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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74CD1D it is the complementary color #8B32E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74CD1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74CD1D shade: #79CD18, #8ADF2B, #9BF13E, #ACFF51 and #BDFF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74CD1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74CD1D shade: #74CD1D, #63BB0A, #52A900, #419700 and #308500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74CD1D shade: #74CD1D, #A3CD1D, #CDC71D, #CD971D and #CD681D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74CD1D shade: #74CD1D, #44CD1D, #1DCD25, #1DCD54 and #1DCD84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74CD1D shade matches the following richer shades: #74CD1D and #74E00A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74CD1D shade: #74CD1D, #74BA30, #74A743, #749456 and #758169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74CD1D shade: #CDC71D, #A4CD1D, #75CD1D, #46CD1D and #1DCD23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74CD1D shade: #4B8513, #5FA918, #74CD1D, #88E132 and #9DE656

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74CD1D shade: #74CD1D, #1DCD98 and #CD1DBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74CD1D shade: #74CD1D, #1D75CD and #CD1D75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74CD1D shade: #74CD1D, #1DCD98, #751DCD and #CD1D52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74CD1D shade: #74CD1D, #1DCDCD, #751DCD and #CD1D1D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 86 / 20

HEX #74CD1D

RGB 116 205 29

HSL 90.34, 0.75%, 0.46%

LAB 74.49, -52.43, 69.6

 

Complementary color

CMYK 38 / 78 / 0 / 11

HEX #8B32E2

RGB 139 50 226

HSL 270.34, 0.75%, 0.54%

LAB 43.15, 67.57, -73.19

 

CMYK 41 / 0 / 88 / 20

HEX #79CD18

RGB 121 205 24

HSL 87.85, 0.79%, 0.45%

LAB 74.69, -50.94, 70.84

 

CMYK 38 / 0 / 81 / 13

HEX #8ADF2B

RGB 138 223 43

HSL 88.33, 0.74%, 0.52%

LAB 80.93, -51.74, 72.36

 

CMYK 36 / 0 / 74 / 5

HEX #9BF13E

RGB 155 241 62

HSL 88.83, 0.86%, 0.59%

LAB 87.11, -52.32, 72.9

 

CMYK 33 / 0 / 68 / 0

HEX #ACFF51

RGB 172 255 81

HSL 88.62, 1%, 0.66%

LAB 92.08, -51.09, 71.65

 

CMYK 26 / 0 / 61 / 0

HEX #BDFF64

RGB 189 255 100

HSL 85.55, 1%, 0.7%

LAB 93.13, -43.74, 65.66

 

CMYK 43 / 0 / 86 / 20

HEX #74CD1D

RGB 116 205 29

HSL 90.34, 0.75%, 0.46%

LAB 74.49, -52.43, 69.6

 

CMYK 47 / 0 / 95 / 27

HEX #63BB0A

RGB 99 187 10

HSL 89.83, 0.9%, 0.39%

LAB 68.18, -51.39, 67.16

 

CMYK 51 / 0 / 100 / 34

HEX #52A900

RGB 82 169 0

HSL 90.89, 1%, 0.33%

LAB 61.8, -49.99, 63.04

 

CMYK 57 / 0 / 100 / 41

HEX #419700

RGB 65 151 0

HSL 94.17, 1%, 0.3%

LAB 55.34, -48.25, 57.69

 

CMYK 64 / 0 / 100 / 48

HEX #308500

RGB 48 133 0

HSL 98.35, 1%, 0.26%

LAB 48.76, -46.25, 52.26

 

CMYK 43 / 0 / 86 / 20

HEX #74CD1D

RGB 116 205 29

HSL 90.34, 0.75%, 0.46%

LAB 74.49, -52.43, 69.6

 

CMYK 20 / 0 / 86 / 20

HEX #A3CD1D

RGB 163 205 29

HSL 74.32, 0.75%, 0.46%

LAB 77, -35.28, 72.74

 

