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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74FAC34C it is the complementary color #8B053C4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74FAC34C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74FAC34C shade: #79FABE4C, #8AFFD14C, #9BFFE44C, #ACFFF74C and #BDFFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74FAC34C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74FAC34C shade: #74FAC34C, #63E8B04C, #52D69D4C, #41C48A4C and #30B2774C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74FAC34C shade: #75FAC3, #75FAA0, #75FA7C, #92FA75 and #B6FA75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74FAC34C shade: #75FAC3, #75FAE7, #75E9FA, #75C5FA and #75A1FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74FAC34C shade matches the following richer shades: #75FAC3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74FAC34C shade: #75FAC3, #81EEC1, #8CE3BF, #98D7BD and #A3CCBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74FAC34C shade: #75FA7C, #75FA9F, #75FAC3, #75FAE6 and #75EBFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74FAC34C shade: #26F7A1, #4DF9B2, #75FAC3, #9DFBD5 and #C5FDE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74FAC34C shade: #74FAC3, #7592FA and #FA8E75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74FAC34C shade: #74FAC3, #C375FA and #FAC375

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74FAC34C shade: #74FAC3, #7592FA, #FA75AD and #FADD75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74FAC34C shade: #74FAC3, #8075FA, #FA75AD and #EFFA75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 7 / 1

HEX #74FAC34C

RGBA 116 250 195 0.3

HSLA 155.37, 0.93%, 0.72%, 0.3

LABA 89.87, -49.41, 15.35, 0.3

 

Complementary color

CMYK 0 / 29 / 17 / 14

HEX #8B053C4C

RGBA 139 5 60 0.3

HSLA 335.37, 0.93%, 0.28%, 0.3

LABA 29.22, 52.51, 7.26, 0.3

 

CMYK 15 / 0 / 7 / 1

HEX #79FABE4C

RGBA 121 250 190 0.3

HSLA 152.09, 0.93%, 0.73%, 0.3

LABA 89.93, -49.33, 18.03, 0.3

 

CMYK 14 / 0 / 5 / 0

HEX #8AFFD14C

RGBA 138 255 209 0.3

HSLA 156.41, 1%, 0.77%, 0.3

LABA 92.37, -43.61, 11.78, 0.3

 

CMYK 12 / 0 / 3 / 0

HEX #9BFFE44C

RGBA 155 255 228 0.3

HSLA 163.8, 1%, 0.8%, 0.3

LABA 93.49, -35.34, 3.69, 0.3

 

CMYK 10 / 0 / 1 / 0

HEX #ACFFF74C

RGBA 172 255 247 0.3

HSLA 174.22, 1%, 0.84%, 0.3

LABA 94.74, -26.74, -4.2, 0.3

 

CMYK 8 / 0 / 0 / 0

HEX #BDFFFF4C

RGBA 189 255 255 0.3

HSLA 180, 1%, 0.87%, 0.3

LABA 95.81, -20.34, -6.65, 0.3

 

CMYK 16 / 0 / 7 / 1

HEX #74FAC34C

RGBA 116 250 195 0.3

HSLA 155.37, 0.93%, 0.72%, 0.3

LABA 89.87, -49.41, 15.35, 0.3

 

CMYK 17 / 0 / 7 / 3

HEX #63E8B04C

RGBA 99 232 176 0.3

HSLA 154.74, 0.74%, 0.65%, 0.3

LABA 83.71, -49.41, 16.46, 0.3

 

CMYK 19 / 0 / 8 / 5

HEX #52D69D4C

RGBA 82 214 157 0.3

HSLA 154.09, 0.62%, 0.58%, 0.3

LABA 77.47, -49.32, 17.65, 0.3

 

CMYK 20 / 0 / 9 / 7

HEX #41C48A4C

RGBA 65 196 138 0.3

HSLA 153.44, 0.53%, 0.51%, 0.3

LABA 71.17, -49.07, 18.95, 0.3

 

CMYK 22 / 0 / 10 / 9

HEX #30B2774C

RGBA 48 178 119 0.3

HSLA 152.77, 0.58%, 0.44%, 0.3

LABA 64.8, -48.59, 20.38, 0.3

 

