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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #749C17 it is the complementary color #8B63E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #749C17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #749C17 shade: #799C12, #8AAE25, #9BC038, #ACD24B and #BDE45E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #749C17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #749C17 shade: #749C17, #638A04, #527800, #416600 and #305400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #749C17 shade: #749B17, #979B17, #9B7C17, #9B5817 and #9B3517

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #749C17 shade: #749B17, #509B17, #2C9B17, #179B26 and #179B49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #749C17 shade matches the following richer shades: #749B17 and #79AA09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #749C17 shade: #749B17, #6E8D26, #687E34, #627043 and #5D6251

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #749C17 shade: #9B7C17, #979B17, #749B17, #509B17 and #2D9B17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #749C17 shade: #3E540C, #597712, #749B17, #8EBF1D and #A7DF26

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #749C17 shade: #749C17, #179B59 and #8E179B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #749C17 shade: #749C17, #17749B and #9B1774

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #749C17 shade: #749C17, #179B59, #3F179B and #9B1759

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #749C17 shade: #749C17, #179B81, #3F179B and #9B1732

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 85 / 39

HEX #749C17

RGB 116 156 23

HSL 78.05, 0.74%, 0.35%

LAB 59.48, -31.74, 57.98

 

Complementary color

CMYK 40 / 57 / 0 / 9

HEX #8B63E8

RGB 139 99 232

HSL 258.05, 0.74%, 0.65%

LAB 52.11, 45.64, -62.05

 

CMYK 22 / 0 / 88 / 39

HEX #799C12

RGB 121 156 18

HSL 75.22, 0.79%, 0.34%

LAB 59.79, -29.85, 59.49

 

CMYK 21 / 0 / 79 / 32

HEX #8AAE25

RGB 138 174 37

HSL 75.77, 0.65%, 0.41%

LAB 66.37, -30.69, 60.8

 

CMYK 19 / 0 / 71 / 25

HEX #9BC038

RGB 155 192 56

HSL 76.32, 0.55%, 0.49%

LAB 72.86, -31.31, 60.99

 

CMYK 18 / 0 / 64 / 18

HEX #ACD24B

RGB 172 210 75

HSL 76.89, 0.6%, 0.56%

LAB 79.25, -31.78, 60.56

 

CMYK 17 / 0 / 59 / 11

HEX #BDE45E

RGB 189 228 94

HSL 77.46, 0.71%, 0.63%

LAB 85.56, -32.13, 59.79

 

CMYK 26 / 0 / 85 / 39

HEX #749C17

RGB 116 156 23

HSL 78.05, 0.74%, 0.35%

LAB 59.48, -31.74, 57.98

 

CMYK 28 / 0 / 97 / 46

HEX #638A04

RGB 99 138 4

HSL 77.46, 0.94%, 0.28%

LAB 52.77, -30.77, 55.68

 

CMYK 32 / 0 / 100 / 53

HEX #527800

RGB 82 120 0

HSL 79, 1%, 0.24%

LAB 45.94, -29.42, 50.71

 

CMYK 36 / 0 / 100 / 60

HEX #416600

RGB 65 102 0

HSL 81.76, 1%, 0.2%

LAB 38.94, -27.93, 44.88

 

CMYK 43 / 0 / 100 / 67

HEX #305400

RGB 48 84 0

HSL 85.71, 1%, 0.16%

LAB 31.74, -26.37, 38.89

 

CMYK 25 / 0 / 85 / 39

HEX #749B17

RGB 116 155 23

HSL 77.73, 0.74%, 0.35%

LAB 59.18, -31.28, 57.71

 

CMYK 3 / 0 / 85 / 39

HEX #979B17

RGB 151 155 23

HSL 61.82, 0.74%, 0.35%

LAB 61.73, -16.22, 60.9

 

CMYK 0 / 20 / 85 / 39

HEX #9B7C17

RGB 155 124 23

HSL 45.91, 0.74%, 0.35%

LAB 53.43, 2.41, 54.07

 

CMYK 0 / 43 / 85 / 39

HEX #9B5817

RGB 155 88 23

HSL 29.55, 0.74%, 0.35%

LAB 44.25, 22.92, 46.21

 

CMYK 0 / 66 / 85 / 39

HEX #9B3517

RGB 155 53 23

HSL 13.64, 0.74%, 0.35%

LAB 37.07, 41.12, 39.89

 

CMYK 25 / 0 / 85 / 39

HEX #749B17

RGB 116 155 23

HSL 77.73, 0.74%, 0.35%

LAB 59.18, -31.28, 57.71

 

CMYK 48 / 0 / 85 / 39

HEX #509B17

RGB 80 155 23

HSL 94.09, 0.74%, 0.35%

LAB 57.28, -44.56, 55.32

 

CMYK 72 / 0 / 85 / 39

HEX #2C9B17

RGB 44 155 23

HSL 110.45, 0.74%, 0.35%

LAB 56.13, -53.85, 53.85

 

CMYK 85 / 0 / 75 / 39

HEX #179B26

RGB 23 155 38

HSL 126.82, 0.74%, 0.35%

LAB 55.85, -55.95, 48.78

 

CMYK 85 / 0 / 53 / 39

HEX #179B49

RGB 23 155 73

HSL 142.73, 0.74%, 0.35%

LAB 56.19, -51.75, 33.47

 

CMYK 25 / 0 / 85 / 39

HEX #749B17

RGB 116 155 23

HSL 77.73, 0.74%, 0.35%

LAB 59.18, -31.28, 57.71

 

CMYK 29 / 0 / 95 / 33

HEX #79AA09

RGB 121 170 9

HSL 78.26, 0.9%, 0.35%

LAB 64.03, -36.51, 64.4

 

