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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7473AA it is the complementary color #8B8C55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7473AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7473AA shade: #7973A5, #8A85B8, #9B97CB, #ACA9DE and #BDBBF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7473AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7473AA shade: #7473AA, #636197, #524F84, #413D71 and #302B5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7473AA shade: #7574AA, #8374AA, #9274AA, #A074AA and #AA74A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7473AA shade: #7574AA and #7474AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7473AA shade matches the following richer shades: #7574AA, #6362BC, #5250CE, #403DE0 and #2F2BF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7473AA shade: #7574AA, #868698, #989885, #A9AA73 and #BBBC61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7473AA shade: #7490AA, #7481AA, #7574AA, #8374AA and #9174AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7473AA shade: #4E4D7E, #5E5D97, #7574AA, #8E8DB9 and #A8A7C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7473AA shade: #7473AA, #AA749E and #89AA74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7473AA shade: #7473AA, #AA7574 and #74AA75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7473AA shade: #7473AA, #AA749E, #A9AA74 and #74AA80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7473AA shade: #7473AA, #AA748E, #A9AA74 and #74AA90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 32 / 0 / 33

HEX #7473AA

RGB 116 115 170

HSL 241.09, 0.24%, 0.56%

LAB 50.54, 13.46, -29.21

 

Complementary color

CMYK 1 / 0 / 39 / 45

HEX #8B8C55

RGB 139 140 85

HSL 61.09, 0.24%, 0.44%

LAB 56.98, -9.13, 29.25

 

CMYK 27 / 30 / 0 / 35

HEX #7973A5

RGB 121 115 165

HSL 247.2, 0.22%, 0.55%

LAB 50.74, 13.68, -25.96

 

CMYK 25 / 28 / 0 / 28

HEX #8A85B8

RGB 138 133 184

HSL 245.88, 0.26%, 0.62%

LAB 57.69, 13.14, -26.05

 

CMYK 24 / 26 / 0 / 20

HEX #9B97CB

RGB 155 151 203

HSL 244.62, 0.33%, 0.69%

LAB 64.49, 12.66, -26.17

 

CMYK 23 / 24 / 0 / 13

HEX #ACA9DE

RGB 172 169 222

HSL 243.4, 0.45%, 0.77%

LAB 71.16, 12.23, -26.32

 

CMYK 22 / 22 / 0 / 5

HEX #BDBBF1

RGB 189 187 241

HSL 242.22, 0.66%, 0.84%

LAB 77.7, 11.83, -26.5

 

CMYK 32 / 32 / 0 / 33

HEX #7473AA

RGB 116 115 170

HSL 241.09, 0.24%, 0.56%

LAB 50.54, 13.46, -29.21

 

CMYK 34 / 36 / 0 / 41

HEX #636197

RGB 99 97 151

HSL 242.22, 0.22%, 0.49%

LAB 43.41, 14.15, -29.25

 

CMYK 38 / 40 / 0 / 48

HEX #524F84

RGB 82 79 132

HSL 243.4, 0.25%, 0.41%

LAB 36.08, 14.96, -29.36

 

CMYK 42 / 46 / 0 / 56

HEX #413D71

RGB 65 61 113

HSL 244.62, 0.3%, 0.34%

LAB 28.52, 15.97, -29.55

 

CMYK 49 / 54 / 0 / 63

HEX #302B5E

RGB 48 43 94

HSL 245.88, 0.37%, 0.27%

LAB 20.69, 17.25, -29.84

 

CMYK 31 / 32 / 0 / 33

HEX #7574AA

RGB 117 116 170

HSL 241.11, 0.24%, 0.56%

LAB 50.89, 13.16, -28.66

 

CMYK 23 / 32 / 0 / 33

HEX #8374AA

RGB 131 116 170

HSL 256.67, 0.24%, 0.56%

LAB 52.08, 17.49, -26.72

 

