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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74F992 it is the complementary color #8B066D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74F992. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74F992 shade: #79F98D, #8AFFA0, #9BFFB3, #ACFFC6 and #BDFFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74F992. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74F992 shade: #74F992, #63E77F, #52D56C, #41C359 and #30B146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74F992 shade: #76F994, #7CF976, #9FF976, #C3F976 and #E6F976

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74F992 shade: #76F994, #76F9B7, #76F9DA, #76F5F9 and #76D1F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74F992 shade matches the following richer shades: #76F994

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74F992 shade: #76F994, #81EE9A, #8DE2A0, #99D7A7 and #A4CBAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74F992 shade: #A0F976, #7CF976, #76F992, #76F9B5 and #76F9D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74F992 shade: #27F655, #4EF874, #76F994, #9EFBB3 and #C5FDD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74F992 shade: #74F992, #76C3F9 and #F9768E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74F992 shade: #74F992, #9276F9 and #F99276

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74F992 shade: #74F992, #76C3F9, #F976DD and #F9AD76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74F992 shade: #74F992, #769BF9, #F976DD and #F9D476

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 41 / 2

HEX #74F992

RGB 116 249 146

HSL 133.53, 0.92%, 0.72%

LAB 88.7, -57.99, 38.55

 

Complementary color

CMYK 0 / 96 / 22 / 45

HEX #8B066D

RGB 139 6 109

HSL 313.53, 0.92%, 0.28%

LAB 31.17, 57.39, -22.1

 

CMYK 51 / 0 / 43 / 2

HEX #79F98D

RGB 121 249 141

HSL 129.38, 0.91%, 0.73%

LAB 88.8, -57.55, 41.15

 

CMYK 46 / 0 / 37 / 0

HEX #8AFFA0

RGB 138 255 160

HSL 131.28, 1%, 0.77%

LAB 91.44, -52.64, 35.37

 

CMYK 39 / 0 / 30 / 0

HEX #9BFFB3

RGB 155 255 179

HSL 134.4, 1%, 0.8%

LAB 92.46, -44.84, 27.34

 

CMYK 33 / 0 / 22 / 0

HEX #ACFFC6

RGB 172 255 198

HSL 138.8, 1%, 0.84%

LAB 93.61, -36.58, 19.39

 

CMYK 26 / 0 / 15 / 0

HEX #BDFFD9

RGB 189 255 217

HSL 145.45, 1%, 0.87%

LAB 94.89, -28, 11.58

 

CMYK 53 / 0 / 41 / 2

HEX #74F992

RGB 116 249 146

HSL 133.53, 0.92%, 0.72%

LAB 88.7, -57.99, 38.55

 

CMYK 57 / 0 / 45 / 9

HEX #63E77F

RGB 99 231 127

HSL 132.73, 0.73%, 0.65%

LAB 82.56, -57.94, 39.88

 

CMYK 62 / 0 / 49 / 16

HEX #52D56C

RGB 82 213 108

HSL 131.91, 0.61%, 0.58%

LAB 76.35, -57.72, 41.26

 

CMYK 67 / 0 / 54 / 24

HEX #41C359

RGB 65 195 89

HSL 131.08, 0.52%, 0.51%

LAB 70.09, -57.26, 42.66

 

CMYK 73 / 0 / 60 / 31

HEX #30B146

RGB 48 177 70

HSL 130.23, 0.57%, 0.44%

LAB 63.77, -56.44, 44.04

 

CMYK 53 / 0 / 41 / 2

HEX #76F994

RGB 118 249 148

HSL 133.74, 0.92%, 0.72%

LAB 88.8, -57.2, 37.7

 

CMYK 50 / 0 / 53 / 2

HEX #7CF976

RGB 124 249 118

HSL 117.25, 0.92%, 0.72%

LAB 88.61, -59.9, 51.83

 

CMYK 36 / 0 / 53 / 2

HEX #9FF976

RGB 159 249 118

HSL 101.22, 0.92%, 0.72%

LAB 90.06, -49.67, 53.91

 

CMYK 22 / 0 / 53 / 2

HEX #C3F976

RGB 195 249 118

HSL 84.73, 0.92%, 0.72%

LAB 91.98, -37.35, 56.66

 

CMYK 8 / 0 / 53 / 2

HEX #E6F976

RGB 230 249 118

HSL 68.7, 0.92%, 0.72%

LAB 94.26, -24.21, 59.91

 

CMYK 53 / 0 / 41 / 2

HEX #76F994

RGB 118 249 148

HSL 133.74, 0.92%, 0.72%

LAB 88.8, -57.2, 37.7

 

CMYK 53 / 0 / 27 / 2

HEX #76F9B7

RGB 118 249 183

HSL 149.77, 0.92%, 0.72%

LAB 89.4, -50.98, 20.87

 

CMYK 53 / 0 / 12 / 2

HEX #76F9DA

RGB 118 249 218

HSL 165.8, 0.92%, 0.72%

LAB 90.17, -43.5, 3.88

 

CMYK 53 / 2 / 0 / 2

HEX #76F5F9

RGB 118 245 249

HSL 181.83, 0.92%, 0.72%

LAB 89.86, -34.09, -12.72

 

CMYK 53 / 16 / 0 / 2

HEX #76D1F9

RGB 118 209 249

HSL 198.32, 0.92%, 0.72%

LAB 79.78, -16.42, -27.96

 

CMYK 53 / 0 / 41 / 2

HEX #76F994

RGB 118 249 148

HSL 133.74, 0.92%, 0.72%

LAB 88.8, -57.2, 37.7

 

CMYK 53 / 0 / 41 / 2

HEX #76F994

RGB 118 249 148

HSL 133.74, 0.92%, 0.72%

LAB 88.8, -57.2, 37.7

 

