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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74C4F04C it is the complementary color #8B3B0F4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74C4F04C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74C4F04C shade: #79C4EB4C, #8AD6FE4C, #9BE8FF4C, #ACFAFF4C and #BDFFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74C4F04C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74C4F04C shade: #74C4F04C, #63B2DD4C, #52A0CA4C, #418EB74C and #307CA44C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74C4F04C shade: #75C4F0, #75A3F0, #7582F0, #8975F0 and #AA75F0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74C4F04C shade: #75C4F0, #75A3F0, #7582F0 and #7575F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74C4F04C shade matches the following richer shades: #75C4F0 and #68C8FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74C4F04C shade: #75C4F0, #81C1E4, #8DBDD8, #9ABACB and #A6B6BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74C4F04C shade: #75F0DA, #75E6F0, #75C5F0, #75A4F0 and #7583F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74C4F04C shade: #2AA5E9, #4FB5ED, #75C4F0, #9AD4F4 and #BFE4F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74C4F04C shade: #74C4F0, #B975F0 and #F0EA75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74C4F04C shade: #74C4F0, #F075C5 and #C5F075

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74C4F04C shade: #74C4F0, #B975F0, #F0A075 and #ACF075

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74C4F04C shade: #74C4F0, #DE75F0, #F0A075 and #87F075

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 6 / 0 / 2

HEX #74C4F04C

RGBA 116 196 240 0.3

HSLA 201.29, 0.81%, 0.7%, 0.3

LABA 75.75, -12.63, -29.32, 0.3

 

Complementary color

CMYK 0 / 17 / 27 / 14

HEX #8B3B0F4C

RGBA 139 59 15 0.3

HSLA 21.29, 0.81%, 0.3%, 0.3

LABA 35.3, 31.75, 40.79, 0.3

 

CMYK 15 / 5 / 0 / 2

HEX #79C4EB4C

RGBA 121 196 235 0.3

HSLA 200.53, 0.74%, 0.7%, 0.3

LABA 75.79, -12.93, -26.56, 0.3

 

CMYK 14 / 5 / 0 / 0

HEX #8AD6FE4C

RGBA 138 214 254 0.3

HSLA 200.69, 0.98%, 0.77%, 0.3

LABA 82.19, -13.21, -26.85, 0.3

 

CMYK 12 / 3 / 0 / 0

HEX #9BE8FF4C

RGBA 155 232 255 0.3

HSLA 193.8, 1%, 0.8%, 0.3

LABA 87.92, -18.01, -18.61, 0.3

 

CMYK 10 / 1 / 0 / 0

HEX #ACFAFF4C

RGBA 172 250 255 0.3

HSLA 183.61, 1%, 0.84%, 0.3

LABA 93.61, -22.53, -10.01, 0.3

 

CMYK 8 / 0 / 0 / 0

HEX #BDFFFF4C

RGBA 189 255 255 0.3

HSLA 180, 1%, 0.87%, 0.3

LABA 95.81, -20.34, -6.65, 0.3

 

CMYK 16 / 6 / 0 / 2

HEX #74C4F04C

RGBA 116 196 240 0.3

HSLA 201.29, 0.81%, 0.7%, 0.3

LABA 75.75, -12.63, -29.32, 0.3

 

CMYK 17 / 6 / 0 / 4

HEX #63B2DD4C

RGBA 99 178 221 0.3

HSLA 201.15, 0.64%, 0.63%, 0.3

LABA 69.27, -12.18, -29.05, 0.3

 

CMYK 18 / 6 / 0 / 6

HEX #52A0CA4C

RGBA 82 160 202 0.3

HSLA 201, 0.53%, 0.56%, 0.3

LABA 62.68, -11.61, -28.77, 0.3

 

CMYK 19 / 7 / 0 / 8

HEX #418EB74C

RGBA 65 142 183 0.3

HSLA 200.85, 0.48%, 0.49%, 0.3

LABA 55.98, -10.88, -28.47, 0.3

 

CMYK 21 / 7 / 0 / 11

HEX #307CA44C

RGBA 48 124 164 0.3

HSLA 200.69, 0.55%, 0.42%, 0.3

LABA 49.16, -9.9, -28.15, 0.3

 

