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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74FEC2 it is the complementary color #8B013D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74FEC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74FEC2 shade: #79FEBD, #8AFFD0, #9BFFE3, #ACFFF6 and #BDFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74FEC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74FEC2 shade: #74FEC2, #63ECAF, #52DA9C, #41C889 and #30B676

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74FEC2 shade: #76FEC3, #76FE9E, #76FE7A, #97FE76 and #BCFE76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74FEC2 shade: #76FEC3, #76FEE8, #76F0FE, #76CBFE and #76A7FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74FEC2 shade matches the following richer shades: #76FEC3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74FEC2 shade: #76FEC3, #81F3C2, #8CE8C0, #97DDBF and #A3D2BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74FEC2 shade: #76FE78, #76FE9D, #76FEC1, #76FEE5 and #76F3FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74FEC2 shade: #24FE9F, #4DFEB1, #76FEC3, #9FFFD5 and #C8FFE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74FEC2 shade: #74FEC2, #7698FE and #FE8A76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74FEC2 shade: #74FEC2, #C176FE and #FEC176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74FEC2 shade: #74FEC2, #7698FE, #FE76B3 and #FEDC76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74FEC2 shade: #74FEC2, #7D76FE, #FE76B3 and #F7FE76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 24 / 0

HEX #74FEC2

RGB 116 254 194

HSL 153.91, 0.99%, 0.73%

LAB 91, -51.29, 17.46

 

Complementary color

CMYK 0 / 99 / 56 / 45

HEX #8B013D

RGB 139 1 61

HSL 333.91, 0.99%, 0.27%

LAB 29.02, 53.23, 6.31

 

CMYK 52 / 0 / 26 / 0

HEX #79FEBD

RGB 121 254 189

HSL 150.68, 0.99%, 0.74%

LAB 91.06, -51.2, 20.12

 

CMYK 46 / 0 / 18 / 0

HEX #8AFFD0

RGB 138 255 208

HSL 155.9, 1%, 0.77%

LAB 92.34, -43.81, 12.26

 

CMYK 39 / 0 / 11 / 0

HEX #9BFFE3

RGB 155 255 227

HSL 163.2, 1%, 0.8%

LAB 93.47, -35.55, 4.17

 

CMYK 33 / 0 / 4 / 0

HEX #ACFFF6

RGB 172 255 246

HSL 173.49, 1%, 0.84%

LAB 94.71, -26.96, -3.72

 

CMYK 26 / 0 / 0 / 0

HEX #BDFFFF

RGB 189 255 255

HSL 180, 1%, 0.87%

LAB 95.81, -20.34, -6.65

 

CMYK 54 / 0 / 24 / 0

HEX #74FEC2

RGB 116 254 194

HSL 153.91, 0.99%, 0.73%

LAB 91, -51.29, 17.46

 

CMYK 58 / 0 / 26 / 7

HEX #63ECAF

RGB 99 236 175

HSL 153.28, 0.78%, 0.66%

LAB 84.86, -51.28, 18.59

 

CMYK 62 / 0 / 28 / 15

HEX #52DA9C

RGB 82 218 156

HSL 152.65, 0.65%, 0.59%

LAB 78.66, -51.16, 19.82

 

CMYK 68 / 0 / 32 / 22

HEX #41C889

RGB 65 200 137

HSL 152, 0.55%, 0.52%

LAB 72.39, -50.88, 21.15

 

CMYK 74 / 0 / 35 / 29

HEX #30B676

RGB 48 182 118

HSL 151.34, 0.58%, 0.45%

LAB 66.05, -50.37, 22.61

 

CMYK 54 / 0 / 23 / 0

HEX #76FEC3

RGB 118 254 195

HSL 153.97, 0.99%, 0.73%

LAB 91.09, -50.65, 17.07

 

