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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #748714 it is the complementary color #8B78EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #748714. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #748714 shade: #79870F, #8A9922, #9BAB35, #ACBD48 and #BDCF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #748714. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #748714 shade: #748714, #637501, #526300, #415100 and #303F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #748714 shade: #728514, #857914, #855B14, #853C14 and #851E14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #748714 shade: #728514, #548514, #358514, #178514 and #14852F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #748714 shade matches the following richer shades: #728514 and #7B9108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #748714 shade: #728514, #6A7920, #626C2D, #5A6039 and #515445

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #748714 shade: #855A14, #857814, #748514, #568514 and #388514

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #748714 shade: #353D09, #54610F, #728514, #91A919 and #B0CD1F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #748714 shade: #748714, #14853C and #691485

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #748714 shade: #748714, #147485 and #851474

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #748714 shade: #748714, #14853C, #251485 and #85145D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #748714 shade: #748714, #14855D, #251485 and #85143C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 85 / 47

HEX #748714

RGB 116 135 20

HSL 69.91, 0.74%, 0.3%

LAB 53.05, -21.59, 53.18

 

Complementary color

CMYK 41 / 49 / 0 / 8

HEX #8B78EB

RGB 139 120 235

HSL 249.91, 0.74%, 0.7%

LAB 57, 34.49, -55.88

 

CMYK 10 / 0 / 89 / 47

HEX #79870F

RGB 121 135 15

HSL 67, 0.8%, 0.29%

LAB 53.41, -19.51, 54.83

 

CMYK 10 / 0 / 78 / 40

HEX #8A9922

RGB 138 153 34

HSL 67.56, 0.64%, 0.37%

LAB 60.16, -20.53, 56.02

 

CMYK 9 / 0 / 69 / 33

HEX #9BAB35

RGB 155 171 53

HSL 68.14, 0.53%, 0.44%

LAB 66.79, -21.31, 56.03

 

CMYK 9 / 0 / 62 / 26

HEX #ACBD48

RGB 172 189 72

HSL 68.72, 0.47%, 0.51%

LAB 73.31, -21.91, 55.44

 

CMYK 9 / 0 / 56 / 19

HEX #BDCF5B

RGB 189 207 91

HSL 69.31, 0.55%, 0.58%

LAB 79.73, -22.38, 54.55

 

CMYK 14 / 0 / 85 / 47

HEX #748714

RGB 116 135 20

HSL 69.91, 0.74%, 0.3%

LAB 53.05, -21.59, 53.18

 

CMYK 15 / 0 / 99 / 54

HEX #637501

RGB 99 117 1

HSL 69.31, 0.98%, 0.23%

LAB 46.15, -20.49, 51.15

 

CMYK 17 / 0 / 100 / 61

HEX #526300

RGB 82 99 0

HSL 70.3, 1%, 0.19%

LAB 39.1, -18.92, 45.51

 

CMYK 20 / 0 / 100 / 68

HEX #415100

RGB 65 81 0

HSL 71.85, 1%, 0.16%

LAB 31.83, -17.29, 39.45

 

CMYK 24 / 0 / 100 / 75

HEX #303F00

RGB 48 63 0

HSL 74.29, 1%, 0.12%

LAB 24.27, -15.62, 32.55

 

CMYK 14 / 0 / 85 / 48

HEX #728514

RGB 114 133 20

HSL 70.09, 0.74%, 0.3%

LAB 52.29, -21.46, 52.47

 

CMYK 0 / 9 / 85 / 48

HEX #857914

RGB 133 121 20

HSL 53.63, 0.74%, 0.3%

LAB 50.35, -6.29, 51.43

 

CMYK 0 / 32 / 85 / 48

HEX #855B14

RGB 133 91 20

HSL 37.7, 0.74%, 0.3%

LAB 42.03, 11.01, 44.25

 

CMYK 0 / 55 / 85 / 48

HEX #853C14

RGB 133 60 20

HSL 21.24, 0.74%, 0.3%

LAB 34.54, 28.86, 37.58

 

CMYK 0 / 77 / 85 / 48

HEX #851E14

RGB 133 30 20

HSL 5.31, 0.74%, 0.3%

LAB 29.33, 42.73, 32.76

 

CMYK 14 / 0 / 85 / 48

HEX #728514

RGB 114 133 20

HSL 70.09, 0.74%, 0.3%

LAB 52.29, -21.46, 52.47

 

CMYK 37 / 0 / 85 / 48

HEX #548514

RGB 84 133 20

HSL 86.02, 0.74%, 0.3%

LAB 50.35, -33.97, 50.01

 

CMYK 60 / 0 / 85 / 48

HEX #358514

RGB 53 133 20

HSL 102.48, 0.74%, 0.3%

LAB 48.99, -44.21, 48.27

 

CMYK 83 / 0 / 85 / 48

HEX #178514

RGB 23 133 20

HSL 118.41, 0.74%, 0.3%

LAB 48.27, -50.26, 47.36

 

CMYK 85 / 0 / 65 / 48

HEX #14852F

RGB 20 133 47

HSL 134.34, 0.74%, 0.3%

LAB 48.42, -48.2, 37.09

 

CMYK 14 / 0 / 85 / 48

HEX #728514

RGB 114 133 20

HSL 70.09, 0.74%, 0.3%

LAB 52.29, -21.46, 52.47

 

CMYK 15 / 0 / 94 / 43

HEX #7B9108

RGB 123 145 8

HSL 69.64, 0.9%, 0.3%

LAB 56.56, -23.86, 58.69

 