CMYK 53 / 0 / 22 / 2

HEX #75FAC3

RGB 117 250 195

HSL 155.19, 0.93%, 0.72%

LAB 89.9, -49.19, 15.4

 

CMYK 53 / 0 / 36 / 2

HEX #75FAA0

RGB 117 250 160

HSL 139.4, 0.93%, 0.72%

LAB 89.25, -55.85, 32.32

 

CMYK 53 / 0 / 50 / 2

HEX #75FA7C

RGB 117 250 124

HSL 123.16, 0.93%, 0.72%

LAB 88.74, -61.29, 49.16

 

CMYK 42 / 0 / 53 / 2

HEX #92FA75

RGB 146 250 117

HSL 106.92, 0.93%, 0.72%

LAB 89.75, -54.22, 53.86

 

CMYK 27 / 0 / 53 / 2

HEX #B6FA75

RGB 182 250 117

HSL 90.68, 0.93%, 0.72%

LAB 91.51, -42.51, 56.37

 

CMYK 53 / 0 / 22 / 2

HEX #75FAC3

RGB 117 250 195

HSL 155.19, 0.93%, 0.72%

LAB 89.9, -49.19, 15.4

 

CMYK 53 / 0 / 8 / 2

HEX #75FAE7

RGB 117 250 231

HSL 171.43, 0.93%, 0.72%

LAB 90.74, -41.08, -2.04

 

CMYK 53 / 7 / 0 / 2

HEX #75E9FA

RGB 117 233 250

HSL 187.67, 0.93%, 0.72%

LAB 86.49, -28.32, -18.3

 

CMYK 53 / 21 / 0 / 2

HEX #75C5FA

RGB 117 197 250

HSL 203.91, 0.93%, 0.72%

LAB 76.45, -10.06, -33.62

 

CMYK 53 / 36 / 0 / 2

HEX #75A1FA

RGB 117 161 250

HSL 220.15, 0.93%, 0.72%

LAB 66.65, 9.92, -48.91

 

CMYK 53 / 0 / 22 / 2

HEX #75FAC3

RGB 117 250 195

HSL 155.19, 0.93%, 0.72%

LAB 89.9, -49.19, 15.4

 

CMYK 53 / 0 / 22 / 2

HEX #75FAC3

RGB 117 250 195

HSL 155.19, 0.93%, 0.72%

LAB 89.9, -49.19, 15.4

 

CMYK 46 / 0 / 19 / 7

HEX #81EEC1

RGB 129 238 193

HSL 155.23, 0.76%, 0.72%

LAB 86.83, -41.64, 12.15

 

CMYK 38 / 0 / 16 / 11

HEX #8CE3BF

RGB 140 227 191

HSL 155.17, 0.61%, 0.72%

LAB 84.11, -34.2, 9.38

 

CMYK 29 / 0 / 12 / 16

HEX #98D7BD

RGB 152 215 189

HSL 155.24, 0.44%, 0.72%

LAB 81.26, -25.45, 6.44

 

CMYK 20 / 0 / 8 / 20

HEX #A3CCBB

RGB 163 204 187

HSL 155.12, 0.29%, 0.72%

LAB 78.79, -16.95, 4.01

 

CMYK 53 / 0 / 50 / 2

HEX #75FA7C

RGB 117 250 124

HSL 123.16, 0.93%, 0.72%

LAB 88.74, -61.29, 49.16

 

CMYK 53 / 0 / 36 / 2

HEX #75FA9F

RGB 117 250 159

HSL 138.95, 0.93%, 0.72%

LAB 89.23, -56.02, 32.8

 

CMYK 53 / 0 / 22 / 2

HEX #75FAC3

RGB 117 250 195

HSL 155.19, 0.93%, 0.72%

LAB 89.9, -49.19, 15.4

 

CMYK 53 / 0 / 8 / 2

HEX #75FAE6

RGB 117 250 230

HSL 170.98, 0.93%, 0.72%

LAB 90.72, -41.32, -1.56

 

