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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74A1C9 it is the complementary color #8B5E36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74A1C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74A1C9 shade: #79A1C4, #8AB3D7, #9BC5EA, #ACD7FD and #BDE9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74A1C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74A1C9 shade: #74A1C9, #638FB6, #527DA3, #416B90 and #30597D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74A1C9 shade: #73A1C9, #738AC9, #7473C9, #8B73C9 and #A273C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74A1C9 shade: #73A1C9, #738AC9 and #7373C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74A1C9 shade matches the following richer shades: #73A1C9, #64A2D8, #54A2E8 and #44A3F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74A1C9 shade: #73A1C9, #83A0B9, #939FA9, #A29E9A and #B29D8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74A1C9 shade: #73C9C3, #73B8C9, #73A1C9, #738AC9 and #7373C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74A1C9 shade: #4178A8, #568DBD, #73A1C9, #91B5D4 and #AFC9E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74A1C9 shade: #74A1C9, #AC73C9 and #C3C973

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74A1C9 shade: #74A1C9, #C973A1 and #A1C973

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74A1C9 shade: #74A1C9, #AC73C9, #C99B73 and #90C973

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74A1C9 shade: #74A1C9, #C673C9, #C99B73 and #76C973

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 20 / 0 / 21

HEX #74A1C9

RGB 116 161 201

HSL 208.24, 0.44%, 0.62%

LAB 64.5, -4.7, -25.27

 

Complementary color

CMYK 0 / 32 / 61 / 45

HEX #8B5E36

RGB 139 94 54

HSL 28.24, 0.44%, 0.38%

LAB 43.89, 13.95, 30.05

 

CMYK 38 / 18 / 0 / 23

HEX #79A1C4

RGB 121 161 196

HSL 208, 0.39%, 0.62%

LAB 64.6, -4.73, -22.31

 

CMYK 36 / 17 / 0 / 16

HEX #8AB3D7

RGB 138 179 215

HSL 208.05, 0.49%, 0.69%

LAB 71.25, -4.95, -22.56

 

CMYK 34 / 16 / 0 / 8

HEX #9BC5EA

RGB 155 197 234

HSL 208.1, 0.65%, 0.76%

LAB 77.78, -5.13, -22.82

 

CMYK 32 / 15 / 0 / 1

HEX #ACD7FD

RGB 172 215 253

HSL 208.15, 0.95%, 0.83%

LAB 84.21, -5.3, -23.09

 

CMYK 26 / 9 / 0 / 0

HEX #BDE9FF

RGB 189 233 255

HSL 200, 1%, 0.87%

LAB 90.01, -9.35, -15.29

 

CMYK 42 / 20 / 0 / 21

HEX #74A1C9

RGB 116 161 201

HSL 208.24, 0.44%, 0.62%

LAB 64.5, -4.7, -25.27

 

CMYK 46 / 21 / 0 / 29

HEX #638FB6

RGB 99 143 182

HSL 208.19, 0.36%, 0.55%

LAB 57.73, -4.36, -25.08

 

CMYK 50 / 23 / 0 / 36

HEX #527DA3

RGB 82 125 163

HSL 208.15, 0.33%, 0.48%

LAB 50.81, -3.94, -24.9

 

CMYK 55 / 26 / 0 / 44

HEX #416B90

RGB 65 107 144

HSL 208.1, 0.38%, 0.41%

LAB 43.73, -3.38, -24.75

 

CMYK 62 / 29 / 0 / 51

HEX #30597D

RGB 48 89 125

HSL 208.05, 0.45%, 0.34%

LAB 36.47, -2.62, -24.61

 

CMYK 43 / 20 / 0 / 21

HEX #73A1C9

RGB 115 161 201

HSL 207.91, 0.44%, 0.62%

LAB 64.44, -4.96, -25.36

 

CMYK 43 / 31 / 0 / 21

HEX #738AC9

RGB 115 138 201

HSL 223.95, 0.44%, 0.62%

LAB 58.07, 8.18, -35.23

 