CMYK 0 / 3 / 86 / 20

HEX #CDC71D

RGB 205 199 29

HSL 57.95, 0.75%, 0.46%

LAB 78.41, -14.89, 75.16

 

CMYK 0 / 26 / 86 / 20

HEX #CD971D

RGB 205 151 29

HSL 41.59, 0.75%, 0.46%

LAB 65.9, 10.28, 64.96

 

CMYK 0 / 49 / 86 / 20

HEX #CD681D

RGB 205 104 29

HSL 25.57, 0.75%, 0.46%

LAB 55.04, 35.54, 56.02

 

CMYK 43 / 0 / 86 / 20

HEX #74CD1D

RGB 116 205 29

HSL 90.34, 0.75%, 0.46%

LAB 74.49, -52.43, 69.6

 

CMYK 67 / 0 / 86 / 20

HEX #44CD1D

RGB 68 205 29

HSL 106.7, 0.75%, 0.46%

LAB 72.88, -65.16, 67.57

 

CMYK 86 / 0 / 82 / 20

HEX #1DCD25

RGB 29 205 37

HSL 122.73, 0.75%, 0.46%

LAB 72.27, -70.37, 64.87

 

CMYK 86 / 0 / 59 / 20

HEX #1DCD54

RGB 29 205 84

HSL 138.75, 0.75%, 0.46%

LAB 72.6, -66.15, 47.83

 

CMYK 86 / 0 / 36 / 20

HEX #1DCD84

RGB 29 205 132

HSL 155.11, 0.75%, 0.46%

LAB 73.28, -58.17, 24.91

 

CMYK 43 / 0 / 86 / 20

HEX #74CD1D

RGB 116 205 29

HSL 90.34, 0.75%, 0.46%

LAB 74.49, -52.43, 69.6

 

CMYK 48 / 0 / 96 / 12

HEX #74E00A

RGB 116 224 10

HSL 90.28, 0.91%, 0.46%

LAB 80.21, -60.05, 77.13

 

CMYK 43 / 0 / 86 / 20

HEX #74CD1D

RGB 116 205 29

HSL 90.34, 0.75%, 0.46%

LAB 74.49, -52.43, 69.6

 

CMYK 38 / 0 / 74 / 27

HEX #74BA30

RGB 116 186 48

HSL 90.43, 0.59%, 0.46%

LAB 68.78, -43.83, 59.06

 

CMYK 31 / 0 / 60 / 35

HEX #74A743

RGB 116 167 67

HSL 90.6, 0.43%, 0.46%

LAB 63.14, -33.97, 45.38

 

CMYK 22 / 0 / 42 / 42

HEX #749456

RGB 116 148 86

HSL 90.97, 0.26%, 0.46%

LAB 57.62, -22.58, 29.18

 

CMYK 9 / 0 / 19 / 49

HEX #758169

RGB 117 129 105

HSL 90, 0.1%, 0.46%

LAB 52.4, -9.11, 11.55

 

CMYK 0 / 3 / 86 / 20

HEX #CDC71D

RGB 205 199 29

HSL 57.95, 0.75%, 0.46%

LAB 78.41, -14.89, 75.16

 

CMYK 20 / 0 / 86 / 20

HEX #A4CD1D

RGB 164 205 29

HSL 73.98, 0.75%, 0.46%

LAB 77.07, -34.88, 72.82

 

CMYK 43 / 0 / 86 / 20

HEX #75CD1D

RGB 117 205 29

HSL 90, 0.75%, 0.46%

LAB 74.53, -52.11, 69.65

 

CMYK 66 / 0 / 86 / 20

HEX #46CD1D

RGB 70 205 29

HSL 106.02, 0.75%, 0.46%

LAB 72.93, -64.76, 67.63

 

CMYK 86 / 0 / 83 / 20

HEX #1DCD23

RGB 29 205 35

HSL 122.05, 0.75%, 0.46%

LAB 72.26, -70.48, 65.38

 

