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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #747EB6 it is the complementary color #8B8149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #747EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #747EB6 shade: #797EB1, #8A90C4, #9BA2D7, #ACB4EA and #BDC6FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #747EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #747EB6 shade: #747EB6, #636CA3, #525A90, #41487D and #30366A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #747EB6 shade: #737DB5, #7B73B5, #8C73B5, #9E73B5 and #B073B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #747EB6 shade: #737DB5 and #7373B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #747EB6 shade matches the following richer shades: #737DB5, #6171C6, #5065D8, #3F59E9 and #2D4CFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #747EB6 shade: #737DB5, #8489A4, #959592, #A7A181 and #B8AD70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #747EB6 shade: #73A1B5, #738FB5, #737EB5, #7973B5 and #8B73B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #747EB6 shade: #4A548C, #5864A7, #737DB5, #8E96C3 and #A9AFD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #747EB6 shade: #747EB6, #B573B3 and #98B573

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #747EB6 shade: #747EB6, #B5737E and #7EB573

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #747EB6 shade: #747EB6, #B573B3, #B5AA73 and #73B575

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #747EB6 shade: #747EB6, #B5739F, #B5AA73 and #73B589

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 31 / 0 / 29

HEX #747EB6

RGB 116 126 182

HSL 230.91, 0.31%, 0.58%

LAB 54.04, 10.16, -30.7

 

Complementary color

CMYK 0 / 7 / 47 / 45

HEX #8B8149

RGB 139 129 73

HSL 50.91, 0.31%, 0.42%

LAB 53.68, -4.42, 31.59

 

CMYK 32 / 29 / 0 / 31

HEX #797EB1

RGB 121 126 177

HSL 234.64, 0.26%, 0.58%

LAB 54.2, 10.27, -27.55

 

CMYK 30 / 27 / 0 / 23

HEX #8A90C4

RGB 138 144 196

HSL 233.79, 0.33%, 0.65%

LAB 61.08, 9.78, -27.62

 

CMYK 28 / 25 / 0 / 16

HEX #9BA2D7

RGB 155 162 215

HSL 233, 0.43%, 0.73%

LAB 67.81, 9.35, -27.73

 

CMYK 26 / 23 / 0 / 8

HEX #ACB4EA

RGB 172 180 234

HSL 232.26, 0.6%, 0.8%

LAB 74.42, 8.96, -27.86

 

CMYK 25 / 22 / 0 / 1

HEX #BDC6FD

RGB 189 198 253

HSL 231.56, 0.94%, 0.87%

LAB 80.9, 8.61, -28.02

 

CMYK 36 / 31 / 0 / 29

HEX #747EB6

RGB 116 126 182

HSL 230.91, 0.31%, 0.58%

LAB 54.04, 10.16, -30.7

 

CMYK 39 / 34 / 0 / 36

HEX #636CA3

RGB 99 108 163

HSL 231.56, 0.26%, 0.51%

LAB 47, 10.8, -30.74

 

CMYK 43 / 38 / 0 / 44

HEX #525A90

RGB 82 90 144

HSL 232.26, 0.27%, 0.44%

LAB 39.78, 11.57, -30.84

 

CMYK 48 / 42 / 0 / 51

HEX #41487D

RGB 65 72 125

HSL 233, 0.32%, 0.37%

LAB 32.35, 12.54, -31.03

 

CMYK 55 / 49 / 0 / 58

HEX #30366A

RGB 48 54 106

HSL 233.79, 0.38%, 0.3%

LAB 24.66, 13.81, -31.31

 

CMYK 36 / 31 / 0 / 29

HEX #737DB5

RGB 115 125 181

HSL 230.91, 0.31%, 0.58%

LAB 53.65, 10.2, -30.73

 

CMYK 32 / 36 / 0 / 29

HEX #7B73B5

RGB 123 115 181

HSL 247.27, 0.31%, 0.58%

LAB 51.62, 18.48, -33.86

 

