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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74C847 it is the complementary color #8B37B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74C847. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74C847 shade: #79C842, #8ADA55, #9BEC68, #ACFE7B and #BDFF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74C847. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74C847 shade: #74C847, #63B634, #52A421, #41920E and #308000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74C847 shade: #74C846, #96C846, #B9C846, #C8B346 and #C89146

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74C847 shade: #74C846, #51C846, #46C85F, #46C882 and #46C8A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74C847 shade matches the following richer shades: #74C846, #6EDB33 and #68EF20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74C847 shade: #74C846, #79B45A, #7FA16D, #858E81 and #8B7A94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74C847 shade: #B9C846, #96C846, #74C846, #51C846 and #46C85E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74C847 shade: #4F912B, #60B035, #74C846, #8CD166 and #A4DB86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74C847 shade: #74C847, #46C8B4 and #C846A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74C847 shade: #74C847, #4674C8 and #C84674

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74C847 shade: #74C847, #46C8B4, #9B46C8 and #C8465A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74C847 shade: #74C847, #46B4C8, #9B46C8 and #C85A46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 65 / 22

HEX #74C847

RGB 116 200 71

HSL 99.07, 0.54%, 0.53%

LAB 73.2, -47.92, 54.79

 

Complementary color

CMYK 24 / 70 / 0 / 28

HEX #8B37B8

RGB 139 55 184

HSL 279.07, 0.54%, 0.47%

LAB 40.71, 56.23, -52.86

 

CMYK 40 / 0 / 67 / 22

HEX #79C842

RGB 121 200 66

HSL 95.37, 0.55%, 0.52%

LAB 73.39, -46.7, 57.1

 

CMYK 37 / 0 / 61 / 15

HEX #8ADA55

RGB 138 218 85

HSL 96.09, 0.64%, 0.59%

LAB 79.73, -46.91, 56.35

 

CMYK 34 / 0 / 56 / 7

HEX #9BEC68

RGB 155 236 104

HSL 96.82, 0.78%, 0.67%

LAB 85.99, -47, 55.38

 

CMYK 32 / 0 / 52 / 0

HEX #ACFE7B

RGB 172 254 123

HSL 97.56, 0.98%, 0.74%

LAB 92.17, -47, 54.31

 

CMYK 26 / 0 / 44 / 0

HEX #BDFF8E

RGB 189 255 142

HSL 95.04, 1%, 0.78%

LAB 93.58, -39.55, 47.36

 

CMYK 42 / 0 / 65 / 22

HEX #74C847

RGB 116 200 71

HSL 99.07, 0.54%, 0.53%

LAB 73.2, -47.92, 54.79

 

CMYK 46 / 0 / 71 / 29

HEX #63B634

RGB 99 182 52

HSL 98.31, 0.56%, 0.46%

LAB 66.79, -47.59, 55.36

 

CMYK 50 / 0 / 80 / 36

HEX #52A421

RGB 82 164 33

HSL 97.56, 0.66%, 0.39%

LAB 60.3, -46.99, 55.3

 

CMYK 55 / 0 / 90 / 43

HEX #41920E

RGB 65 146 14

HSL 96.82, 0.83%, 0.31%

LAB 53.72, -46, 54.03

 

CMYK 63 / 0 / 100 / 50

HEX #308000

RGB 48 128 0

HSL 97.5, 1%, 0.25%

LAB 47.06, -44.45, 50.91

 

CMYK 42 / 0 / 65 / 22

HEX #74C846

RGB 116 200 70

HSL 98.77, 0.54%, 0.53%

LAB 73.2, -48.01, 55.2

 

CMYK 25 / 0 / 65 / 22

HEX #96C846

RGB 150 200 70

HSL 83.08, 0.54%, 0.53%

LAB 74.97, -36.02, 57.63

 

CMYK 8 / 0 / 65 / 22

HEX #B9C846

RGB 185 200 70

HSL 66.92, 0.54%, 0.53%

LAB 77.32, -22.11, 60.82

 

