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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #749ECD it is the complementary color #8B6132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #749ECD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #749ECD shade: #799EC8, #8AB0DB, #9BC2EE, #ACD4FF and #BDE6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #749ECD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #749ECD shade: #749ECD, #638CBA, #527AA7, #416894 and #305681

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #749ECD shade: #749ECD, #7486CD, #7A74CD, #9274CD and #AA74CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #749ECD shade: #749ECD, #7486CD and #7474CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #749ECD shade matches the following richer shades: #749ECD, #659DDC, #569CEC and #479CFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #749ECD shade: #749ECD, #849FBE, #93A0AE, #A2A19F and #B1A290

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #749ECD shade: #74CDCC, #74B7CD, #749FCD, #7488CD and #7974CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #749ECD shade: #3F74B0, #5689C2, #749ECD, #93B3D8 and #B1C9E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #749ECD shade: #749ECD, #B474CD and #C3CD74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #749ECD shade: #749ECD, #CD749F and #9FCD74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #749ECD shade: #749ECD, #B474CD, #CDA274 and #8DCD74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #749ECD shade: #749ECD, #CD74CC, #CDA274 and #74CD76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 23 / 0 / 20

HEX #749ECD

RGB 116 158 205

HSL 211.69, 0.47%, 0.63%

LAB 63.81, -1.91, -28.55

 

Complementary color

CMYK 0 / 30 / 64 / 45

HEX #8B6132

RGB 139 97 50

HSL 31.69, 0.47%, 0.37%

LAB 44.62, 11.88, 33.11

 

CMYK 40 / 21 / 0 / 22

HEX #799EC8

RGB 121 158 200

HSL 211.9, 0.42%, 0.63%

LAB 63.91, -1.98, -25.6

 

CMYK 37 / 20 / 0 / 14

HEX #8AB0DB

RGB 138 176 219

HSL 211.85, 0.53%, 0.7%

LAB 70.57, -2.27, -25.78

 

CMYK 35 / 18 / 0 / 7

HEX #9BC2EE

RGB 155 194 238

HSL 211.81, 0.71%, 0.77%

LAB 77.12, -2.52, -25.98

 

CMYK 33 / 17 / 0 / 0

HEX #ACD4FF

RGB 172 212 255

HSL 211.08, 1%, 0.84%

LAB 83.48, -3.23, -25.25

 

CMYK 26 / 10 / 0 / 0

HEX #BDE6FF

RGB 189 230 255

HSL 202.73, 1%, 0.87%

LAB 89.22, -7.81, -16.47

 

CMYK 43 / 23 / 0 / 20

HEX #749ECD

RGB 116 158 205

HSL 211.69, 0.47%, 0.63%

LAB 63.81, -1.91, -28.55

 

CMYK 47 / 25 / 0 / 27

HEX #638CBA

RGB 99 140 186

HSL 211.72, 0.39%, 0.56%

LAB 57.03, -1.47, -28.42

 

CMYK 51 / 27 / 0 / 35

HEX #527AA7

RGB 82 122 167

HSL 211.76, 0.34%, 0.49%

LAB 50.1, -0.93, -28.33

 

CMYK 56 / 30 / 0 / 42

HEX #416894

RGB 65 104 148

HSL 211.81, 0.39%, 0.42%

LAB 43.01, -0.24, -28.26

 

CMYK 63 / 33 / 0 / 49

HEX #305681

RGB 48 86 129

HSL 211.85, 0.46%, 0.35%

LAB 35.73, 0.7, -28.23

 

CMYK 43 / 23 / 0 / 20

HEX #749ECD

RGB 116 158 205

HSL 211.69, 0.47%, 0.63%

LAB 63.81, -1.91, -28.55

 

CMYK 43 / 35 / 0 / 20

HEX #7486CD

RGB 116 134 205

HSL 227.87, 0.47%, 0.63%

LAB 57.24, 11.96, -38.78

 

