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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #743FD2 it is the complementary color #8BC02D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #743FD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #743FD2 shade: #793FCD, #8A51E0, #9B63F3, #AC75FF and #BD87FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #743FD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #743FD2 shade: #743FD2, #632DBF, #521BAC, #410999 and #300086

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #743FD2 shade: #7540D2, #9C40D2, #C340D2, #D240B9 and #D24092

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #743FD2 shade: #7540D2, #4E40D2 and #4040D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #743FD2 shade matches the following richer shades: #7540D2, #702DE5 and #6A1BF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #743FD2 shade: #7540D2, #7A53BF, #7F66AC, #857999 and #8A8C86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #743FD2 shade: #405BD2, #4D40D2, #7340D2, #9A40D2 and #C140D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #743FD2 shade: #4F249C, #602CBD, #7540D2, #8D62DA and #A583E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #743FD2 shade: #743FD2, #D24082 and #48D240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #743FD2 shade: #743FD2, #D27340 and #40D273

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #743FD2 shade: #743FD2, #D24082, #9FD240 and #40D290

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #743FD2 shade: #743FD2, #D24056, #9FD240 and #40D2BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 70 / 0 / 18

HEX #743FD2

RGB 116 63 210

HSL 261.63, 0.62%, 0.54%

LAB 41.09, 54.32, -67.51

 

Complementary color

CMYK 28 / 0 / 77 / 25

HEX #8BC02D

RGB 139 192 45

HSL 81.63, 0.62%, 0.46%

LAB 71.81, -38.17, 63.4

 

CMYK 41 / 69 / 0 / 20

HEX #793FCD

RGB 121 63 205

HSL 264.51, 0.59%, 0.53%

LAB 41.26, 53.93, -64.32

 

CMYK 38 / 64 / 0 / 12

HEX #8A51E0

RGB 138 81 224

HSL 263.92, 0.7%, 0.6%

LAB 47.84, 53.01, -64.43

 

CMYK 36 / 59 / 0 / 5

HEX #9B63F3

RGB 155 99 243

HSL 263.33, 0.86%, 0.67%

LAB 54.41, 51.99, -64.41

 

CMYK 33 / 54 / 0 / 0

HEX #AC75FF

RGB 172 117 255

HSL 263.91, 1%, 0.73%

LAB 60.53, 49.23, -61.14

 

CMYK 26 / 47 / 0 / 0

HEX #BD87FF

RGB 189 135 255

HSL 267, 1%, 0.76%

LAB 66.03, 43.75, -52.27

 

CMYK 45 / 70 / 0 / 18

HEX #743FD2

RGB 116 63 210

HSL 261.63, 0.62%, 0.54%

LAB 41.09, 54.32, -67.51

 

CMYK 48 / 76 / 0 / 25

HEX #632DBF

RGB 99 45 191

HSL 262.19, 0.62%, 0.46%

LAB 34.58, 55.08, -67.17

 

CMYK 52 / 84 / 0 / 33

HEX #521BAC

RGB 82 27 172

HSL 262.76, 0.73%, 0.39%

LAB 28.26, 55.19, -66.33

 

CMYK 58 / 94 / 0 / 40

HEX #410999

RGB 65 9 153

HSL 263.33, 0.89%, 0.32%

LAB 22.37, 53.98, -64.58

 

CMYK 64 / 100 / 0 / 47

HEX #300086

RGB 48 0 134

HSL 261.49, 1%, 0.26%

LAB 17.22, 50.44, -61.34

 

CMYK 44 / 70 / 0 / 18

HEX #7540D2

RGB 117 64 210

HSL 261.78, 0.62%, 0.54%

LAB 41.38, 54, -67.03

 

CMYK 26 / 70 / 0 / 18

HEX #9C40D2

RGB 156 64 210

HSL 277.81, 0.62%, 0.54%

LAB 46.16, 61.46, -59.05

 

CMYK 7 / 70 / 0 / 18

HEX #C340D2

RGB 195 64 210

HSL 293.84, 0.62%, 0.54%

LAB 51.75, 69.65, -49.78

 

CMYK 0 / 70 / 12 / 18

HEX #D240B9

RGB 210 64 185

HSL 310.27, 0.62%, 0.54%

LAB 52.81, 69.05, -33.55

 

CMYK 0 / 70 / 30 / 18

HEX #D24092

RGB 210 64 146

HSL 326.3, 0.62%, 0.54%

LAB 51.2, 63.87, -13.07

 

CMYK 44 / 70 / 0 / 18

HEX #7540D2

RGB 117 64 210

HSL 261.78, 0.62%, 0.54%

LAB 41.38, 54, -67.03

 

CMYK 63 / 70 / 0 / 18

HEX #4E40D2

RGB 78 64 210

HSL 245.75, 0.62%, 0.54%

LAB 37.73, 47.92, -73.14

 

CMYK 70 / 70 / 0 / 18

HEX #4040D2

RGB 64 64 210

HSL 240, 0.62%, 0.54%

LAB 36.76, 46.22, -74.77

 

CMYK 44 / 70 / 0 / 18

HEX #7540D2

RGB 117 64 210

HSL 261.78, 0.62%, 0.54%

LAB 41.38, 54, -67.03

 

CMYK 51 / 80 / 0 / 10

HEX #702DE5

RGB 112 45 229

HSL 261.85, 0.78%, 0.54%

LAB 39.54, 66.47, -80.94

 

CMYK 57 / 89 / 0 / 3

HEX #6A1BF8

RGB 106 27 248

HSL 261.45, 0.94%, 0.54%

LAB 38.94, 76.01, -92.71

 