CMYK 23 / 36 / 0 / 29

HEX #8C73B5

RGB 140 115 181

HSL 262.73, 0.31%, 0.58%

LAB 53.14, 23.57, -31.38

 

CMYK 13 / 36 / 0 / 29

HEX #9E73B5

RGB 158 115 181

HSL 279.09, 0.31%, 0.58%

LAB 54.93, 29.19, -28.44

 

CMYK 3 / 36 / 0 / 29

HEX #B073B5

RGB 176 115 181

HSL 295.45, 0.31%, 0.58%

LAB 56.91, 34.94, -25.24

 

CMYK 36 / 31 / 0 / 29

HEX #737DB5

RGB 115 125 181

HSL 230.91, 0.31%, 0.58%

LAB 53.65, 10.2, -30.73

 

CMYK 36 / 36 / 0 / 29

HEX #7373B5

RGB 115 115 181

HSL 240, 0.31%, 0.58%

LAB 50.97, 16.18, -34.93

 

CMYK 36 / 31 / 0 / 29

HEX #737DB5

RGB 115 125 181

HSL 230.91, 0.31%, 0.58%

LAB 53.65, 10.2, -30.73

 

CMYK 51 / 43 / 0 / 22

HEX #6171C6

RGB 97 113 198

HSL 230.5, 0.47%, 0.58%

LAB 50.01, 17.87, -46.31

 

CMYK 63 / 53 / 0 / 15

HEX #5065D8

RGB 80 101 216

HSL 230.74, 0.64%, 0.58%

LAB 46.94, 27.88, -61.58

 

CMYK 73 / 62 / 0 / 9

HEX #3F59E9

RGB 63 89 233

HSL 230.82, 0.79%, 0.58%

LAB 44.35, 38.88, -75.46

 

CMYK 82 / 70 / 0 / 2

HEX #2D4CFA

RGB 45 76 250

HSL 230.93, 0.95%, 0.58%

LAB 42.2, 51.04, -88.58

 

CMYK 36 / 31 / 0 / 29

HEX #737DB5

RGB 115 125 181

HSL 230.91, 0.31%, 0.58%

LAB 53.65, 10.2, -30.73

 

CMYK 20 / 16 / 0 / 36

HEX #8489A4

RGB 132 137 164

HSL 230.63, 0.15%, 0.58%

LAB 57.54, 4.08, -14.9

 

CMYK 0 / 0 / 2 / 42

HEX #959592

RGB 149 149 146

HSL 60, 0.01%, 0.58%

LAB 61.62, -0.57, 1.57

 

CMYK 0 / 4 / 23 / 35

HEX #A7A181

RGB 167 161 129

HSL 50.53, 0.18%, 0.58%

LAB 65.97, -3.18, 17.48

 

CMYK 0 / 6 / 39 / 28

HEX #B8AD70

RGB 184 173 112

HSL 50.83, 0.34%, 0.58%

LAB 70.35, -5.03, 32.76

 

CMYK 36 / 11 / 0 / 29

HEX #73A1B5

RGB 115 161 181

HSL 198.18, 0.31%, 0.58%

LAB 63.73, -10.36, -15.28

 

CMYK 36 / 21 / 0 / 29

HEX #738FB5

RGB 115 143 181

HSL 214.55, 0.31%, 0.58%

LAB 58.63, -0.31, -23.05

 

CMYK 36 / 30 / 0 / 29

HEX #737EB5

RGB 115 126 181

HSL 230, 0.31%, 0.58%

LAB 53.92, 9.6, -30.31

 

CMYK 33 / 36 / 0 / 29

HEX #7973B5

RGB 121 115 181

HSL 245.45, 0.31%, 0.58%

LAB 51.45, 17.9, -34.13

 

CMYK 23 / 36 / 0 / 29

HEX #8B73B5

RGB 139 115 181

HSL 261.82, 0.31%, 0.58%

LAB 53.04, 23.26, -31.53

 