CMYK 40 / 43 / 0 / 20

HEX #7A74CD

RGB 122 116 205

HSL 244.04, 0.47%, 0.63%

LAB 52.99, 24.23, -45.46

 

CMYK 29 / 43 / 0 / 20

HEX #9274CD

RGB 146 116 205

HSL 260.22, 0.47%, 0.63%

LAB 55.08, 30.68, -42.02

 

CMYK 17 / 43 / 0 / 20

HEX #AA74CD

RGB 170 116 205

HSL 276.4, 0.47%, 0.63%

LAB 57.51, 37.55, -38.04

 

CMYK 43 / 23 / 0 / 20

HEX #749ECD

RGB 116 158 205

HSL 211.69, 0.47%, 0.63%

LAB 63.81, -1.91, -28.55

 

CMYK 43 / 35 / 0 / 20

HEX #7486CD

RGB 116 134 205

HSL 227.87, 0.47%, 0.63%

LAB 57.24, 11.96, -38.78

 

CMYK 43 / 43 / 0 / 20

HEX #7474CD

RGB 116 116 205

HSL 240, 0.47%, 0.63%

LAB 52.52, 22.72, -46.23

 

CMYK 43 / 23 / 0 / 20

HEX #749ECD

RGB 116 158 205

HSL 211.69, 0.47%, 0.63%

LAB 63.81, -1.91, -28.55

 

CMYK 54 / 29 / 0 / 14

HEX #659DDC

RGB 101 157 220

HSL 211.76, 0.63%, 0.63%

LAB 63.38, -0.44, -37.62

 

CMYK 64 / 34 / 0 / 7

HEX #569CEC

RGB 86 156 236

HSL 212, 0.8%, 0.63%

LAB 63.19, 2.36, -46.81

 

CMYK 72 / 38 / 0 / 2

HEX #479CFB

RGB 71 156 251

HSL 211.67, 0.96%, 0.63%

LAB 63.41, 5.19, -54.72

 

CMYK 43 / 23 / 0 / 20

HEX #749ECD

RGB 116 158 205

HSL 211.69, 0.47%, 0.63%

LAB 63.81, -1.91, -28.55

 

CMYK 31 / 16 / 0 / 25

HEX #849FBE

RGB 132 159 190

HSL 212.07, 0.31%, 0.63%

LAB 64.5, -2.04, -19.05

 

CMYK 16 / 8 / 0 / 32

HEX #93A0AE

RGB 147 160 174

HSL 211.11, 0.14%, 0.63%

LAB 65.28, -1.63, -8.82

 

CMYK 0 / 1 / 2 / 36

HEX #A2A19F

RGB 162 161 159

HSL 40, 0.02%, 0.63%

LAB 66.27, -0.01, 1.16

 

CMYK 0 / 8 / 19 / 31

HEX #B1A290

RGB 177 162 144

HSL 32.73, 0.17%, 0.63%

LAB 67.43, 2.45, 11.34

HEX #B1A290

CMYK 43 / 0 / 0 / 20

HEX #74CDCC

RGB 116 205 204

HSL 179.33, 0.47%, 0.63%

LAB 77.12, -26.9, -7.85

 

CMYK 43 / 11 / 0 / 20

HEX #74B7CD

RGB 116 183 205

HSL 194.83, 0.47%, 0.63%

LAB 70.86, -15.5, -17.78

 

CMYK 43 / 22 / 0 / 20

HEX #749FCD

RGB 116 159 205

HSL 211.01, 0.47%, 0.63%

LAB 64.09, -2.47, -28.12

 

CMYK 43 / 34 / 0 / 20

HEX #7488CD

RGB 116 136 205

HSL 226.52, 0.47%, 0.63%

LAB 57.78, 10.78, -37.94

 

CMYK 41 / 43 / 0 / 20

HEX #7974CD

RGB 121 116 205

HSL 243.37, 0.47%, 0.63%

LAB 52.91, 23.97, -45.59

 

