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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74E784 it is the complementary color #8B187B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74E784. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74E784 shade: #79E77F, #8AF992, #9BFFA5, #ACFFB8 and #BDFFCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74E784. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74E784 shade: #74E784, #63D571, #52C35E, #41B14B and #309F38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74E784 shade: #73E784, #83E773, #A2E773, #C1E773 and #E0E773

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74E784 shade: #73E784, #73E7A3, #73E7C2, #73E7E1 and #73CEE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74E784 shade matches the following richer shades: #73E784 and #66F57A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74E784 shade: #73E784, #81DA8D, #8ECD97, #9BC0A0 and #A8B3AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74E784 shade: #A2E773, #83E773, #73E783, #73E7A2 and #73E7C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74E784 shade: #2DDB45, #50E164, #73E784, #97EDA3 and #BAF3C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74E784 shade: #74E784, #73C1E7 and #E77392

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74E784 shade: #74E784, #8373E7 and #E78373

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74E784 shade: #74E784, #73C1E7, #E773D8 and #E79A73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74E784 shade: #74E784, #739EE7, #E773D8 and #E7BD73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 43 / 9

HEX #74E784

RGB 116 231 132

HSL 128.35, 0.71%, 0.68%

LAB 83.19, -53.05, 38.34

 

Complementary color

CMYK 0 / 83 / 12 / 45

HEX #8B187B

RGB 139 24 123

HSL 308.35, 0.71%, 0.32%

LAB 33.08, 55.93, -27.99

 

CMYK 48 / 0 / 45 / 9

HEX #79E77F

RGB 121 231 127

HSL 123.27, 0.7%, 0.69%

LAB 83.31, -52.46, 40.99

 

CMYK 45 / 0 / 41 / 2

HEX #8AF992

RGB 138 249 146

HSL 124.32, 0.9%, 0.76%

LAB 89.5, -52.34, 39.74

 

CMYK 39 / 0 / 35 / 0

HEX #9BFFA5

RGB 155 255 165

HSL 126, 1%, 0.8%

LAB 92.22, -47.14, 34.04

 

CMYK 33 / 0 / 28 / 0

HEX #ACFFB8

RGB 172 255 184

HSL 128.67, 1%, 0.84%

LAB 93.34, -39.02, 26.14

 

CMYK 26 / 0 / 20 / 0

HEX #BDFFCB

RGB 189 255 203

HSL 132.73, 1%, 0.87%

LAB 94.59, -30.53, 18.33

 

CMYK 50 / 0 / 43 / 9

HEX #74E784

RGB 116 231 132

HSL 128.35, 0.71%, 0.68%

LAB 83.19, -53.05, 38.34

 

CMYK 54 / 0 / 47 / 16

HEX #63D571

RGB 99 213 113

HSL 127.37, 0.58%, 0.61%

LAB 76.94, -53.06, 39.65

 

CMYK 58 / 0 / 52 / 24

HEX #52C35E

RGB 82 195 94

HSL 126.37, 0.48%, 0.54%

LAB 70.62, -52.92, 41

 

CMYK 63 / 0 / 58 / 31

HEX #41B14B

RGB 65 177 75

HSL 125.36, 0.46%, 0.47%

LAB 64.22, -52.55, 42.34

 

CMYK 70 / 0 / 65 / 38

HEX #309F38

RGB 48 159 56

HSL 124.32, 0.54%, 0.41%

LAB 57.76, -51.81, 43.59

 

CMYK 50 / 0 / 43 / 9

HEX #73E784

RGB 115 231 132

HSL 128.79, 0.71%, 0.68%

LAB 83.16, -53.31, 38.29

 

CMYK 43 / 0 / 50 / 9

HEX #83E773

RGB 131 231 115

HSL 111.72, 0.71%, 0.68%

LAB 83.56, -51.23, 47.16

 