CMYK 14 / 32 / 0 / 33

HEX #9274AA

RGB 146 116 170

HSL 273.33, 0.24%, 0.56%

LAB 53.5, 22.31, -24.42

 

CMYK 6 / 32 / 0 / 33

HEX #A074AA

RGB 160 116 170

HSL 288.89, 0.24%, 0.56%

LAB 54.93, 26.93, -22.08

 

CMYK 0 / 32 / 3 / 33

HEX #AA74A5

RGB 170 116 165

HSL 305.56, 0.24%, 0.56%

LAB 55.84, 29.31, -17.71

 

CMYK 31 / 32 / 0 / 33

HEX #7574AA

RGB 117 116 170

HSL 241.11, 0.24%, 0.56%

LAB 50.89, 13.16, -28.66

 

CMYK 32 / 32 / 0 / 33

HEX #7474AA

RGB 116 116 170

HSL 240, 0.24%, 0.56%

LAB 50.81, 12.86, -28.79

 

CMYK 31 / 32 / 0 / 33

HEX #7574AA

RGB 117 116 170

HSL 241.11, 0.24%, 0.56%

LAB 50.89, 13.16, -28.66

 

CMYK 47 / 48 / 0 / 26

HEX #6362BC

RGB 99 98 188

HSL 240.67, 0.4%, 0.56%

LAB 45.66, 24.46, -47.47

 

CMYK 60 / 61 / 0 / 19

HEX #5250CE

RGB 82 80 206

HSL 240.95, 0.56%, 0.56%

LAB 41.2, 37.85, -65.16

 

CMYK 71 / 73 / 0 / 12

HEX #403DE0

RGB 64 61 224

HSL 241.1, 0.72%, 0.56%

LAB 37.5, 52.42, -81.61

 

CMYK 81 / 82 / 0 / 5

HEX #2F2BF2

RGB 47 43 242

HSL 241.21, 0.88%, 0.56%

LAB 35.48, 65.55, -95.2

 

CMYK 31 / 32 / 0 / 33

HEX #7574AA

RGB 117 116 170

HSL 241.11, 0.24%, 0.56%

LAB 50.89, 13.16, -28.66

 

CMYK 12 / 12 / 0 / 40

HEX #868698

RGB 134 134 152

HSL 240, 0.08%, 0.56%

LAB 56.47, 3.76, -9.59

 

CMYK 0 / 0 / 13 / 40

HEX #989885

RGB 152 152 133

HSL 60, 0.08%, 0.56%

LAB 62.36, -3.45, 10.01

 

CMYK 1 / 0 / 32 / 33

HEX #A9AA73

RGB 169 170 115

HSL 61.09, 0.24%, 0.56%

LAB 68.33, -9.15, 28.3

 

CMYK 1 / 0 / 48 / 26

HEX #BBBC61

RGB 187 188 97

HSL 60.66, 0.4%, 0.56%

LAB 74.44, -13.17, 45.53

 

CMYK 32 / 15 / 0 / 33

HEX #7490AA

RGB 116 144 170

HSL 208.89, 0.24%, 0.56%

LAB 58.57, -3.5, -16.87

 

CMYK 32 / 24 / 0 / 33

HEX #7481AA

RGB 116 129 170

HSL 225.56, 0.24%, 0.56%

LAB 54.36, 5.15, -23.3

 

CMYK 31 / 32 / 0 / 33

HEX #7574AA

RGB 117 116 170

HSL 241.11, 0.24%, 0.56%

LAB 50.89, 13.16, -28.66

 

CMYK 23 / 32 / 0 / 33

HEX #8374AA

RGB 131 116 170

HSL 256.67, 0.24%, 0.56%

LAB 52.08, 17.49, -26.72

 

CMYK 15 / 32 / 0 / 33

HEX #9174AA

RGB 145 116 170

HSL 272.22, 0.24%, 0.56%

LAB 53.4, 21.99, -24.58

 

