMYK 0 / 72 / 59 / 55

HEX #74202F

RGB 116 32 47

HSL 349.29, 0.57%, 0.29%

LAB 26.6, 37.62, 11.65

 

CMYK 0 / 84 / 70 / 50

HEX #801427

RGB 128 20 39

HSL 349.44, 0.73%, 0.29%

LAB 27.4, 45.14, 18.53

 

CMYK 0 / 94 / 78 / 45

HEX #8C081F

RGB 140 8 31

HSL 349.55, 0.89%, 0.29%

LAB 29.03, 50.68, 26.33

 

CMYK 0 / 72 / 59 / 55

HEX #74202F

RGB 116 32 47

HSL 349.29, 0.57%, 0.29%

LAB 26.6, 37.62, 11.65

 

CMYK 0 / 58 / 48 / 59

HEX #682C36

RGB 104 44 54

HSL 350, 0.41%, 0.29%

LAB 26.77, 27.96, 6.84

 

CMYK 0 / 39 / 33 / 64

HEX #5C383E

RGB 92 56 62

HSL 350, 0.24%, 0.29%

LAB 27.98, 16.93, 3.01

 

CMYK 0 / 15 / 13 / 69

HEX #504446

RGB 80 68 70

HSL 350, 0.08%, 0.29%

LAB 30.11, 5.51, 0.68

 

CMYK 15 / 0 / 2 / 69

HEX #44504E

RGB 68 80 78

HSL 170, 0.08%, 0.29%

LAB 32.95, -5.21, -0.43

 

CMYK 0 / 72 / 21 / 55

HEX #74205C

RGB 116 32 92

HSL 317.14, 0.57%, 0.29%

LAB 28.16, 42.9, -16.1

 

CMYK 0 / 72 / 40 / 55

HEX #742046

RGB 116 32 70

HSL 332.86, 0.57%, 0.29%

LAB 27.26, 39.92, -2.89

 

CMYK 0 / 72 / 59 / 55

HEX #74202F

RGB 116 32 47

HSL 349.29, 0.57%, 0.29%

LAB 26.6, 37.62, 11.65

 

CMYK 0 / 66 / 72 / 55

HEX #742720

RGB 116 39 32

HSL 5, 0.57%, 0.29%

LAB 27.49, 33.39, 22.63

 

CMYK 0 / 47 / 72 / 55

HEX #743D20

RGB 116 61 32

HSL 20.71, 0.57%, 0.29%

LAB 32.16, 21.43, 28.01

 

CMYK 0 / 73 / 59 / 80

HEX #330E15

RGB 51 14 21

HSL 348.65, 0.57%, 0.13%

LAB 9.58, 19.42, 4.66

 

CMYK 0 / 73 / 60 / 67

HEX #541722

RGB 84 23 34

HSL 349.18, 0.57%, 0.21%

LAB 18.42, 29.11, 8.46

 

CMYK 0 / 72 / 59 / 55

HEX #74202F

RGB 116 32 47

HSL 349.29, 0.57%, 0.29%

LAB 26.6, 37.62, 11.65

 

CMYK 0 / 72 / 59 / 42

HEX #94293C

RGB 148 41 60

HSL 349.35, 0.57%, 0.37%

LAB 34.41, 45.64, 14.68

 

CMYK 0 / 72 / 60 / 29

HEX #B53249

RGB 181 50 73

HSL 349.47, 0.57%, 0.45%

LAB 42.13, 53.6, 17.86

 

CMYK 0 / 73 / 60 / 54

HEX #75202F

RGB 117 32 47

HSL 349.41, 0.57%, 0.29%

LAB 26.79, 37.96, 11.95

 

CMYK 1 / 0 / 72 / 55

HEX #737420

RGB 115 116 32

HSL 60.71, 0.57%, 0.29%

LAB 47.29, -11.42, 43.84

 

CMYK 72 / 30 / 0 / 55

HEX #205174

RGB 32 81 116

HSL 205, 0.57%, 0.29%

LAB 32.82, -3.97, -24.8

 

CMYK 0 / 73 / 60 / 54

HEX #75202F

RGB 117 32 47

HSL 349.41, 0.57%, 0.29%

LAB 26.79, 37.96, 11.95

 

CMYK 59 / 0 / 72 / 55

HEX #2F7420

RGB 47 116 32

HSL 109.29, 0.57%, 0.29%

LAB 43.06, -38.43, 38.18

 

CMYK 72 / 59 / 0 / 55

HEX #202F74

RGB 32 47 116

HSL 229.29, 0.57%, 0.29%

LAB 22.31, 19.25, -41.58

 

CMYK 0 / 73 / 60 / 54

HEX #75202F

RGB 117 32 47

HSL 349.41, 0.57%, 0.29%

LAB 26.79, 37.96, 11.95

 

CMYK 1 / 0 / 72 / 55

HEX #737420

RGB 115 116 32

HSL 60.71, 0.57%, 0.29%

LAB 47.29, -11.42, 43.84

 

CMYK 72 / 0 / 13 / 55

HEX #207465

RGB 32 116 101

HSL 169.29, 0.57%, 0.29%

LAB 43.85, -28.5, 1.11

 

CMYK 72 / 72 / 0 / 55

HEX #212074

RGB 33 32 116

HSL 240.71, 0.57%, 0.29%

LAB 18.44, 29.65, -47.89

 

CMYK 0 / 73 / 60 / 54

HEX #75202F

RGB 117 32 47

HSL 349.41, 0.57%, 0.29%

LAB 26.79, 37.96, 11.95

 

CMYK 23 / 0 / 72 / 55

HEX #597420

RGB 89 116 32

HSL 79.29, 0.57%, 0.29%

LAB 45.25, -23.13, 41.13

 

CMYK 72 / 0 / 13 / 55

HEX #207465

RGB 32 116 101

HSL 169.29, 0.57%, 0.29%

LAB 43.85, -28.5, 1.11

 

CMYK 50 / 72 / 0 / 55

HEX #3A2074

RGB 58 32 116

HSL 258.57, 0.57%, 0.29%

LAB 20.8, 33.75, -43.93

 

Description

Color code: HEX #75202F | qconv.com Color code: HEX #75202F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 32 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 32 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 60 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 60% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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