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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74E162 it is the complementary color #8B1E9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74E162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74E162 shade: #79E15D, #8AF370, #9BFF83, #ACFF96 and #BDFFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74E162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74E162 shade: #74E162, #63CF4F, #52BD3C, #41AB29 and #309916

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74E162 shade: #73E160, #95E160, #B8E160, #DAE160 and #E1C560

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74E162 shade: #73E160, #60E171, #60E194, #60E1B6 and #60E1D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74E162 shade matches the following richer shades: #73E160 and #68F051

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74E162 shade: #73E160, #7ED270, #89C27F, #93B38E and #9EA49E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74E162 shade: #B8E160, #96E160, #74E160, #60E16F and #60E192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74E162 shade: #3DC926, #54DA3E, #73E160, #91E783 and #B0EEA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74E162 shade: #74E162, #60DAE1 and #E160A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74E162 shade: #74E162, #6074E1 and #E16074

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74E162 shade: #74E162, #60DAE1, #CE60E1 and #E16760

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74E162 shade: #74E162, #60B4E1, #CE60E1 and #E18D60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 56 / 12

HEX #74E162

RGB 116 225 98

HSL 111.5, 0.68%, 0.63%

LAB 80.99, -55.17, 51.81

 

Complementary color

CMYK 11 / 81 / 0 / 38

HEX #8B1E9D

RGB 139 30 157

HSL 291.5, 0.68%, 0.37%

LAB 35.7, 59.97, -44.8

 

CMYK 46 / 0 / 59 / 12

HEX #79E15D

RGB 121 225 93

HSL 107.27, 0.69%, 0.62%

LAB 81.13, -54.28, 54.25

 

CMYK 43 / 0 / 54 / 5

HEX #8AF370

RGB 138 243 112

HSL 108.09, 0.85%, 0.7%

LAB 87.33, -54.36, 53.16

 

CMYK 39 / 0 / 49 / 0

HEX #9BFF83

RGB 155 255 131

HSL 108.39, 1%, 0.76%

LAB 91.74, -51.89, 49.91

 

CMYK 33 / 0 / 41 / 0

HEX #ACFF96

RGB 172 255 150

HSL 107.43, 1%, 0.79%

LAB 92.79, -44.15, 42.33

 

CMYK 26 / 0 / 34 / 0

HEX #BDFFA9

RGB 189 255 169

HSL 106.05, 1%, 0.83%

LAB 93.97, -35.98, 34.68

 

CMYK 48 / 0 / 56 / 12

HEX #74E162

RGB 116 225 98

HSL 111.5, 0.68%, 0.63%

LAB 80.99, -55.17, 51.81

 

CMYK 52 / 0 / 62 / 19

HEX #63CF4F

RGB 99 207 79

HSL 110.63, 0.57%, 0.56%

LAB 74.73, -54.96, 52.88

 

CMYK 57 / 0 / 68 / 26

HEX #52BD3C

RGB 82 189 60

HSL 109.77, 0.52%, 0.49%

LAB 68.4, -54.52, 53.73

 

CMYK 62 / 0 / 76 / 33

HEX #41AB29

RGB 65 171 41

HSL 108.92, 0.61%, 0.42%

LAB 62.01, -53.73, 54.13

 

CMYK 69 / 0 / 86 / 40

HEX #309916

RGB 48 153 22

HSL 108.09, 0.75%, 0.34%

LAB 55.55, -52.43, 53.62

 

CMYK 49 / 0 / 57 / 12

HEX #73E160

RGB 115 225 96

HSL 111.16, 0.68%, 0.63%

LAB 80.93, -55.67, 52.63

 

CMYK 34 / 0 / 57 / 12

HEX #95E160

RGB 149 225 96

HSL 95.35, 0.68%, 0.63%

LAB 82.42, -45.13, 54.75

 

CMYK 18 / 0 / 57 / 12

HEX #B8E160

RGB 184 225 96

HSL 79.07, 0.68%, 0.63%

LAB 84.42, -32.48, 57.56

 

CMYK 3 / 0 / 57 / 12

HEX #DAE160

RGB 218 225 96

HSL 63.26, 0.68%, 0.63%

LAB 86.8, -19.13, 60.88

 

CMYK 0 / 12 / 57 / 12

HEX #E1C560

RGB 225 197 96

HSL 46.98, 0.68%, 0.63%

LAB 80.06, -2.17, 53.41

 

CMYK 49 / 0 / 57 / 12

HEX #73E160

RGB 115 225 96

HSL 111.16, 0.68%, 0.63%

LAB 80.93, -55.67, 52.63

 

CMYK 57 / 0 / 50 / 12

HEX #60E171

RGB 96 225 113

HSL 127.91, 0.68%, 0.63%

LAB 80.48, -58.39, 44.04

 

CMYK 57 / 0 / 34 / 12

HEX #60E194

RGB 96 225 148

HSL 144.19, 0.68%, 0.63%

LAB 81, -52.72, 27.24

 

CMYK 57 / 0 / 19 / 12

HEX #60E1B6

RGB 96 225 182

HSL 160, 0.68%, 0.63%

LAB 81.68, -45.75, 10.44

 

CMYK 57 / 0 / 4 / 12

HEX #60E1D9

RGB 96 225 217

HSL 176.28, 0.68%, 0.63%

LAB 82.56, -37.26, -6.81

 

CMYK 49 / 0 / 57 / 12

HEX #73E160

RGB 115 225 96

HSL 111.16, 0.68%, 0.63%

LAB 80.93, -55.67, 52.63

 

CMYK 57 / 0 / 66 / 6

HEX #68F051

RGB 104 240 81

HSL 111.32, 0.84%, 0.63%

LAB 84.92, -65.53, 63.28

 

