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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74DC5E it is the complementary color #8B23A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74DC5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74DC5E shade: #79DC59, #8AEE6C, #9BFF7F, #ACFF92 and #BDFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74DC5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74DC5E shade: #74DC5E, #63CA4B, #52B838, #41A625 and #309412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74DC5E shade: #75DC60, #97DC60, #B8DC60, #DADC60 and #DCBC60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74DC5E shade: #75DC60, #60DC6B, #60DC8D, #60DCAE and #60DCD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74DC5E shade matches the following richer shades: #75DC60, #6BEB50 and #61FB40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74DC5E shade: #75DC60, #7FCC6F, #8ABC7F, #94AD8F and #9E9D9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74DC5E shade: #B8DC60, #97DC60, #76DC60, #60DC6A and #60DC8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74DC5E shade: #44BF2A, #58D43E, #75DC60, #92E381 and #B0EAA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74DC5E shade: #74DC5E, #60DADC and #DC60A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74DC5E shade: #74DC5E, #6076DC and #DC6076

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74DC5E shade: #74DC5E, #60DADC, #C560DC and #DC6260

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74DC5E shade: #74DC5E, #60B4DC, #C560DC and #DC8760

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 57 / 14

HEX #74DC5E

RGB 116 220 94

HSL 109.52, 0.64%, 0.62%

LAB 79.45, -53.66, 51.82

 

Complementary color

CMYK 14 / 78 / 0 / 37

HEX #8B23A1

RGB 139 35 161

HSL 289.52, 0.64%, 0.38%

LAB 36.49, 59.19, -45.95

 

CMYK 45 / 0 / 60 / 14

HEX #79DC59

RGB 121 220 89

HSL 105.34, 0.65%, 0.61%

LAB 79.6, -52.72, 54.26

 

CMYK 42 / 0 / 55 / 7

HEX #8AEE6C

RGB 138 238 108

HSL 106.15, 0.79%, 0.68%

LAB 85.82, -52.8, 53.19

 

CMYK 39 / 0 / 50 / 0

HEX #9BFF7F

RGB 155 255 127

HSL 106.88, 1%, 0.75%

LAB 91.69, -52.38, 51.71

 

CMYK 33 / 0 / 43 / 0

HEX #ACFF92

RGB 172 255 146

HSL 105.69, 1%, 0.79%

LAB 92.74, -44.69, 44.19

 

CMYK 26 / 0 / 35 / 0

HEX #BDFFA5

RGB 189 255 165

HSL 104, 1%, 0.82%

LAB 93.91, -36.55, 36.58

 

CMYK 47 / 0 / 57 / 14

HEX #74DC5E

RGB 116 220 94

HSL 109.52, 0.64%, 0.62%

LAB 79.45, -53.66, 51.82

 

CMYK 51 / 0 / 63 / 21

HEX #63CA4B

RGB 99 202 75

HSL 108.66, 0.55%, 0.54%

LAB 73.16, -53.45, 52.85

 

CMYK 55 / 0 / 70 / 28

HEX #52B838

RGB 82 184 56

HSL 107.81, 0.53%, 0.47%

LAB 66.79, -53.01, 53.62

 

CMYK 61 / 0 / 78 / 35

HEX #41A625

RGB 65 166 37

HSL 106.98, 0.64%, 0.4%

LAB 60.36, -52.22, 53.88

 

CMYK 68 / 0 / 88 / 42

HEX #309412

RGB 48 148 18

HSL 106.15, 0.78%, 0.33%

LAB 53.87, -50.9, 53.09

 

CMYK 47 / 0 / 56 / 14

HEX #75DC60

RGB 117 220 96

HSL 109.84, 0.64%, 0.62%

LAB 79.51, -53.15, 50.99

 

CMYK 31 / 0 / 56 / 14

HEX #97DC60

RGB 151 220 96

HSL 93.39, 0.64%, 0.62%

LAB 81.08, -42.29, 53.22

 

