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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74AB04 it is the complementary color #8B54FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74AB04. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74AB04 shade: #79AB00, #8ABD12, #9BCF25, #ACE138 and #BDF34B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74AB04. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74AB04 shade: #74AB04, #639900, #528700, #417500 and #306300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74AB04 shade: #73A904, #9FA904, #A98604, #A95A04 and #A92E04

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74AB04 shade: #73A904, #46A904, #1AA904, #04A91B and #04A948

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74AB04 shade matches the following richer shades: #73A904

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74AB04 shade: #73A904, #6E9B12, #698D20, #647F2E and #60713C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74AB04 shade: #A98504, #A1A904, #75A904, #49A904 and #1DA904

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74AB04 shade: #3C5902, #578103, #73A904, #8ED105 and #A9F907

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74AB04 shade: #74AB04, #04A959 and #9B04A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74AB04 shade: #74AB04, #0475A9 and #A90475

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74AB04 shade: #74AB04, #04A959, #3804A9 and #A90454

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74AB04 shade: #74AB04, #04A98B, #3804A9 and #A90423

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 98 / 33

HEX #74AB04

RGB 116 171 4

HSL 79.76, 0.95%, 0.34%

LAB 64.04, -38.99, 64.94

 

Complementary color

CMYK 45 / 67 / 0 / 2

HEX #8B54FB

RGB 139 84 251

HSL 259.76, 0.95%, 0.66%

LAB 50.45, 58.62, -75.37

 

CMYK 29 / 0 / 100 / 33

HEX #79AB00

RGB 121 171 0

HSL 77.54, 1%, 0.34%

LAB 64.32, -37.12, 65.8

 

CMYK 27 / 0 / 90 / 26

HEX #8ABD12

RGB 138 189 18

HSL 77.89, 0.83%, 0.41%

LAB 70.76, -38.19, 68.97

 

CMYK 25 / 0 / 82 / 19

HEX #9BCF25

RGB 155 207 37

HSL 78.35, 0.7%, 0.48%

LAB 77.12, -39.06, 70.83

 

CMYK 24 / 0 / 75 / 12

HEX #ACE138

RGB 172 225 56

HSL 78.82, 0.74%, 0.55%

LAB 83.39, -39.73, 71.56

 

CMYK 22 / 0 / 69 / 5

HEX #BDF34B

RGB 189 243 75

HSL 79.29, 0.88%, 0.62%

LAB 89.59, -40.24, 71.58

 

CMYK 32 / 0 / 98 / 33

HEX #74AB04

RGB 116 171 4

HSL 79.76, 0.95%, 0.34%

LAB 64.04, -38.99, 64.94

 

CMYK 35 / 0 / 100 / 40

HEX #639900

RGB 99 153 0

HSL 81.18, 1%, 0.3%

LAB 57.5, -37.67, 60.02

 

CMYK 39 / 0 / 100 / 47

HEX #528700

RGB 82 135 0

HSL 83.56, 1%, 0.26%

LAB 50.83, -36.23, 54.48

 

CMYK 44 / 0 / 100 / 54

HEX #417500

RGB 65 117 0

HSL 86.67, 1%, 0.23%

LAB 44.01, -34.71, 48.81

 

CMYK 52 / 0 / 100 / 61

HEX #306300

RGB 48 99 0

HSL 90.91, 1%, 0.19%

LAB 37.03, -33.07, 43.01

 

CMYK 32 / 0 / 98 / 34

HEX #73A904

RGB 115 169 4

HSL 79.64, 0.95%, 0.34%

LAB 63.37, -38.49, 64.39

 

CMYK 6 / 0 / 98 / 34

HEX #9FA904

RGB 159 169 4

HSL 63.64, 0.95%, 0.34%

LAB 66.33, -20.19, 67.96

 

CMYK 0 / 21 / 98 / 34

HEX #A98604

RGB 169 134 4

HSL 47.27, 0.95%, 0.34%

LAB 57.55, 2.93, 61.9

 

CMYK 0 / 47 / 98 / 34

HEX #A95A04

RGB 169 90 4

HSL 31.27, 0.95%, 0.34%

LAB 46.65, 27.54, 54.39

 

CMYK 0 / 73 / 98 / 34

HEX #A92E04

RGB 169 46 4

HSL 15.27, 0.95%, 0.34%

LAB 38.55, 48.58, 49.45

 

CMYK 32 / 0 / 98 / 34

HEX #73A904

RGB 115 169 4

HSL 79.64, 0.95%, 0.34%

LAB 63.37, -38.49, 64.39

 

CMYK 59 / 0 / 98 / 34

HEX #46A904

RGB 70 169 4

HSL 96, 0.95%, 0.34%

LAB 61.38, -53.3, 61.98

 

CMYK 85 / 0 / 98 / 34

HEX #1AA904

RGB 26 169 4

HSL 112, 0.95%, 0.34%

LAB 60.43, -61.45, 60.81

 

CMYK 98 / 0 / 84 / 34

HEX #04A91B

RGB 4 169 27

HSL 128.36, 0.95%, 0.34%

LAB 60.32, -62.2, 56.45

 

CMYK 98 / 0 / 57 / 34

HEX #04A948

RGB 4 169 72

HSL 144.73, 0.95%, 0.34%

LAB 60.67, -57.83, 39.34

 

CMYK 32 / 0 / 98 / 34

HEX #73A904

RGB 115 169 4

HSL 79.64, 0.95%, 0.34%

LAB 63.37, -38.49, 64.39

 

CMYK 32 / 0 / 98 / 34

HEX #73A904

RGB 115 169 4

HSL 79.64, 0.95%, 0.34%

LAB 63.37, -38.49, 64.39

 

