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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #749DDF it is the complementary color #8B6220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #749DDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #749DDF shade: #799DDA, #8AAFED, #9BC1FF, #ACD3FF and #BDE5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #749DDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #749DDF shade: #749DDF, #638BCC, #5279B9, #4167A6 and #305593

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #749DDF shade: #729CDF, #727EDF, #8372DF, #A072DF and #BE72DF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #749DDF shade: #729CDF, #727EDF and #7272DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #749DDF shade matches the following richer shades: #729CDF, #6498ED and #5695FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #749DDF shade: #729CDF, #809FD1, #8EA2C3, #9CA5B5 and #AAA9A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #749DDF shade: #72D6DF, #72B9DF, #729CDF, #727EDF and #8272DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #749DDF shade: #2F6CCF, #5084D7, #729CDF, #93B3E7 and #B5CBEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #749DDF shade: #749DDF, #CB72DF and #C7DF72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #749DDF shade: #749DDF, #DF729C and #9CDF72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #749DDF shade: #749DDF, #CB72DF, #DFB572 and #86DF72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #749DDF shade: #749DDF, #DF72D2, #DFB572 and #72DF7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 30 / 0 / 13

HEX #749DDF

RGB 116 157 223

HSL 217.01, 0.63%, 0.66%

LAB 64.29, 3.86, -37.81

 

Complementary color

CMYK 0 / 29 / 77 / 45

HEX #8B6220

RGB 139 98 32

HSL 37.01, 0.63%, 0.34%

LAB 44.7, 10.21, 42.13

 

CMYK 44 / 28 / 0 / 15

HEX #799DDA

RGB 121 157 218

HSL 217.73, 0.57%, 0.66%

LAB 64.36, 3.63, -34.91

 

CMYK 42 / 26 / 0 / 7

HEX #8AAFED

RGB 138 175 237

HSL 217.58, 0.73%, 0.74%

LAB 70.99, 3.12, -34.95

 

CMYK 39 / 24 / 0 / 0

HEX #9BC1FF

RGB 155 193 255

HSL 217.2, 1%, 0.8%

LAB 77.48, 2.42, -34.55

 

CMYK 33 / 17 / 0 / 0

HEX #ACD3FF

RGB 172 211 255

HSL 211.81, 1%, 0.84%

LAB 83.22, -2.71, -25.65

 

CMYK 26 / 10 / 0 / 0

HEX #BDE5FF

RGB 189 229 255

HSL 203.64, 1%, 0.87%

LAB 88.96, -7.3, -16.86

 

CMYK 48 / 30 / 0 / 13

HEX #749DDF

RGB 116 157 223

HSL 217.01, 0.63%, 0.66%

LAB 64.29, 3.86, -37.81

 

CMYK 51 / 32 / 0 / 20

HEX #638BCC

RGB 99 139 204

HSL 217.14, 0.51%, 0.59%

LAB 57.54, 4.57, -37.83

 

CMYK 56 / 35 / 0 / 27

HEX #5279B9

RGB 82 121 185

HSL 217.28, 0.42%, 0.52%

LAB 50.65, 5.43, -37.88

 

CMYK 61 / 38 / 0 / 35

HEX #4167A6

RGB 65 103 166

HSL 217.43, 0.44%, 0.45%

LAB 43.62, 6.53, -37.97

 

CMYK 67 / 42 / 0 / 42

HEX #305593

RGB 48 85 147

HSL 217.58, 0.51%, 0.38%

LAB 36.43, 7.95, -38.1

 

CMYK 49 / 30 / 0 / 13

HEX #729CDF

RGB 114 156 223

HSL 216.88, 0.63%, 0.66%

LAB 63.9, 3.96, -38.41

 

CMYK 49 / 43 / 0 / 13

HEX #727EDF

RGB 114 126 223

HSL 233.39, 0.63%, 0.66%

LAB 55.91, 21.6, -51.02

 

CMYK 41 / 49 / 0 / 13

HEX #8372DF

RGB 131 114 223

HSL 249.36, 0.63%, 0.66%

LAB 54.23, 32.73, -53.63

 

CMYK 28 / 49 / 0 / 13

HEX #A072DF

RGB 160 114 223

HSL 265.32, 0.63%, 0.66%

LAB 56.92, 40.07, -49.19

 

CMYK 15 / 49 / 0 / 13

HEX #BE72DF

RGB 190 114 223

HSL 281.83, 0.63%, 0.66%

LAB 60.17, 48.16, -43.83

 

CMYK 49 / 30 / 0 / 13

HEX #729CDF

RGB 114 156 223

HSL 216.88, 0.63%, 0.66%

LAB 63.9, 3.96, -38.41

 

CMYK 49 / 43 / 0 / 13

HEX #727EDF

RGB 114 126 223

HSL 233.39, 0.63%, 0.66%

LAB 55.91, 21.6, -51.02

 

CMYK 49 / 49 / 0 / 13

HEX #7272DF

RGB 114 114 223

HSL 240, 0.63%, 0.66%

LAB 52.88, 28.81, -55.86

 

CMYK 49 / 30 / 0 / 13

HEX #729CDF

RGB 114 156 223

HSL 216.88, 0.63%, 0.66%

LAB 63.9, 3.96, -38.41

 

CMYK 58 / 36 / 0 / 7

HEX #6498ED

RGB 100 152 237

HSL 217.23, 0.79%, 0.66%

LAB 62.74, 7.59, -48.02

 

CMYK 66 / 41 / 0 / 2

HEX #5695FB

RGB 86 149 251

HSL 217.09, 0.95%, 0.66%

LAB 62.03, 11.49, -56.88

 

CMYK 49 / 30 / 0 / 13

HEX #729CDF

RGB 114 156 223

HSL 216.88, 0.63%, 0.66%

LAB 63.9, 3.96, -38.41

 