CMYK 47 / 40 / 0 / 45

HEX #4A548C

RGB 74 84 140

HSL 230.91, 0.31%, 0.42%

LAB 37.28, 11.98, -32.4

 

CMYK 47 / 40 / 0 / 35

HEX #5864A7

RGB 88 100 167

HSL 230.89, 0.31%, 0.5%

LAB 44.2, 14.01, -37.55

 

CMYK 36 / 31 / 0 / 29

HEX #737DB5

RGB 115 125 181

HSL 230.91, 0.31%, 0.58%

LAB 53.65, 10.2, -30.73

 

CMYK 27 / 23 / 0 / 24

HEX #8E96C3

RGB 142 150 195

HSL 230.94, 0.31%, 0.66%

LAB 62.93, 7.3, -24.18

 

CMYK 20 / 17 / 0 / 18

HEX #A9AFD2

RGB 169 175 210

HSL 231.22, 0.31%, 0.74%

LAB 72.06, 5.23, -18.4

 

CMYK 36 / 31 / 0 / 29

HEX #747EB6

RGB 116 126 182

HSL 230.91, 0.31%, 0.58%

LAB 54.04, 10.16, -30.7

 

CMYK 0 / 36 / 1 / 29

HEX #B573B3

RGB 181 115 179

HSL 301.82, 0.31%, 0.58%

LAB 57.41, 36.16, -23.27

 

CMYK 16 / 0 / 36 / 29

HEX #98B573

RGB 152 181 115

HSL 86.36, 0.31%, 0.58%

LAB 70.15, -21.45, 30.45

 

CMYK 36 / 31 / 0 / 29

HEX #747EB6

RGB 116 126 182

HSL 230.91, 0.31%, 0.58%

LAB 54.04, 10.16, -30.7

 

CMYK 0 / 36 / 30 / 29

HEX #B5737E

RGB 181 115 126

HSL 350, 0.31%, 0.58%

LAB 55.68, 27.47, 4.87

 

CMYK 30 / 0 / 36 / 29

HEX #7EB573

RGB 126 181 115

HSL 110, 0.31%, 0.58%

LAB 68.55, -30.86, 28.05

 

CMYK 36 / 31 / 0 / 29

HEX #747EB6

RGB 116 126 182

HSL 230.91, 0.31%, 0.58%

LAB 54.04, 10.16, -30.7

 

CMYK 0 / 36 / 1 / 29

HEX #B573B3

RGB 181 115 179

HSL 301.82, 0.31%, 0.58%

LAB 57.41, 36.16, -23.27

 

CMYK 0 / 6 / 36 / 29

HEX #B5AA73

RGB 181 170 115

HSL 50, 0.31%, 0.58%

LAB 69.33, -4.31, 29.81

 

CMYK 36 / 0 / 35 / 29

HEX #73B575

RGB 115 181 117

HSL 121.82, 0.31%, 0.58%

LAB 68, -34.19, 26.16

 

CMYK 36 / 31 / 0 / 29

HEX #747EB6

RGB 116 126 182

HSL 230.91, 0.31%, 0.58%

LAB 54.04, 10.16, -30.7

 

CMYK 0 / 36 / 12 / 29

HEX #B5739F

RGB 181 115 159

HSL 320, 0.31%, 0.58%

LAB 56.67, 32.57, -12.86

 

CMYK 0 / 6 / 36 / 29

HEX #B5AA73

RGB 181 170 115

HSL 50, 0.31%, 0.58%

LAB 69.33, -4.31, 29.81

 

CMYK 36 / 0 / 24 / 29

HEX #73B589

RGB 115 181 137

HSL 140, 0.31%, 0.58%

LAB 68.39, -30.61, 15.91

 

Description

Color code: HEX #747EB6 | qconv.com Color code: HEX #747EB6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 126 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 126 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 31 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 31% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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