CMYK 54 / 0 / 38 / 0

HEX #76FE9E

RGB 118 254 158

HSL 137.65, 0.99%, 0.73%

LAB 90.42, -57.54, 34.87

 

CMYK 54 / 0 / 52 / 0

HEX #76FE7A

RGB 118 254 122

HSL 121.76, 0.99%, 0.73%

LAB 89.92, -62.8, 51.54

 

CMYK 41 / 0 / 54 / 0

HEX #97FE76

RGB 151 254 118

HSL 105.44, 0.99%, 0.73%

LAB 91.13, -54.21, 55.1

 

CMYK 26 / 0 / 54 / 0

HEX #BCFE76

RGB 188 254 118

HSL 89.12, 0.99%, 0.73%

LAB 92.96, -42.06, 57.72

 

CMYK 54 / 0 / 23 / 0

HEX #76FEC3

RGB 118 254 195

HSL 153.97, 0.99%, 0.73%

LAB 91.09, -50.65, 17.07

 

CMYK 54 / 0 / 9 / 0

HEX #76FEE8

RGB 118 254 232

HSL 170.29, 0.99%, 0.73%

LAB 91.94, -42.42, -0.81

 

CMYK 54 / 6 / 0 / 0

HEX #76F0FE

RGB 118 240 254

HSL 186.18, 0.99%, 0.73%

LAB 88.6, -30.42, -17.21

 

CMYK 54 / 20 / 0 / 0

HEX #76CBFE

RGB 118 203 254

HSL 202.5, 0.99%, 0.73%

LAB 78.3, -11.86, -32.9

 

CMYK 54 / 34 / 0 / 0

HEX #76A7FE

RGB 118 167 254

HSL 218.38, 0.99%, 0.73%

LAB 68.49, 7.92, -48.18

 

CMYK 54 / 0 / 23 / 0

HEX #76FEC3

RGB 118 254 195

HSL 153.97, 0.99%, 0.73%

LAB 91.09, -50.65, 17.07

 

CMYK 54 / 0 / 23 / 0

HEX #76FEC3

RGB 118 254 195

HSL 153.97, 0.99%, 0.73%

LAB 91.09, -50.65, 17.07

 

CMYK 47 / 0 / 20 / 5

HEX #81F3C2

RGB 129 243 194

HSL 154.21, 0.83%, 0.73%

LAB 88.29, -43.63, 13.69

 

CMYK 40 / 0 / 17 / 9

HEX #8CE8C0

RGB 140 232 192

HSL 153.91, 0.67%, 0.73%

LAB 85.55, -36.3, 10.91

 

CMYK 32 / 0 / 14 / 13

HEX #97DDBF

RGB 151 221 191

HSL 154.29, 0.51%, 0.73%

LAB 82.94, -28.24, 7.78

 

CMYK 22 / 0 / 10 / 18

HEX #A3D2BD

RGB 163 210 189

HSL 153.19, 0.34%, 0.73%

LAB 80.49, -19.58, 5.4

 

CMYK 54 / 0 / 53 / 0

HEX #76FE78

RGB 118 254 120

HSL 120.88, 0.99%, 0.73%

LAB 89.9, -63.05, 52.42

 

CMYK 54 / 0 / 38 / 0

HEX #76FE9D

RGB 118 254 157

HSL 137.21, 0.99%, 0.73%

LAB 90.4, -57.7, 35.35

 

CMYK 54 / 0 / 24 / 0

HEX #76FEC1

RGB 118 254 193

HSL 153.09, 0.99%, 0.73%

LAB 91.05, -51.06, 18.04

 

CMYK 54 / 0 / 10 / 0

HEX #76FEE5

RGB 118 254 229

HSL 168.97, 0.99%, 0.73%

LAB 91.86, -43.13, 0.64

 

CMYK 54 / 4 / 0 / 0

HEX #76F3FE

RGB 118 243 254

HSL 184.85, 0.99%, 0.73%

LAB 89.44, -31.84, -15.94

 