CMYK 30 / 0 / 50 / 9

HEX #A2E773

RGB 162 231 115

HSL 95.69, 0.71%, 0.68%

LAB 85.03, -41.31, 49.3

 

CMYK 16 / 0 / 50 / 9

HEX #C1E773

RGB 193 231 115

HSL 79.66, 0.71%, 0.68%

LAB 86.86, -30.12, 51.93

 

CMYK 3 / 0 / 50 / 9

HEX #E0E773

RGB 224 231 115

HSL 63.62, 0.71%, 0.68%

LAB 89.03, -18.15, 55.04

 

CMYK 50 / 0 / 43 / 9

HEX #73E784

RGB 115 231 132

HSL 128.79, 0.71%, 0.68%

LAB 83.16, -53.31, 38.29

 

CMYK 50 / 0 / 29 / 9

HEX #73E7A3

RGB 115 231 163

HSL 144.83, 0.71%, 0.68%

LAB 83.67, -48.02, 23.24

 

CMYK 50 / 0 / 16 / 9

HEX #73E7C2

RGB 115 231 194

HSL 160.86, 0.71%, 0.68%

LAB 84.32, -41.63, 7.98

 

CMYK 50 / 0 / 3 / 9

HEX #73E7E1

RGB 115 231 225

HSL 176.9, 0.71%, 0.68%

LAB 85.12, -34.28, -7.2

 

CMYK 50 / 11 / 0 / 9

HEX #73CEE7

RGB 115 206 231

HSL 192.93, 0.71%, 0.68%

LAB 78.2, -20.53, -20.75

 

CMYK 50 / 0 / 43 / 9

HEX #73E784

RGB 115 231 132

HSL 128.79, 0.71%, 0.68%

LAB 83.16, -53.31, 38.29

 

CMYK 58 / 0 / 50 / 4

HEX #66F57A

RGB 102 245 122

HSL 128.39, 0.88%, 0.68%

LAB 86.77, -63.2, 47.57

 

CMYK 50 / 0 / 43 / 9

HEX #73E784

RGB 115 231 132

HSL 128.79, 0.71%, 0.68%

LAB 83.16, -53.31, 38.29

 

CMYK 41 / 0 / 35 / 15

HEX #81DA8D

RGB 129 218 141

HSL 128.09, 0.55%, 0.68%

LAB 80.03, -42.59, 29.75

 

CMYK 31 / 0 / 26 / 20

HEX #8ECD97

RGB 142 205 151

HSL 128.57, 0.39%, 0.68%

LAB 77.07, -30.98, 20.63

 

CMYK 19 / 0 / 17 / 25

HEX #9BC0A0

RGB 155 192 160

HSL 128.11, 0.23%, 0.68%

LAB 74.32, -18.69, 12.1

 

CMYK 6 / 0 / 5 / 30

HEX #A8B3AA

RGB 168 179 170

HSL 130.91, 0.07%, 0.68%

LAB 71.87, -5.55, 3.26

 

CMYK 30 / 0 / 50 / 9

HEX #A2E773

RGB 162 231 115

HSL 95.69, 0.71%, 0.68%

LAB 85.03, -41.31, 49.3

 

CMYK 43 / 0 / 50 / 9

HEX #83E773

RGB 131 231 115

HSL 111.72, 0.71%, 0.68%

LAB 83.56, -51.23, 47.16

 

CMYK 50 / 0 / 43 / 9

HEX #73E783

RGB 115 231 131

HSL 128.28, 0.71%, 0.68%

LAB 83.14, -53.46, 38.76

 

CMYK 50 / 0 / 30 / 9

HEX #73E7A2

RGB 115 231 162

HSL 144.31, 0.71%, 0.68%

LAB 83.66, -48.2, 23.73

 

CMYK 50 / 0 / 16 / 9

HEX #73E7C1

RGB 115 231 193

HSL 160.34, 0.71%, 0.68%

LAB 84.3, -41.85, 8.47

 