CMYK 42 / 43 / 0 / 21

HEX #7473C9

RGB 116 115 201

HSL 240.7, 0.44%, 0.62%

LAB 52.05, 22.15, -44.7

 

CMYK 31 / 43 / 0 / 21

HEX #8B73C9

RGB 139 115 201

HSL 256.74, 0.44%, 0.62%

LAB 53.99, 28.29, -41.5

 

CMYK 19 / 43 / 0 / 21

HEX #A273C9

RGB 162 115 201

HSL 272.79, 0.44%, 0.62%

LAB 56.25, 34.87, -37.8

 

CMYK 43 / 20 / 0 / 21

HEX #73A1C9

RGB 115 161 201

HSL 207.91, 0.44%, 0.62%

LAB 64.44, -4.96, -25.36

 

CMYK 43 / 31 / 0 / 21

HEX #738AC9

RGB 115 138 201

HSL 223.95, 0.44%, 0.62%

LAB 58.07, 8.18, -35.23

 

CMYK 43 / 43 / 0 / 21

HEX #7373C9

RGB 115 115 201

HSL 240, 0.44%, 0.62%

LAB 51.98, 21.9, -44.82

 

CMYK 43 / 20 / 0 / 21

HEX #73A1C9

RGB 115 161 201

HSL 207.91, 0.44%, 0.62%

LAB 64.44, -4.96, -25.36

 

CMYK 54 / 25 / 0 / 15

HEX #64A2D8

RGB 100 162 216

HSL 207.93, 0.6%, 0.62%

LAB 64.57, -4.71, -33.55

 

CMYK 64 / 30 / 0 / 9

HEX #54A2E8

RGB 84 162 232

HSL 208.38, 0.76%, 0.62%

LAB 64.61, -2.74, -42.38

 

CMYK 73 / 34 / 0 / 3

HEX #44A3F8

RGB 68 163 248

HSL 208.33, 0.93%, 0.62%

LAB 65.12, -0.3, -50.37

 

CMYK 43 / 20 / 0 / 21

HEX #73A1C9

RGB 115 161 201

HSL 207.91, 0.44%, 0.62%

LAB 64.44, -4.96, -25.36

 

CMYK 29 / 14 / 0 / 27

HEX #83A0B9

RGB 131 160 185

HSL 207.78, 0.28%, 0.62%

LAB 64.54, -4.14, -16.2

 

CMYK 13 / 6 / 0 / 34

HEX #939FA9

RGB 147 159 169

HSL 207.27, 0.11%, 0.62%

LAB 64.85, -2.16, -6.65

 

CMYK 0 / 2 / 5 / 36

HEX #A29E9A

RGB 162 158 154

HSL 30, 0.04%, 0.62%

LAB 65.33, 0.71, 2.59

 

CMYK 0 / 12 / 22 / 30

HEX #B29D8A

RGB 178 157 138

HSL 28.5, 0.21%, 0.62%

LAB 66.07, 4.65, 12.77

 

CMYK 43 / 0 / 3 / 21

HEX #73C9C3

RGB 115 201 195

HSL 175.81, 0.44%, 0.62%

LAB 75.67, -27.43, -5.15

 

CMYK 43 / 8 / 0 / 21

HEX #73B8C9

RGB 115 184 201

HSL 191.86, 0.44%, 0.62%

LAB 70.97, -17.33, -15.43

 

CMYK 43 / 20 / 0 / 21

HEX #73A1C9

RGB 115 161 201

HSL 207.91, 0.44%, 0.62%

LAB 64.44, -4.96, -25.36

 

CMYK 43 / 31 / 0 / 21

HEX #738AC9

RGB 115 138 201

HSL 223.95, 0.44%, 0.62%

LAB 58.07, 8.18, -35.23

 

CMYK 43 / 43 / 0 / 21

HEX #7373C9

RGB 115 115 201

HSL 240, 0.44%, 0.62%

LAB 51.98, 21.9, -44.82

 

