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Color name
HEX #749D1D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #749D1D it is the complementary color #8B62E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #749D1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #749D1D shade: #799D18, #8AAF2B, #9BC13E, #ACD351 and #BDE564

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #749D1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #749D1D shade: #749D1D, #638B0A, #527900, #416700 and #305500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #749D1D shade: #739B1C, #959B1C, #9B7F1C, #9B5D1C and #9B3B1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #749D1D shade: #739B1C, #509B1C, #2E9B1C, #1C9B2D and #1C9B4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #749D1D shade matches the following richer shades: #739B1C and #78AA0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #749D1D shade: #739B1C, #6D8C2B, #687D3A, #636F49 and #5D6058

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #749D1D shade: #9B801C, #959B1C, #739B1C, #519B1C and #2F9B1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #749D1D shade: #3F5510, #597816, #739B1C, #8CBE23 and #A3D931

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #749D1D shade: #749D1D, #1C9B5E and #911C9B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #749D1D shade: #749D1D, #1C739B and #9B1C73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #749D1D shade: #749D1D, #1C9B5E, #451C9B and #9B1C5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #749D1D shade: #749D1D, #1C9B84, #451C9B and #9B1C34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 82 / 38

HEX #749D1D

RGB 116 157 29

HSL 79.22, 0.69%, 0.36%

LAB 59.81, -31.98, 56.67

 

Complementary color

CMYK 38 / 57 / 0 / 11

HEX #8B62E2

RGB 139 98 226

HSL 259.22, 0.69%, 0.64%

LAB 51.51, 44.6, -59.63

 

CMYK 23 / 0 / 85 / 38

HEX #799D18

RGB 121 157 24

HSL 76.24, 0.73%, 0.35%

LAB 60.11, -30.13, 58.4

 

CMYK 21 / 0 / 75 / 31

HEX #8AAF2B

RGB 138 175 43

HSL 76.82, 0.61%, 0.43%

LAB 66.7, -30.87, 59.18

 

CMYK 20 / 0 / 68 / 24

HEX #9BC13E

RGB 155 193 62

HSL 77.4, 0.51%, 0.5%

LAB 73.19, -31.41, 59.05

 

CMYK 18 / 0 / 62 / 17

HEX #ACD351

RGB 172 211 81

HSL 78, 0.6%, 0.57%

LAB 79.59, -31.8, 58.43

 

CMYK 17 / 0 / 56 / 10

HEX #BDE564

RGB 189 229 100

HSL 78.6, 0.71%, 0.65%

LAB 85.9, -32.09, 57.55

 

CMYK 26 / 0 / 82 / 38

HEX #749D1D

RGB 116 157 29

HSL 79.22, 0.69%, 0.36%

LAB 59.81, -31.98, 56.67

 

CMYK 29 / 0 / 93 / 45

HEX #638B0A

RGB 99 139 10

HSL 78.6, 0.87%, 0.29%

LAB 53.1, -31.1, 54.91

 

CMYK 32 / 0 / 100 / 53

HEX #527900

RGB 82 121 0

HSL 79.34, 1%, 0.24%

LAB 46.27, -29.89, 50.96

 

CMYK 37 / 0 / 100 / 60

HEX #416700

RGB 65 103 0

HSL 82.14, 1%, 0.2%

LAB 39.28, -28.4, 45.14

 

CMYK 44 / 0 / 100 / 67

HEX #305500

RGB 48 85 0

HSL 86.12, 1%, 0.17%

LAB 32.09, -26.84, 39.16

 

CMYK 26 / 0 / 82 / 39

HEX #739B1C

RGB 115 155 28

HSL 78.9, 0.69%, 0.36%

LAB 59.13, -31.49, 56.32

 

CMYK 4 / 0 / 82 / 39

HEX #959B1C

RGB 149 155 28

HSL 62.83, 0.69%, 0.36%

LAB 61.58, -16.95, 59.42

 