CMYK 44 / 70 / 0 / 18

HEX #7540D2

RGB 117 64 210

HSL 261.78, 0.62%, 0.54%

LAB 41.38, 54, -67.03

 

CMYK 36 / 57 / 0 / 25

HEX #7A53BF

RGB 122 83 191

HSL 261.67, 0.46%, 0.54%

LAB 44.36, 39.81, -51.19

 

CMYK 26 / 41 / 0 / 33

HEX #7F66AC

RGB 127 102 172

HSL 261.43, 0.3%, 0.54%

LAB 48.25, 25.09, -33.89

 

CMYK 13 / 21 / 0 / 40

HEX #857999

RGB 133 121 153

HSL 262.5, 0.14%, 0.54%

LAB 52.91, 11.19, -15.55

 

CMYK 1 / 0 / 4 / 45

HEX #8A8C86

RGB 138 140 134

HSL 80, 0.03%, 0.54%

LAB 57.92, -1.9, 2.94

 

CMYK 70 / 57 / 0 / 18

HEX #405BD2

RGB 64 91 210

HSL 228.9, 0.62%, 0.54%

LAB 43.1, 29.64, -64.41

 

CMYK 63 / 70 / 0 / 18

HEX #4D40D2

RGB 77 64 210

HSL 245.34, 0.62%, 0.54%

LAB 37.66, 47.79, -73.27

 

CMYK 45 / 70 / 0 / 18

HEX #7340D2

RGB 115 64 210

HSL 260.96, 0.62%, 0.54%

LAB 41.16, 53.65, -67.4

 

CMYK 27 / 70 / 0 / 18

HEX #9A40D2

RGB 154 64 210

HSL 276.99, 0.62%, 0.54%

LAB 45.89, 61.06, -59.5

 

CMYK 8 / 70 / 0 / 18

HEX #C140D2

RGB 193 64 210

HSL 293.01, 0.62%, 0.54%

LAB 51.45, 69.22, -50.28

 

CMYK 49 / 77 / 0 / 39

HEX #4F249C

RGB 79 36 156

HSL 261.5, 0.63%, 0.38%

LAB 27.64, 46.8, -57.68

 

CMYK 49 / 77 / 0 / 26

HEX #602CBD

RGB 96 44 189

HSL 261.52, 0.62%, 0.46%

LAB 33.9, 54.55, -67.11

 

CMYK 44 / 70 / 0 / 18

HEX #7540D2

RGB 117 64 210

HSL 261.78, 0.62%, 0.54%

LAB 41.38, 54, -67.03

 

CMYK 35 / 55 / 0 / 15

HEX #8D62DA

RGB 141 98 218

HSL 261.5, 0.62%, 0.62%

LAB 51.22, 42.97, -55.57

 

CMYK 27 / 42 / 0 / 11

HEX #A583E2

RGB 165 131 226

HSL 261.47, 0.62%, 0.7%

LAB 61.41, 32.58, -43.72

 

CMYK 45 / 70 / 0 / 18

HEX #743FD2

RGB 116 63 210

HSL 261.63, 0.62%, 0.54%

LAB 41.09, 54.32, -67.51

 

CMYK 0 / 70 / 38 / 18

HEX #D24082

RGB 210 64 130

HSL 332.88, 0.62%, 0.54%

LAB 50.66, 62.08, -4.3

 

CMYK 66 / 0 / 70 / 18

HEX #48D240

RGB 72 210 64

HSL 116.71, 0.62%, 0.54%

LAB 74.72, -63.82, 58.75

 

CMYK 45 / 70 / 0 / 18

HEX #743FD2

RGB 116 63 210

HSL 261.63, 0.62%, 0.54%

LAB 41.09, 54.32, -67.51

 

CMYK 0 / 45 / 70 / 18

HEX #D27340

RGB 210 115 64

HSL 20.96, 0.62%, 0.54%

LAB 58.35, 33.18, 43.87

 

CMYK 70 / 0 / 45 / 18

HEX #40D273

RGB 64 210 115

HSL 140.96, 0.62%, 0.54%

LAB 75.09, -58.93, 36.11

 

CMYK 45 / 70 / 0 / 18

HEX #743FD2

RGB 116 63 210

HSL 261.63, 0.62%, 0.54%

LAB 41.09, 54.32, -67.51

 

CMYK 0 / 70 / 38 / 18

HEX #D24082

RGB 210 64 130

HSL 332.88, 0.62%, 0.54%

LAB 50.66, 62.08, -4.3

 

CMYK 24 / 0 / 70 / 18

HEX #9FD240

RGB 159 210 64

HSL 80.96, 0.62%, 0.54%

LAB 78.37, -37.53, 63.65

 

CMYK 70 / 0 / 31 / 18

HEX #40D290

RGB 64 210 144

HSL 152.88, 0.62%, 0.54%

LAB 75.57, -53.55, 21.81

 

CMYK 45 / 70 / 0 / 18

HEX #743FD2

RGB 116 63 210

HSL 261.63, 0.62%, 0.54%

LAB 41.09, 54.32, -67.51

 

CMYK 0 / 70 / 59 / 18

HEX #D24056

RGB 210 64 86

HSL 350.96, 0.62%, 0.54%

LAB 49.54, 58.26, 20.71

 

CMYK 24 / 0 / 70 / 18

HEX #9FD240

RGB 159 210 64

HSL 80.96, 0.62%, 0.54%

LAB 78.37, -37.53, 63.65

 

CMYK 70 / 0 / 10 / 18

HEX #40D2BC

RGB 64 210 188

HSL 170.96, 0.62%, 0.54%

LAB 76.57, -43.23, -0.24

 

Description

Color code: HEX #743FD2 | qconv.com Color code: HEX #743FD2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 63 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 63 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 70 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 70% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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