CMYK 61 / 29 / 0 / 34

HEX #4178A8

RGB 65 120 168

HSL 207.96, 0.44%, 0.46%

LAB 48.74, -3.18, -31.09

 

CMYK 54 / 25 / 0 / 26

HEX #568DBD

RGB 86 141 189

HSL 207.96, 0.44%, 0.54%

LAB 56.78, -4.2, -30.56

 

CMYK 43 / 20 / 0 / 21

HEX #73A1C9

RGB 115 161 201

HSL 207.91, 0.44%, 0.62%

LAB 64.44, -4.96, -25.36

 

CMYK 32 / 15 / 0 / 17

HEX #91B5D4

RGB 145 181 212

HSL 207.76, 0.44%, 0.7%

LAB 72.11, -4.82, -19.57

 

CMYK 22 / 10 / 0 / 12

HEX #AFC9E0

RGB 175 201 224

HSL 208.16, 0.44%, 0.78%

LAB 79.77, -3.8, -14.33

 

CMYK 42 / 20 / 0 / 21

HEX #74A1C9

RGB 116 161 201

HSL 208.24, 0.44%, 0.62%

LAB 64.5, -4.7, -25.27

 

CMYK 14 / 43 / 0 / 21

HEX #AC73C9

RGB 172 115 201

HSL 279.77, 0.44%, 0.62%

LAB 57.32, 37.82, -36.05

 

CMYK 3 / 0 / 43 / 21

HEX #C3C973

RGB 195 201 115

HSL 64.19, 0.44%, 0.62%

LAB 78.82, -14.75, 42.15

 

CMYK 42 / 20 / 0 / 21

HEX #74A1C9

RGB 116 161 201

HSL 208.24, 0.44%, 0.62%

LAB 64.5, -4.7, -25.27

 

CMYK 0 / 43 / 20 / 21

HEX #C973A1

RGB 201 115 161

HSL 327.91, 0.44%, 0.62%

LAB 59.21, 39.76, -9.96

 

CMYK 20 / 0 / 43 / 21

HEX #A1C973

RGB 161 201 115

HSL 87.91, 0.44%, 0.62%

LAB 76.43, -27.88, 38.64

 

CMYK 42 / 20 / 0 / 21

HEX #74A1C9

RGB 116 161 201

HSL 208.24, 0.44%, 0.62%

LAB 64.5, -4.7, -25.27

 

CMYK 14 / 43 / 0 / 21

HEX #AC73C9

RGB 172 115 201

HSL 279.77, 0.44%, 0.62%

LAB 57.32, 37.82, -36.05

 

CMYK 0 / 23 / 43 / 21

HEX #C99B73

RGB 201 155 115

HSL 27.91, 0.44%, 0.62%

LAB 67.35, 11.97, 27.55

 

CMYK 28 / 0 / 43 / 21

HEX #90C973

RGB 144 201 115

HSL 99.77, 0.44%, 0.62%

LAB 75.41, -34, 37.14

 

CMYK 42 / 20 / 0 / 21

HEX #74A1C9

RGB 116 161 201

HSL 208.24, 0.44%, 0.62%

LAB 64.5, -4.7, -25.27

 

CMYK 1 / 43 / 0 / 21

HEX #C673C9

RGB 198 115 201

HSL 297.91, 0.44%, 0.62%

LAB 60.32, 45.59, -31.14

 

CMYK 0 / 23 / 43 / 21

HEX #C99B73

RGB 201 155 115

HSL 27.91, 0.44%, 0.62%

LAB 67.35, 11.97, 27.55

 

CMYK 41 / 0 / 43 / 21

HEX #76C973

RGB 118 201 115

HSL 117.91, 0.44%, 0.62%

LAB 74.1, -42.53, 35.2

 

Description

Color code: HEX #74A1C9 | qconv.com Color code: HEX #74A1C9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 161 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 161 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 20 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 20% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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