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Color name
HEX #74C714

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74C714 it is the complementary color #8B38EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74C714. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74C714 shade: #79C70F, #8AD922, #9BEB35, #ACFD48 and #BDFF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74C714. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74C714 shade: #74C714, #63B501, #52A300, #419100 and #307F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74C714 shade: #74C814, #A5C814, #C8BA14, #C88914 and #C85914

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74C714 shade: #74C814, #44C814, #14C814, #14C845 and #14C875

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74C714 shade matches the following richer shades: #74C814 and #75D902

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74C714 shade: #74C814, #73B625, #72A437, #709249 and #6F815B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74C714 shade: #C8B914, #A7C814, #77C814, #47C814 and #17C814

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74C714 shade: #487C0C, #5EA210, #74C814, #8AE91C and #9DEC42

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74C714 shade: #74C714, #14C889 and #C814BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74C714 shade: #74C714, #1477C8 and #C81477

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74C714 shade: #74C714, #14C889, #6514C8 and #C81453

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74C714 shade: #74C714, #14C8BF, #6514C8 and #C8141D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 90 / 22

HEX #74C714

RGB 116 199 20

HSL 87.82, 0.82%, 0.43%

LAB 72.63, -50.34, 69.72

 

Complementary color

CMYK 41 / 76 / 0 / 8

HEX #8B38EB

RGB 139 56 235

HSL 267.82, 0.82%, 0.57%

LAB 44.68, 67.35, -75.8

 

CMYK 39 / 0 / 92 / 22

HEX #79C70F

RGB 121 199 15

HSL 85.43, 0.86%, 0.42%

LAB 72.86, -48.75, 70.74

 

CMYK 36 / 0 / 84 / 15

HEX #8AD922

RGB 138 217 34

HSL 85.9, 0.73%, 0.49%

LAB 79.12, -49.66, 72.93

 

CMYK 34 / 0 / 77 / 8

HEX #9BEB35

RGB 155 235 53

HSL 86.37, 0.82%, 0.56%

LAB 85.32, -50.33, 73.94

 

CMYK 32 / 0 / 72 / 1

HEX #ACFD48

RGB 172 253 72

HSL 86.85, 0.98%, 0.64%

LAB 91.46, -50.83, 74.17

 

CMYK 26 / 0 / 64 / 0

HEX #BDFF5B

RGB 189 255 91

HSL 84.15, 1%, 0.68%

LAB 93.06, -44.43, 69.18

 

CMYK 42 / 0 / 90 / 22

HEX #74C714

RGB 116 199 20

HSL 87.82, 0.82%, 0.43%

LAB 72.63, -50.34, 69.72

 

CMYK 45 / 0 / 99 / 29

HEX #63B501

RGB 99 181 1

HSL 87.33, 0.99%, 0.36%

LAB 66.29, -49.23, 66.73

 

CMYK 50 / 0 / 100 / 36

HEX #52A300

RGB 82 163 0

HSL 89.82, 1%, 0.32%

LAB 59.88, -47.7, 61.53

 

CMYK 55 / 0 / 100 / 43

HEX #419100

RGB 65 145 0

HSL 93.1, 1%, 0.28%

LAB 53.36, -46.01, 56.13

 

CMYK 62 / 0 / 100 / 50

HEX #307F00

RGB 48 127 0

HSL 97.32, 1%, 0.25%

LAB 46.72, -44.08, 50.64

 

CMYK 42 / 0 / 90 / 22

HEX #74C814

RGB 116 200 20

HSL 88, 0.82%, 0.43%

LAB 72.94, -50.73, 69.97

 

CMYK 18 / 0 / 90 / 22

HEX #A5C814

RGB 165 200 20

HSL 71.67, 0.82%, 0.43%

LAB 75.67, -32.39, 73.34

 

CMYK 0 / 7 / 90 / 22

HEX #C8BA14

RGB 200 186 20

HSL 55.33, 0.82%, 0.43%

LAB 74.48, -10.64, 73.53

 

CMYK 0 / 32 / 90 / 22

HEX #C88914

RGB 200 137 20

HSL 39, 0.82%, 0.43%

LAB 61.84, 15.5, 63.75

 

CMYK 0 / 56 / 90 / 22

HEX #C85914

RGB 200 89 20

HSL 23, 0.82%, 0.43%

LAB 51.24, 40.95, 55.72

 

CMYK 42 / 0 / 90 / 22

HEX #74C814

RGB 116 200 20

HSL 88, 0.82%, 0.43%

LAB 72.94, -50.73, 69.97

 

CMYK 66 / 0 / 90 / 22

HEX #44C814

RGB 68 200 20

HSL 104, 0.82%, 0.43%

LAB 71.27, -63.86, 67.91

 

CMYK 90 / 0 / 90 / 22

HEX #14C814

RGB 20 200 20

HSL 120, 0.82%, 0.43%

LAB 70.53, -70.37, 66.98

 

CMYK 90 / 0 / 66 / 22

HEX #14C845

RGB 20 200 69

HSL 136.33, 0.82%, 0.43%

LAB 70.79, -67.03, 52.3

 

CMYK 90 / 0 / 42 / 22

HEX #14C875

RGB 20 200 117

HSL 152.33, 0.82%, 0.43%

LAB 71.38, -59.93, 30.17

 

CMYK 42 / 0 / 90 / 22

HEX #74C814

RGB 116 200 20

HSL 88, 0.82%, 0.43%

LAB 72.94, -50.73, 69.97

 

CMYK 46 / 0 / 99 / 15

HEX #75D902

RGB 117 217 2

HSL 87.91, 0.98%, 0.43%

LAB 78.12, -57.27, 76.22

 