CMYK 49 / 0 / 57 / 12

HEX #73E160

RGB 115 225 96

HSL 111.16, 0.68%, 0.63%

LAB 80.93, -55.67, 52.63

 

CMYK 40 / 0 / 47 / 18

HEX #7ED270

RGB 126 210 112

HSL 111.43, 0.52%, 0.63%

LAB 77.1, -44.37, 40.57

 

CMYK 29 / 0 / 35 / 24

HEX #89C27F

RGB 137 194 127

HSL 111.04, 0.35%, 0.63%

LAB 73.18, -31.41, 27.97

 

CMYK 18 / 0 / 21 / 30

HEX #93B38E

RGB 147 179 142

HSL 111.89, 0.2%, 0.63%

LAB 69.75, -18.07, 15.36

 

CMYK 4 / 0 / 4 / 36

HEX #9EA49E

RGB 158 164 158

HSL 120, 0.03%, 0.63%

LAB 66.74, -3.28, 2.36

 

CMYK 18 / 0 / 57 / 12

HEX #B8E160

RGB 184 225 96

HSL 79.07, 0.68%, 0.63%

LAB 84.42, -32.48, 57.56

 

CMYK 33 / 0 / 57 / 12

HEX #96E160

RGB 150 225 96

HSL 94.88, 0.68%, 0.63%

LAB 82.47, -44.79, 54.82

 

CMYK 48 / 0 / 57 / 12

HEX #74E160

RGB 116 225 96

HSL 110.7, 0.68%, 0.63%

LAB 80.97, -55.39, 52.68

 

CMYK 57 / 0 / 51 / 12

HEX #60E16F

RGB 96 225 111

HSL 126.98, 0.68%, 0.63%

LAB 80.45, -58.66, 44.96

 

CMYK 57 / 0 / 35 / 12

HEX #60E192

RGB 96 225 146

HSL 143.26, 0.68%, 0.63%

LAB 80.97, -53.09, 28.22

 

CMYK 70 / 0 / 81 / 21

HEX #3DC926

RGB 61 201 38

HSL 111.53, 0.68%, 0.47%

LAB 71.49, -64.81, 64.07

 

CMYK 61 / 0 / 72 / 15

HEX #54DA3E

RGB 84 218 62

HSL 111.54, 0.68%, 0.55%

LAB 77.5, -64.14, 62.46

 

CMYK 49 / 0 / 57 / 12

HEX #73E160

RGB 115 225 96

HSL 111.16, 0.68%, 0.63%

LAB 80.93, -55.67, 52.63

 

CMYK 37 / 0 / 43 / 9

HEX #91E783

RGB 145 231 131

HSL 111.6, 0.68%, 0.71%

LAB 84.39, -44.89, 40.6

 

CMYK 26 / 0 / 30 / 7

HEX #B0EEA6

RGB 176 238 166

HSL 111.67, 0.68%, 0.79%

LAB 88.51, -32.91, 28.75

 

CMYK 48 / 0 / 56 / 12

HEX #74E162

RGB 116 225 98

HSL 111.5, 0.68%, 0.63%

LAB 80.99, -55.17, 51.81

 

CMYK 57 / 3 / 0 / 12

HEX #60DAE1

RGB 96 218 225

HSL 183.26, 0.68%, 0.63%

LAB 80.78, -31.86, -13.73

 

CMYK 0 / 57 / 26 / 12

HEX #E160A7

RGB 225 96 167

HSL 326.98, 0.68%, 0.63%

LAB 59.13, 57.65, -13.21

 

CMYK 48 / 0 / 56 / 12

HEX #74E162

RGB 116 225 98

HSL 111.5, 0.68%, 0.63%

LAB 80.99, -55.17, 51.81

 

CMYK 57 / 48 / 0 / 12

HEX #6074E1

RGB 96 116 225

HSL 230.7, 0.68%, 0.63%

LAB 52.3, 24.49, -57.98

 

CMYK 0 / 57 / 48 / 12

HEX #E16074

RGB 225 96 116

HSL 350.7, 0.68%, 0.63%

LAB 57.69, 51.97, 14.42

 

CMYK 48 / 0 / 56 / 12

HEX #74E162

RGB 116 225 98

HSL 111.5, 0.68%, 0.63%

LAB 80.99, -55.17, 51.81

 

CMYK 57 / 3 / 0 / 12

HEX #60DAE1

RGB 96 218 225

HSL 183.26, 0.68%, 0.63%

LAB 80.78, -31.86, -13.73

 

CMYK 8 / 57 / 0 / 12

HEX #CE60E1

RGB 206 96 225

HSL 291.16, 0.68%, 0.63%

LAB 58.9, 61.65, -46.82

 

CMYK 0 / 54 / 57 / 12

HEX #E16760

RGB 225 103 96

HSL 3.26, 0.68%, 0.63%

LAB 58.56, 47.01, 27.15

 

CMYK 48 / 0 / 56 / 12

HEX #74E162

RGB 116 225 98

HSL 111.5, 0.68%, 0.63%

LAB 80.99, -55.17, 51.81

 

CMYK 57 / 20 / 0 / 12

HEX #60B4E1

RGB 96 180 225

HSL 200.93, 0.68%, 0.63%

LAB 69.87, -12.65, -30.31

 

CMYK 8 / 57 / 0 / 12

HEX #CE60E1

RGB 206 96 225

HSL 291.16, 0.68%, 0.63%

LAB 58.9, 61.65, -46.82

 

CMYK 0 / 37 / 57 / 12

HEX #E18D60

RGB 225 141 96

HSL 20.93, 0.68%, 0.63%

LAB 66.44, 27.54, 37.17

 

Description

Color code: HEX #74E162 | qconv.com Color code: HEX #74E162 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 225 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 225 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 56 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 56% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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