CMYK 16 / 0 / 56 / 14

HEX #B8DC60

RGB 184 220 96

HSL 77.42, 0.64%, 0.62%

LAB 83.03, -30.15, 55.98

 

CMYK 1 / 0 / 56 / 14

HEX #DADC60

RGB 218 220 96

HSL 60.97, 0.64%, 0.62%

LAB 85.47, -16.68, 59.39

 

CMYK 0 / 15 / 56 / 14

HEX #DCBC60

RGB 220 188 96

HSL 44.52, 0.64%, 0.62%

LAB 77.3, 0.43, 50.1

 

CMYK 47 / 0 / 56 / 14

HEX #75DC60

RGB 117 220 96

HSL 109.84, 0.64%, 0.62%

LAB 79.51, -53.15, 50.99

 

CMYK 56 / 0 / 51 / 14

HEX #60DC6B

RGB 96 220 107

HSL 125.32, 0.64%, 0.62%

LAB 78.89, -57.33, 44.95

 

CMYK 56 / 0 / 36 / 14

HEX #60DC8D

RGB 96 220 141

HSL 141.77, 0.64%, 0.62%

LAB 79.38, -51.99, 28.67

 

CMYK 56 / 0 / 21 / 14

HEX #60DCAE

RGB 96 220 174

HSL 157.74, 0.64%, 0.62%

LAB 80.03, -45.38, 12.31

 

CMYK 56 / 0 / 5 / 14

HEX #60DCD0

RGB 96 220 208

HSL 174.19, 0.64%, 0.62%

LAB 80.86, -37.28, -4.54

 

CMYK 47 / 0 / 56 / 14

HEX #75DC60

RGB 117 220 96

HSL 109.84, 0.64%, 0.62%

LAB 79.51, -53.15, 50.99

 

CMYK 54 / 0 / 66 / 8

HEX #6BEB50

RGB 107 235 80

HSL 109.55, 0.79%, 0.62%

LAB 83.51, -63.1, 62.18

 

CMYK 61 / 0 / 75 / 2

HEX #61FB40

RGB 97 251 64

HSL 109.41, 0.96%, 0.62%

LAB 87.92, -72.15, 72.33

 

CMYK 47 / 0 / 56 / 14

HEX #75DC60

RGB 117 220 96

HSL 109.84, 0.64%, 0.62%

LAB 79.51, -53.15, 50.99

 

CMYK 38 / 0 / 46 / 20

HEX #7FCC6F

RGB 127 204 111

HSL 109.68, 0.48%, 0.62%

LAB 75.36, -41.59, 38.89

 

CMYK 27 / 0 / 32 / 26

HEX #8ABC7F

RGB 138 188 127

HSL 109.18, 0.31%, 0.62%

LAB 71.49, -28.2, 25.73

 

CMYK 14 / 0 / 17 / 32

HEX #94AD8F

RGB 148 173 143

HSL 110, 0.15%, 0.62%

LAB 68.14, -14.44, 12.57

 

CMYK 0 / 1 / 0 / 38

HEX #9E9D9E

RGB 158 157 158

HSL 300, 0.01%, 0.62%

LAB 64.84, 0.56, -0.4

 

CMYK 16 / 0 / 56 / 14

HEX #B8DC60

RGB 184 220 96

HSL 77.42, 0.64%, 0.62%

LAB 83.03, -30.15, 55.98

 

CMYK 31 / 0 / 56 / 14

HEX #97DC60

RGB 151 220 96

HSL 93.39, 0.64%, 0.62%

LAB 81.08, -42.29, 53.22

 

CMYK 46 / 0 / 56 / 14

HEX #76DC60

RGB 118 220 96

HSL 109.35, 0.64%, 0.62%

LAB 79.55, -52.86, 51.05

 

CMYK 56 / 0 / 52 / 14

HEX #60DC6A

RGB 96 220 106

HSL 124.84, 0.64%, 0.62%

LAB 78.88, -57.46, 45.41

 