CMYK 64 / 34 / 0 / 31

HEX #3F74B0

RGB 63 116 176

HSL 211.86, 0.47%, 0.47%

LAB 47.86, 1.59, -37.14

 

CMYK 56 / 29 / 0 / 24

HEX #5689C2

RGB 86 137 194

HSL 211.67, 0.47%, 0.55%

LAB 55.85, -0.31, -34.86

 

CMYK 43 / 23 / 0 / 20

HEX #749ECD

RGB 116 158 205

HSL 211.69, 0.47%, 0.63%

LAB 63.81, -1.91, -28.55

 

CMYK 32 / 17 / 0 / 15

HEX #93B3D8

RGB 147 179 216

HSL 212.17, 0.47%, 0.71%

LAB 71.83, -2.17, -22.17

 

CMYK 22 / 11 / 0 / 11

HEX #B1C9E3

RGB 177 201 227

HSL 211.2, 0.47%, 0.79%

LAB 79.99, -2.52, -15.59

 

CMYK 43 / 23 / 0 / 20

HEX #749ECD

RGB 116 158 205

HSL 211.69, 0.47%, 0.63%

LAB 63.81, -1.91, -28.55

 

CMYK 12 / 43 / 0 / 20

HEX #B474CD

RGB 180 116 205

HSL 283.15, 0.47%, 0.63%

LAB 58.6, 40.49, -36.24

 

CMYK 5 / 0 / 43 / 20

HEX #C3CD74

RGB 195 205 116

HSL 66.74, 0.47%, 0.63%

LAB 79.91, -16.66, 43.01

 

CMYK 43 / 23 / 0 / 20

HEX #749ECD

RGB 116 158 205

HSL 211.69, 0.47%, 0.63%

LAB 63.81, -1.91, -28.55

 

CMYK 0 / 43 / 22 / 20

HEX #CD749F

RGB 205 116 159

HSL 331.01, 0.47%, 0.63%

LAB 59.86, 40.3, -7.77

 

CMYK 22 / 0 / 43 / 20

HEX #9FCD74

RGB 159 205 116

HSL 91.01, 0.47%, 0.63%

LAB 77.46, -30.39, 39.41

 

CMYK 43 / 23 / 0 / 20

HEX #749ECD

RGB 116 158 205

HSL 211.69, 0.47%, 0.63%

LAB 63.81, -1.91, -28.55

 

CMYK 12 / 43 / 0 / 20

HEX #B474CD

RGB 180 116 205

HSL 283.15, 0.47%, 0.63%

LAB 58.6, 40.49, -36.24

 

CMYK 0 / 21 / 43 / 20

HEX #CDA274

RGB 205 162 116

HSL 31.01, 0.47%, 0.63%

LAB 69.53, 9.91, 29.95

 

CMYK 31 / 0 / 43 / 20

HEX #8DCD74

RGB 141 205 116

HSL 103.15, 0.47%, 0.63%

LAB 76.43, -36.74, 37.89

 

CMYK 43 / 23 / 0 / 20

HEX #749ECD

RGB 116 158 205

HSL 211.69, 0.47%, 0.63%

LAB 63.81, -1.91, -28.55

 

CMYK 0 / 43 / 0 / 20

HEX #CD74CC

RGB 205 116 204

HSL 300.67, 0.47%, 0.63%

LAB 61.51, 47.73, -30.93

 

CMYK 0 / 21 / 43 / 20

HEX #CDA274

RGB 205 162 116

HSL 31.01, 0.47%, 0.63%

LAB 69.53, 9.91, 29.95

 

CMYK 43 / 0 / 42 / 20

HEX #74CD76

RGB 116 205 118

HSL 121.35, 0.47%, 0.63%

LAB 75.25, -44.4, 35.14

 

Description

Color code: HEX #749ECD | qconv.com Color code: HEX #749ECD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 158 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 158 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 23 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 23% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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