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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74497E it is the complementary color #8BB681. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74497E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74497E shade: #794979, #8A5B8C, #9B6D9F, #AC7FB2 and #BD91C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74497E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74497E shade: #74497E, #63376B, #522558, #411345 and #300132

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74497E shade: #74497E, #7E497A, #7E496B, #7E495D and #7E494F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74497E shade: #74497E, #66497E, #57497E and #49497E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74497E shade matches the following richer shades: #74497E, #7E398E, #88289E, #9218AF and #9C08BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74497E shade: #74497E, #6A596E, #60695E, #56794E and #4C893E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74497E shade: #57497E, #65497E, #74497E, #7E497B and #7E496C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74497E shade: #442A4A, #5C3A64, #74497E, #8C5899 and #A06EAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74497E shade: #74497E, #7E4949 and #497E5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74497E shade: #74497E, #7E7449 and #497E74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74497E shade: #74497E, #7E4949, #537E49 and #497E7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74497E shade: #74497E, #7E5949, #537E49 and #496E7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 42 / 0 / 51

HEX #74497E

RGB 116 73 126

HSL 288.68, 0.27%, 0.39%

LAB 37.81, 27.95, -22.7

 

Complementary color

CMYK 24 / 0 / 29 / 29

HEX #8BB681

RGB 139 182 129

HSL 108.68, 0.27%, 0.61%

LAB 69.85, -24.6, 22.45

 

CMYK 0 / 40 / 0 / 53

HEX #794979

RGB 121 73 121

HSL 300, 0.25%, 0.38%

LAB 38.22, 28.58, -18.94

 

CMYK 1 / 35 / 0 / 45

HEX #8A5B8C

RGB 138 91 140

HSL 297.55, 0.21%, 0.45%

LAB 45.33, 27.77, -19.39

 

CMYK 3 / 31 / 0 / 38

HEX #9B6D9F

RGB 155 109 159

HSL 295.2, 0.21%, 0.53%

LAB 52.3, 27.02, -19.78

 

CMYK 3 / 29 / 0 / 30

HEX #AC7FB2

RGB 172 127 178

HSL 292.94, 0.25%, 0.6%

LAB 59.13, 26.32, -20.15

 

CMYK 4 / 26 / 0 / 23

HEX #BD91C5

RGB 189 145 197

HSL 290.77, 0.31%, 0.67%

LAB 65.83, 25.67, -20.51

 

CMYK 8 / 42 / 0 / 51

HEX #74497E

RGB 116 73 126

HSL 288.68, 0.27%, 0.39%

LAB 37.81, 27.95, -22.7

 

CMYK 7 / 49 / 0 / 58

HEX #63376B

RGB 99 55 107

HSL 290.77, 0.32%, 0.32%

LAB 30.51, 28.8, -22.34

 

CMYK 7 / 58 / 0 / 65

HEX #522558

RGB 82 37 88

HSL 292.94, 0.41%, 0.25%

LAB 23.07, 29.59, -21.83

 

CMYK 6 / 72 / 0 / 73

HEX #411345

RGB 65 19 69

HSL 295.2, 0.57%, 0.17%

LAB 15.59, 29.99, -20.95

 

CMYK 4 / 98 / 0 / 80

HEX #300132

RGB 48 1 50

HSL 297.55, 0.96%, 0.1%

LAB 7.95, 30.17, -19.72

 

CMYK 8 / 42 / 0 / 51

HEX #74497E

RGB 116 73 126

HSL 288.68, 0.27%, 0.39%

LAB 37.81, 27.95, -22.7

 

CMYK 0 / 42 / 3 / 51

HEX #7E497A

RGB 126 73 122

HSL 304.53, 0.27%, 0.39%

LAB 38.91, 30.49, -18.44

 

CMYK 0 / 42 / 15 / 51

HEX #7E496B

RGB 126 73 107

HSL 321.51, 0.27%, 0.39%

LAB 38.31, 27.69, -10.05

 