CMYK 56 / 0 / 37 / 14

HEX #60DC8B

RGB 96 220 139

HSL 140.81, 0.64%, 0.62%

LAB 79.35, -52.34, 29.65

 

CMYK 64 / 0 / 78 / 25

HEX #44BF2A

RGB 68 191 42

HSL 109.53, 0.64%, 0.46%

LAB 68.5, -59.9, 60.14

 

CMYK 58 / 0 / 71 / 17

HEX #58D43E

RGB 88 212 62

HSL 109.6, 0.64%, 0.54%

LAB 75.77, -61.13, 60.72

 

CMYK 47 / 0 / 56 / 14

HEX #75DC60

RGB 117 220 96

HSL 109.84, 0.64%, 0.62%

LAB 79.51, -53.15, 50.99

 

CMYK 36 / 0 / 43 / 11

HEX #92E381

RGB 146 227 129

HSL 109.59, 0.64%, 0.7%

LAB 83.25, -43.11, 40.15

 

CMYK 25 / 0 / 30 / 8

HEX #B0EAA3

RGB 176 234 163

HSL 109.01, 0.63%, 0.78%

LAB 87.35, -31.51, 28.71

 

CMYK 47 / 0 / 57 / 14

HEX #74DC5E

RGB 116 220 94

HSL 109.52, 0.64%, 0.62%

LAB 79.45, -53.66, 51.82

 

CMYK 56 / 1 / 0 / 14

HEX #60DADC

RGB 96 218 220

HSL 180.97, 0.64%, 0.62%

LAB 80.63, -33.21, -11.29

 

CMYK 0 / 56 / 24 / 14

HEX #DC60A8

RGB 220 96 168

HSL 325.16, 0.64%, 0.62%

LAB 58.42, 56.28, -14.92

 

CMYK 47 / 0 / 57 / 14

HEX #74DC5E

RGB 116 220 94

HSL 109.52, 0.64%, 0.62%

LAB 79.45, -53.66, 51.82

 

CMYK 56 / 46 / 0 / 14

HEX #6076DC

RGB 96 118 220

HSL 229.35, 0.64%, 0.62%

LAB 52.52, 21.65, -54.81

 

CMYK 0 / 56 / 46 / 14

HEX #DC6076

RGB 220 96 118

HSL 349.35, 0.64%, 0.62%

LAB 56.97, 50.46, 12.13

 

CMYK 47 / 0 / 57 / 14

HEX #74DC5E

RGB 116 220 94

HSL 109.52, 0.64%, 0.62%

LAB 79.45, -53.66, 51.82

 

CMYK 56 / 1 / 0 / 14

HEX #60DADC

RGB 96 218 220

HSL 180.97, 0.64%, 0.62%

LAB 80.63, -33.21, -11.29

 

CMYK 10 / 56 / 0 / 14

HEX #C560DC

RGB 197 96 220

HSL 288.87, 0.64%, 0.62%

LAB 57.47, 58.43, -46.36

 

CMYK 0 / 55 / 56 / 14

HEX #DC6260

RGB 220 98 96

HSL 0.97, 0.64%, 0.62%

LAB 56.88, 47.62, 24.81

 

CMYK 47 / 0 / 57 / 14

HEX #74DC5E

RGB 116 220 94

HSL 109.52, 0.64%, 0.62%

LAB 79.45, -53.66, 51.82

 

CMYK 56 / 18 / 0 / 14

HEX #60B4DC

RGB 96 180 220

HSL 199.35, 0.64%, 0.62%

LAB 69.68, -14.15, -27.87

 

CMYK 10 / 56 / 0 / 14

HEX #C560DC

RGB 197 96 220

HSL 288.87, 0.64%, 0.62%

LAB 57.47, 58.43, -46.36

 

CMYK 0 / 39 / 56 / 14

HEX #DC8760

RGB 220 135 96

HSL 18.87, 0.64%, 0.62%

LAB 64.47, 28.73, 34.57

 

Description

Color code: HEX #74DC5E | qconv.com Color code: HEX #74DC5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 220 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 220 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 57 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 57% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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