CMYK 46 / 0 / 35 / 7

HEX #81EE9A

RGB 129 238 154

HSL 133.76, 0.76%, 0.72%

LAB 86.08, -48.98, 31.19

 

CMYK 38 / 0 / 29 / 11

HEX #8DE2A0

RGB 141 226 160

HSL 133.41, 0.59%, 0.72%

LAB 83.23, -39.38, 24.36

 

CMYK 29 / 0 / 22 / 16

HEX #99D7A7

RGB 153 215 167

HSL 133.55, 0.44%, 0.72%

LAB 80.83, -29.37, 17.48

 

CMYK 19 / 0 / 15 / 20

HEX #A4CBAD

RGB 164 203 173

HSL 133.85, 0.27%, 0.72%

LAB 78.24, -18.81, 10.74

 

CMYK 36 / 0 / 53 / 2

HEX #A0F976

RGB 160 249 118

HSL 100.76, 0.92%, 0.72%

LAB 90.11, -49.35, 53.98

 

CMYK 50 / 0 / 53 / 2

HEX #7CF976

RGB 124 249 118

HSL 117.25, 0.92%, 0.72%

LAB 88.61, -59.9, 51.83

 

CMYK 53 / 0 / 41 / 2

HEX #76F992

RGB 118 249 146

HSL 132.82, 0.92%, 0.72%

LAB 88.77, -57.52, 38.65

 

CMYK 53 / 0 / 27 / 2

HEX #76F9B5

RGB 118 249 181

HSL 148.85, 0.92%, 0.72%

LAB 89.36, -51.37, 21.84

 

CMYK 53 / 0 / 13 / 2

HEX #76F9D8

RGB 118 249 216

HSL 164.89, 0.92%, 0.72%

LAB 90.12, -43.96, 4.85

 

CMYK 84 / 0 / 65 / 4

HEX #27F655

RGB 39 246 85

HSL 133.33, 0.92%, 0.56%

LAB 85.5, -77.66, 61.97

 

CMYK 69 / 0 / 53 / 3

HEX #4EF874

RGB 78 248 116

HSL 133.41, 0.92%, 0.64%

LAB 87, -69.72, 50.51

 

CMYK 53 / 0 / 41 / 2

HEX #76F994

RGB 118 249 148

HSL 133.74, 0.92%, 0.72%

LAB 88.8, -57.2, 37.7

 

CMYK 37 / 0 / 29 / 2

HEX #9EFBB3

RGB 158 251 179

HSL 133.55, 0.92%, 0.8%

LAB 91.47, -42.23, 26

 

CMYK 22 / 0 / 17 / 1

HEX #C5FDD2

RGB 197 253 210

HSL 133.93, 0.93%, 0.88%

LAB 94.64, -25.84, 14.89

 

CMYK 53 / 0 / 41 / 2

HEX #74F992

RGB 116 249 146

HSL 133.53, 0.92%, 0.72%

LAB 88.7, -57.99, 38.55

 

CMYK 53 / 22 / 0 / 2

HEX #76C3F9

RGB 118 195 249

HSL 204.73, 0.92%, 0.72%

LAB 75.9, -9.07, -33.93

 

CMYK 0 / 53 / 43 / 2

HEX #F9768E

RGB 249 118 142

HSL 349.01, 0.92%, 0.72%

LAB 65.79, 52.24, 11.31

 

CMYK 53 / 0 / 41 / 2

HEX #74F992

RGB 116 249 146

HSL 133.53, 0.92%, 0.72%

LAB 88.7, -57.99, 38.55

 

CMYK 41 / 53 / 0 / 2

HEX #9276F9

RGB 146 118 249

HSL 252.82, 0.92%, 0.72%

LAB 57.95, 41.1, -62.1

 

CMYK 0 / 41 / 53 / 2

HEX #F99276

RGB 249 146 118

HSL 12.82, 0.92%, 0.72%

LAB 70.87, 36.09, 31.59

 

CMYK 53 / 0 / 41 / 2

HEX #74F992

RGB 116 249 146

HSL 133.53, 0.92%, 0.72%

LAB 88.7, -57.99, 38.55

 

CMYK 53 / 22 / 0 / 2

HEX #76C3F9

RGB 118 195 249

HSL 204.73, 0.92%, 0.72%

LAB 75.9, -9.07, -33.93

 

CMYK 0 / 53 / 11 / 2

HEX #F976DD

RGB 249 118 221

HSL 312.82, 0.92%, 0.72%

LAB 68.25, 62.38, -29.55

 

CMYK 0 / 31 / 53 / 2

HEX #F9AD76

RGB 249 173 118

HSL 25.19, 0.92%, 0.72%

LAB 76.88, 21.99, 39.28

 

CMYK 53 / 0 / 41 / 2

HEX #74F992

RGB 116 249 146

HSL 133.53, 0.92%, 0.72%

LAB 88.7, -57.99, 38.55

 

CMYK 53 / 38 / 0 / 2

HEX #769BF9

RGB 118 155 249

HSL 223.05, 0.92%, 0.72%

LAB 65.07, 13.3, -50.87

 

CMYK 0 / 53 / 11 / 2

HEX #F976DD

RGB 249 118 221

HSL 312.82, 0.92%, 0.72%

LAB 68.25, 62.38, -29.55

 

CMYK 0 / 15 / 53 / 2

HEX #F9D476

RGB 249 212 118

HSL 43.05, 0.92%, 0.72%

LAB 86.27, 1.66, 50.84

 

Description

Color code: HEX #74F992 | qconv.com Color code: HEX #74F992 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 249 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 249 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 41 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 41% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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