CMYK 0 / 42 / 26 / 51

HEX #7E495D

RGB 126 73 93

HSL 337.36, 0.27%, 0.39%

LAB 37.83, 25.36, -2.01

 

CMYK 0 / 42 / 37 / 51

HEX #7E494F

RGB 126 73 79

HSL 353.21, 0.27%, 0.39%

LAB 37.42, 23.33, 6.19

 

CMYK 8 / 42 / 0 / 51

HEX #74497E

RGB 116 73 126

HSL 288.68, 0.27%, 0.39%

LAB 37.81, 27.95, -22.7

 

CMYK 19 / 42 / 0 / 51

HEX #66497E

RGB 102 73 126

HSL 272.83, 0.27%, 0.39%

LAB 36.17, 23.35, -25.39

 

CMYK 31 / 42 / 0 / 51

HEX #57497E

RGB 87 73 126

HSL 255.85, 0.27%, 0.39%

LAB 34.6, 18.58, -27.97

 

CMYK 42 / 42 / 0 / 51

HEX #49497E

RGB 73 73 126

HSL 240, 0.27%, 0.39%

LAB 33.32, 14.41, -30.06

 

CMYK 8 / 42 / 0 / 51

HEX #74497E

RGB 116 73 126

HSL 288.68, 0.27%, 0.39%

LAB 37.81, 27.95, -22.7

 

CMYK 11 / 60 / 0 / 44

HEX #7E398E

RGB 126 57 142

HSL 288.71, 0.43%, 0.39%

LAB 36.58, 43.25, -34.37

 

CMYK 14 / 75 / 0 / 38

HEX #88289E

RGB 136 40 158

HSL 288.81, 0.6%, 0.39%

LAB 36.41, 56.29, -44.3

 

CMYK 17 / 86 / 0 / 31

HEX #9218AF

RGB 146 24 175

HSL 288.48, 0.76%, 0.39%

LAB 37.59, 66, -52.51

 

CMYK 18 / 96 / 0 / 25

HEX #9C08BF

RGB 156 8 191

HSL 288.52, 0.92%, 0.39%

LAB 39.59, 72.89, -58.66

 

CMYK 8 / 42 / 0 / 51

HEX #74497E

RGB 116 73 126

HSL 288.68, 0.27%, 0.39%

LAB 37.81, 27.95, -22.7

 

CMYK 4 / 19 / 0 / 57

HEX #6A596E

RGB 106 89 110

HSL 288.57, 0.11%, 0.39%

LAB 40.14, 11.14, -9.38

 

CMYK 9 / 0 / 10 / 59

HEX #60695E

RGB 96 105 94

HSL 109.09, 0.06%, 0.39%

LAB 43.36, -5.74, 5.01

 

CMYK 29 / 0 / 36 / 53

HEX #56794E

RGB 86 121 78

HSL 108.84, 0.22%, 0.39%

LAB 47.24, -21.4, 19.71

 

CMYK 45 / 0 / 55 / 46

HEX #4C893E

RGB 76 137 62

HSL 108.8, 0.38%, 0.39%

LAB 51.58, -35.05, 33.81

 

CMYK 31 / 42 / 0 / 51

HEX #57497E

RGB 87 73 126

HSL 255.85, 0.27%, 0.39%

LAB 34.6, 18.58, -27.97

 

CMYK 20 / 42 / 0 / 51

HEX #65497E

RGB 101 73 126

HSL 271.7, 0.27%, 0.39%

LAB 36.06, 23.02, -25.57

 

CMYK 8 / 42 / 0 / 51

HEX #74497E

RGB 116 73 126

HSL 288.68, 0.27%, 0.39%

LAB 37.81, 27.95, -22.7

 

CMYK 0 / 42 / 2 / 51

HEX #7E497B

RGB 126 73 123

HSL 303.4, 0.27%, 0.39%

LAB 38.95, 30.68, -18.99

 

