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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #747277 it is the complementary color #8B8D88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #747277. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #747277 shade: #797272, #8A8485, #9B9698, #ACA8AB and #BDBABE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #747277. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #747277 shade: #747277, #636064, #524E51, #413C3E and #302A2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #747277 shade: #757378, #767378, #777378, #787377 and #787375

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #747277 shade: #757378, #747378 and #737378

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #747277 shade matches the following richer shades: #757378, #71608B, #6D4D9E, #693AB1 and #6627C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #747277 shade: #757378, #798665, #7C9952, #80AC3F and #84BF2C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #747277 shade: #737478, #747378, #757378, #767378 and #777378

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #747277 shade: #4C4B4E, #605F63, #757378, #89888C and #9E9DA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #747277 shade: #747277, #787375 and #737873

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #747277 shade: #747277, #787573 and #737875

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #747277 shade: #747277, #787375, #767873 and #737876

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #747277 shade: #747277, #787373, #767873 and #737877

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 4 / 0 / 53

HEX #747277

RGB 116 114 119

HSL 264, 0.02%, 0.46%

LAB 48.36, 1.79, -2.49

 

Complementary color

CMYK 1 / 0 / 4 / 45

HEX #8B8D88

RGB 139 141 136

HSL 84, 0.02%, 0.54%

LAB 58.34, -1.7, 2.4

 

CMYK 0 / 6 / 6 / 53

HEX #797272

RGB 121 114 114

HSL 0, 0.03%, 0.46%

LAB 48.65, 2.7, 0.96

 

CMYK 0 / 4 / 4 / 46

HEX #8A8485

RGB 138 132 133

HSL 350, 0.02%, 0.53%

LAB 55.68, 2.44, 0.26

 

CMYK 0 / 3 / 2 / 39

HEX #9B9698

RGB 155 150 152

HSL 336, 0.02%, 0.6%

LAB 62.55, 2.21, -0.41

 

CMYK 0 / 2 / 1 / 33

HEX #ACA8AB

RGB 172 168 171

HSL 315, 0.02%, 0.67%

LAB 69.27, 1.99, -1.04

 

CMYK 1 / 2 / 0 / 25

HEX #BDBABE

RGB 189 186 190

HSL 285, 0.03%, 0.74%

LAB 75.86, 1.79, -1.66

 

CMYK 3 / 4 / 0 / 53

HEX #747277

RGB 116 114 119

HSL 264, 0.02%, 0.46%

LAB 48.36, 1.79, -2.49

 

CMYK 1 / 4 / 0 / 61

HEX #636064

RGB 99 96 100

HSL 285, 0.02%, 0.38%

LAB 41.12, 2.02, -1.86

 

CMYK 0 / 5 / 1 / 68

HEX #524E51

RGB 82 78 81

HSL 315, 0.03%, 0.31%

LAB 33.64, 2.28, -1.18

 

CMYK 0 / 8 / 5 / 75

HEX #413C3E

RGB 65 60 62

HSL 336, 0.04%, 0.25%

LAB 25.87, 2.59, -0.46

 

CMYK 0 / 13 / 10 / 81

HEX #302A2B

RGB 48 42 43

HSL 350, 0.07%, 0.18%

LAB 17.73, 2.97, 0.35

 

CMYK 3 / 4 / 0 / 53

HEX #757378

RGB 117 115 120

HSL 264, 0.02%, 0.46%

LAB 48.76, 1.79, -2.49

 

CMYK 2 / 4 / 0 / 53

HEX #767378

RGB 118 115 120

HSL 276, 0.02%, 0.46%

LAB 48.85, 2.16, -2.35

 

CMYK 1 / 4 / 0 / 53

HEX #777378

RGB 119 115 120

HSL 288, 0.02%, 0.46%

LAB 48.93, 2.54, -2.21

 

CMYK 0 / 4 / 1 / 53

HEX #787377

RGB 120 115 119

HSL 312, 0.02%, 0.46%

LAB 48.99, 2.72, -1.52

 

CMYK 0 / 4 / 3 / 53

HEX #787375

RGB 120 115 117

HSL 336, 0.02%, 0.46%

LAB 48.93, 2.32, -0.42

 

CMYK 3 / 4 / 0 / 53

HEX #757378

RGB 117 115 120

HSL 264, 0.02%, 0.46%

LAB 48.76, 1.79, -2.49

 

CMYK 3 / 4 / 0 / 53

HEX #747378

RGB 116 115 120

HSL 252, 0.02%, 0.46%

LAB 48.67, 1.41, -2.62

 

CMYK 4 / 4 / 0 / 53

HEX #737378

RGB 115 115 120

HSL 240, 0.02%, 0.46%

LAB 48.59, 1.04, -2.76

 

CMYK 3 / 4 / 0 / 53

HEX #757378

RGB 117 115 120

HSL 264, 0.02%, 0.46%

LAB 48.76, 1.79, -2.49

 

CMYK 19 / 31 / 0 / 45

HEX #71608B

RGB 113 96 139

HSL 263.72, 0.18%, 0.46%

LAB 43.86, 16.06, -21.28

 

CMYK 31 / 51 / 0 / 38

HEX #6D4D9E

RGB 109 77 158

HSL 263.7, 0.34%, 0.46%

LAB 39.63, 31.22, -39.35

 

CMYK 41 / 67 / 0 / 31

HEX #693AB1

RGB 105 58 177

HSL 263.7, 0.51%, 0.46%

LAB 36.37, 46.09, -55.94

 

CMYK 48 / 80 / 0 / 23

HEX #6627C4

RGB 102 39 196

HSL 264.08, 0.67%, 0.46%

LAB 34.52, 59.28, -70.19

 

