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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74F314 it is the complementary color #8B0CEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74F314. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74F314 shade: #79F30F, #8AFF22, #9BFF35, #ACFF48 and #BDFF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74F314. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74F314 shade: #74F314, #63E101, #52CF00, #41BD00 and #30AB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74F314 shade: #75F316, #B1F316, #ECF316, #F3BE16 and #F38316

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74F314 shade: #75F316, #3AF316, #16F32E, #16F36A and #16F3A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74F314 shade matches the following richer shades: #75F316

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74F314 shade: #75F316, #78DF2A, #7BCB3E, #7EB752 and #80A466

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74F314 shade: #EBF316, #B1F316, #76F316, #3BF316 and #16F32C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74F314 shade: #50AE09, #62D50B, #75F316, #8CF53E and #A4F765

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74F314 shade: #74F314, #16F3BF and #F316CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74F314 shade: #74F314, #1676F3 and #F31676

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74F314 shade: #74F314, #16F3BF, #9316F3 and #F3164A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74F314 shade: #74F314, #16E4F3, #9316F3 and #F32516

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 92 / 5

HEX #74F314

RGB 116 243 20

HSL 94.17, 0.9%, 0.52%

LAB 85.94, -66.64, 80.71

 

Complementary color

CMYK 41 / 95 / 0 / 8

HEX #8B0CEB

RGB 139 12 235

HSL 274.17, 0.9%, 0.48%

LAB 40.82, 78.74, -82.14

 

CMYK 50 / 0 / 94 / 5

HEX #79F30F

RGB 121 243 15

HSL 92.11, 0.9%, 0.51%

LAB 86.11, -65.35, 81.49

 

CMYK 46 / 0 / 87 / 0

HEX #8AFF22

RGB 138 255 34

HSL 91.76, 1%, 0.57%

LAB 90.34, -64.29, 82.56

 

CMYK 39 / 0 / 79 / 0

HEX #9BFF35

RGB 155 255 53

HSL 89.7, 1%, 0.6%

LAB 91.12, -58.31, 79.29

 

CMYK 33 / 0 / 72 / 0

HEX #ACFF48

RGB 172 255 72

HSL 87.21, 1%, 0.64%

LAB 92.02, -51.65, 74.73

 

CMYK 26 / 0 / 64 / 0

HEX #BDFF5B

RGB 189 255 91

HSL 84.15, 1%, 0.68%

LAB 93.06, -44.43, 69.18

 

CMYK 52 / 0 / 92 / 5

HEX #74F314

RGB 116 243 20

HSL 94.17, 0.9%, 0.52%

LAB 85.94, -66.64, 80.71

 

CMYK 56 / 0 / 100 / 12

HEX #63E101

RGB 99 225 1

HSL 93.75, 0.99%, 0.44%

LAB 79.9, -65.25, 77.44

 

CMYK 60 / 0 / 100 / 19

HEX #52CF00

RGB 82 207 0

HSL 96.23, 1%, 0.41%

LAB 73.82, -63.43, 72.51

 

CMYK 66 / 0 / 100 / 26

HEX #41BD00

RGB 65 189 0

HSL 99.37, 1%, 0.37%

LAB 67.66, -61.37, 67.44

 

CMYK 72 / 0 / 100 / 33

HEX #30AB00

RGB 48 171 0

HSL 103.16, 1%, 0.34%

LAB 61.44, -58.98, 62.33

 

CMYK 52 / 0 / 91 / 5

HEX #75F316

RGB 117 243 22

HSL 94.21, 0.9%, 0.52%

LAB 85.98, -66.33, 80.5

 

CMYK 27 / 0 / 91 / 5

HEX #B1F316

RGB 177 243 22

HSL 77.92, 0.9%, 0.52%

LAB 88.69, -46.74, 83.83

 

CMYK 3 / 0 / 91 / 5

HEX #ECF316

RGB 236 243 22

HSL 61.9, 0.9%, 0.52%

LAB 92.57, -23.46, 88.55

 

CMYK 0 / 22 / 91 / 5

HEX #F3BE16

RGB 243 190 22

HSL 45.61, 0.9%, 0.52%

LAB 79.58, 5.99, 78.88

 

CMYK 0 / 46 / 91 / 5

HEX #F38316

RGB 243 131 22

HSL 29.59, 0.9%, 0.52%

LAB 66.02, 36.82, 68.86

 

CMYK 52 / 0 / 91 / 5

HEX #75F316

RGB 117 243 22

HSL 94.21, 0.9%, 0.52%

LAB 85.98, -66.33, 80.5

 

CMYK 76 / 0 / 91 / 5

HEX #3AF316

RGB 58 243 22

HSL 110.23, 0.9%, 0.52%

LAB 84.51, -78.52, 78.69

 

CMYK 91 / 0 / 81 / 5

HEX #16F32E

RGB 22 243 46

HSL 126.52, 0.9%, 0.52%

LAB 84.21, -80.96, 73.55

 

CMYK 91 / 0 / 56 / 5

HEX #16F36A

RGB 22 243 106

HSL 142.81, 0.9%, 0.52%

LAB 84.64, -75.49, 52.05

 

CMYK 91 / 0 / 32 / 5

HEX #16F3A5

RGB 22 243 165

HSL 158.82, 0.9%, 0.52%

LAB 85.5, -65.4, 24.42

 

CMYK 52 / 0 / 91 / 5

HEX #75F316

RGB 117 243 22

HSL 94.21, 0.9%, 0.52%

LAB 85.98, -66.33, 80.5

 

CMYK 52 / 0 / 91 / 5

HEX #75F316

RGB 117 243 22

HSL 94.21, 0.9%, 0.52%

LAB 85.98, -66.33, 80.5

 

