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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7467EC it is the complementary color #8B9813. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7467EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7467EC shade: #7967E7, #8A79FA, #9B8BFF, #AC9DFF and #BDAFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7467EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7467EC shade: #7467EC, #6355D9, #5243C6, #4131B3 and #301FA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7467EC shade: #7265EC, #9665EC, #BB65EC, #DF65EC and #EC65D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7467EC shade: #7265EC and #6565EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7467EC shade matches the following richer shades: #7265EC and #6757FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7467EC shade: #7265EC, #7D73DE, #8881D0, #948FC2 and #9F9DB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7467EC shade: #65A2EC, #657DEC, #7065EC, #9465EC and #B865EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7467EC shade: #2F1CE2, #5040E7, #7265EC, #9389F0 and #B5AEF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7467EC shade: #7467EC, #EC65C6 and #90EC65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7467EC shade: #7467EC, #EC7065 and #65EC70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7467EC shade: #7467EC, #EC65C6, #E1EC65 and #65EC8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7467EC shade: #7467EC, #EC659D, #E1EC65 and #65ECB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 56 / 0 / 7

HEX #7467EC

RGB 116 103 236

HSL 245.86, 0.78%, 0.66%

LAB 51.23, 39.67, -65.81

 

Complementary color

CMYK 9 / 0 / 88 / 40

HEX #8B9813

RGB 139 152 19

HSL 65.86, 0.78%, 0.34%

LAB 59.88, -20.11, 59.89

 

CMYK 48 / 55 / 0 / 9

HEX #7967E7

RGB 121 103 231

HSL 248.44, 0.73%, 0.65%

LAB 51.31, 39.21, -62.86

 

CMYK 45 / 52 / 0 / 2

HEX #8A79FA

RGB 138 121 250

HSL 247.91, 0.93%, 0.73%

LAB 58.02, 37.88, -62.57

 

CMYK 39 / 45 / 0 / 0

HEX #9B8BFF

RGB 155 139 255

HSL 248.28, 1%, 0.77%

LAB 63.88, 32.87, -55.88

 

CMYK 33 / 38 / 0 / 0

HEX #AC9DFF

RGB 172 157 255

HSL 249.18, 1%, 0.81%

LAB 69.54, 27, -46.83

 

CMYK 26 / 31 / 0 / 0

HEX #BDAFFF

RGB 189 175 255

HSL 250.5, 1%, 0.84%

LAB 75.26, 21.67, -37.79

 

CMYK 51 / 56 / 0 / 7

HEX #7467EC

RGB 116 103 236

HSL 245.86, 0.78%, 0.66%

LAB 51.23, 39.67, -65.81

 

CMYK 54 / 61 / 0 / 15

HEX #6355D9

RGB 99 85 217

HSL 246.36, 0.63%, 0.59%

LAB 44.46, 41.27, -66.1

 

CMYK 59 / 66 / 0 / 22

HEX #5243C6

RGB 82 67 198

HSL 246.87, 0.53%, 0.52%

LAB 37.64, 43.03, -66.33

 

CMYK 64 / 73 / 0 / 30

HEX #4131B3

RGB 65 49 179

HSL 247.38, 0.57%, 0.45%

LAB 30.82, 44.88, -66.37

 

CMYK 70 / 81 / 0 / 37

HEX #301FA0

RGB 48 31 160

HSL 247.91, 0.68%, 0.37%

LAB 24.15, 46.56, -65.97

 

CMYK 52 / 57 / 0 / 7

HEX #7265EC

RGB 114 101 236

HSL 245.78, 0.78%, 0.66%

LAB 50.62, 40.45, -66.81

 

CMYK 36 / 57 / 0 / 7

HEX #9665EC

RGB 150 101 236

HSL 261.78, 0.78%, 0.66%

LAB 53.86, 48.04, -61.41

 

CMYK 21 / 57 / 0 / 7

HEX #BB65EC

RGB 187 101 236

HSL 278.22, 0.78%, 0.66%

LAB 57.97, 56.76, -54.61

 

CMYK 6 / 57 / 0 / 7

HEX #DF65EC

RGB 223 101 236

HSL 294.22, 0.78%, 0.66%

LAB 62.55, 65.65, -47.05

 

CMYK 0 / 57 / 10 / 7

HEX #EC65D4

RGB 236 101 212

HSL 310.67, 0.78%, 0.66%

LAB 63.25, 65.03, -32.4

 

CMYK 52 / 57 / 0 / 7

HEX #7265EC

RGB 114 101 236

HSL 245.78, 0.78%, 0.66%

LAB 50.62, 40.45, -66.81

 

CMYK 57 / 57 / 0 / 7

HEX #6565EC

RGB 101 101 236

HSL 240, 0.78%, 0.66%

LAB 49.65, 38.05, -68.42

 

CMYK 52 / 57 / 0 / 7

HEX #7265EC

RGB 114 101 236

HSL 245.78, 0.78%, 0.66%

LAB 50.62, 40.45, -66.81

 

CMYK 59 / 65 / 0 / 2

HEX #6757FA

RGB 103 87 250

HSL 245.89, 0.94%, 0.66%

LAB 47.75, 50.84, -79.34

 

CMYK 52 / 57 / 0 / 7

HEX #7265EC

RGB 114 101 236

HSL 245.78, 0.78%, 0.66%

LAB 50.62, 40.45, -66.81

 

CMYK 44 / 48 / 0 / 13

HEX #7D73DE

RGB 125 115 222

HSL 245.61, 0.62%, 0.66%

LAB 53.92, 30.43, -53.59

 

