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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #749D08 it is the complementary color #8B62F7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #749D08. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #749D08 shade: #799D03, #8AAF16, #9BC129, #ACD33C and #BDE54F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #749D08. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #749D08 shade: #749D08, #638B00, #527900, #416700 and #305500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #749D08 shade: #739B08, #9A9B08, #9B7408, #9B4D08 and #9B2508

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #749D08 shade: #739B08, #4B9B08, #239B08, #089B15 and #089B3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #749D08 shade matches the following richer shades: #739B08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #749D08 shade: #739B08, #6D8E15, #678123, #617330 and #5B663D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #749D08 shade: #9B7408, #9B9B08, #749B08, #4D9B08 and #269B08

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #749D08 shade: #394D04, #567406, #739B08, #90C20A and #ADE90C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #749D08 shade: #749D08, #089B4D and #87089B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #749D08 shade: #749D08, #08749B and #9B0874

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #749D08 shade: #749D08, #089B4D, #2F089B and #9B0856

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #749D08 shade: #749D08, #089B79, #2F089B and #9B082A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 95 / 38

HEX #749D08

RGB 116 157 8

HSL 76.51, 0.9%, 0.32%

LAB 59.75, -32.6, 61.01

 

Complementary color

CMYK 44 / 60 / 0 / 3

HEX #8B62F7

RGB 139 98 247

HSL 256.51, 0.9%, 0.68%

LAB 52.88, 50.21, -69.18

 

CMYK 23 / 0 / 98 / 38

HEX #799D03

RGB 121 157 3

HSL 74.03, 0.96%, 0.31%

LAB 60.06, -30.64, 62.11

 

CMYK 21 / 0 / 87 / 31

HEX #8AAF16

RGB 138 175 22

HSL 74.51, 0.78%, 0.39%

LAB 66.61, -31.7, 64.82

 

CMYK 20 / 0 / 79 / 24

HEX #9BC129

RGB 155 193 41

HSL 75, 0.65%, 0.46%

LAB 73.07, -32.54, 66.13

 

CMYK 18 / 0 / 72 / 17

HEX #ACD33C

RGB 172 211 60

HSL 75.5, 0.63%, 0.53%

LAB 79.43, -33.19, 66.43

 

CMYK 17 / 0 / 66 / 10

HEX #BDE54F

RGB 189 229 79

HSL 76, 0.74%, 0.6%

LAB 85.72, -33.69, 66.11

 

CMYK 26 / 0 / 95 / 38

HEX #749D08

RGB 116 157 8

HSL 76.51, 0.9%, 0.32%

LAB 59.75, -32.6, 61.01

 

CMYK 29 / 0 / 100 / 45

HEX #638B00

RGB 99 139 0

HSL 77.27, 1%, 0.27%

LAB 53.08, -31.34, 56.63

 

CMYK 32 / 0 / 100 / 53

HEX #527900

RGB 82 121 0

HSL 79.34, 1%, 0.24%

LAB 46.27, -29.89, 50.96

 

CMYK 37 / 0 / 100 / 60

HEX #416700

RGB 65 103 0

HSL 82.14, 1%, 0.2%

LAB 39.28, -28.4, 45.14

 

CMYK 44 / 0 / 100 / 67

HEX #305500

RGB 48 85 0

HSL 86.12, 1%, 0.17%

LAB 32.09, -26.84, 39.16

 

CMYK 26 / 0 / 95 / 39

HEX #739B08

RGB 115 155 8

HSL 76.33, 0.9%, 0.32%

LAB 59.07, -32.08, 60.45

 

CMYK 1 / 0 / 95 / 39

HEX #9A9B08

RGB 154 155 8

HSL 60.41, 0.9%, 0.32%

LAB 61.94, -15.19, 63.91

 

CMYK 0 / 25 / 95 / 39

HEX #9B7408

RGB 155 116 8

HSL 44.08, 0.9%, 0.32%

LAB 51.24, 6.6, 55.9

 

CMYK 0 / 50 / 95 / 39

HEX #9B4D08

RGB 155 77 8

HSL 28.16, 0.9%, 0.32%

LAB 41.68, 28.69, 48.99

 

CMYK 0 / 76 / 95 / 39

HEX #9B2508

RGB 155 37 8

HSL 11.84, 0.9%, 0.32%

LAB 34.62, 47.27, 44.25

 

CMYK 26 / 0 / 95 / 39

HEX #739B08

RGB 115 155 8

HSL 76.33, 0.9%, 0.32%

LAB 59.07, -32.08, 60.45

 

CMYK 52 / 0 / 95 / 39

HEX #4B9B08

RGB 75 155 8

HSL 92.65, 0.9%, 0.32%

LAB 57.03, -46.61, 57.95

 

CMYK 77 / 0 / 95 / 39

HEX #239B08

RGB 35 155 8

HSL 108.98, 0.9%, 0.32%

LAB 55.9, -55.95, 56.56

 

CMYK 95 / 0 / 86 / 39

HEX #089B15

RGB 8 155 21

HSL 125.31, 0.9%, 0.32%

LAB 55.63, -58.23, 53.72

 

CMYK 95 / 0 / 61 / 39

HEX #089B3C

RGB 8 155 60

HSL 141.22, 0.9%, 0.32%

LAB 55.91, -54.75, 39.5

 

CMYK 26 / 0 / 95 / 39

HEX #739B08

RGB 115 155 8

HSL 76.33, 0.9%, 0.32%

LAB 59.07, -32.08, 60.45

 

CMYK 26 / 0 / 95 / 39

HEX #739B08

RGB 115 155 8

HSL 76.33, 0.9%, 0.32%

LAB 59.07, -32.08, 60.45

 