CMYK 79 / 0 / 68 / 14

HEX #2DDB45

RGB 45 219 69

HSL 128.28, 0.71%, 0.52%

LAB 77.07, -70.52, 59.16

 

CMYK 64 / 0 / 56 / 12

HEX #50E164

RGB 80 225 100

HSL 128.28, 0.71%, 0.6%

LAB 79.88, -63.53, 49.32

 

CMYK 50 / 0 / 43 / 9

HEX #73E784

RGB 115 231 132

HSL 128.79, 0.71%, 0.68%

LAB 83.16, -53.31, 38.29

 

CMYK 36 / 0 / 31 / 7

HEX #97EDA3

RGB 151 237 163

HSL 128.37, 0.7%, 0.76%

LAB 86.89, -40.81, 27.88

 

CMYK 23 / 0 / 20 / 5

HEX #BAF3C2

RGB 186 243 194

HSL 128.42, 0.7%, 0.84%

LAB 90.98, -27.39, 17.87

 

CMYK 50 / 0 / 43 / 9

HEX #74E784

RGB 116 231 132

HSL 128.35, 0.71%, 0.68%

LAB 83.19, -53.05, 38.34

 

CMYK 50 / 16 / 0 / 9

HEX #73C1E7

RGB 115 193 231

HSL 199.66, 0.71%, 0.68%

LAB 74.54, -13.82, -26.33

 

CMYK 0 / 50 / 37 / 9

HEX #E77392

RGB 231 115 146

HSL 343.97, 0.71%, 0.68%

LAB 62.78, 48.01, 4.39

 

CMYK 50 / 0 / 43 / 9

HEX #74E784

RGB 116 231 132

HSL 128.35, 0.71%, 0.68%

LAB 83.19, -53.05, 38.34

 

CMYK 43 / 50 / 0 / 9

HEX #8373E7

RGB 131 115 231

HSL 248.28, 0.71%, 0.68%

LAB 54.92, 34.4, -57

 

CMYK 0 / 43 / 50 / 9

HEX #E78373

RGB 231 131 115

HSL 8.28, 0.71%, 0.68%

LAB 65.33, 36.73, 25.51

 

CMYK 50 / 0 / 43 / 9

HEX #74E784

RGB 116 231 132

HSL 128.35, 0.71%, 0.68%

LAB 83.19, -53.05, 38.34

 

CMYK 50 / 16 / 0 / 9

HEX #73C1E7

RGB 115 193 231

HSL 199.66, 0.71%, 0.68%

LAB 74.54, -13.82, -26.33

 

CMYK 0 / 50 / 6 / 9

HEX #E773D8

RGB 231 115 216

HSL 307.76, 0.71%, 0.68%

LAB 65.13, 57.88, -31.79

 

CMYK 0 / 33 / 50 / 9

HEX #E79A73

RGB 231 154 115

HSL 20.17, 0.71%, 0.68%

LAB 70.41, 24.61, 32.18

 

CMYK 50 / 0 / 43 / 9

HEX #74E784

RGB 116 231 132

HSL 128.35, 0.71%, 0.68%

LAB 83.19, -53.05, 38.34

 

CMYK 50 / 32 / 0 / 9

HEX #739EE7

RGB 115 158 231

HSL 217.76, 0.71%, 0.68%

LAB 64.86, 5.44, -41.33

 

CMYK 0 / 50 / 6 / 9

HEX #E773D8

RGB 231 115 216

HSL 307.76, 0.71%, 0.68%

LAB 65.13, 57.88, -31.79

 

CMYK 0 / 18 / 50 / 9

HEX #E7BD73

RGB 231 189 115

HSL 38.28, 0.71%, 0.68%

LAB 78.82, 6.03, 42.84

 

Description

Color code: HEX #74E784 | qconv.com Color code: HEX #74E784 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 231 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 231 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 43 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 43% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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