CMYK 44 / 0 / 86 / 48

HEX #4B8513

RGB 75 133 19

HSL 90.53, 0.75%, 0.3%

LAB 49.88, -37.33, 49.69

 

CMYK 44 / 0 / 86 / 34

HEX #5FA918

RGB 95 169 24

HSL 90.62, 0.75%, 0.38%

LAB 62.4, -45.22, 59.84

 

CMYK 43 / 0 / 86 / 20

HEX #74CD1D

RGB 116 205 29

HSL 90.34, 0.75%, 0.46%

LAB 74.49, -52.43, 69.6

 

CMYK 40 / 0 / 78 / 12

HEX #88E132

RGB 136 225 50

HSL 90.51, 0.74%, 0.54%

LAB 81.46, -52.88, 70.89

 

CMYK 32 / 0 / 63 / 10

HEX #9DE656

RGB 157 230 86

HSL 90.42, 0.74%, 0.62%

LAB 84.19, -45.42, 61.12

 

CMYK 43 / 0 / 86 / 20

HEX #74CD1D

RGB 116 205 29

HSL 90.34, 0.75%, 0.46%

LAB 74.49, -52.43, 69.6

 

CMYK 86 / 0 / 26 / 20

HEX #1DCD98

RGB 29 205 152

HSL 161.93, 0.75%, 0.46%

LAB 73.67, -53.79, 14.85

 

CMYK 0 / 86 / 9 / 20

HEX #CD1DBB

RGB 205 29 187

HSL 306.14, 0.75%, 0.46%

LAB 48.82, 77.58, -41.05

 

CMYK 43 / 0 / 86 / 20

HEX #74CD1D

RGB 116 205 29

HSL 90.34, 0.75%, 0.46%

LAB 74.49, -52.43, 69.6

 

CMYK 86 / 43 / 0 / 20

HEX #1D75CD

RGB 29 117 205

HSL 210, 0.75%, 0.46%

LAB 48.75, 7.44, -52.49

 

CMYK 0 / 86 / 43 / 20

HEX #CD1D75

RGB 205 29 117

HSL 330, 0.75%, 0.46%

LAB 45.83, 69.44, -3.64

 

CMYK 43 / 0 / 86 / 20

HEX #74CD1D

RGB 116 205 29

HSL 90.34, 0.75%, 0.46%

LAB 74.49, -52.43, 69.6

 

CMYK 86 / 0 / 26 / 20

HEX #1DCD98

RGB 29 205 152

HSL 161.93, 0.75%, 0.46%

LAB 73.67, -53.79, 14.85

 

CMYK 43 / 86 / 0 / 20

HEX #751DCD

RGB 117 29 205

HSL 270, 0.75%, 0.46%

LAB 36.12, 66.66, -72.75

 

CMYK 0 / 86 / 60 / 20

HEX #CD1D52

RGB 205 29 82

HSL 341.93, 0.75%, 0.46%

LAB 44.9, 66.77, 16.77

 

CMYK 43 / 0 / 86 / 20

HEX #74CD1D

RGB 116 205 29

HSL 90.34, 0.75%, 0.46%

LAB 74.49, -52.43, 69.6

 

CMYK 86 / 0 / 0 / 20

HEX #1DCDCD

RGB 29 205 205

HSL 180, 0.75%, 0.46%

LAB 75.03, -39.7, -11.73

 

CMYK 43 / 86 / 0 / 20

HEX #751DCD

RGB 117 29 205

HSL 270, 0.75%, 0.46%

LAB 36.12, 66.66, -72.75

 

CMYK 0 / 86 / 86 / 20

HEX #CD1D1D

RGB 205 29 29

HSL 0, 0.75%, 0.46%

LAB 44.16, 64.61, 46.93

 

Description

Color code: HEX #74CD1D | qconv.com Color code: HEX #74CD1D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 205 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 205 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 86 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 86% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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