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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74CBFD it is the complementary color #8B3402. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74CBFD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74CBFD shade: #79CBF8, #8ADDFF, #9BEFFF, #ACFFFF and #BDFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74CBFD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74CBFD shade: #74CBFD, #63B9EA, #52A7D7, #4195C4 and #3083B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74CBFD shade: #72CAFD, #72A5FD, #7280FD, #8A72FD and #B072FD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74CBFD shade: #72CAFD, #72A5FD, #7280FD and #7272FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74CBFD shade matches the following richer shades: #72CAFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74CBFD shade: #72CAFD, #7EC7F1, #89C4E6, #95C1DA and #A1BECF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74CBFD shade: #72FDE3, #72F1FD, #72CCFD, #72A7FD and #7283FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74CBFD shade: #21ACFC, #4ABBFC, #72CAFD, #9BDAFD and #C4E9FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74CBFD shade: #74CBFD, #BF72FD and #FDF672

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74CBFD shade: #74CBFD, #FD72CC and #CCFD72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74CBFD shade: #74CBFD, #BF72FD, #FDA372 and #B1FD72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74CBFD shade: #74CBFD, #E872FD, #FDA372 and #87FD72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 20 / 0 / 1

HEX #74CBFD

RGB 116 203 253

HSL 201.9, 0.97%, 0.72%

LAB 78.18, -12.56, -32.56

 

Complementary color

CMYK 0 / 63 / 99 / 45

HEX #8B3402

RGB 139 52 2

HSL 21.9, 0.97%, 0.28%

LAB 33.88, 35.05, 44.6

 

CMYK 51 / 18 / 0 / 3

HEX #79CBF8

RGB 121 203 248

HSL 201.26, 0.9%, 0.72%

LAB 78.2, -12.95, -29.83

 

CMYK 46 / 13 / 0 / 0

HEX #8ADDFF

RGB 138 221 255

HSL 197.44, 1%, 0.77%

LAB 84.14, -16.54, -24.41

 

CMYK 39 / 6 / 0 / 0

HEX #9BEFFF

RGB 155 239 255

HSL 189.6, 1%, 0.8%

LAB 89.82, -21.49, -15.75

 

CMYK 33 / 0 / 0 / 0

HEX #ACFFFF

RGB 172 255 255

HSL 180, 1%, 0.84%

LAB 94.95, -24.96, -8.01

 

CMYK 26 / 0 / 0 / 0

HEX #BDFFFF

RGB 189 255 255

HSL 180, 1%, 0.87%

LAB 95.81, -20.34, -6.65

 

CMYK 54 / 20 / 0 / 1

HEX #74CBFD

RGB 116 203 253

HSL 201.9, 0.97%, 0.72%

LAB 78.18, -12.56, -32.56

 

CMYK 58 / 21 / 0 / 8

HEX #63B9EA

RGB 99 185 234

HSL 201.78, 0.76%, 0.65%

LAB 71.75, -12.03, -32.3

 

CMYK 62 / 22 / 0 / 16

HEX #52A7D7

RGB 82 167 215

HSL 201.65, 0.62%, 0.58%

LAB 65.23, -11.35, -32.03

 

CMYK 67 / 24 / 0 / 23

HEX #4195C4

RGB 65 149 196

HSL 201.53, 0.53%, 0.51%

LAB 58.61, -10.49, -31.76

 

CMYK 73 / 26 / 0 / 31

HEX #3083B1

RGB 48 131 177

HSL 201.4, 0.57%, 0.44%

LAB 51.88, -9.37, -31.45

 

CMYK 55 / 20 / 0 / 1

HEX #72CAFD

RGB 114 202 253

HSL 202.01, 0.97%, 0.72%

LAB 77.82, -12.44, -33.11

 

CMYK 55 / 35 / 0 / 1

HEX #72A5FD

RGB 114 165 253

HSL 217.99, 0.97%, 0.72%

LAB 67.71, 7.93, -48.89

 

CMYK 55 / 49 / 0 / 1

HEX #7280FD

RGB 114 128 253

HSL 233.96, 0.97%, 0.72%

LAB 58.14, 29.67, -64.13

 

CMYK 45 / 55 / 0 / 1

HEX #8A72FD

RGB 138 114 253

HSL 250.36, 0.97%, 0.72%

LAB 56.61, 42.74, -66.49

 

CMYK 30 / 55 / 0 / 1

HEX #B072FD

RGB 176 114 253

HSL 266.76, 0.97%, 0.72%

LAB 60.21, 51.29, -60.52

 

CMYK 55 / 20 / 0 / 1

HEX #72CAFD

RGB 114 202 253

HSL 202.01, 0.97%, 0.72%

LAB 77.82, -12.44, -33.11

 

CMYK 55 / 35 / 0 / 1

HEX #72A5FD

RGB 114 165 253

HSL 217.99, 0.97%, 0.72%

LAB 67.71, 7.93, -48.89

 

CMYK 55 / 49 / 0 / 1

HEX #7280FD

RGB 114 128 253

HSL 233.96, 0.97%, 0.72%

LAB 58.14, 29.67, -64.13

 

CMYK 55 / 55 / 0 / 1

HEX #7272FD

RGB 114 114 253

HSL 240, 0.97%, 0.72%

LAB 54.77, 37.98, -69.56

 

CMYK 55 / 20 / 0 / 1

HEX #72CAFD

RGB 114 202 253

HSL 202.01, 0.97%, 0.72%

LAB 77.82, -12.44, -33.11

 

CMYK 55 / 20 / 0 / 1

HEX #72CAFD

RGB 114 202 253

HSL 202.01, 0.97%, 0.72%

LAB 77.82, -12.44, -33.11

 