CMYK 51 / 18 / 0 / 6

HEX #75C4F0

RGB 117 196 240

HSL 201.46, 0.8%, 0.7%

LAB 75.79, -12.41, -29.26

 

CMYK 51 / 32 / 0 / 6

HEX #75A3F0

RGB 117 163 240

HSL 217.56, 0.8%, 0.7%

LAB 66.72, 5.74, -43.34

 

CMYK 51 / 46 / 0 / 6

HEX #7582F0

RGB 117 130 240

HSL 233.66, 0.8%, 0.7%

LAB 58.07, 25.06, -57.04

 

CMYK 43 / 51 / 0 / 6

HEX #8975F0

RGB 137 117 240

HSL 249.76, 0.8%, 0.7%

LAB 56.42, 37.15, -59.6

 

CMYK 29 / 51 / 0 / 6

HEX #AA75F0

RGB 170 117 240

HSL 265.85, 0.8%, 0.7%

LAB 59.49, 45.1, -54.52

 

CMYK 51 / 18 / 0 / 6

HEX #75C4F0

RGB 117 196 240

HSL 201.46, 0.8%, 0.7%

LAB 75.79, -12.41, -29.26

 

CMYK 51 / 32 / 0 / 6

HEX #75A3F0

RGB 117 163 240

HSL 217.56, 0.8%, 0.7%

LAB 66.72, 5.74, -43.34

 

CMYK 51 / 46 / 0 / 6

HEX #7582F0

RGB 117 130 240

HSL 233.66, 0.8%, 0.7%

LAB 58.07, 25.06, -57.04

 

CMYK 51 / 51 / 0 / 6

HEX #7575F0

RGB 117 117 240

HSL 240, 0.8%, 0.7%

LAB 54.86, 32.81, -62.19

 

CMYK 51 / 18 / 0 / 6

HEX #75C4F0

RGB 117 196 240

HSL 201.46, 0.8%, 0.7%

LAB 75.79, -12.41, -29.26

 

CMYK 59 / 21 / 0 / 1

HEX #68C8FD

RGB 104 200 253

HSL 201.34, 0.97%, 0.7%

LAB 76.89, -13.31, -34.59

 

CMYK 51 / 18 / 0 / 6

HEX #75C4F0

RGB 117 196 240

HSL 201.46, 0.8%, 0.7%

LAB 75.79, -12.41, -29.26

 

CMYK 43 / 15 / 0 / 11

HEX #81C1E4

RGB 129 193 228

HSL 201.21, 0.65%, 0.7%

LAB 75.08, -11.37, -23.82

 

CMYK 35 / 13 / 0 / 15

HEX #8DBDD8

RGB 141 189 216

HSL 201.6, 0.49%, 0.7%

LAB 74.2, -9.24, -18.6

 

CMYK 24 / 8 / 0 / 20

HEX #9ABACB

RGB 154 186 203

HSL 200.82, 0.32%, 0.7%

LAB 73.74, -6.99, -12.15

 

CMYK 13 / 5 / 0 / 25

HEX #A6B6BF

RGB 166 182 191

HSL 201.6, 0.16%, 0.7%

LAB 73.11, -3.67, -6.45

 

CMYK 51 / 0 / 9 / 6

HEX #75F0DA

RGB 117 240 218

HSL 169.27, 0.8%, 0.7%

LAB 87.56, -39.7, 0.09

 

CMYK 51 / 4 / 0 / 6

HEX #75E6F0

RGB 117 230 240

HSL 184.88, 0.8%, 0.7%

LAB 85.34, -29.53, -14.77

 

CMYK 51 / 18 / 0 / 6

HEX #75C5F0

RGB 117 197 240

HSL 200.98, 0.8%, 0.7%

LAB 76.07, -12.94, -28.83

 

CMYK 51 / 32 / 0 / 6

HEX #75A4F0

RGB 117 164 240

HSL 217.07, 0.8%, 0.7%

LAB 66.99, 5.16, -42.91

 