CMYK 38 / 39 / 0 / 51

HEX #4E4D7E

RGB 78 77 126

HSL 241.22, 0.24%, 0.4%

LAB 34.87, 13.27, -27.59

 

CMYK 38 / 38 / 0 / 41

HEX #5E5D97

RGB 94 93 151

HSL 241.03, 0.24%, 0.48%

LAB 41.91, 15.17, -31.63

 

CMYK 31 / 32 / 0 / 33

HEX #7574AA

RGB 117 116 170

HSL 241.11, 0.24%, 0.56%

LAB 50.89, 13.16, -28.66

 

CMYK 23 / 24 / 0 / 27

HEX #8E8DB9

RGB 142 141 185

HSL 241.36, 0.24%, 0.64%

LAB 60.16, 10.01, -22.79

 

CMYK 16 / 17 / 0 / 21

HEX #A8A7C9

RGB 168 167 201

HSL 241.76, 0.24%, 0.72%

LAB 69.6, 7.33, -17.18

 

CMYK 32 / 32 / 0 / 33

HEX #7473AA

RGB 116 115 170

HSL 241.09, 0.24%, 0.56%

LAB 50.54, 13.46, -29.21

 

CMYK 0 / 32 / 7 / 33

HEX #AA749E

RGB 170 116 158

HSL 313.33, 0.24%, 0.56%

LAB 55.59, 28.01, -14.04

 

CMYK 19 / 0 / 32 / 33

HEX #89AA74

RGB 137 170 116

HSL 96.67, 0.24%, 0.56%

LAB 66, -21.39, 24.25

 

CMYK 32 / 32 / 0 / 33

HEX #7473AA

RGB 116 115 170

HSL 241.09, 0.24%, 0.56%

LAB 50.54, 13.46, -29.21

 

CMYK 0 / 31 / 32 / 33

HEX #AA7574

RGB 170 117 116

HSL 1.11, 0.24%, 0.56%

LAB 54.58, 20.71, 8.97

 

CMYK 32 / 0 / 31 / 33

HEX #74AA75

RGB 116 170 117

HSL 121.11, 0.24%, 0.56%

LAB 64.76, -28.66, 21.82

 

CMYK 32 / 32 / 0 / 33

HEX #7473AA

RGB 116 115 170

HSL 241.09, 0.24%, 0.56%

LAB 50.54, 13.46, -29.21

 

CMYK 0 / 32 / 7 / 33

HEX #AA749E

RGB 170 116 158

HSL 313.33, 0.24%, 0.56%

LAB 55.59, 28.01, -14.04

 

CMYK 1 / 0 / 32 / 33

HEX #A9AA74

RGB 169 170 116

HSL 61.11, 0.24%, 0.56%

LAB 68.35, -9.02, 27.79

 

CMYK 32 / 0 / 25 / 33

HEX #74AA80

RGB 116 170 128

HSL 133.33, 0.24%, 0.56%

LAB 64.98, -26.68, 16.1

 

CMYK 32 / 32 / 0 / 33

HEX #7473AA

RGB 116 115 170

HSL 241.09, 0.24%, 0.56%

LAB 50.54, 13.46, -29.21

 

CMYK 0 / 32 / 16 / 33

HEX #AA748E

RGB 170 116 142

HSL 331.11, 0.24%, 0.56%

LAB 55.06, 25.22, -5.52

 

CMYK 1 / 0 / 32 / 33

HEX #A9AA74

RGB 169 170 116

HSL 61.11, 0.24%, 0.56%

LAB 68.35, -9.02, 27.79

 

CMYK 32 / 0 / 15 / 33

HEX #74AA90

RGB 116 170 144

HSL 151.11, 0.24%, 0.56%

LAB 65.34, -23.5, 7.77

 

Description

Color code: HEX #7473AA | qconv.com Color code: HEX #7473AA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 115 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 115 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 32 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 32% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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