CMYK 23 / 0 / 85 / 44

HEX #6D8E15

RGB 109 142 21

HSL 76.36, 0.74%, 0.32%

LAB 54.71, -28.05, 54.17

 

CMYK 20 / 0 / 73 / 49

HEX #678123

RGB 103 129 35

HSL 76.6, 0.57%, 0.32%

LAB 50.34, -23.49, 45.36

 

CMYK 16 / 0 / 58 / 55

HEX #617330

RGB 97 115 48

HSL 76.12, 0.41%, 0.32%

LAB 45.66, -17.79, 34.29

 

CMYK 11 / 0 / 40 / 60

HEX #5B663D

RGB 91 102 61

HSL 76.1, 0.25%, 0.32%

LAB 41.32, -11.74, 21.79

 

CMYK 0 / 25 / 95 / 39

HEX #9B7408

RGB 155 116 8

HSL 44.08, 0.9%, 0.32%

LAB 51.24, 6.6, 55.9

 

CMYK 0 / 0 / 95 / 39

HEX #9B9B08

RGB 155 155 8

HSL 60, 0.9%, 0.32%

LAB 62.02, -14.74, 64.01

 

CMYK 25 / 0 / 95 / 39

HEX #749B08

RGB 116 155 8

HSL 75.92, 0.9%, 0.32%

LAB 59.13, -31.67, 60.52

 

CMYK 50 / 0 / 95 / 39

HEX #4D9B08

RGB 77 155 8

HSL 91.84, 0.9%, 0.32%

LAB 57.11, -45.99, 58.05

 

CMYK 75 / 0 / 95 / 39

HEX #269B08

RGB 38 155 8

HSL 107.76, 0.9%, 0.32%

LAB 55.96, -55.47, 56.62

 

CMYK 26 / 0 / 95 / 70

HEX #394D04

RGB 57 77 4

HSL 76.44, 0.9%, 0.16%

LAB 29.88, -18.72, 36.14

 

CMYK 26 / 0 / 95 / 55

HEX #567406

RGB 86 116 6

HSL 76.36, 0.9%, 0.24%

LAB 44.92, -25.62, 48.69

 

CMYK 26 / 0 / 95 / 39

HEX #739B08

RGB 115 155 8

HSL 76.33, 0.9%, 0.32%

LAB 59.07, -32.08, 60.45

 

CMYK 26 / 0 / 95 / 24

HEX #90C20A

RGB 144 194 10

HSL 76.3, 0.9%, 0.4%

LAB 72.58, -38.22, 71.64

 

CMYK 26 / 0 / 95 / 9

HEX #ADE90C

RGB 173 233 12

HSL 76.29, 0.9%, 0.48%

LAB 85.6, -44.12, 82.39

 

CMYK 26 / 0 / 95 / 38

HEX #749D08

RGB 116 157 8

HSL 76.51, 0.9%, 0.32%

LAB 59.75, -32.6, 61.01

 

CMYK 95 / 0 / 50 / 39

HEX #089B4D

RGB 8 155 77

HSL 148.16, 0.9%, 0.32%

LAB 56.12, -52.18, 31.29

 

CMYK 13 / 95 / 0 / 39

HEX #87089B

RGB 135 8 155

HSL 291.84, 0.9%, 0.32%

LAB 33.33, 63.41, -47.43

 

CMYK 26 / 0 / 95 / 38

HEX #749D08

RGB 116 157 8

HSL 76.51, 0.9%, 0.32%

LAB 59.75, -32.6, 61.01

 

CMYK 95 / 25 / 0 / 39

HEX #08749B

RGB 8 116 155

HSL 195.92, 0.9%, 0.32%

LAB 45.51, -12.48, -28.62

 

CMYK 0 / 95 / 25 / 39

HEX #9B0874

RGB 155 8 116

HSL 315.92, 0.9%, 0.32%

LAB 34.81, 61.36, -20.64

 

CMYK 26 / 0 / 95 / 38

HEX #749D08

RGB 116 157 8

HSL 76.51, 0.9%, 0.32%

LAB 59.75, -32.6, 61.01

 

CMYK 95 / 0 / 50 / 39

HEX #089B4D

RGB 8 155 77

HSL 148.16, 0.9%, 0.32%

LAB 56.12, -52.18, 31.29

 

CMYK 70 / 95 / 0 / 39

HEX #2F089B

RGB 47 8 155

HSL 255.92, 0.9%, 0.32%

LAB 20.61, 53.5, -68.78

 

CMYK 0 / 95 / 45 / 39

HEX #9B0856

RGB 155 8 86

HSL 328.16, 0.9%, 0.32%

LAB 33.59, 58.14, -3.22

 

CMYK 26 / 0 / 95 / 38

HEX #749D08

RGB 116 157 8

HSL 76.51, 0.9%, 0.32%

LAB 59.75, -32.6, 61.01

 

CMYK 95 / 0 / 22 / 39

HEX #089B79

RGB 8 155 121

HSL 166.12, 0.9%, 0.32%

LAB 56.95, -42.62, 8.27

 

CMYK 70 / 95 / 0 / 39

HEX #2F089B

RGB 47 8 155

HSL 255.92, 0.9%, 0.32%

LAB 20.61, 53.5, -68.78

 

CMYK 0 / 95 / 73 / 39

HEX #9B082A

RGB 155 8 42

HSL 346.12, 0.9%, 0.32%

LAB 32.5, 55.14, 24.15

 

Description

Color code: HEX #749D08 | qconv.com Color code: HEX #749D08 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 157 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 157 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 95 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 95% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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