CMYK 0 / 11 / 65 / 22

HEX #C8B346

RGB 200 179 70

HSL 50.31, 0.54%, 0.53%

LAB 72.87, -5.12, 56.51

 

CMYK 0 / 28 / 65 / 22

HEX #C89146

RGB 200 145 70

HSL 34.62, 0.54%, 0.53%

LAB 64.14, 13.13, 47.01

 

CMYK 42 / 0 / 65 / 22

HEX #74C846

RGB 116 200 70

HSL 98.77, 0.54%, 0.53%

LAB 73.2, -48.01, 55.2

 

CMYK 60 / 0 / 65 / 22

HEX #51C846

RGB 81 200 70

HSL 114.92, 0.54%, 0.53%

LAB 71.89, -57.84, 53.4

 

CMYK 65 / 0 / 53 / 22

HEX #46C85F

RGB 70 200 95

HSL 131.54, 0.54%, 0.53%

LAB 71.85, -57.26, 41.94

 

CMYK 65 / 0 / 35 / 22

HEX #46C882

RGB 70 200 130

HSL 147.69, 0.54%, 0.53%

LAB 72.38, -51.4, 24.86

 

CMYK 65 / 0 / 18 / 22

HEX #46C8A5

RGB 70 200 165

HSL 163.85, 0.54%, 0.53%

LAB 73.11, -43.76, 7.16

 

CMYK 42 / 0 / 65 / 22

HEX #74C846

RGB 116 200 70

HSL 98.77, 0.54%, 0.53%

LAB 73.2, -48.01, 55.2

 

CMYK 50 / 0 / 77 / 14

HEX #6EDB33

RGB 110 219 51

HSL 98.93, 0.7%, 0.53%

LAB 78.59, -58.57, 67.48

 

CMYK 56 / 0 / 87 / 6

HEX #68EF20

RGB 104 239 32

HSL 99.13, 0.87%, 0.53%

LAB 84.37, -68.09, 77.35

 

CMYK 42 / 0 / 65 / 22

HEX #74C846

RGB 116 200 70

HSL 98.77, 0.54%, 0.53%

LAB 73.2, -48.01, 55.2

 

CMYK 33 / 0 / 50 / 29

HEX #79B45A

RGB 121 180 90

HSL 99.33, 0.38%, 0.53%

LAB 67.61, -35.6, 39.66

 

CMYK 21 / 0 / 32 / 37

HEX #7FA16D

RGB 127 161 109

HSL 99.23, 0.22%, 0.53%

LAB 62.6, -21.62, 23.37

 

CMYK 6 / 0 / 9 / 44

HEX #858E81

RGB 133 142 129

HSL 101.54, 0.05%, 0.53%

LAB 57.96, -5.82, 5.8

 

CMYK 6 / 18 / 0 / 42

HEX #8B7A94

RGB 139 122 148

HSL 279.23, 0.11%, 0.53%

LAB 53.54, 11.61, -11.62

 

CMYK 8 / 0 / 65 / 22

HEX #B9C846

RGB 185 200 70

HSL 66.92, 0.54%, 0.53%

LAB 77.32, -22.11, 60.82

 

CMYK 25 / 0 / 65 / 22

HEX #96C846

RGB 150 200 70

HSL 83.08, 0.54%, 0.53%

LAB 74.97, -36.02, 57.63

 

CMYK 42 / 0 / 65 / 22

HEX #74C846

RGB 116 200 70

HSL 98.77, 0.54%, 0.53%

LAB 73.2, -48.01, 55.2

 

CMYK 60 / 0 / 65 / 22

HEX #51C846

RGB 81 200 70

HSL 114.92, 0.54%, 0.53%

LAB 71.89, -57.84, 53.4

 

CMYK 65 / 0 / 53 / 22

HEX #46C85E

RGB 70 200 94

HSL 131.08, 0.54%, 0.53%

LAB 71.84, -57.4, 42.41

 