CMYK 14 / 0 / 85 / 48

HEX #728514

RGB 114 133 20

HSL 70.09, 0.74%, 0.3%

LAB 52.29, -21.46, 52.47

 

CMYK 12 / 0 / 74 / 53

HEX #6A7920

RGB 106 121 32

HSL 70.11, 0.58%, 0.3%

LAB 48.06, -18.24, 44.35

 

CMYK 9 / 0 / 58 / 58

HEX #626C2D

RGB 98 108 45

HSL 69.52, 0.41%, 0.3%

LAB 43.52, -13.85, 33.39

 

CMYK 6 / 0 / 41 / 62

HEX #5A6039

RGB 90 96 57

HSL 69.23, 0.25%, 0.3%

LAB 39.3, -9.31, 21.5

 

CMYK 4 / 0 / 18 / 67

HEX #515445

RGB 81 84 69

HSL 72, 0.1%, 0.3%

LAB 35.04, -4.25, 8.37

 

CMYK 0 / 32 / 85 / 48

HEX #855A14

RGB 133 90 20

HSL 37.17, 0.74%, 0.3%

LAB 41.77, 11.6, 44.02

 

CMYK 0 / 10 / 85 / 48

HEX #857814

RGB 133 120 20

HSL 53.1, 0.74%, 0.3%

LAB 50.06, -5.74, 51.19

 

CMYK 13 / 0 / 85 / 48

HEX #748514

RGB 116 133 20

HSL 69.03, 0.74%, 0.3%

LAB 52.44, -20.57, 52.65

 

CMYK 35 / 0 / 85 / 48

HEX #568514

RGB 86 133 20

HSL 84.96, 0.74%, 0.3%

LAB 50.46, -33.19, 50.15

 

CMYK 58 / 0 / 85 / 48

HEX #388514

RGB 56 133 20

HSL 100.88, 0.74%, 0.3%

LAB 49.09, -43.38, 48.41

 

CMYK 13 / 0 / 85 / 76

HEX #353D09

RGB 53 61 9

HSL 69.23, 0.74%, 0.14%

LAB 24.05, -11.39, 28.8

 

CMYK 13 / 0 / 85 / 62

HEX #54610F

RGB 84 97 15

HSL 69.51, 0.73%, 0.22%

LAB 38.67, -16.37, 41.05

 

CMYK 14 / 0 / 85 / 48

HEX #728514

RGB 114 133 20

HSL 70.09, 0.74%, 0.3%

LAB 52.29, -21.46, 52.47

 

CMYK 14 / 0 / 85 / 34

HEX #91A919

RGB 145 169 25

HSL 70, 0.74%, 0.38%

LAB 65.33, -25.82, 63.28

 

CMYK 14 / 0 / 85 / 20

HEX #B0CD1F

RGB 176 205 31

HSL 70, 0.74%, 0.46%

LAB 77.87, -29.97, 73.4

 

CMYK 14 / 0 / 85 / 47

HEX #748714

RGB 116 135 20

HSL 69.91, 0.74%, 0.3%

LAB 53.05, -21.59, 53.18

 

CMYK 85 / 0 / 55 / 48

HEX #14853C

RGB 20 133 60

HSL 141.24, 0.74%, 0.3%

LAB 48.57, -46.36, 30.82

 

CMYK 21 / 85 / 0 / 48

HEX #691485

RGB 105 20 133

HSL 285.13, 0.74%, 0.3%

LAB 27.29, 51.86, -43.87

 

CMYK 14 / 0 / 85 / 47

HEX #748714

RGB 116 135 20

HSL 69.91, 0.74%, 0.3%

LAB 53.05, -21.59, 53.18

 

CMYK 85 / 13 / 0 / 48

HEX #147485

RGB 20 116 133

HSL 189.03, 0.74%, 0.3%

LAB 44.71, -19.73, -16.8

 

CMYK 0 / 85 / 13 / 48

HEX #851474

RGB 133 20 116

HSL 309.03, 0.74%, 0.3%

LAB 31.23, 54.55, -26.56

 

CMYK 14 / 0 / 85 / 47

HEX #748714

RGB 116 135 20

HSL 69.91, 0.74%, 0.3%

LAB 53.05, -21.59, 53.18

 

CMYK 85 / 0 / 55 / 48

HEX #14853C

RGB 20 133 60

HSL 141.24, 0.74%, 0.3%

LAB 48.57, -46.36, 30.82

 

CMYK 72 / 85 / 0 / 48

HEX #251485

RGB 37 20 133

HSL 249.03, 0.74%, 0.3%

LAB 18.31, 42.5, -58.94

 

CMYK 0 / 85 / 30 / 48

HEX #85145D

RGB 133 20 93

HSL 321.24, 0.74%, 0.3%

LAB 30.1, 51.41, -13.49

 

CMYK 14 / 0 / 85 / 47

HEX #748714

RGB 116 135 20

HSL 69.91, 0.74%, 0.3%

LAB 53.05, -21.59, 53.18

 

CMYK 85 / 0 / 30 / 48

HEX #14855D

RGB 20 133 93

HSL 158.76, 0.74%, 0.3%

LAB 49.15, -39.74, 13.3

 

CMYK 72 / 85 / 0 / 48

HEX #251485

RGB 37 20 133

HSL 249.03, 0.74%, 0.3%

LAB 18.31, 42.5, -58.94

 

CMYK 0 / 85 / 55 / 48

HEX #85143C

RGB 133 20 60

HSL 338.76, 0.74%, 0.3%

LAB 28.94, 48.03, 6.67

 

Description

Color code: HEX #748714 | qconv.com Color code: HEX #748714 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 135 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 135 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 85 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 85% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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