CMYK 39 / 24 / 0 / 18

HEX #809FD1

RGB 128 159 209

HSL 217.04, 0.47%, 0.66%

LAB 64.95, 1.8, -28.96

 

CMYK 27 / 17 / 0 / 24

HEX #8EA2C3

RGB 142 162 195

HSL 217.36, 0.31%, 0.66%

LAB 66.16, 0.54, -19.25

 

CMYK 14 / 9 / 0 / 29

HEX #9CA5B5

RGB 156 165 181

HSL 218.4, 0.14%, 0.66%

LAB 67.51, 0.13, -9.33

 

CMYK 0 / 1 / 2 / 33

HEX #AAA9A7

RGB 170 169 167

HSL 40, 0.02%, 0.66%

LAB 69.26, -0.01, 1.15

 

CMYK 49 / 4 / 0 / 13

HEX #72D6DF

RGB 114 214 223

HSL 184.95, 0.63%, 0.66%

LAB 80.18, -26.88, -13.49

 

CMYK 49 / 17 / 0 / 13

HEX #72B9DF

RGB 114 185 223

HSL 200.92, 0.63%, 0.66%

LAB 71.96, -12.08, -25.94

 

CMYK 49 / 30 / 0 / 13

HEX #729CDF

RGB 114 156 223

HSL 216.88, 0.63%, 0.66%

LAB 63.9, 3.96, -38.41

 

CMYK 49 / 43 / 0 / 13

HEX #727EDF

RGB 114 126 223

HSL 233.39, 0.63%, 0.66%

LAB 55.91, 21.6, -51.02

 

CMYK 42 / 49 / 0 / 13

HEX #8272DF

RGB 130 114 223

HSL 248.81, 0.63%, 0.66%

LAB 54.14, 32.49, -53.77

 

CMYK 77 / 48 / 0 / 19

HEX #2F6CCF

RGB 47 108 207

HSL 217.13, 0.63%, 0.5%

LAB 46.76, 15.55, -56.81

 

CMYK 63 / 39 / 0 / 16

HEX #5084D7

RGB 80 132 215

HSL 216.89, 0.63%, 0.58%

LAB 55.19, 8.41, -47.79

 

CMYK 49 / 30 / 0 / 13

HEX #729CDF

RGB 114 156 223

HSL 216.88, 0.63%, 0.66%

LAB 63.9, 3.96, -38.41

 

CMYK 36 / 23 / 0 / 9

HEX #93B3E7

RGB 147 179 231

HSL 217.14, 0.64%, 0.74%

LAB 72.37, 1.67, -29.52

 

CMYK 24 / 15 / 0 / 7

HEX #B5CBEE

RGB 181 203 238

HSL 216.84, 0.63%, 0.82%

LAB 81.13, 0.11, -19.73

 

CMYK 48 / 30 / 0 / 13

HEX #749DDF

RGB 116 157 223

HSL 217.01, 0.63%, 0.66%

LAB 64.29, 3.86, -37.81

 

CMYK 9 / 49 / 0 / 13

HEX #CB72DF

RGB 203 114 223

HSL 288.99, 0.63%, 0.66%

LAB 61.7, 51.75, -41.31

 

CMYK 11 / 0 / 49 / 13

HEX #C7DF72

RGB 199 223 114

HSL 73.21, 0.63%, 0.66%

LAB 85.06, -24.13, 50.34

 

CMYK 48 / 30 / 0 / 13

HEX #749DDF

RGB 116 157 223

HSL 217.01, 0.63%, 0.66%

LAB 64.29, 3.86, -37.81

 

CMYK 0 / 49 / 30 / 13

HEX #DF729C

RGB 223 114 156

HSL 336.88, 0.63%, 0.66%

LAB 61.76, 47.02, -2.97

 

CMYK 30 / 0 / 49 / 13

HEX #9CDF72

RGB 156 223 114

HSL 96.88, 0.63%, 0.66%

LAB 82.41, -39.94, 46.5

 

CMYK 48 / 30 / 0 / 13

HEX #749DDF

RGB 116 157 223

HSL 217.01, 0.63%, 0.66%

LAB 64.29, 3.86, -37.81

 

CMYK 9 / 49 / 0 / 13

HEX #CB72DF

RGB 203 114 223

HSL 288.99, 0.63%, 0.66%

LAB 61.7, 51.75, -41.31

 

CMYK 0 / 19 / 49 / 13

HEX #DFB572

RGB 223 181 114

HSL 36.88, 0.63%, 0.66%

LAB 76.04, 6.89, 39.7

 

CMYK 40 / 0 / 49 / 13

HEX #86DF72

RGB 134 223 114

HSL 108.99, 0.63%, 0.66%

LAB 81.32, -47.14, 44.92

 

CMYK 48 / 30 / 0 / 13

HEX #749DDF

RGB 116 157 223

HSL 217.01, 0.63%, 0.66%

LAB 64.29, 3.86, -37.81

 

CMYK 0 / 49 / 6 / 13

HEX #DF72D2

RGB 223 114 210

HSL 307.16, 0.63%, 0.66%

LAB 63.65, 55.07, -30.8

 

CMYK 0 / 19 / 49 / 13

HEX #DFB572

RGB 223 181 114

HSL 36.88, 0.63%, 0.66%

LAB 76.04, 6.89, 39.7

 

CMYK 49 / 0 / 43 / 13

HEX #72DF7E

RGB 114 223 126

HSL 126.61, 0.63%, 0.66%

LAB 80.66, -51.25, 38.05

 

Description

Color code: HEX #749DDF | qconv.com Color code: HEX #749DDF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 157 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 157 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 30 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 30% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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