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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74C504 it is the complementary color #8B3AFB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74C504. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74C504 shade: #79C500, #8AD712, #9BE925, #ACFB38 and #BDFF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74C504. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74C504 shade: #74C504, #63B300, #52A100, #418F00 and #307D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74C504 shade: #73C304, #A6C304, #C3AC04, #C37904 and #C34504

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74C504 shade: #73C304, #3FC304, #0CC304, #04C330 and #04C363

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74C504 shade matches the following richer shades: #73C304

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74C504 shade: #73C304, #70B314, #6EA324, #6B9334 and #688344

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74C504 shade: #C3AD04, #A6C304, #73C304, #40C304 and #0EC304

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74C504 shade: #437202, #5B9A03, #73C304, #8BEB05 and #9EFA1F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74C504 shade: #74C504, #04C37A and #C304C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74C504 shade: #74C504, #0473C3 and #C30473

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74C504 shade: #74C504, #04C37A, #5404C3 and #C3044D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74C504 shade: #74C504, #04C3B3, #5404C3 and #C30414

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 98 / 23

HEX #74C504

RGB 116 197 4

HSL 85.18, 0.96%, 0.39%

LAB 72, -49.84, 71.19

 

Complementary color

CMYK 45 / 77 / 0 / 2

HEX #8B3AFB

RGB 139 58 251

HSL 265.18, 0.96%, 0.61%

LAB 46.28, 70.34, -82.17

 

CMYK 39 / 0 / 100 / 23

HEX #79C500

RGB 121 197 0

HSL 83.15, 1%, 0.39%

LAB 72.23, -48.18, 71.9

 

CMYK 36 / 0 / 92 / 16

HEX #8AD712

RGB 138 215 18

HSL 83.45, 0.85%, 0.46%

LAB 78.49, -49.27, 75.26

 

CMYK 33 / 0 / 84 / 9

HEX #9BE925

RGB 155 233 37

HSL 83.88, 0.82%, 0.53%

LAB 84.68, -50.15, 77.42

 

CMYK 31 / 0 / 78 / 2

HEX #ACFB38

RGB 172 251 56

HSL 84.31, 0.96%, 0.6%

LAB 90.8, -50.83, 78.48

 

CMYK 26 / 0 / 71 / 0

HEX #BDFF4B

RGB 189 255 75

HSL 82, 1%, 0.65%

LAB 92.95, -45.46, 74.93

 

CMYK 41 / 0 / 98 / 23

HEX #74C504

RGB 116 197 4

HSL 85.18, 0.96%, 0.39%

LAB 72, -49.84, 71.19

 

CMYK 45 / 0 / 100 / 30

HEX #63B300

RGB 99 179 0

HSL 86.82, 1%, 0.35%

LAB 65.67, -48.46, 66.36

 

CMYK 49 / 0 / 100 / 37

HEX #52A100

RGB 82 161 0

HSL 89.44, 1%, 0.32%

LAB 59.24, -46.93, 61.03

 

CMYK 55 / 0 / 100 / 44

HEX #418F00

RGB 65 143 0

HSL 92.73, 1%, 0.28%

LAB 52.7, -45.25, 55.61

 

CMYK 62 / 0 / 100 / 51

HEX #307D00

RGB 48 125 0

HSL 96.96, 1%, 0.25%

LAB 46.04, -43.34, 50.1

 

CMYK 41 / 0 / 98 / 24

HEX #73C304

RGB 115 195 4

HSL 85.13, 0.96%, 0.39%

LAB 71.34, -49.38, 70.65

 

CMYK 15 / 0 / 98 / 24

HEX #A6C304

RGB 166 195 4

HSL 69.11, 0.96%, 0.39%

LAB 74.28, -29.87, 74.2

 

CMYK 0 / 12 / 98 / 24

HEX #C3AC04

RGB 195 172 4

HSL 52.77, 0.96%, 0.39%

LAB 70.26, -5.8, 72.25

 

CMYK 0 / 38 / 98 / 24

HEX #C37904

RGB 195 121 4

HSL 36.75, 0.96%, 0.39%

LAB 57.35, 21.84, 63.2

 

CMYK 0 / 65 / 98 / 24

HEX #C34504

RGB 195 69 4

HSL 20.42, 0.96%, 0.39%

LAB 46.8, 48.19, 56.6

 

CMYK 41 / 0 / 98 / 24

HEX #73C304

RGB 115 195 4

HSL 85.13, 0.96%, 0.39%

LAB 71.34, -49.38, 70.65

 

CMYK 68 / 0 / 98 / 24

HEX #3FC304

RGB 63 195 4

HSL 101.47, 0.96%, 0.39%

LAB 69.54, -63.64, 68.46

 

CMYK 94 / 0 / 98 / 24

HEX #0CC304

RGB 12 195 4

HSL 117.49, 0.96%, 0.39%

LAB 68.84, -69.83, 67.6

 

CMYK 98 / 0 / 75 / 24

HEX #04C330

RGB 4 195 48

HSL 133.82, 0.96%, 0.39%

LAB 68.95, -68.26, 58.33

 

CMYK 98 / 0 / 49 / 24

HEX #04C363

RGB 4 195 99

HSL 149.84, 0.96%, 0.39%

LAB 69.44, -62.13, 36.8

 

CMYK 41 / 0 / 98 / 24

HEX #73C304

RGB 115 195 4

HSL 85.13, 0.96%, 0.39%

LAB 71.34, -49.38, 70.65

 

CMYK 41 / 0 / 98 / 24

HEX #73C304

RGB 115 195 4

HSL 85.13, 0.96%, 0.39%

LAB 71.34, -49.38, 70.65

 

