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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7486D7 it is the complementary color #8B7928. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7486D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7486D7 shade: #7986D2, #8A98E5, #9BAAF8, #ACBCFF and #BDCEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7486D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7486D7 shade: #7486D7, #6374C4, #5262B1, #41509E and #303E8B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7486D7 shade: #7486D6, #7D74D6, #9774D6, #B274D6 and #CC74D6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7486D7 shade: #7486D6 and #7474D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7486D7 shade matches the following richer shades: #7486D6, #667DE5 and #5774F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7486D7 shade: #7486D6, #838FC8, #9198B9, #9FA2AB and #AEAB9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7486D7 shade: #74BBD6, #74A0D6, #7486D6, #7C74D6 and #9774D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7486D7 shade: #3850C0, #546ACD, #7486D6, #94A2E0 and #B4BEE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7486D7 shade: #7486D7, #D674D5 and #ADD674

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7486D7 shade: #7486D7, #D67486 and #86D674

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7486D7 shade: #7486D7, #D674D5, #D6C474 and #74D676

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7486D7 shade: #7486D7, #D674B7, #D6C474 and #74D693

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 38 / 0 / 16

HEX #7486D7

RGB 116 134 215

HSL 229.09, 0.55%, 0.65%

LAB 57.72, 14.9, -43.65

 

Complementary color

CMYK 0 / 13 / 71 / 45

HEX #8B7928

RGB 139 121 40

HSL 49.09, 0.55%, 0.35%

LAB 51.06, -2.61, 44.99

 

CMYK 42 / 36 / 0 / 18

HEX #7986D2

RGB 121 134 210

HSL 231.24, 0.5%, 0.65%

LAB 57.82, 14.69, -40.67

 

CMYK 40 / 34 / 0 / 10

HEX #8A98E5

RGB 138 152 229

HSL 230.77, 0.64%, 0.72%

LAB 64.58, 13.95, -40.57

 

CMYK 38 / 31 / 0 / 3

HEX #9BAAF8

RGB 155 170 248

HSL 230.32, 0.87%, 0.79%

LAB 71.21, 13.31, -40.51

 

CMYK 33 / 26 / 0 / 0

HEX #ACBCFF

RGB 172 188 255

HSL 228.43, 1%, 0.84%

LAB 77.26, 9.7, -34.81

 

CMYK 26 / 19 / 0 / 0

HEX #BDCEFF

RGB 189 206 255

HSL 224.55, 1%, 0.87%

LAB 83.01, 4.77, -25.87

 

CMYK 46 / 38 / 0 / 16

HEX #7486D7

RGB 116 134 215

HSL 229.09, 0.55%, 0.65%

LAB 57.72, 14.9, -43.65

 

CMYK 49 / 41 / 0 / 23

HEX #6374C4

RGB 99 116 196

HSL 229.48, 0.45%, 0.58%

LAB 50.84, 15.87, -43.84

 

CMYK 54 / 45 / 0 / 31

HEX #5262B1

RGB 82 98 177

HSL 229.89, 0.38%, 0.51%

LAB 43.8, 17.05, -44.09

 

CMYK 59 / 49 / 0 / 38

HEX #41509E

RGB 65 80 158

HSL 230.32, 0.42%, 0.44%

LAB 36.61, 18.5, -44.39

 

CMYK 65 / 55 / 0 / 45

HEX #303E8B

RGB 48 62 139

HSL 230.77, 0.49%, 0.37%

LAB 29.25, 20.36, -44.72

 

CMYK 46 / 37 / 0 / 16

HEX #7486D6

RGB 116 134 214

HSL 228.98, 0.54%, 0.65%

LAB 57.67, 14.6, -43.17

 

CMYK 42 / 46 / 0 / 16

HEX #7D74D6

RGB 125 116 214

HSL 245.51, 0.54%, 0.65%

LAB 53.71, 27.55, -49.4

 

CMYK 29 / 46 / 0 / 16

HEX #9774D6

RGB 151 116 214

HSL 261.43, 0.54%, 0.65%

LAB 56.01, 34.31, -45.61

 

CMYK 17 / 46 / 0 / 16

HEX #B274D6

RGB 178 116 214

HSL 277.96, 0.54%, 0.65%

LAB 58.8, 41.83, -41.03

 

CMYK 5 / 46 / 0 / 16

HEX #CC74D6

RGB 204 116 214

HSL 293.88, 0.54%, 0.65%

LAB 61.81, 49.29, -36.09

 

CMYK 46 / 37 / 0 / 16

HEX #7486D6

RGB 116 134 214

HSL 228.98, 0.54%, 0.65%

LAB 57.67, 14.6, -43.17

 

CMYK 46 / 46 / 0 / 16

HEX #7474D6

RGB 116 116 214

HSL 240, 0.54%, 0.65%

LAB 53.01, 25.37, -50.56

 

CMYK 46 / 37 / 0 / 16

HEX #7486D6

RGB 116 134 214

HSL 228.98, 0.54%, 0.65%

LAB 57.67, 14.6, -43.17

 

CMYK 55 / 45 / 0 / 10

HEX #667DE5

RGB 102 125 229

HSL 229.13, 0.71%, 0.65%

LAB 55.23, 21.5, -55.52

 

CMYK 64 / 52 / 0 / 5

HEX #5774F3

RGB 87 116 243

HSL 228.85, 0.87%, 0.65%

LAB 52.94, 28.9, -67.06

 

CMYK 46 / 37 / 0 / 16

HEX #7486D6

RGB 116 134 214

HSL 228.98, 0.54%, 0.65%

LAB 57.67, 14.6, -43.17

 

