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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7438A8 it is the complementary color #8BC757. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7438A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7438A8 shade: #7938A3, #8A4AB6, #9B5CC9, #AC6EDC and #BD80EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7438A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7438A8 shade: #7438A8, #632695, #521482, #41026F and #30005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7438A8 shade: #7438A8, #9238A8, #A838A0, #A83882 and #A83863

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7438A8 shade: #7438A8, #5638A8 and #3838A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7438A8 shade matches the following richer shades: #7438A8, #7526BA, #7714CD and #7802DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7438A8 shade: #7438A8, #734A96, #725C84, #706F72 and #6F8160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7438A8 shade: #3838A8, #5638A8, #7438A8, #9238A8 and #A838A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7438A8 shade: #49236A, #5F2E89, #7438A8, #8948C2 and #9D67CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7438A8 shade: #7438A8, #A83856 and #38A847

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7438A8 shade: #7438A8, #A87438 and #38A874

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7438A8 shade: #7438A8, #A83856, #6CA838 and #38A88A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7438A8 shade: #7438A8, #A83C38, #6CA838 and #38A5A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 67 / 0 / 34

HEX #7438A8

RGB 116 56 168

HSL 272.14, 0.5%, 0.44%

LAB 36.68, 47.16, -50.01

 

Complementary color

CMYK 30 / 0 / 56 / 22

HEX #8BC757

RGB 139 199 87

HSL 92.14, 0.5%, 0.56%

LAB 74.21, -38.14, 49.19

 

CMYK 26 / 66 / 0 / 36

HEX #7938A3

RGB 121 56 163

HSL 276.45, 0.49%, 0.43%

LAB 37, 47.11, -46.47

 

CMYK 24 / 59 / 0 / 29

HEX #8A4AB6

RGB 138 74 182

HSL 275.56, 0.43%, 0.5%

LAB 43.77, 46.43, -46.77

 

CMYK 23 / 54 / 0 / 21

HEX #9B5CC9

RGB 155 92 201

HSL 274.68, 0.5%, 0.57%

LAB 50.5, 45.61, -46.93

 

CMYK 22 / 50 / 0 / 14

HEX #AC6EDC

RGB 172 110 220

HSL 273.82, 0.61%, 0.65%

LAB 57.16, 44.75, -47.03

 

CMYK 21 / 46 / 0 / 6

HEX #BD80EF

RGB 189 128 239

HSL 272.97, 0.78%, 0.72%

LAB 63.75, 43.9, -47.09

 

CMYK 31 / 67 / 0 / 34

HEX #7438A8

RGB 116 56 168

HSL 272.14, 0.5%, 0.44%

LAB 36.68, 47.16, -50.01

 

CMYK 34 / 74 / 0 / 42

HEX #632695

RGB 99 38 149

HSL 272.97, 0.59%, 0.37%

LAB 29.93, 47.6, -49.54

 

CMYK 37 / 85 / 0 / 49

HEX #521482

RGB 82 20 130

HSL 273.82, 0.73%, 0.29%

LAB 23.36, 47.26, -48.54

 

CMYK 41 / 98 / 0 / 56

HEX #41026F

RGB 65 2 111

HSL 274.68, 0.96%, 0.22%

LAB 17.06, 45.73, -46.79

 

CMYK 48 / 100 / 0 / 64

HEX #30005C

RGB 48 0 92

HSL 271.3, 1%, 0.18%

LAB 11.96, 40.08, -42.71

 

CMYK 31 / 67 / 0 / 34

HEX #7438A8

RGB 116 56 168

HSL 272.14, 0.5%, 0.44%

LAB 36.68, 47.16, -50.01

 

CMYK 13 / 67 / 0 / 34

HEX #9238A8

RGB 146 56 168

HSL 288.21, 0.5%, 0.44%

LAB 40.84, 54.04, -43.11

 

CMYK 0 / 67 / 5 / 34

HEX #A838A0

RGB 168 56 160

HSL 304.29, 0.5%, 0.44%

LAB 43.79, 57.92, -33.45

 

CMYK 0 / 67 / 23 / 34

HEX #A83882

RGB 168 56 130

HSL 320.36, 0.5%, 0.44%

LAB 42.41, 53.33, -17.44

 

CMYK 0 / 67 / 41 / 34

HEX #A83863

RGB 168 56 99

HSL 336.96, 0.5%, 0.44%

LAB 41.3, 49.48, 0.1

 

CMYK 31 / 67 / 0 / 34

HEX #7438A8

RGB 116 56 168

HSL 272.14, 0.5%, 0.44%

LAB 36.68, 47.16, -50.01

 

CMYK 49 / 67 / 0 / 34

HEX #5638A8

RGB 86 56 168

HSL 256.07, 0.5%, 0.44%

LAB 33.21, 40.94, -55.81

 

CMYK 67 / 67 / 0 / 34

HEX #3838A8

RGB 56 56 168

HSL 240, 0.5%, 0.44%

LAB 30.63, 35.93, -60.12

 

CMYK 31 / 67 / 0 / 34

HEX #7438A8

RGB 116 56 168

HSL 272.14, 0.5%, 0.44%

LAB 36.68, 47.16, -50.01

 

CMYK 37 / 80 / 0 / 27

HEX #7526BA

RGB 117 38 186

HSL 272.03, 0.66%, 0.44%

LAB 35.43, 59.45, -62.75

 

CMYK 42 / 90 / 0 / 20

HEX #7714CD

RGB 119 20 205

HSL 272.11, 0.82%, 0.44%

LAB 35.65, 69.07, -73.5

 

CMYK 46 / 99 / 0 / 13

HEX #7802DF

RGB 120 2 223

HSL 272.04, 0.98%, 0.44%

LAB 36.68, 75.63, -82.21

 

