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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74E836 it is the complementary color #8B17C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74E836. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74E836 shade: #79E831, #8AFA44, #9BFF57, #ACFF6A and #BDFF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74E836. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74E836 shade: #74E836, #63D623, #52C410, #41B200 and #30A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74E836 shade: #74E736, #A4E736, #D4E736, #E7CC36 and #E79C36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74E836 shade: #74E736, #44E736, #36E758, #36E788 and #36E7B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74E836 shade matches the following richer shades: #74E736 and #6EFA24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74E836 shade: #74E736, #79D548, #7FC35A, #84B16D and #8A9F7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74E836 shade: #D3E736, #A3E736, #74E736, #45E736 and #36E757

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74E836 shade: #4DB615, #5DDB1A, #74E736, #8DEC5B and #A7F080

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74E836 shade: #74E836, #36E7CD and #E736BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74E836 shade: #74E836, #3674E7 and #E73674

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74E836 shade: #74E836, #36E7CD, #A936E7 and #E73651

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74E836 shade: #74E836, #36CDE7, #A936E7 and #E75136

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 77 / 9

HEX #74E836

RGB 116 232 54

HSL 99.1, 0.79%, 0.56%

LAB 82.75, -61.47, 70.62

 

Complementary color

CMYK 31 / 89 / 0 / 21

HEX #8B17C9

RGB 139 23 201

HSL 279.1, 0.79%, 0.44%

LAB 38.41, 70.11, -66.54

 

CMYK 48 / 0 / 79 / 9

HEX #79E831

RGB 121 232 49

HSL 96.39, 0.8%, 0.55%

LAB 82.91, -60.3, 72.29

 

CMYK 45 / 0 / 73 / 2

HEX #8AFA44

RGB 138 250 68

HSL 96.92, 0.95%, 0.62%

LAB 89.01, -60.91, 72.57

 

CMYK 39 / 0 / 66 / 0

HEX #9BFF57

RGB 155 255 87

HSL 95.71, 1%, 0.67%

LAB 91.31, -56.27, 68.36

 

CMYK 33 / 0 / 58 / 0

HEX #ACFF6A

RGB 172 255 106

HSL 93.42, 1%, 0.71%

LAB 92.28, -49.12, 61.95

 

CMYK 26 / 0 / 51 / 0

HEX #BDFF7D

RGB 189 255 125

HSL 90.46, 1%, 0.75%

LAB 93.37, -41.45, 55.06

 

CMYK 50 / 0 / 77 / 9

HEX #74E836

RGB 116 232 54

HSL 99.1, 0.79%, 0.56%

LAB 82.75, -61.47, 70.62

 

CMYK 54 / 0 / 84 / 16

HEX #63D623

RGB 99 214 35

HSL 98.55, 0.72%, 0.49%

LAB 76.6, -60.62, 69.86

 

CMYK 58 / 0 / 92 / 23

HEX #52C410

RGB 82 196 16

HSL 98, 0.85%, 0.42%

LAB 70.39, -59.4, 67.95

 

CMYK 63 / 0 / 100 / 30

HEX #41B200

RGB 65 178 0

HSL 98.09, 1%, 0.35%

LAB 64.13, -57.73, 64.64

 

CMYK 70 / 0 / 100 / 37

HEX #30A000

RGB 48 160 0

HSL 102, 1%, 0.31%

LAB 57.82, -55.45, 59.44

 

CMYK 50 / 0 / 77 / 9

HEX #74E736

RGB 116 231 54

HSL 98.98, 0.79%, 0.56%

LAB 82.45, -61.1, 70.34

 

CMYK 29 / 0 / 77 / 9

HEX #A4E736

RGB 164 231 54

HSL 82.71, 0.79%, 0.56%

LAB 84.64, -45.41, 73.19

 

CMYK 8 / 0 / 77 / 9

HEX #D4E736

RGB 212 231 54

HSL 66.44, 0.79%, 0.56%

LAB 87.69, -26.78, 77.1

 

CMYK 0 / 12 / 77 / 9

HEX #E7CC36

RGB 231 204 54

HSL 50.85, 0.79%, 0.56%

LAB 82.08, -5.55, 72.56

 

CMYK 0 / 32 / 77 / 9

HEX #E79C36

RGB 231 156 54

HSL 34.58, 0.79%, 0.56%

LAB 70.2, 19.62, 61.46

 

CMYK 50 / 0 / 77 / 9

HEX #74E736

RGB 116 231 54

HSL 98.98, 0.79%, 0.56%

LAB 82.45, -61.1, 70.34

 

CMYK 71 / 0 / 77 / 9

HEX #44E736

RGB 68 231 54

HSL 115.25, 0.79%, 0.56%

LAB 81.1, -72.05, 68.57

 

CMYK 77 / 0 / 62 / 9

HEX #36E758

RGB 54 231 88

HSL 131.53, 0.79%, 0.56%

LAB 81.09, -71.18, 55.89

 

CMYK 77 / 0 / 41 / 9

HEX #36E788

RGB 54 231 136

HSL 147.8, 0.79%, 0.56%

LAB 81.68, -64.24, 34.08

 

CMYK 77 / 0 / 20 / 9

HEX #36E7B8

RGB 54 231 184

HSL 164.07, 0.79%, 0.56%

LAB 82.59, -54.22, 10.55

 

CMYK 50 / 0 / 77 / 9

HEX #74E736

RGB 116 231 54

HSL 98.98, 0.79%, 0.56%

LAB 82.45, -61.1, 70.34

 

CMYK 56 / 0 / 86 / 2

HEX #6EFA24

RGB 110 250 36

HSL 99.25, 0.96%, 0.56%

LAB 87.88, -70.16, 79.69

 

