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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74A11C it is the complementary color #8B5EE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74A11C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74A11C shade: #79A117, #8AB32A, #9BC53D, #ACD750 and #BDE963

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74A11C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74A11C shade: #74A11C, #638F09, #527D00, #416B00 and #305900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74A11C shade: #73A01C, #97A01C, #A0851C, #A0621C and #A03E1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74A11C shade: #73A01C, #50A01C, #2CA01C, #1CA02F and #1CA053

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74A11C shade matches the following richer shades: #73A01C and #78AF0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74A11C shade: #73A01C, #6E912B, #69813A, #64724A and #5F6359

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74A11C shade: #A0851C, #97A01C, #74A01C, #51A01C and #2DA01C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74A11C shade: #415A0F, #5A7D16, #73A01C, #8DC322 and #A2DB34

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74A11C shade: #74A11C, #1CA062 and #971CA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74A11C shade: #74A11C, #1C74A0 and #A01C74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74A11C shade: #74A11C, #1CA062, #481CA0 and #A01C59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74A11C shade: #74A11C, #1CA08A, #481CA0 and #A01C32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 83 / 37

HEX #74A11C

RGB 116 161 28

HSL 80.3, 0.7%, 0.37%

LAB 61.03, -33.87, 58.05

 

Complementary color

CMYK 39 / 59 / 0 / 11

HEX #8B5EE3

RGB 139 94 227

HSL 260.3, 0.7%, 0.63%

LAB 50.73, 47.07, -61.45

 

CMYK 25 / 0 / 86 / 37

HEX #79A117

RGB 121 161 23

HSL 77.39, 0.75%, 0.36%

LAB 61.32, -32.05, 59.69

 

CMYK 23 / 0 / 77 / 30

HEX #8AB32A

RGB 138 179 42

HSL 77.96, 0.62%, 0.43%

LAB 67.88, -32.79, 60.63

 

CMYK 21 / 0 / 69 / 23

HEX #9BC53D

RGB 155 197 61

HSL 78.53, 0.54%, 0.51%

LAB 74.34, -33.34, 60.61

 

CMYK 20 / 0 / 63 / 16

HEX #ACD750

RGB 172 215 80

HSL 79.11, 0.63%, 0.58%

LAB 80.71, -33.73, 60.07

 

CMYK 19 / 0 / 58 / 9

HEX #BDE963

RGB 189 233 99

HSL 79.7, 0.75%, 0.65%

LAB 87, -34.02, 59.24

 

CMYK 28 / 0 / 83 / 37

HEX #74A11C

RGB 116 161 28

HSL 80.3, 0.7%, 0.37%

LAB 61.03, -33.87, 58.05

 

CMYK 31 / 0 / 94 / 44

HEX #638F09

RGB 99 143 9

HSL 79.7, 0.88%, 0.3%

LAB 54.36, -32.98, 56.1

 

CMYK 34 / 0 / 100 / 51

HEX #527D00

RGB 82 125 0

HSL 80.64, 1%, 0.25%

LAB 47.57, -31.75, 51.96

 

CMYK 39 / 0 / 100 / 58

HEX #416B00

RGB 65 107 0

HSL 83.55, 1%, 0.21%

LAB 40.64, -30.26, 46.19

 

CMYK 46 / 0 / 100 / 65

HEX #305900

RGB 48 89 0

HSL 87.64, 1%, 0.17%

LAB 33.51, -28.68, 40.26

 

CMYK 28 / 0 / 83 / 37

HEX #73A01C

RGB 115 160 28

HSL 80.45, 0.7%, 0.37%

LAB 60.67, -33.81, 57.7

 

CMYK 6 / 0 / 83 / 37

HEX #97A01C

RGB 151 160 28

HSL 64.09, 0.7%, 0.37%

LAB 63.18, -18.64, 60.87

 

CMYK 0 / 17 / 83 / 37

HEX #A0851C

RGB 160 133 28

HSL 47.73, 0.7%, 0.37%

LAB 56.42, -0.15, 55.31

 

CMYK 0 / 39 / 83 / 37

HEX #A0621C

RGB 160 98 28

HSL 31.82, 0.7%, 0.37%

LAB 47.36, 19.65, 47.27

 

CMYK 0 / 61 / 83 / 37

HEX #A03E1C

RGB 160 62 28

HSL 15.45, 0.7%, 0.37%

LAB 39.58, 38.93, 40.1

 

CMYK 28 / 0 / 83 / 37

HEX #73A01C

RGB 115 160 28

HSL 80.45, 0.7%, 0.37%

LAB 60.67, -33.81, 57.7

 

CMYK 50 / 0 / 83 / 37

HEX #50A01C

RGB 80 160 28

HSL 96.36, 0.7%, 0.37%

LAB 58.91, -46.3, 55.45

 

CMYK 73 / 0 / 83 / 37

HEX #2CA01C

RGB 44 160 28

HSL 112.73, 0.7%, 0.37%

LAB 57.81, -55.23, 54.04

 

CMYK 83 / 0 / 71 / 37

HEX #1CA02F

RGB 28 160 47

HSL 128.64, 0.7%, 0.37%

LAB 57.65, -56.17, 47.19

 

CMYK 83 / 0 / 48 / 37

HEX #1CA053

RGB 28 160 83

HSL 145, 0.7%, 0.37%

LAB 58.05, -51.33, 30.64

 

CMYK 28 / 0 / 83 / 37

HEX #73A01C

RGB 115 160 28

HSL 80.45, 0.7%, 0.37%

LAB 60.67, -33.81, 57.7

 

CMYK 31 / 0 / 93 / 31

HEX #78AF0D

RGB 120 175 13

HSL 80.37, 0.86%, 0.37%

LAB 65.5, -39.05, 65.03

 