CMYK 35 / 29 / 0 / 22

HEX #838FC8

RGB 131 143 200

HSL 229.57, 0.39%, 0.65%

LAB 60.46, 9.36, -30.86

 

CMYK 22 / 18 / 0 / 27

HEX #9198B9

RGB 145 152 185

HSL 229.5, 0.22%, 0.65%

LAB 63.33, 4.69, -17.95

 

CMYK 7 / 5 / 0 / 33

HEX #9FA2AB

RGB 159 162 171

HSL 225, 0.07%, 0.65%

LAB 66.64, 0.72, -5.03

 

CMYK 0 / 2 / 10 / 32

HEX #AEAB9D

RGB 174 171 157

HSL 49.41, 0.09%, 0.65%

LAB 69.87, -1.43, 7.58

 

CMYK 46 / 13 / 0 / 16

HEX #74BBD6

RGB 116 187 214

HSL 196.53, 0.54%, 0.65%

LAB 72.3, -15.16, -20.52

 

CMYK 46 / 25 / 0 / 16

HEX #74A0D6

RGB 116 160 214

HSL 213.06, 0.54%, 0.65%

LAB 64.73, -0.47, -32.13

 

CMYK 46 / 37 / 0 / 16

HEX #7486D6

RGB 116 134 214

HSL 228.98, 0.54%, 0.65%

LAB 57.67, 14.6, -43.17

 

CMYK 42 / 46 / 0 / 16

HEX #7C74D6

RGB 124 116 214

HSL 244.9, 0.54%, 0.65%

LAB 53.63, 27.3, -49.53

 

CMYK 29 / 46 / 0 / 16

HEX #9774D6

RGB 151 116 214

HSL 261.43, 0.54%, 0.65%

LAB 56.01, 34.31, -45.61

 

CMYK 71 / 58 / 0 / 25

HEX #3850C0

RGB 56 80 192

HSL 229.41, 0.55%, 0.49%

LAB 38.52, 29.13, -61.45

 

CMYK 59 / 48 / 0 / 20

HEX #546ACD

RGB 84 106 205

HSL 229.09, 0.55%, 0.57%

LAB 47.75, 21.75, -53.97

 

CMYK 46 / 37 / 0 / 16

HEX #7486D6

RGB 116 134 214

HSL 228.98, 0.54%, 0.65%

LAB 57.67, 14.6, -43.17

 

CMYK 34 / 28 / 0 / 12

HEX #94A2E0

RGB 148 162 224

HSL 228.95, 0.55%, 0.73%

LAB 67.66, 9.61, -32.95

 

CMYK 23 / 18 / 0 / 9

HEX #B4BEE9

RGB 180 190 233

HSL 228.68, 0.55%, 0.81%

LAB 77.53, 5.66, -22.52

 

CMYK 46 / 38 / 0 / 16

HEX #7486D7

RGB 116 134 215

HSL 229.09, 0.55%, 0.65%

LAB 57.72, 14.9, -43.65

 

CMYK 0 / 46 / 0 / 16

HEX #D674D5

RGB 214 116 213

HSL 300.61, 0.54%, 0.65%

LAB 63, 51.99, -33.58

 

CMYK 19 / 0 / 46 / 16

HEX #ADD674

RGB 173 214 116

HSL 85.1, 0.54%, 0.65%

LAB 80.87, -29.5, 43.87

 

CMYK 46 / 38 / 0 / 16

HEX #7486D7

RGB 116 134 215

HSL 229.09, 0.55%, 0.65%

LAB 57.72, 14.9, -43.65

 

CMYK 0 / 46 / 37 / 16

HEX #D67486

RGB 214 116 134

HSL 348.98, 0.54%, 0.65%

LAB 60.35, 40.17, 7.49

 

CMYK 37 / 0 / 46 / 16

HEX #86D674

RGB 134 214 116

HSL 108.98, 0.54%, 0.65%

LAB 78.71, -43.04, 40.7

 

CMYK 46 / 38 / 0 / 16

HEX #7486D7

RGB 116 134 215

HSL 229.09, 0.55%, 0.65%

LAB 57.72, 14.9, -43.65

 

CMYK 0 / 46 / 0 / 16

HEX #D674D5

RGB 214 116 213

HSL 300.61, 0.54%, 0.65%

LAB 63, 51.99, -33.58

 

CMYK 0 / 8 / 46 / 16

HEX #D6C474

RGB 214 196 116

HSL 48.98, 0.54%, 0.65%

LAB 79.06, -4.45, 42.29

 

CMYK 46 / 0 / 45 / 16

HEX #74D676

RGB 116 214 118

HSL 121.22, 0.54%, 0.65%

LAB 77.94, -48.19, 38.57

 

CMYK 46 / 38 / 0 / 16

HEX #7486D7

RGB 116 134 215

HSL 229.09, 0.55%, 0.65%

LAB 57.72, 14.9, -43.65

 

CMYK 0 / 46 / 14 / 16

HEX #D674B7

RGB 214 116 183

HSL 318.98, 0.54%, 0.65%

LAB 61.83, 46.94, -18.43

 

CMYK 0 / 8 / 46 / 16

HEX #D6C474

RGB 214 196 116

HSL 48.98, 0.54%, 0.65%

LAB 79.06, -4.45, 42.29

 

CMYK 46 / 0 / 31 / 16

HEX #74D693

RGB 116 214 147

HSL 138.98, 0.54%, 0.65%

LAB 78.41, -43.46, 24.37

 

Description

Color code: HEX #7486D7 | qconv.com Color code: HEX #7486D7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 134 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 134 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 38 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 38% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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