CMYK 46 / 0 / 81 / 13

HEX #78DF2A

RGB 120 223 42

HSL 94.14, 0.74%, 0.52%

LAB 80.14, -57.57, 71.61

 

CMYK 39 / 0 / 69 / 20

HEX #7BCB3E

RGB 123 203 62

HSL 94.04, 0.58%, 0.52%

LAB 74.36, -47.58, 59.7

 

CMYK 31 / 0 / 55 / 28

HEX #7EB752

RGB 126 183 82

HSL 93.86, 0.41%, 0.52%

LAB 68.69, -36.1, 44.91

 

CMYK 22 / 0 / 38 / 36

HEX #80A466

RGB 128 164 102

HSL 94.84, 0.25%, 0.52%

LAB 63.42, -23.81, 28.26

 

CMYK 3 / 0 / 91 / 5

HEX #EBF316

RGB 235 243 22

HSL 62.17, 0.9%, 0.52%

LAB 92.5, -23.87, 88.45

 

CMYK 27 / 0 / 91 / 5

HEX #B1F316

RGB 177 243 22

HSL 77.92, 0.9%, 0.52%

LAB 88.69, -46.74, 83.83

 

CMYK 51 / 0 / 91 / 5

HEX #76F316

RGB 118 243 22

HSL 93.94, 0.9%, 0.52%

LAB 86.01, -66.06, 80.54

 

CMYK 76 / 0 / 91 / 5

HEX #3BF316

RGB 59 243 22

HSL 109.95, 0.9%, 0.52%

LAB 84.53, -78.38, 78.7

 

CMYK 91 / 0 / 82 / 5

HEX #16F32C

RGB 22 243 44

HSL 125.97, 0.9%, 0.52%

LAB 84.2, -81.06, 74.04

 

CMYK 54 / 0 / 95 / 32

HEX #50AE09

RGB 80 174 9

HSL 94.18, 0.9%, 0.36%

LAB 63.34, -52.25, 63.04

 

CMYK 54 / 0 / 95 / 16

HEX #62D50B

RGB 98 213 11

HSL 94.16, 0.9%, 0.44%

LAB 76.2, -61.22, 73.53

 

CMYK 52 / 0 / 91 / 5

HEX #75F316

RGB 117 243 22

HSL 94.21, 0.9%, 0.52%

LAB 85.98, -66.33, 80.5

 

CMYK 43 / 0 / 75 / 4

HEX #8CF53E

RGB 140 245 62

HSL 94.43, 0.9%, 0.6%

LAB 87.6, -58.76, 73.14

 

CMYK 34 / 0 / 59 / 3

HEX #A4F765

RGB 164 247 101

HSL 94.11, 0.9%, 0.68%

LAB 89.56, -48.91, 60.89

 

CMYK 52 / 0 / 92 / 5

HEX #74F314

RGB 116 243 20

HSL 94.17, 0.9%, 0.52%

LAB 85.94, -66.64, 80.71

 

CMYK 91 / 0 / 21 / 5

HEX #16F3BF

RGB 22 243 191

HSL 165.88, 0.9%, 0.52%

LAB 86.02, -59.57, 11.73

 

CMYK 0 / 91 / 15 / 5

HEX #F316CE

RGB 243 22 206

HSL 310.05, 0.9%, 0.52%

LAB 56.17, 88.16, -39.98

 

CMYK 52 / 0 / 92 / 5

HEX #74F314

RGB 116 243 20

HSL 94.17, 0.9%, 0.52%

LAB 85.94, -66.64, 80.71

 

CMYK 91 / 51 / 0 / 5

HEX #1676F3

RGB 22 118 243

HSL 213.94, 0.9%, 0.52%

LAB 51.38, 21.09, -69.67

 

CMYK 0 / 91 / 51 / 5

HEX #F31676

RGB 243 22 118

HSL 333.94, 0.9%, 0.52%

LAB 52.88, 79.41, 6.91

 

CMYK 52 / 0 / 92 / 5

HEX #74F314

RGB 116 243 20

HSL 94.17, 0.9%, 0.52%

LAB 85.94, -66.64, 80.71

 

CMYK 91 / 0 / 21 / 5

HEX #16F3BF

RGB 22 243 191

HSL 165.88, 0.9%, 0.52%

LAB 86.02, -59.57, 11.73

 

CMYK 40 / 91 / 0 / 5

HEX #9316F3

RGB 147 22 243

HSL 273.94, 0.9%, 0.52%

LAB 43.13, 79.76, -82.81

 

CMYK 0 / 91 / 70 / 5

HEX #F3164A

RGB 243 22 74

HSL 345.88, 0.9%, 0.52%

LAB 51.98, 76.9, 32.28

 

CMYK 52 / 0 / 92 / 5

HEX #74F314

RGB 116 243 20

HSL 94.17, 0.9%, 0.52%

LAB 85.94, -66.64, 80.71

 

CMYK 91 / 6 / 0 / 5

HEX #16E4F3

RGB 22 228 243

HSL 184.07, 0.9%, 0.52%

LAB 82.98, -39.12, -20.09

 

CMYK 40 / 91 / 0 / 5

HEX #9316F3

RGB 147 22 243

HSL 273.94, 0.9%, 0.52%

LAB 43.13, 79.76, -82.81

 

CMYK 0 / 85 / 91 / 5

HEX #F32516

RGB 243 37 22

HSL 4.07, 0.9%, 0.52%

LAB 52.33, 73.08, 59.39

 

Description

Color code: HEX #74F314 | qconv.com Color code: HEX #74F314 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 243 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 243 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 92 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 92% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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