CMYK 42 / 0 / 90 / 22

HEX #74C814

RGB 116 200 20

HSL 88, 0.82%, 0.43%

LAB 72.94, -50.73, 69.97

 

CMYK 37 / 0 / 80 / 29

HEX #73B625

RGB 115 182 37

HSL 87.72, 0.66%, 0.43%

LAB 67.45, -43.1, 61.3

 

CMYK 30 / 0 / 66 / 36

HEX #72A437

RGB 114 164 55

HSL 87.52, 0.5%, 0.43%

LAB 62, -34.4, 49.41

 

CMYK 23 / 0 / 50 / 43

HEX #709249

RGB 112 146 73

HSL 87.95, 0.33%, 0.43%

LAB 56.57, -24.8, 34.67

 

CMYK 14 / 0 / 29 / 49

HEX #6F815B

RGB 111 129 91

HSL 88.42, 0.17%, 0.43%

LAB 51.65, -13.84, 18.49

 

CMYK 0 / 8 / 90 / 22

HEX #C8B914

RGB 200 185 20

HSL 55, 0.82%, 0.43%

LAB 74.21, -10.13, 73.32

 

CMYK 17 / 0 / 90 / 22

HEX #A7C814

RGB 167 200 20

HSL 71, 0.82%, 0.43%

LAB 75.81, -31.57, 73.5

 

CMYK 41 / 0 / 90 / 22

HEX #77C814

RGB 119 200 20

HSL 87, 0.82%, 0.43%

LAB 73.08, -49.73, 70.14

 

CMYK 65 / 0 / 90 / 22

HEX #47C814

RGB 71 200 20

HSL 103, 0.82%, 0.43%

LAB 71.35, -63.23, 68

 

CMYK 89 / 0 / 90 / 22

HEX #17C814

RGB 23 200 20

HSL 119, 0.82%, 0.43%

LAB 70.55, -70.16, 67.01

 

CMYK 42 / 0 / 90 / 51

HEX #487C0C

RGB 72 124 12

HSL 87.86, 0.82%, 0.27%

LAB 46.74, -34.8, 48.6

 

CMYK 42 / 0 / 90 / 36

HEX #5EA210

RGB 94 162 16

HSL 87.95, 0.82%, 0.35%

LAB 60.12, -42.96, 59.55

 

CMYK 42 / 0 / 90 / 22

HEX #74C814

RGB 116 200 20

HSL 88, 0.82%, 0.43%

LAB 72.94, -50.73, 69.97

 

CMYK 41 / 0 / 88 / 9

HEX #8AE91C

RGB 138 233 28

HSL 87.8, 0.82%, 0.51%

LAB 83.84, -56.2, 78.14

 

CMYK 33 / 0 / 72 / 7

HEX #9DEC42

RGB 157 236 66

HSL 87.88, 0.82%, 0.59%

LAB 85.78, -49.35, 70.33

 

CMYK 42 / 0 / 90 / 22

HEX #74C714

RGB 116 199 20

HSL 87.82, 0.82%, 0.43%

LAB 72.63, -50.34, 69.72

 

CMYK 90 / 0 / 32 / 22

HEX #14C889

RGB 20 200 137

HSL 159, 0.82%, 0.43%

LAB 71.73, -55.86, 20.15

 

CMYK 0 / 90 / 5 / 22

HEX #C814BF

RGB 200 20 191

HSL 303, 0.82%, 0.43%

LAB 47.68, 78.63, -45.25

 

CMYK 42 / 0 / 90 / 22

HEX #74C714

RGB 116 199 20

HSL 87.82, 0.82%, 0.43%

LAB 72.63, -50.34, 69.72

 

CMYK 90 / 41 / 0 / 22

HEX #1477C8

RGB 20 119 200

HSL 207, 0.82%, 0.43%

LAB 48.9, 3.68, -49.4

 

CMYK 0 / 90 / 41 / 22

HEX #C81477

RGB 200 20 119

HSL 327, 0.82%, 0.43%

LAB 44.39, 69.98, -7.11

 

CMYK 42 / 0 / 90 / 22

HEX #74C714

RGB 116 199 20

HSL 87.82, 0.82%, 0.43%

LAB 72.63, -50.34, 69.72

 

CMYK 90 / 0 / 32 / 22

HEX #14C889

RGB 20 200 137

HSL 159, 0.82%, 0.43%

LAB 71.73, -55.86, 20.15

 

CMYK 50 / 90 / 0 / 22

HEX #6514C8

RGB 101 20 200

HSL 267, 0.82%, 0.43%

LAB 32.78, 66.05, -75.4

 

CMYK 0 / 90 / 59 / 22

HEX #C81453

RGB 200 20 83

HSL 339, 0.82%, 0.43%

LAB 43.37, 67.14, 13.9

 

CMYK 42 / 0 / 90 / 22

HEX #74C714

RGB 116 199 20

HSL 87.82, 0.82%, 0.43%

LAB 72.63, -50.34, 69.72

 

CMYK 90 / 0 / 5 / 22

HEX #14C8BF

RGB 20 200 191

HSL 177, 0.82%, 0.43%

LAB 73.04, -42.04, -7.13

 

CMYK 50 / 90 / 0 / 22

HEX #6514C8

RGB 101 20 200

HSL 267, 0.82%, 0.43%

LAB 32.78, 66.05, -75.4

 

CMYK 0 / 90 / 86 / 22

HEX #C8141D

RGB 200 20 29

HSL 357, 0.82%, 0.43%

LAB 42.56, 64.87, 45.16

 

Description

Color code: HEX #74C714 | qconv.com Color code: HEX #74C714 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 199 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 199 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 90 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 90% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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