CMYK 51 / 45 / 0 / 6

HEX #7583F0

RGB 117 131 240

HSL 233.17, 0.8%, 0.7%

LAB 58.33, 24.47, -56.63

 

CMYK 82 / 29 / 0 / 9

HEX #2AA5E9

RGB 42 165 233

HSL 201.36, 0.81%, 0.54%

LAB 64.39, -9.45, -43.34

 

CMYK 67 / 24 / 0 / 7

HEX #4FB5ED

RGB 79 181 237

HSL 201.27, 0.81%, 0.62%

LAB 70.05, -12.42, -36.62

 

CMYK 51 / 18 / 0 / 6

HEX #75C4F0

RGB 117 196 240

HSL 201.46, 0.8%, 0.7%

LAB 75.79, -12.41, -29.26

 

CMYK 37 / 13 / 0 / 4

HEX #9AD4F4

RGB 154 212 244

HSL 201.33, 0.8%, 0.78%

LAB 82.1, -10.8, -21.6

 

CMYK 23 / 8 / 0 / 3

HEX #BFE4F8

RGB 191 228 248

HSL 201.05, 0.8%, 0.86%

LAB 88.61, -7.76, -13.7

 

CMYK 52 / 18 / 0 / 6

HEX #74C4F0

RGB 116 196 240

HSL 201.29, 0.81%, 0.7%

LAB 75.75, -12.63, -29.32

 

CMYK 23 / 51 / 0 / 6

HEX #B975F0

RGB 185 117 240

HSL 273.17, 0.8%, 0.7%

LAB 61.07, 48.93, -51.91

 

CMYK 0 / 3 / 51 / 6

HEX #F0EA75

RGB 240 234 117

HSL 57.07, 0.8%, 0.7%

LAB 91.08, -13.11, 56.84

 

CMYK 52 / 18 / 0 / 6

HEX #74C4F0

RGB 116 196 240

HSL 201.29, 0.81%, 0.7%

LAB 75.75, -12.63, -29.32

 

CMYK 0 / 51 / 18 / 6

HEX #F075C5

RGB 240 117 197

HSL 320.98, 0.8%, 0.7%

LAB 65.97, 56.62, -19.75

 

CMYK 18 / 0 / 51 / 6

HEX #C5F075

RGB 197 240 117

HSL 80.98, 0.8%, 0.7%

LAB 89.61, -32.61, 54.35

 

CMYK 52 / 18 / 0 / 6

HEX #74C4F0

RGB 116 196 240

HSL 201.29, 0.81%, 0.7%

LAB 75.75, -12.63, -29.32

 

CMYK 23 / 51 / 0 / 6

HEX #B975F0

RGB 185 117 240

HSL 273.17, 0.8%, 0.7%

LAB 61.07, 48.93, -51.91

 

CMYK 0 / 33 / 51 / 6

HEX #F0A075

RGB 240 160 117

HSL 20.98, 0.8%, 0.7%

LAB 72.86, 25.18, 34.48

 

CMYK 28 / 0 / 51 / 6

HEX #ACF075

RGB 172 240 117

HSL 93.17, 0.8%, 0.7%

LAB 88.15, -41.6, 52.25

 

CMYK 52 / 18 / 0 / 6

HEX #74C4F0

RGB 116 196 240

HSL 201.29, 0.81%, 0.7%

LAB 75.75, -12.63, -29.32

 

CMYK 8 / 51 / 0 / 6

HEX #DE75F0

RGB 222 117 240

HSL 291.22, 0.8%, 0.7%

LAB 65.39, 58.67, -44.8

 

CMYK 0 / 33 / 51 / 6

HEX #F0A075

RGB 240 160 117

HSL 20.98, 0.8%, 0.7%

LAB 72.86, 25.18, 34.48

 

CMYK 44 / 0 / 51 / 6

HEX #87F075

RGB 135 240 117

HSL 111.22, 0.8%, 0.7%

LAB 86.38, -53.46, 49.7

 

Description

Color code: HEX #74C4F04C | qconv.com Color code: HEX #74C4F04C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 196 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 196 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 6 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 6% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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