CMYK 48 / 17 / 0 / 5

HEX #7EC7F1

RGB 126 199 241

HSL 201.91, 0.8%, 0.72%

LAB 77.06, -11.7, -27.81

 

CMYK 40 / 15 / 0 / 10

HEX #89C4E6

RGB 137 196 230

HSL 201.94, 0.65%, 0.72%

LAB 76.38, -10.42, -22.89

 

CMYK 32 / 11 / 0 / 15

HEX #95C1DA

RGB 149 193 218

HSL 201.74, 0.48%, 0.72%

LAB 75.82, -8.63, -17.2

 

CMYK 22 / 8 / 0 / 19

HEX #A1BECF

RGB 161 190 207

HSL 202.17, 0.32%, 0.72%

LAB 75.39, -6.06, -11.8

 

CMYK 55 / 0 / 10 / 1

HEX #72FDE3

RGB 114 253 227

HSL 168.78, 0.97%, 0.72%

LAB 91.4, -43.95, 0.99

 

CMYK 55 / 5 / 0 / 1

HEX #72F1FD

RGB 114 241 253

HSL 185.18, 0.97%, 0.72%

LAB 88.72, -31.92, -16.52

 

CMYK 55 / 19 / 0 / 1

HEX #72CCFD

RGB 114 204 253

HSL 201.15, 0.97%, 0.72%

LAB 78.38, -13.49, -32.26

 

CMYK 55 / 34 / 0 / 1

HEX #72A7FD

RGB 114 167 253

HSL 217.12, 0.97%, 0.72%

LAB 68.25, 6.78, -48.04

 

CMYK 55 / 48 / 0 / 1

HEX #7283FD

RGB 114 131 253

HSL 232.66, 0.97%, 0.72%

LAB 58.88, 27.88, -62.93

 

CMYK 87 / 32 / 0 / 1

HEX #21ACFC

RGB 33 172 252

HSL 201.92, 0.97%, 0.56%

LAB 67.17, -7.24, -49.36

 

CMYK 71 / 26 / 0 / 1

HEX #4ABBFC

RGB 74 187 252

HSL 201.91, 0.97%, 0.64%

LAB 72.25, -11.49, -41.34

 

CMYK 55 / 20 / 0 / 1

HEX #72CAFD

RGB 114 202 253

HSL 202.01, 0.97%, 0.72%

LAB 77.82, -12.44, -33.11

 

CMYK 39 / 14 / 0 / 1

HEX #9BDAFD

RGB 155 218 253

HSL 201.43, 0.96%, 0.8%

LAB 84.07, -11.38, -23.38

 

CMYK 23 / 8 / 0 / 0

HEX #C4E9FE

RGB 196 233 254

HSL 201.72, 0.97%, 0.88%

LAB 90.4, -7.53, -14.14

 

CMYK 54 / 20 / 0 / 1

HEX #74CBFD

RGB 116 203 253

HSL 201.9, 0.97%, 0.72%

LAB 78.18, -12.56, -32.56

 

CMYK 25 / 55 / 0 / 1

HEX #BF72FD

RGB 191 114 253

HSL 273.24, 0.97%, 0.72%

LAB 61.83, 54.9, -57.84

 

CMYK 0 / 3 / 55 / 1

HEX #FDF672

RGB 253 246 114

HSL 56.98, 0.97%, 0.72%

LAB 95.16, -14.06, 63.17

 

CMYK 54 / 20 / 0 / 1

HEX #74CBFD

RGB 116 203 253

HSL 201.9, 0.97%, 0.72%

LAB 78.18, -12.56, -32.56

 

CMYK 0 / 55 / 19 / 1

HEX #FD72CC

RGB 253 114 204

HSL 321.15, 0.97%, 0.72%

LAB 67.48, 62.84, -21.2

 

CMYK 19 / 0 / 55 / 1

HEX #CCFD72

RGB 204 253 114

HSL 81.15, 0.97%, 0.72%

LAB 93.58, -36.24, 60.45

 

CMYK 54 / 20 / 0 / 1

HEX #74CBFD

RGB 116 203 253

HSL 201.9, 0.97%, 0.72%

LAB 78.18, -12.56, -32.56

 

CMYK 25 / 55 / 0 / 1

HEX #BF72FD

RGB 191 114 253

HSL 273.24, 0.97%, 0.72%

LAB 61.83, 54.9, -57.84

 

CMYK 0 / 36 / 55 / 1

HEX #FDA372

RGB 253 163 114

HSL 21.15, 0.97%, 0.72%

LAB 75.01, 28.48, 39.1

 

CMYK 30 / 0 / 55 / 1

HEX #B1FD72

RGB 177 253 114

HSL 92.81, 0.97%, 0.72%

LAB 92.05, -45.83, 58.28

 

CMYK 54 / 20 / 0 / 1

HEX #74CBFD

RGB 116 203 253

HSL 201.9, 0.97%, 0.72%

LAB 78.18, -12.56, -32.56

 

CMYK 8 / 55 / 0 / 1

HEX #E872FD

RGB 232 114 253

HSL 290.94, 0.97%, 0.72%

LAB 66.74, 65.09, -49.75

 

CMYK 0 / 36 / 55 / 1

HEX #FDA372

RGB 253 163 114

HSL 21.15, 0.97%, 0.72%

LAB 75.01, 28.48, 39.1

 

CMYK 47 / 0 / 55 / 1

HEX #87FD72

RGB 135 253 114

HSL 110.94, 0.97%, 0.72%

LAB 90.14, -58.92, 55.57

 

Description

Color code: HEX #74CBFD | qconv.com Color code: HEX #74CBFD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 203 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 203 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 20 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 20% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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