CMYK 37 / 0 / 89 / 30

HEX #70B314

RGB 112 179 20

HSL 85.28, 0.8%, 0.39%

LAB 66.32, -43.56, 64.36

 

CMYK 33 / 0 / 78 / 36

HEX #6EA324

RGB 110 163 36

HSL 85.04, 0.64%, 0.39%

LAB 61.34, -36.73, 55.81

 

CMYK 27 / 0 / 65 / 42

HEX #6B9334

RGB 107 147 52

HSL 85.26, 0.48%, 0.39%

LAB 56.33, -29.4, 44.49

 

CMYK 21 / 0 / 48 / 49

HEX #688344

RGB 104 131 68

HSL 85.71, 0.32%, 0.39%

LAB 51.37, -20.99, 30.8

 

CMYK 0 / 11 / 98 / 24

HEX #C3AD04

RGB 195 173 4

HSL 53.09, 0.96%, 0.39%

LAB 70.52, -6.32, 72.44

 

CMYK 15 / 0 / 98 / 24

HEX #A6C304

RGB 166 195 4

HSL 69.11, 0.96%, 0.39%

LAB 74.28, -29.87, 74.2

 

CMYK 41 / 0 / 98 / 24

HEX #73C304

RGB 115 195 4

HSL 85.13, 0.96%, 0.39%

LAB 71.34, -49.38, 70.65

 

CMYK 67 / 0 / 98 / 24

HEX #40C304

RGB 64 195 4

HSL 101.15, 0.96%, 0.39%

LAB 69.56, -63.43, 68.48

 

CMYK 93 / 0 / 98 / 24

HEX #0EC304

RGB 14 195 4

HSL 116.86, 0.96%, 0.39%

LAB 68.85, -69.73, 67.61

 

CMYK 41 / 0 / 98 / 55

HEX #437202

RGB 67 114 2

HSL 85.18, 0.97%, 0.23%

LAB 43.11, -32.58, 47.68

 

CMYK 41 / 0 / 98 / 40

HEX #5B9A03

RGB 91 154 3

HSL 85.03, 0.96%, 0.31%

LAB 57.41, -40.99, 59.31

 

CMYK 41 / 0 / 98 / 24

HEX #73C304

RGB 115 195 4

HSL 85.13, 0.96%, 0.39%

LAB 71.34, -49.38, 70.65

 

CMYK 41 / 0 / 98 / 8

HEX #8BEB05

RGB 139 235 5

HSL 85.04, 0.96%, 0.47%

LAB 84.44, -57.05, 81.33

 

CMYK 37 / 0 / 88 / 2

HEX #9EFA1F

RGB 158 250 31

HSL 85.21, 0.96%, 0.55%

LAB 89.74, -56.13, 82.93

 

CMYK 41 / 0 / 98 / 23

HEX #74C504

RGB 116 197 4

HSL 85.18, 0.96%, 0.39%

LAB 72, -49.84, 71.19

 

CMYK 98 / 0 / 37 / 24

HEX #04C37A

RGB 4 195 122

HSL 157.07, 0.96%, 0.39%

LAB 69.8, -57.88, 25.45

 

CMYK 0 / 98 / 2 / 24

HEX #C304C0

RGB 195 4 192

HSL 300.94, 0.96%, 0.39%

LAB 46.3, 79.51, -48.07

 

CMYK 41 / 0 / 98 / 23

HEX #74C504

RGB 116 197 4

HSL 85.18, 0.96%, 0.39%

LAB 72, -49.84, 71.19

 

CMYK 98 / 41 / 0 / 24

HEX #0473C3

RGB 4 115 195

HSL 205.13, 0.96%, 0.39%

LAB 47.27, 3.53, -49.14

 

CMYK 0 / 98 / 41 / 24

HEX #C30473

RGB 195 4 115

HSL 325.13, 0.96%, 0.39%

LAB 42.65, 70.27, -7.33

 

CMYK 41 / 0 / 98 / 23

HEX #74C504

RGB 116 197 4

HSL 85.18, 0.96%, 0.39%

LAB 72, -49.84, 71.19

 

CMYK 98 / 0 / 37 / 24

HEX #04C37A

RGB 4 195 122

HSL 157.07, 0.96%, 0.39%

LAB 69.8, -57.88, 25.45

 

CMYK 57 / 98 / 0 / 24

HEX #5404C3

RGB 84 4 195

HSL 265.13, 0.96%, 0.39%

LAB 29.19, 66.42, -78.48

 

CMYK 0 / 98 / 61 / 24

HEX #C3044D

RGB 195 4 77

HSL 337.07, 0.96%, 0.39%

LAB 41.57, 67.39, 15.07

 

CMYK 41 / 0 / 98 / 23

HEX #74C504

RGB 116 197 4

HSL 85.18, 0.96%, 0.39%

LAB 72, -49.84, 71.19

 

CMYK 98 / 0 / 8 / 24

HEX #04C3B3

RGB 4 195 179

HSL 174.97, 0.96%, 0.39%

LAB 71.08, -43.86, -3.49

 

CMYK 57 / 98 / 0 / 24

HEX #5404C3

RGB 84 4 195

HSL 265.13, 0.96%, 0.39%

LAB 29.19, 66.42, -78.48

 

CMYK 0 / 98 / 90 / 24

HEX #C30414

RGB 195 4 20

HSL 354.97, 0.96%, 0.39%

LAB 40.8, 65.28, 47.62

 

Description

Color code: HEX #74C504 | qconv.com Color code: HEX #74C504 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 197 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 197 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 98 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 98% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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