CMYK 50 / 0 / 77 / 9

HEX #74E736

RGB 116 231 54

HSL 98.98, 0.79%, 0.56%

LAB 82.45, -61.1, 70.34

 

CMYK 43 / 0 / 66 / 16

HEX #79D548

RGB 121 213 72

HSL 99.15, 0.63%, 0.56%

LAB 77.35, -51.5, 58.92

 

CMYK 35 / 0 / 54 / 24

HEX #7FC35A

RGB 127 195 90

HSL 98.86, 0.47%, 0.56%

LAB 72.42, -40.24, 45.53

 

CMYK 25 / 0 / 38 / 31

HEX #84B16D

RGB 132 177 109

HSL 99.71, 0.3%, 0.56%

LAB 67.62, -27.73, 30.06

 

CMYK 13 / 0 / 20 / 38

HEX #8A9F7F

RGB 138 159 127

HSL 99.38, 0.14%, 0.56%

LAB 63.12, -13.53, 14.28

 

CMYK 9 / 0 / 77 / 9

HEX #D3E736

RGB 211 231 54

HSL 66.78, 0.79%, 0.56%

LAB 87.61, -27.18, 77.01

 

CMYK 29 / 0 / 77 / 9

HEX #A3E736

RGB 163 231 54

HSL 83.05, 0.79%, 0.56%

LAB 84.59, -45.77, 73.12

 

CMYK 50 / 0 / 77 / 9

HEX #74E736

RGB 116 231 54

HSL 98.98, 0.79%, 0.56%

LAB 82.45, -61.1, 70.34

 

CMYK 70 / 0 / 77 / 9

HEX #45E736

RGB 69 231 54

HSL 114.92, 0.79%, 0.56%

LAB 81.12, -71.88, 68.59

 

CMYK 77 / 0 / 62 / 9

HEX #36E757

RGB 54 231 87

HSL 131.19, 0.79%, 0.56%

LAB 81.08, -71.3, 56.3

 

CMYK 58 / 0 / 88 / 29

HEX #4DB615

RGB 77 182 21

HSL 99.13, 0.79%, 0.4%

LAB 65.82, -55.64, 63.17

 

CMYK 58 / 0 / 88 / 14

HEX #5DDB1A

RGB 93 219 26

HSL 99.17, 0.79%, 0.48%

LAB 77.91, -64.24, 72.79

 

CMYK 50 / 0 / 77 / 9

HEX #74E736

RGB 116 231 54

HSL 98.98, 0.79%, 0.56%

LAB 82.45, -61.1, 70.34

 

CMYK 40 / 0 / 61 / 7

HEX #8DEC5B

RGB 141 236 91

HSL 99.31, 0.79%, 0.64%

LAB 85.2, -52.78, 59.94

 

CMYK 30 / 0 / 47 / 6

HEX #A7F080

RGB 167 240 128

HSL 99.11, 0.79%, 0.72%

LAB 88.01, -42.05, 46.85

 

CMYK 50 / 0 / 77 / 9

HEX #74E836

RGB 116 232 54

HSL 99.1, 0.79%, 0.56%

LAB 82.75, -61.47, 70.62

 

CMYK 77 / 0 / 11 / 9

HEX #36E7CD

RGB 54 231 205

HSL 171.19, 0.79%, 0.56%

LAB 83.1, -48.99, 0.22

 

CMYK 0 / 77 / 19 / 9

HEX #E736BB

RGB 231 54 187

HSL 314.92, 0.79%, 0.56%

LAB 55.29, 77.26, -30.57

 

CMYK 50 / 0 / 77 / 9

HEX #74E836

RGB 116 232 54

HSL 99.1, 0.79%, 0.56%

LAB 82.75, -61.47, 70.62

 

CMYK 77 / 50 / 0 / 9

HEX #3674E7

RGB 54 116 231

HSL 218.98, 0.79%, 0.56%

LAB 50.74, 20.21, -63.97

 

CMYK 0 / 77 / 50 / 9

HEX #E73674

RGB 231 54 116

HSL 338.98, 0.79%, 0.56%

LAB 52.83, 69.81, 7.73

 

CMYK 50 / 0 / 77 / 9

HEX #74E836

RGB 116 232 54

HSL 99.1, 0.79%, 0.56%

LAB 82.75, -61.47, 70.62

 

CMYK 77 / 0 / 11 / 9

HEX #36E7CD

RGB 54 231 205

HSL 171.19, 0.79%, 0.56%

LAB 83.1, -48.99, 0.22

 

CMYK 27 / 77 / 0 / 9

HEX #A936E7

RGB 169 54 231

HSL 278.98, 0.79%, 0.56%

LAB 48.06, 72.09, -67.86

 

CMYK 0 / 77 / 65 / 9

HEX #E73651

RGB 231 54 81

HSL 350.85, 0.79%, 0.56%

LAB 52.09, 67.48, 27.75

 

CMYK 50 / 0 / 77 / 9

HEX #74E836

RGB 116 232 54

HSL 99.1, 0.79%, 0.56%

LAB 82.75, -61.47, 70.62

 

CMYK 77 / 11 / 0 / 9

HEX #36CDE7

RGB 54 205 231

HSL 188.81, 0.79%, 0.56%

LAB 76.2, -29.8, -23.95

 

CMYK 27 / 77 / 0 / 9

HEX #A936E7

RGB 169 54 231

HSL 278.98, 0.79%, 0.56%

LAB 48.06, 72.09, -67.86

 

CMYK 0 / 65 / 77 / 9

HEX #E75136

RGB 231 81 54

HSL 9.15, 0.79%, 0.56%

LAB 55.22, 56.67, 46.56

 

Description

Color code: HEX #74E836 | qconv.com Color code: HEX #74E836 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 232 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 232 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 77 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 77% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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