CMYK 0 / 18 / 82 / 39

HEX #9B7F1C

RGB 155 127 28

HSL 46.77, 0.69%, 0.36%

LAB 54.27, 0.89, 53.23

 

CMYK 0 / 40 / 82 / 39

HEX #9B5D1C

RGB 155 93 28

HSL 30.71, 0.69%, 0.36%

LAB 45.47, 20.25, 45.3

 

CMYK 0 / 62 / 82 / 39

HEX #9B3B1C

RGB 155 59 28

HSL 14.65, 0.69%, 0.36%

LAB 38.16, 38.47, 38.44

 

CMYK 26 / 0 / 82 / 39

HEX #739B1C

RGB 115 155 28

HSL 78.9, 0.69%, 0.36%

LAB 59.13, -31.49, 56.32

 

CMYK 48 / 0 / 82 / 39

HEX #509B1C

RGB 80 155 28

HSL 95.43, 0.69%, 0.36%

LAB 57.3, -44.32, 53.98

 

CMYK 70 / 0 / 82 / 39

HEX #2E9B1C

RGB 46 155 28

HSL 111.5, 0.69%, 0.36%

LAB 56.2, -53.19, 52.55

 

CMYK 82 / 0 / 71 / 39

HEX #1C9B2D

RGB 28 155 45

HSL 128.03, 0.69%, 0.36%

LAB 55.97, -54.76, 46.22

 

CMYK 82 / 0 / 49 / 39

HEX #1C9B4F

RGB 28 155 79

HSL 144.09, 0.69%, 0.36%

LAB 56.34, -50.22, 30.57

 

CMYK 26 / 0 / 82 / 39

HEX #739B1C

RGB 115 155 28

HSL 78.9, 0.69%, 0.36%

LAB 59.13, -31.49, 56.32

 

CMYK 29 / 0 / 92 / 33

HEX #78AA0E

RGB 120 170 14

HSL 79.23, 0.85%, 0.36%

LAB 63.98, -36.81, 63.64

 

CMYK 26 / 0 / 82 / 39

HEX #739B1C

RGB 115 155 28

HSL 78.9, 0.69%, 0.36%

LAB 59.13, -31.49, 56.32

 

CMYK 22 / 0 / 69 / 45

HEX #6D8C2B

RGB 109 140 43

HSL 79.18, 0.53%, 0.36%

LAB 54.22, -25.9, 46.17

 

CMYK 17 / 0 / 54 / 51

HEX #687D3A

RGB 104 125 58

HSL 78.81, 0.37%, 0.36%

LAB 49.39, -19.04, 33.66

 

CMYK 11 / 0 / 34 / 56

HEX #636F49

RGB 99 111 73

HSL 78.95, 0.21%, 0.36%

LAB 44.95, -11.63, 19.71

 

CMYK 3 / 0 / 8 / 62

HEX #5D6058

RGB 93 96 88

HSL 82.5, 0.04%, 0.36%

LAB 40.24, -2.83, 4.16

HEX #5D6058

CMYK 0 / 17 / 82 / 39

HEX #9B801C

RGB 155 128 28

HSL 47.24, 0.69%, 0.36%

LAB 54.54, 0.33, 53.47

 

CMYK 4 / 0 / 82 / 39

HEX #959B1C

RGB 149 155 28

HSL 62.83, 0.69%, 0.36%

LAB 61.58, -16.95, 59.42

 

CMYK 26 / 0 / 82 / 39

HEX #739B1C

RGB 115 155 28

HSL 78.9, 0.69%, 0.36%

LAB 59.13, -31.49, 56.32

 

CMYK 48 / 0 / 82 / 39

HEX #519B1C

RGB 81 155 28

HSL 94.96, 0.69%, 0.36%

LAB 57.34, -44, 54.03

 

CMYK 70 / 0 / 82 / 39

HEX #2F9B1C

RGB 47 155 28

HSL 111.02, 0.69%, 0.36%

LAB 56.22, -52.99, 52.58

 