CMYK 25 / 0 / 85 / 39

HEX #749B17

RGB 116 155 23

HSL 77.73, 0.74%, 0.35%

LAB 59.18, -31.28, 57.71

 

CMYK 22 / 0 / 73 / 45

HEX #6E8D26

RGB 110 141 38

HSL 78.06, 0.58%, 0.35%

LAB 54.56, -26.31, 48.54

 

CMYK 17 / 0 / 59 / 51

HEX #687E34

RGB 104 126 52

HSL 77.84, 0.42%, 0.35%

LAB 49.63, -20.17, 36.98

 

CMYK 13 / 0 / 40 / 56

HEX #627043

RGB 98 112 67

HSL 78.67, 0.25%, 0.35%

LAB 45.07, -13.48, 23.3

 

CMYK 5 / 0 / 17 / 62

HEX #5D6251

RGB 93 98 81

HSL 77.65, 0.09%, 0.35%

LAB 40.67, -5.35, 9.03

 

CMYK 0 / 20 / 85 / 39

HEX #9B7C17

RGB 155 124 23

HSL 45.91, 0.74%, 0.35%

LAB 53.43, 2.41, 54.07

 

CMYK 3 / 0 / 85 / 39

HEX #979B17

RGB 151 155 23

HSL 61.82, 0.74%, 0.35%

LAB 61.73, -16.22, 60.9

 

CMYK 25 / 0 / 85 / 39

HEX #749B17

RGB 116 155 23

HSL 77.73, 0.74%, 0.35%

LAB 59.18, -31.28, 57.71

 

CMYK 48 / 0 / 85 / 39

HEX #509B17

RGB 80 155 23

HSL 94.09, 0.74%, 0.35%

LAB 57.28, -44.56, 55.32

 

CMYK 71 / 0 / 85 / 39

HEX #2D9B17

RGB 45 155 23

HSL 110, 0.74%, 0.35%

LAB 56.15, -53.65, 53.88

 

CMYK 26 / 0 / 86 / 67

HEX #3E540C

RGB 62 84 12

HSL 78.33, 0.75%, 0.19%

LAB 32.68, -19.74, 36

 

CMYK 25 / 0 / 85 / 53

HEX #597712

RGB 89 119 18

HSL 77.82, 0.74%, 0.27%

LAB 46.12, -25.41, 46.93

 

CMYK 25 / 0 / 85 / 39

HEX #749B17

RGB 116 155 23

HSL 77.73, 0.74%, 0.35%

LAB 59.18, -31.28, 57.71

 

CMYK 26 / 0 / 85 / 25

HEX #8EBF1D

RGB 142 191 29

HSL 78.15, 0.74%, 0.43%

LAB 71.62, -37.23, 67.66

 

CMYK 25 / 0 / 83 / 13

HEX #A7DF26

RGB 167 223 38

HSL 78.16, 0.74%, 0.51%

LAB 82.45, -41.49, 75.52

 

CMYK 26 / 0 / 85 / 39

HEX #749C17

RGB 116 156 23

HSL 78.05, 0.74%, 0.35%

LAB 59.48, -31.74, 57.98

 

CMYK 85 / 0 / 43 / 39

HEX #179B59

RGB 23 155 89

HSL 150, 0.74%, 0.35%

LAB 56.43, -48.92, 25.35

 

CMYK 8 / 85 / 0 / 39

HEX #8E179B

RGB 142 23 155

HSL 294.09, 0.74%, 0.35%

LAB 35.46, 61.98, -43.94

 

CMYK 26 / 0 / 85 / 39

HEX #749C17

RGB 116 156 23

HSL 78.05, 0.74%, 0.35%

LAB 59.48, -31.74, 57.98

 

CMYK 85 / 25 / 0 / 39

HEX #17749B

RGB 23 116 155

HSL 197.73, 0.74%, 0.35%

LAB 45.69, -11.53, -28.33

 

CMYK 0 / 85 / 25 / 39

HEX #9B1774

RGB 155 23 116

HSL 317.73, 0.74%, 0.35%

LAB 35.68, 58.83, -19.3

 

CMYK 26 / 0 / 85 / 39

HEX #749C17

RGB 116 156 23

HSL 78.05, 0.74%, 0.35%

LAB 59.48, -31.74, 57.98

 

CMYK 85 / 0 / 43 / 39

HEX #179B59

RGB 23 155 89

HSL 150, 0.74%, 0.35%

LAB 56.43, -48.92, 25.35

 

CMYK 59 / 85 / 0 / 39

HEX #3F179B

RGB 63 23 155

HSL 258.18, 0.74%, 0.35%

LAB 23.79, 50.07, -63.47

 

CMYK 0 / 85 / 43 / 39

HEX #9B1759

RGB 155 23 89

HSL 330, 0.74%, 0.35%

LAB 34.61, 55.79, -3.67

 

CMYK 26 / 0 / 85 / 39

HEX #749C17

RGB 116 156 23

HSL 78.05, 0.74%, 0.35%

LAB 59.48, -31.74, 57.98

 

CMYK 85 / 0 / 17 / 39

HEX #179B81

RGB 23 155 129

HSL 168.18, 0.74%, 0.35%

LAB 57.28, -39.57, 4.22

 

CMYK 59 / 85 / 0 / 39

HEX #3F179B

RGB 63 23 155

HSL 258.18, 0.74%, 0.35%

LAB 23.79, 50.07, -63.47

 

CMYK 0 / 85 / 68 / 39

HEX #9B1732

RGB 155 23 50

HSL 347.73, 0.74%, 0.35%

LAB 33.59, 52.81, 20.33

 

Description

Color code: HEX #749C17 | qconv.com Color code: HEX #749C17 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 156 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 156 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 85 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 85% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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