CMYK 53 / 6 / 0 / 2

HEX #75EBFA

RGB 117 235 250

HSL 186.77, 0.93%, 0.72%

LAB 87.05, -29.28, -17.46

 

CMYK 85 / 0 / 35 / 3

HEX #26F7A1

RGB 38 247 161

HSL 155.31, 0.93%, 0.56%

LAB 86.75, -66.68, 28.19

 

CMYK 69 / 0 / 29 / 2

HEX #4DF9B2

RGB 77 249 178

HSL 155.23, 0.93%, 0.64%

LAB 88.23, -59.65, 21.64

 

CMYK 53 / 0 / 22 / 2

HEX #75FAC3

RGB 117 250 195

HSL 155.19, 0.93%, 0.72%

LAB 89.9, -49.19, 15.4

 

CMYK 37 / 0 / 15 / 2

HEX #9DFBD5

RGB 157 251 213

HSL 155.74, 0.92%, 0.8%

LAB 92.12, -36.12, 9.47

 

CMYK 22 / 0 / 9 / 1

HEX #C5FDE6

RGB 197 253 230

HSL 155.36, 0.93%, 0.88%

LAB 95.09, -22.13, 5.24

 

CMYK 54 / 0 / 22 / 2

HEX #74FAC3

RGB 116 250 195

HSL 155.37, 0.93%, 0.72%

LAB 89.87, -49.41, 15.35

 

CMYK 53 / 42 / 0 / 2

HEX #7592FA

RGB 117 146 250

HSL 226.92, 0.93%, 0.72%

LAB 62.71, 18.67, -55.16

 

CMYK 0 / 43 / 53 / 2

HEX #FA8E75

RGB 250 142 117

HSL 11.28, 0.93%, 0.72%

LAB 70.14, 38.44, 31.2

 

CMYK 54 / 0 / 22 / 2

HEX #74FAC3

RGB 116 250 195

HSL 155.37, 0.93%, 0.72%

LAB 89.87, -49.41, 15.35

 

CMYK 22 / 53 / 0 / 2

HEX #C375FA

RGB 195 117 250

HSL 275.19, 0.93%, 0.72%

LAB 62.7, 53.69, -54.78

 

CMYK 0 / 22 / 53 / 2

HEX #FAC375

RGB 250 195 117

HSL 35.19, 0.93%, 0.72%

LAB 82.18, 10.77, 46.39

 

CMYK 54 / 0 / 22 / 2

HEX #74FAC3

RGB 116 250 195

HSL 155.37, 0.93%, 0.72%

LAB 89.87, -49.41, 15.35

 

CMYK 53 / 42 / 0 / 2

HEX #7592FA

RGB 117 146 250

HSL 226.92, 0.93%, 0.72%

LAB 62.71, 18.67, -55.16

 

CMYK 0 / 53 / 31 / 2

HEX #FA75AD

RGB 250 117 173

HSL 334.74, 0.93%, 0.72%

LAB 66.57, 56.49, -5.15

 

CMYK 0 / 12 / 53 / 2

HEX #FADD75

RGB 250 221 117

HSL 46.92, 0.93%, 0.72%

LAB 88.6, -2.6, 54.12

 

CMYK 54 / 0 / 22 / 2

HEX #74FAC3

RGB 116 250 195

HSL 155.37, 0.93%, 0.72%

LAB 89.87, -49.41, 15.35

 

CMYK 49 / 53 / 0 / 2

HEX #8075FA

RGB 128 117 250

HSL 244.96, 0.93%, 0.72%

LAB 56.3, 38.06, -65.38

 

CMYK 0 / 53 / 31 / 2

HEX #FA75AD

RGB 250 117 173

HSL 334.74, 0.93%, 0.72%

LAB 66.57, 56.49, -5.15

 

CMYK 4 / 0 / 53 / 2

HEX #EFFA75

RGB 239 250 117

HSL 64.96, 0.93%, 0.72%

LAB 95.16, -21.27, 61.56

 

Description

Color code: HEX #74FAC34C | qconv.com Color code: HEX #74FAC34C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 250 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 250 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 7 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 7% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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