CMYK 46 / 0 / 70 / 43

HEX #4F912B

RGB 79 145 43

HSL 98.82, 0.54%, 0.37%

LAB 54.12, -39.53, 45.55

 

CMYK 45 / 0 / 70 / 31

HEX #60B035

RGB 96 176 53

HSL 99.02, 0.54%, 0.45%

LAB 64.8, -46.04, 52.89

 

CMYK 42 / 0 / 65 / 22

HEX #74C846

RGB 116 200 70

HSL 98.77, 0.54%, 0.53%

LAB 73.2, -48.01, 55.2

 

CMYK 33 / 0 / 51 / 18

HEX #8CD166

RGB 140 209 102

HSL 98.69, 0.54%, 0.61%

LAB 77.36, -40.61, 45.9

 

CMYK 25 / 0 / 39 / 14

HEX #A4DB86

RGB 164 219 134

HSL 98.82, 0.54%, 0.69%

LAB 81.99, -32.83, 36.22

 

CMYK 42 / 0 / 65 / 22

HEX #74C847

RGB 116 200 71

HSL 99.07, 0.54%, 0.53%

LAB 73.2, -47.92, 54.79

 

CMYK 65 / 0 / 10 / 22

HEX #46C8B4

RGB 70 200 180

HSL 170.77, 0.54%, 0.53%

LAB 73.48, -39.99, -0.41

 

CMYK 0 / 65 / 16 / 22

HEX #C846A8

RGB 200 70 168

HSL 314.77, 0.54%, 0.53%

LAB 51.25, 61.82, -26.16

 

CMYK 42 / 0 / 65 / 22

HEX #74C847

RGB 116 200 71

HSL 99.07, 0.54%, 0.53%

LAB 73.2, -47.92, 54.79

 

CMYK 65 / 42 / 0 / 22

HEX #4674C8

RGB 70 116 200

HSL 218.77, 0.54%, 0.53%

LAB 49.45, 11.24, -48.44

 

CMYK 0 / 65 / 42 / 22

HEX #C84674

RGB 200 70 116

HSL 338.77, 0.54%, 0.53%

LAB 49.4, 55.34, 2.09

 

CMYK 42 / 0 / 65 / 22

HEX #74C847

RGB 116 200 71

HSL 99.07, 0.54%, 0.53%

LAB 73.2, -47.92, 54.79

 

CMYK 65 / 0 / 10 / 22

HEX #46C8B4

RGB 70 200 180

HSL 170.77, 0.54%, 0.53%

LAB 73.48, -39.99, -0.41

 

CMYK 23 / 65 / 0 / 22

HEX #9B46C8

RGB 155 70 200

HSL 279.23, 0.54%, 0.53%

LAB 46.34, 56.43, -53.01

 

CMYK 0 / 65 / 55 / 22

HEX #C8465A

RGB 200 70 90

HSL 350.77, 0.54%, 0.53%

LAB 48.76, 52.99, 16.94

 

CMYK 42 / 0 / 65 / 22

HEX #74C847

RGB 116 200 71

HSL 99.07, 0.54%, 0.53%

LAB 73.2, -47.92, 54.79

 

CMYK 65 / 10 / 0 / 22

HEX #46B4C8

RGB 70 180 200

HSL 189.23, 0.54%, 0.53%

LAB 68.11, -24.86, -19.38

 

CMYK 23 / 65 / 0 / 22

HEX #9B46C8

RGB 155 70 200

HSL 279.23, 0.54%, 0.53%

LAB 46.34, 56.43, -53.01

 

CMYK 0 / 55 / 65 / 22

HEX #C85A46

RGB 200 90 70

HSL 9.23, 0.54%, 0.53%

LAB 51.88, 42.41, 32.72

 

Description

Color code: HEX #74C847 | qconv.com Color code: HEX #74C847 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 200 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 200 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 65 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 65% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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