CMYK 3 / 4 / 0 / 53

HEX #757378

RGB 117 115 120

HSL 264, 0.02%, 0.46%

LAB 48.76, 1.79, -2.49

 

CMYK 10 / 0 / 25 / 47

HEX #798665

RGB 121 134 101

HSL 83.64, 0.14%, 0.46%

LAB 54.09, -10.98, 16.23

 

CMYK 19 / 0 / 46 / 40

HEX #7C9952

RGB 124 153 82

HSL 84.51, 0.3%, 0.46%

LAB 59.6, -22.49, 33.9

 

CMYK 26 / 0 / 63 / 33

HEX #80AC3F

RGB 128 172 63

HSL 84.22, 0.46%, 0.46%

LAB 65.32, -32.09, 49.8

 

CMYK 31 / 0 / 77 / 25

HEX #84BF2C

RGB 132 191 44

HSL 84.08, 0.63%, 0.46%

LAB 71.11, -40.42, 62.91

 

CMYK 4 / 3 / 0 / 53

HEX #737478

RGB 115 116 120

HSL 228, 0.02%, 0.46%

LAB 48.87, 0.45, -2.34

 

CMYK 3 / 4 / 0 / 53

HEX #747378

RGB 116 115 120

HSL 252, 0.02%, 0.46%

LAB 48.67, 1.41, -2.62

 

CMYK 3 / 4 / 0 / 53

HEX #757378

RGB 117 115 120

HSL 264, 0.02%, 0.46%

LAB 48.76, 1.79, -2.49

 

CMYK 2 / 4 / 0 / 53

HEX #767378

RGB 118 115 120

HSL 276, 0.02%, 0.46%

LAB 48.85, 2.16, -2.35

 

CMYK 1 / 4 / 0 / 53

HEX #777378

RGB 119 115 120

HSL 288, 0.02%, 0.46%

LAB 48.93, 2.54, -2.21

 

CMYK 3 / 4 / 0 / 69

HEX #4C4B4E

RGB 76 75 78

HSL 260, 0.02%, 0.3%

LAB 32.08, 1.07, -1.64

 

CMYK 3 / 4 / 0 / 61

HEX #605F63

RGB 96 95 99

HSL 255, 0.02%, 0.38%

LAB 40.53, 1.24, -2.14

 

CMYK 3 / 4 / 0 / 53

HEX #757378

RGB 117 115 120

HSL 264, 0.02%, 0.46%

LAB 48.76, 1.79, -2.49

 

CMYK 2 / 3 / 0 / 45

HEX #89888C

RGB 137 136 140

HSL 255, 0.02%, 0.54%

LAB 56.9, 1.17, -2.01

 

CMYK 1 / 2 / 0 / 37

HEX #9E9DA0

RGB 158 157 160

HSL 260, 0.02%, 0.62%

LAB 64.9, 0.94, -1.44

 

CMYK 3 / 4 / 0 / 53

HEX #747277

RGB 116 114 119

HSL 264, 0.02%, 0.46%

LAB 48.36, 1.79, -2.49

 

CMYK 0 / 4 / 3 / 53

HEX #787375

RGB 120 115 117

HSL 336, 0.02%, 0.46%

LAB 48.93, 2.32, -0.42

 

CMYK 4 / 0 / 4 / 53

HEX #737873

RGB 115 120 115

HSL 120, 0.02%, 0.46%

LAB 49.88, -2.9, 2.08

 

CMYK 3 / 4 / 0 / 53

HEX #747277

RGB 116 114 119

HSL 264, 0.02%, 0.46%

LAB 48.36, 1.79, -2.49

 

CMYK 0 / 3 / 4 / 53

HEX #787573

RGB 120 117 115

HSL 24, 0.02%, 0.46%

LAB 49.44, 0.75, 1.5

 

CMYK 4 / 0 / 3 / 53

HEX #737875

RGB 115 120 117

HSL 144, 0.02%, 0.46%

LAB 49.93, -2.49, 0.99

 

CMYK 3 / 4 / 0 / 53

HEX #747277

RGB 116 114 119

HSL 264, 0.02%, 0.46%

LAB 48.36, 1.79, -2.49

 

CMYK 0 / 4 / 3 / 53

HEX #787375

RGB 120 115 117

HSL 336, 0.02%, 0.46%

LAB 48.93, 2.32, -0.42

 

CMYK 2 / 0 / 4 / 53

HEX #767873

RGB 118 120 115

HSL 84, 0.02%, 0.46%

LAB 50.12, -1.75, 2.47

 

CMYK 4 / 0 / 2 / 53

HEX #737876

RGB 115 120 118

HSL 156, 0.02%, 0.46%

LAB 49.96, -2.29, 0.44

 

CMYK 3 / 4 / 0 / 53

HEX #747277

RGB 116 114 119

HSL 264, 0.02%, 0.46%

LAB 48.36, 1.79, -2.49

 

CMYK 0 / 4 / 4 / 53

HEX #787373

RGB 120 115 115

HSL 0, 0.02%, 0.46%

LAB 48.87, 1.92, 0.68

 

CMYK 2 / 0 / 4 / 53

HEX #767873

RGB 118 120 115

HSL 84, 0.02%, 0.46%

LAB 50.12, -1.75, 2.47

 

CMYK 4 / 0 / 1 / 53

HEX #737877

RGB 115 120 119

HSL 168, 0.02%, 0.46%

LAB 49.99, -2.08, -0.11

 

Description

Color code: HEX #747277 | qconv.com Color code: HEX #747277 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 114 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 114 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 4 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 4% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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