CMYK 26 / 0 / 81 / 67

HEX #3F5510

RGB 63 85 16

HSL 79.13, 0.68%, 0.2%

LAB 33.12, -19.59, 34.98

 

CMYK 26 / 0 / 82 / 53

HEX #597816

RGB 89 120 22

HSL 78.98, 0.69%, 0.28%

LAB 46.46, -25.72, 46.02

 

CMYK 26 / 0 / 82 / 39

HEX #739B1C

RGB 115 155 28

HSL 78.9, 0.69%, 0.36%

LAB 59.13, -31.49, 56.32

 

CMYK 26 / 0 / 82 / 25

HEX #8CBE23

RGB 140 190 35

HSL 79.35, 0.69%, 0.44%

LAB 71.23, -37.34, 65.8

 

CMYK 25 / 0 / 77 / 15

HEX #A3D931

RGB 163 217 49

HSL 79.29, 0.69%, 0.52%

LAB 80.53, -39.94, 70.82

 

CMYK 26 / 0 / 82 / 38

HEX #749D1D

RGB 116 157 29

HSL 79.22, 0.69%, 0.36%

LAB 59.81, -31.98, 56.67

 

CMYK 82 / 0 / 39 / 39

HEX #1C9B5E

RGB 28 155 94

HSL 151.18, 0.69%, 0.36%

LAB 56.58, -47.42, 22.85

 

CMYK 6 / 82 / 0 / 39

HEX #911C9B

RGB 145 28 155

HSL 295.28, 0.69%, 0.36%

LAB 36.4, 61.32, -42.41

 

CMYK 26 / 0 / 82 / 38

HEX #749D1D

RGB 116 157 29

HSL 79.22, 0.69%, 0.36%

LAB 59.81, -31.98, 56.67

 

CMYK 82 / 26 / 0 / 39

HEX #1C739B

RGB 28 115 155

HSL 198.9, 0.69%, 0.36%

LAB 45.46, -10.48, -28.67

 

CMYK 0 / 82 / 26 / 39

HEX #9B1C73

RGB 155 28 115

HSL 318.9, 0.69%, 0.36%

LAB 36.06, 57.49, -18.08

 

CMYK 26 / 0 / 82 / 38

HEX #749D1D

RGB 116 157 29

HSL 79.22, 0.69%, 0.36%

LAB 59.81, -31.98, 56.67

 

CMYK 82 / 0 / 39 / 39

HEX #1C9B5E

RGB 28 155 94

HSL 151.18, 0.69%, 0.36%

LAB 56.58, -47.42, 22.85

 

CMYK 55 / 82 / 0 / 39

HEX #451C9B

RGB 69 28 155

HSL 259.37, 0.69%, 0.36%

LAB 25.14, 48.73, -61.21

 

CMYK 0 / 82 / 42 / 39

HEX #9B1C5A

RGB 155 28 90

HSL 330.71, 0.69%, 0.36%

LAB 35.08, 54.63, -3.62

 

CMYK 26 / 0 / 82 / 38

HEX #749D1D

RGB 116 157 29

HSL 79.22, 0.69%, 0.36%

LAB 59.81, -31.98, 56.67

 

CMYK 82 / 0 / 15 / 39

HEX #1C9B84

RGB 28 155 132

HSL 169.13, 0.69%, 0.36%

LAB 57.42, -38.31, 2.73

 

CMYK 55 / 82 / 0 / 39

HEX #451C9B

RGB 69 28 155

HSL 259.37, 0.69%, 0.36%

LAB 25.14, 48.73, -61.21

 

CMYK 0 / 82 / 66 / 39

HEX #9B1C34

RGB 155 28 52

HSL 348.66, 0.69%, 0.36%

LAB 34.08, 51.62, 19.67

 

Description

Color code: HEX #749D1D | qconv.com Color code: HEX #749D1D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 157 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 157 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 82 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 82% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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