CMYK 0 / 42 / 14 / 51

HEX #7E496C

RGB 126 73 108

HSL 320.38, 0.27%, 0.39%

LAB 38.35, 27.87, -10.62

 

CMYK 8 / 43 / 0 / 71

HEX #442A4A

RGB 68 42 74

HSL 288.75, 0.28%, 0.23%

LAB 21.5, 18.53, -15.06

 

CMYK 8 / 42 / 0 / 61

HEX #5C3A64

RGB 92 58 100

HSL 288.57, 0.27%, 0.31%

LAB 29.96, 23.05, -18.79

 

CMYK 8 / 42 / 0 / 51

HEX #74497E

RGB 116 73 126

HSL 288.68, 0.27%, 0.39%

LAB 37.81, 27.95, -22.7

 

CMYK 8 / 42 / 0 / 40

HEX #8C5899

RGB 140 88 153

HSL 288, 0.27%, 0.47%

LAB 45.43, 32.86, -26.98

 

CMYK 7 / 36 / 0 / 33

HEX #A06EAC

RGB 160 110 172

HSL 288.39, 0.27%, 0.55%

LAB 53.6, 30.76, -25.29

 

CMYK 8 / 42 / 0 / 51

HEX #74497E

RGB 116 73 126

HSL 288.68, 0.27%, 0.39%

LAB 37.81, 27.95, -22.7

 

CMYK 0 / 42 / 42 / 51

HEX #7E4949

RGB 126 73 73

HSL 0, 0.27%, 0.39%

LAB 37.27, 22.55, 9.74

 

CMYK 42 / 0 / 25 / 51

HEX #497E5E

RGB 73 126 94

HSL 143.77, 0.27%, 0.39%

LAB 48.44, -25.36, 11.99

 

CMYK 8 / 42 / 0 / 51

HEX #74497E

RGB 116 73 126

HSL 288.68, 0.27%, 0.39%

LAB 37.81, 27.95, -22.7

 

CMYK 0 / 8 / 42 / 51

HEX #7E7449

RGB 126 116 73

HSL 48.68, 0.27%, 0.39%

LAB 48.77, -2.8, 25.14

 

CMYK 42 / 0 / 8 / 51

HEX #497E74

RGB 73 126 116

HSL 168.68, 0.27%, 0.39%

LAB 49.01, -20.22, -0.1

 

CMYK 8 / 42 / 0 / 51

HEX #74497E

RGB 116 73 126

HSL 288.68, 0.27%, 0.39%

LAB 37.81, 27.95, -22.7

 

CMYK 0 / 42 / 42 / 51

HEX #7E4949

RGB 126 73 73

HSL 0, 0.27%, 0.39%

LAB 37.27, 22.55, 9.74

 

CMYK 34 / 0 / 42 / 51

HEX #537E49

RGB 83 126 73

HSL 108.68, 0.27%, 0.39%

LAB 48.56, -25.86, 24.24

 

CMYK 42 / 0 / 0 / 51

HEX #497E7E

RGB 73 126 126

HSL 180, 0.27%, 0.39%

LAB 49.31, -17.6, -5.55

 

CMYK 8 / 42 / 0 / 51

HEX #74497E

RGB 116 73 126

HSL 288.68, 0.27%, 0.39%

LAB 37.81, 27.95, -22.7

 

CMYK 0 / 29 / 42 / 51

HEX #7E5949

RGB 126 89 73

HSL 18.11, 0.27%, 0.39%

LAB 41.31, 13.05, 15.31

 

CMYK 34 / 0 / 42 / 51

HEX #537E49

RGB 83 126 73

HSL 108.68, 0.27%, 0.39%

LAB 48.56, -25.86, 24.24

 

CMYK 42 / 13 / 0 / 51

HEX #496E7E

RGB 73 110 126

HSL 198.11, 0.27%, 0.39%

LAB 44.34, -8.63, -13

 

Description

Color code: HEX #74497E | qconv.com Color code: HEX #74497E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 73 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 73 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 42 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 42% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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