CMYK 86 / 0 / 37 / 0

HEX #24FE9F

RGB 36 254 159

HSL 153.85, 0.99%, 0.57%

LAB 88.81, -69.64, 31.95

 

CMYK 70 / 0 / 30 / 0

HEX #4DFEB1

RGB 77 254 177

HSL 153.9, 0.99%, 0.65%

LAB 89.69, -61.75, 24.16

 

CMYK 54 / 0 / 23 / 0

HEX #76FEC3

RGB 118 254 195

HSL 153.97, 0.99%, 0.73%

LAB 91.09, -50.65, 17.07

 

CMYK 38 / 0 / 16 / 0

HEX #9FFFD5

RGB 159 255 213

HSL 153.75, 1%, 0.81%

LAB 93.32, -37.41, 11.2

 

CMYK 22 / 0 / 9 / 0

HEX #C8FFE7

RGB 200 255 231

HSL 153.82, 1%, 0.89%

LAB 95.82, -21.99, 5.8

 

CMYK 54 / 0 / 24 / 0

HEX #74FEC2

RGB 116 254 194

HSL 153.91, 0.99%, 0.73%

LAB 91, -51.29, 17.46

 

CMYK 54 / 40 / 0 / 0

HEX #7698FE

RGB 118 152 254

HSL 225, 0.99%, 0.73%

LAB 64.53, 16.59, -54.44

 

CMYK 0 / 46 / 54 / 0

HEX #FE8A76

RGB 254 138 118

HSL 8.82, 0.99%, 0.73%

LAB 69.86, 42.04, 30.39

 

CMYK 54 / 0 / 24 / 0

HEX #74FEC2

RGB 116 254 194

HSL 153.91, 0.99%, 0.73%

LAB 91, -51.29, 17.46

 

CMYK 24 / 54 / 0 / 0

HEX #C176FE

RGB 193 118 254

HSL 273.09, 0.99%, 0.73%

LAB 62.89, 53.56, -56.69

 

CMYK 0 / 24 / 54 / 0

HEX #FEC176

RGB 254 193 118

HSL 33.09, 0.99%, 0.73%

LAB 82.12, 13.51, 45.91

 

CMYK 54 / 0 / 24 / 0

HEX #74FEC2

RGB 116 254 194

HSL 153.91, 0.99%, 0.73%

LAB 91, -51.29, 17.46

 

CMYK 54 / 40 / 0 / 0

HEX #7698FE

RGB 118 152 254

HSL 225, 0.99%, 0.73%

LAB 64.53, 16.59, -54.44

 

CMYK 0 / 54 / 30 / 0

HEX #FE76B3

RGB 254 118 179

HSL 333.09, 0.99%, 0.73%

LAB 67.49, 58.02, -7.12

 

CMYK 0 / 13 / 54 / 0

HEX #FEDC76

RGB 254 220 118

HSL 45, 0.99%, 0.73%

LAB 88.72, -0.4, 53.87

 

CMYK 54 / 0 / 24 / 0

HEX #74FEC2

RGB 116 254 194

HSL 153.91, 0.99%, 0.73%

LAB 91, -51.29, 17.46

 

CMYK 51 / 54 / 0 / 0

HEX #7D76FE

RGB 125 118 254

HSL 243.09, 0.99%, 0.73%

LAB 56.56, 38.05, -67.18

 

CMYK 0 / 54 / 30 / 0

HEX #FE76B3

RGB 254 118 179

HSL 333.09, 0.99%, 0.73%

LAB 67.49, 58.02, -7.12

 

CMYK 3 / 0 / 54 / 0

HEX #F7FE76

RGB 247 254 118

HSL 63.09, 0.99%, 0.73%

LAB 96.81, -19.98, 63.16

 

Description

Color code: HEX #74FEC2 | qconv.com Color code: HEX #74FEC2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 254 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 254 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 24 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 24% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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