CMYK 29 / 0 / 88 / 39

HEX #6E9B12

RGB 110 155 18

HSL 79.71, 0.79%, 0.34%

LAB 58.79, -33.86, 58.38

 

CMYK 26 / 0 / 77 / 45

HEX #698D20

RGB 105 141 32

HSL 79.82, 0.63%, 0.34%

LAB 54.19, -28.74, 50.27

 

CMYK 21 / 0 / 64 / 50

HEX #647F2E

RGB 100 127 46

HSL 80, 0.47%, 0.34%

LAB 49.6, -22.93, 39.75

 

CMYK 15 / 0 / 47 / 56

HEX #60713C

RGB 96 113 60

HSL 79.25, 0.31%, 0.34%

LAB 45.11, -15.8, 27.25

 

CMYK 0 / 21 / 98 / 34

HEX #A98504

RGB 169 133 4

HSL 46.91, 0.95%, 0.34%

LAB 57.29, 3.48, 61.71

 

CMYK 5 / 0 / 98 / 34

HEX #A1A904

RGB 161 169 4

HSL 62.91, 0.95%, 0.34%

LAB 66.49, -19.31, 68.15

 

CMYK 31 / 0 / 98 / 34

HEX #75A904

RGB 117 169 4

HSL 78.91, 0.95%, 0.34%

LAB 63.48, -37.72, 64.53

 

CMYK 57 / 0 / 98 / 34

HEX #49A904

RGB 73 169 4

HSL 94.91, 0.95%, 0.34%

LAB 61.48, -52.5, 62.1

 

CMYK 83 / 0 / 98 / 34

HEX #1DA904

RGB 29 169 4

HSL 110.91, 0.95%, 0.34%

LAB 60.47, -61.11, 60.86

 

CMYK 33 / 0 / 98 / 65

HEX #3C5902

RGB 60 89 2

HSL 80, 0.96%, 0.18%

LAB 34.21, -23.66, 40.44

 

CMYK 33 / 0 / 98 / 49

HEX #578103

RGB 87 129 3

HSL 80, 0.95%, 0.26%

LAB 49.17, -31.5, 52.72

 

CMYK 32 / 0 / 98 / 34

HEX #73A904

RGB 115 169 4

HSL 79.64, 0.95%, 0.34%

LAB 63.37, -38.49, 64.39

 

CMYK 32 / 0 / 98 / 18

HEX #8ED105

RGB 142 209 5

HSL 79.71, 0.95%, 0.42%

LAB 76.9, -45.55, 75.48

 

CMYK 32 / 0 / 97 / 2

HEX #A9F907

RGB 169 249 7

HSL 79.83, 0.95%, 0.5%

LAB 89.95, -52.32, 86.1

 

CMYK 32 / 0 / 98 / 33

HEX #74AB04

RGB 116 171 4

HSL 79.76, 0.95%, 0.34%

LAB 64.04, -38.99, 64.94

 

CMYK 98 / 0 / 47 / 34

HEX #04A959

RGB 4 169 89

HSL 150.91, 0.95%, 0.34%

LAB 60.89, -55.11, 31.08

 

CMYK 8 / 98 / 0 / 34

HEX #9B04A9

RGB 155 4 169

HSL 294.91, 0.95%, 0.34%

LAB 37.7, 69.47, -48.67

 

CMYK 32 / 0 / 98 / 33

HEX #74AB04

RGB 116 171 4

HSL 79.76, 0.95%, 0.34%

LAB 64.04, -38.99, 64.94

 

CMYK 98 / 31 / 0 / 34

HEX #0475A9

RGB 4 117 169

HSL 198.91, 0.95%, 0.34%

LAB 46.46, -7.89, -35.35

 

CMYK 0 / 98 / 31 / 34

HEX #A90475

RGB 169 4 117

HSL 318.91, 0.95%, 0.34%

LAB 37.49, 64.91, -16.9

 

CMYK 32 / 0 / 98 / 33

HEX #74AB04

RGB 116 171 4

HSL 79.76, 0.95%, 0.34%

LAB 64.04, -38.99, 64.94

 

CMYK 98 / 0 / 47 / 34

HEX #04A959

RGB 4 169 89

HSL 150.91, 0.95%, 0.34%

LAB 60.89, -55.11, 31.08

 

CMYK 67 / 98 / 0 / 34

HEX #3804A9

RGB 56 4 169

HSL 258.91, 0.95%, 0.34%

LAB 22.97, 58.52, -73.37

 

CMYK 0 / 98 / 50 / 34

HEX #A90454

RGB 169 4 84

HSL 330.91, 0.95%, 0.34%

LAB 36.29, 61.76, 2.38

 

CMYK 32 / 0 / 98 / 33

HEX #74AB04

RGB 116 171 4

HSL 79.76, 0.95%, 0.34%

LAB 64.04, -38.99, 64.94

 

CMYK 98 / 0 / 18 / 34

HEX #04A98B

RGB 4 169 139

HSL 169.09, 0.95%, 0.34%

LAB 61.88, -43.87, 5.2

 

CMYK 67 / 98 / 0 / 34

HEX #3804A9

RGB 56 4 169

HSL 258.91, 0.95%, 0.34%

LAB 22.97, 58.52, -73.37

 

CMYK 0 / 98 / 79 / 34

HEX #A90423

RGB 169 4 35

HSL 348.73, 0.95%, 0.34%

LAB 35.29, 59.03, 32.53

 

Description

Color code: HEX #74AB04 | qconv.com Color code: HEX #74AB04 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 171 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 171 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 98 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 98% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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