CMYK 31 / 67 / 0 / 34

HEX #7438A8

RGB 116 56 168

HSL 272.14, 0.5%, 0.44%

LAB 36.68, 47.16, -50.01

 

CMYK 23 / 51 / 0 / 41

HEX #734A96

RGB 115 74 150

HSL 272.37, 0.34%, 0.44%

LAB 39.15, 32.64, -35.26

 

CMYK 14 / 30 / 0 / 48

HEX #725C84

RGB 114 92 132

HSL 273, 0.18%, 0.44%

LAB 42.61, 17.17, -18.97

 

CMYK 2 / 3 / 0 / 55

HEX #706F72

RGB 112 111 114

HSL 260, 0.01%, 0.44%

LAB 47.01, 1, -1.53

 

CMYK 14 / 0 / 26 / 49

HEX #6F8160

RGB 111 129 96

HSL 92.73, 0.15%, 0.44%

LAB 51.75, -13.01, 15.77

 

CMYK 67 / 67 / 0 / 34

HEX #3838A8

RGB 56 56 168

HSL 240, 0.5%, 0.44%

LAB 30.63, 35.93, -60.12

 

CMYK 49 / 67 / 0 / 34

HEX #5638A8

RGB 86 56 168

HSL 256.07, 0.5%, 0.44%

LAB 33.21, 40.94, -55.81

 

CMYK 31 / 67 / 0 / 34

HEX #7438A8

RGB 116 56 168

HSL 272.14, 0.5%, 0.44%

LAB 36.68, 47.16, -50.01

 

CMYK 13 / 67 / 0 / 34

HEX #9238A8

RGB 146 56 168

HSL 288.21, 0.5%, 0.44%

LAB 40.84, 54.04, -43.11

 

CMYK 0 / 67 / 4 / 34

HEX #A838A1

RGB 168 56 161

HSL 303.75, 0.5%, 0.44%

LAB 43.84, 58.09, -33.97

 

CMYK 31 / 67 / 0 / 58

HEX #49236A

RGB 73 35 106

HSL 272.11, 0.5%, 0.28%

LAB 22.51, 32.54, -34.62

 

CMYK 31 / 66 / 0 / 46

HEX #5F2E89

RGB 95 46 137

HSL 272.31, 0.5%, 0.36%

LAB 29.89, 39.88, -42.23

 

CMYK 31 / 67 / 0 / 34

HEX #7438A8

RGB 116 56 168

HSL 272.14, 0.5%, 0.44%

LAB 36.68, 47.16, -50.01

 

CMYK 29 / 63 / 0 / 24

HEX #8948C2

RGB 137 72 194

HSL 271.97, 0.5%, 0.52%

LAB 44.01, 50.03, -53.39

 

CMYK 23 / 50 / 0 / 20

HEX #9D67CC

RGB 157 103 204

HSL 272.08, 0.5%, 0.6%

LAB 53.2, 40.85, -44.35

 

CMYK 31 / 67 / 0 / 34

HEX #7438A8

RGB 116 56 168

HSL 272.14, 0.5%, 0.44%

LAB 36.68, 47.16, -50.01

 

CMYK 0 / 67 / 49 / 34

HEX #A83856

RGB 168 56 86

HSL 343.93, 0.5%, 0.44%

LAB 40.94, 48.17, 7.71

 

CMYK 67 / 0 / 58 / 34

HEX #38A847

RGB 56 168 71

HSL 128.04, 0.5%, 0.44%

LAB 61.05, -51.65, 40.45

 

CMYK 31 / 67 / 0 / 34

HEX #7438A8

RGB 116 56 168

HSL 272.14, 0.5%, 0.44%

LAB 36.68, 47.16, -50.01

 

CMYK 0 / 31 / 67 / 34

HEX #A87438

RGB 168 116 56

HSL 32.14, 0.5%, 0.44%

LAB 53.06, 14.39, 40.52

 

CMYK 67 / 0 / 31 / 34

HEX #38A874

RGB 56 168 116

HSL 152.14, 0.5%, 0.44%

LAB 61.75, -43.86, 17.86

 

CMYK 31 / 67 / 0 / 34

HEX #7438A8

RGB 116 56 168

HSL 272.14, 0.5%, 0.44%

LAB 36.68, 47.16, -50.01

 

CMYK 0 / 67 / 49 / 34

HEX #A83856

RGB 168 56 86

HSL 343.93, 0.5%, 0.44%

LAB 40.94, 48.17, 7.71

 

CMYK 36 / 0 / 67 / 34

HEX #6CA838

RGB 108 168 56

HSL 92.14, 0.5%, 0.44%

LAB 62.91, -38.33, 49.86

 

CMYK 67 / 0 / 18 / 34

HEX #38A88A

RGB 56 168 138

HSL 163.93, 0.5%, 0.44%

LAB 62.24, -38.74, 6.36

 

CMYK 31 / 67 / 0 / 34

HEX #7438A8

RGB 116 56 168

HSL 272.14, 0.5%, 0.44%

LAB 36.68, 47.16, -50.01

 

CMYK 0 / 64 / 67 / 34

HEX #A83C38

RGB 168 60 56

HSL 2.14, 0.5%, 0.44%

LAB 40.96, 44.12, 26.34

 

CMYK 36 / 0 / 67 / 34

HEX #6CA838

RGB 108 168 56

HSL 92.14, 0.5%, 0.44%

LAB 62.91, -38.33, 49.86

 

CMYK 67 / 2 / 0 / 34

HEX #38A5A8

RGB 56 165 168

HSL 181.61, 0.5%, 0.44%

LAB 62.15, -29.14, -10.59

 

Description

Color code: HEX #7438A8 | qconv.com Color code: HEX #7438A8 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 56 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 56 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 67 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 67% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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