CMYK 28 / 0 / 83 / 37

HEX #73A01C

RGB 115 160 28

HSL 80.45, 0.7%, 0.37%

LAB 60.67, -33.81, 57.7

 

CMYK 24 / 0 / 70 / 43

HEX #6E912B

RGB 110 145 43

HSL 80.59, 0.54%, 0.37%

LAB 55.83, -27.93, 47.85

 

CMYK 19 / 0 / 55 / 49

HEX #69813A

RGB 105 129 58

HSL 80.28, 0.38%, 0.37%

LAB 50.7, -20.7, 35.22

 

CMYK 12 / 0 / 35 / 55

HEX #64724A

RGB 100 114 74

HSL 81, 0.21%, 0.37%

LAB 45.96, -12.74, 20.48

 

CMYK 4 / 0 / 10 / 61

HEX #5F6359

RGB 95 99 89

HSL 84, 0.05%, 0.37%

LAB 41.34, -3.61, 5.14

 

CMYK 0 / 17 / 83 / 37

HEX #A0851C

RGB 160 133 28

HSL 47.73, 0.7%, 0.37%

LAB 56.42, -0.15, 55.31

 

CMYK 6 / 0 / 83 / 37

HEX #97A01C

RGB 151 160 28

HSL 64.09, 0.7%, 0.37%

LAB 63.18, -18.64, 60.87

 

CMYK 28 / 0 / 83 / 37

HEX #74A01C

RGB 116 160 28

HSL 80, 0.7%, 0.37%

LAB 60.73, -33.41, 57.77

 

CMYK 49 / 0 / 83 / 37

HEX #51A01C

RGB 81 160 28

HSL 95.91, 0.7%, 0.37%

LAB 58.95, -45.99, 55.51

 

CMYK 72 / 0 / 83 / 37

HEX #2DA01C

RGB 45 160 28

HSL 112.27, 0.7%, 0.37%

LAB 57.83, -55.04, 54.07

 

CMYK 28 / 0 / 83 / 65

HEX #415A0F

RGB 65 90 15

HSL 80, 0.71%, 0.21%

LAB 34.94, -21.36, 37.13

 

CMYK 28 / 0 / 82 / 51

HEX #5A7D16

RGB 90 125 22

HSL 80.39, 0.7%, 0.29%

LAB 48.13, -27.74, 47.57

 

CMYK 28 / 0 / 83 / 37

HEX #73A01C

RGB 115 160 28

HSL 80.45, 0.7%, 0.37%

LAB 60.67, -33.81, 57.7

 

CMYK 28 / 0 / 83 / 24

HEX #8DC322

RGB 141 195 34

HSL 80.12, 0.7%, 0.45%

LAB 72.77, -39.22, 67.43

 

CMYK 26 / 0 / 76 / 14

HEX #A2DB34

RGB 162 219 52

HSL 80.48, 0.7%, 0.53%

LAB 81.07, -41.06, 70.4

 

CMYK 28 / 0 / 83 / 37

HEX #74A11C

RGB 116 161 28

HSL 80.3, 0.7%, 0.37%

LAB 61.03, -33.87, 58.05

 

CMYK 83 / 0 / 39 / 37

HEX #1CA062

RGB 28 160 98

HSL 151.82, 0.7%, 0.37%

LAB 58.29, -48.51, 22.94

 

CMYK 6 / 83 / 0 / 37

HEX #971CA0

RGB 151 28 160

HSL 295.91, 0.7%, 0.37%

LAB 37.75, 63.34, -43.21

 

CMYK 28 / 0 / 83 / 37

HEX #74A11C

RGB 116 161 28

HSL 80.3, 0.7%, 0.37%

LAB 61.03, -33.87, 58.05

 

CMYK 83 / 28 / 0 / 37

HEX #1C74A0

RGB 28 116 160

HSL 200, 0.7%, 0.37%

LAB 46.01, -9.21, -30.76

 

CMYK 0 / 83 / 28 / 37

HEX #A01C74

RGB 160 28 116

HSL 320, 0.7%, 0.37%

LAB 37.05, 58.81, -17.1

 

CMYK 28 / 0 / 83 / 37

HEX #74A11C

RGB 116 161 28

HSL 80.3, 0.7%, 0.37%

LAB 61.03, -33.87, 58.05

 

CMYK 83 / 0 / 39 / 37

HEX #1CA062

RGB 28 160 98

HSL 151.82, 0.7%, 0.37%

LAB 58.29, -48.51, 22.94

 

CMYK 55 / 83 / 0 / 37

HEX #481CA0

RGB 72 28 160

HSL 260, 0.7%, 0.37%

LAB 26, 50.46, -62.84

 

CMYK 0 / 83 / 44 / 37

HEX #A01C59

RGB 160 28 89

HSL 332.27, 0.7%, 0.37%

LAB 36.03, 55.85, -1.45

 

CMYK 28 / 0 / 83 / 37

HEX #74A11C

RGB 116 161 28

HSL 80.3, 0.7%, 0.37%

LAB 61.03, -33.87, 58.05

 

CMYK 83 / 0 / 14 / 37

HEX #1CA08A

RGB 28 160 138

HSL 170, 0.7%, 0.37%

LAB 59.18, -38.86, 1.88

 

CMYK 55 / 83 / 0 / 37

HEX #481CA0

RGB 72 28 160

HSL 260, 0.7%, 0.37%

LAB 26, 50.46, -62.84

 

CMYK 0 / 83 / 69 / 37

HEX #A01C32

RGB 160 28 50

HSL 350, 0.7%, 0.37%

LAB 35.07, 52.96, 22.42

 

Description

Color code: HEX #74A11C | qconv.com Color code: HEX #74A11C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 161 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 161 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 83 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 83% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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