CMYK 35 / 38 / 0 / 18

HEX #8881D0

RGB 136 129 208

HSL 245.32, 0.46%, 0.66%

LAB 57.55, 21.08, -39.89

 

CMYK 24 / 26 / 0 / 24

HEX #948FC2

RGB 148 143 194

HSL 245.88, 0.29%, 0.66%

LAB 61.51, 12.91, -25.76

 

CMYK 12 / 13 / 0 / 29

HEX #9F9DB4

RGB 159 157 180

HSL 245.22, 0.13%, 0.66%

LAB 65.58, 5.36, -11.64

 

CMYK 57 / 31 / 0 / 7

HEX #65A2EC

RGB 101 162 236

HSL 212.89, 0.78%, 0.66%

LAB 65.49, 1.7, -43.14

 

CMYK 57 / 47 / 0 / 7

HEX #657DEC

RGB 101 125 236

HSL 229.33, 0.78%, 0.66%

LAB 55.57, 23.55, -58.87

 

CMYK 53 / 57 / 0 / 7

HEX #7065EC

RGB 112 101 236

HSL 244.89, 0.78%, 0.66%

LAB 50.46, 40.07, -67.07

 

CMYK 37 / 57 / 0 / 7

HEX #9465EC

RGB 148 101 236

HSL 260.89, 0.78%, 0.66%

LAB 53.66, 47.59, -61.74

 

CMYK 22 / 57 / 0 / 7

HEX #B865EC

RGB 184 101 236

HSL 276.89, 0.78%, 0.66%

LAB 57.61, 56.03, -55.2

 

CMYK 79 / 88 / 0 / 11

HEX #2F1CE2

RGB 47 28 226

HSL 245.76, 0.78%, 0.5%

LAB 31.64, 66.75, -92.5

 

CMYK 65 / 72 / 0 / 9

HEX #5040E7

RGB 80 64 231

HSL 245.75, 0.78%, 0.58%

LAB 39.82, 54.63, -81.73

 

CMYK 52 / 57 / 0 / 7

HEX #7265EC

RGB 114 101 236

HSL 245.78, 0.78%, 0.66%

LAB 50.62, 40.45, -66.81

 

CMYK 39 / 43 / 0 / 6

HEX #9389F0

RGB 147 137 240

HSL 245.83, 0.77%, 0.74%

LAB 61.99, 27.97, -50.68

 

CMYK 26 / 29 / 0 / 4

HEX #B5AEF5

RGB 181 174 245

HSL 245.92, 0.78%, 0.82%

LAB 73.99, 17.54, -34.42

 

CMYK 51 / 56 / 0 / 7

HEX #7467EC

RGB 116 103 236

HSL 245.86, 0.78%, 0.66%

LAB 51.23, 39.67, -65.81

 

CMYK 0 / 57 / 16 / 7

HEX #EC65C6

RGB 236 101 198

HSL 316.89, 0.78%, 0.66%

LAB 62.69, 62.93, -25.37

 

CMYK 39 / 0 / 57 / 7

HEX #90EC65

RGB 144 236 101

HSL 100.89, 0.78%, 0.66%

LAB 85.43, -50.87, 55.94

 

CMYK 51 / 56 / 0 / 7

HEX #7467EC

RGB 116 103 236

HSL 245.86, 0.78%, 0.66%

LAB 51.23, 39.67, -65.81

 

CMYK 0 / 53 / 57 / 7

HEX #EC7065

RGB 236 112 101

HSL 4.89, 0.78%, 0.66%

LAB 61.96, 46.99, 29.06

 

CMYK 57 / 0 / 53 / 7

HEX #65EC70

RGB 101 236 112

HSL 124.89, 0.78%, 0.66%

LAB 83.93, -61.46, 48.77

 

CMYK 51 / 56 / 0 / 7

HEX #7467EC

RGB 116 103 236

HSL 245.86, 0.78%, 0.66%

LAB 51.23, 39.67, -65.81

 

CMYK 0 / 57 / 16 / 7

HEX #EC65C6

RGB 236 101 198

HSL 316.89, 0.78%, 0.66%

LAB 62.69, 62.93, -25.37

 

CMYK 5 / 0 / 57 / 7

HEX #E1EC65

RGB 225 236 101

HSL 64.89, 0.78%, 0.66%

LAB 90.29, -21.3, 62.75

 

CMYK 57 / 0 / 41 / 7

HEX #65EC8B

RGB 101 236 139

HSL 136.89, 0.78%, 0.66%

LAB 84.29, -57.51, 36.18

 

CMYK 51 / 56 / 0 / 7

HEX #7467EC

RGB 116 103 236

HSL 245.86, 0.78%, 0.66%

LAB 51.23, 39.67, -65.81

 

CMYK 0 / 57 / 33 / 7

HEX #EC659D

RGB 236 101 157

HSL 335.11, 0.78%, 0.66%

LAB 61.29, 57.53, -4.04

 

CMYK 5 / 0 / 57 / 7

HEX #E1EC65

RGB 225 236 101

HSL 64.89, 0.78%, 0.66%

LAB 90.29, -21.3, 62.75

 

CMYK 57 / 0 / 24 / 7

HEX #65ECB4

RGB 101 236 180

HSL 155.11, 0.78%, 0.66%

LAB 85.02, -49.83, 16.23

 

Description

Color code: HEX #7467EC | qconv.com Color code: HEX #7467EC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 103 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 103 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 56 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 56% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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