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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #742E9F it is the complementary color #8BD160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #742E9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #742E9F shade: #792E9A, #8A40AD, #9B52C0, #AC64D3 and #BD76E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #742E9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #742E9F shade: #742E9F, #631C8C, #520A79, #410066 and #300053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #742E9F shade: #732E9E, #922E9E, #9E2E8C, #9E2E6E and #9E2E50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #742E9F shade: #732E9E, #552E9E, #372E9E and #2E2E9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #742E9F shade matches the following richer shades: #732E9E, #771DAF and #7B0DBF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #742E9F shade: #732E9E, #6F3E8E, #6C4F7D, #685F6D and #64705C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #742E9F shade: #372E9E, #552E9E, #732E9E, #912E9E and #9E2E8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #742E9F shade: #451B5E, #5C257E, #732E9E, #8B37BE and #9E52CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #742E9F shade: #742E9F, #9E2E42 and #2E9E46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #742E9F shade: #742E9F, #9E732E and #2E9E73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #742E9F shade: #742E9F, #9E2E42, #599E2E and #2E9E8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #742E9F shade: #742E9F, #9E3B2E, #599E2E and #2E919E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 71 / 0 / 38

HEX #742E9F

RGB 116 46 159

HSL 277.17, 0.55%, 0.4%

LAB 34.33, 49.82, -48.39

 

Complementary color

CMYK 33 / 0 / 54 / 18

HEX #8BD160

RGB 139 209 96

HSL 97.17, 0.55%, 0.6%

LAB 77.24, -41.62, 48.58

 

CMYK 21 / 70 / 0 / 40

HEX #792E9A

RGB 121 46 154

HSL 281.67, 0.54%, 0.39%

LAB 34.71, 49.8, -44.73

 

CMYK 20 / 63 / 0 / 32

HEX #8A40AD

RGB 138 64 173

HSL 280.73, 0.46%, 0.46%

LAB 41.35, 49.47, -45.33

 

CMYK 19 / 57 / 0 / 25

HEX #9B52C0

RGB 155 82 192

HSL 279.82, 0.47%, 0.54%

LAB 48.02, 48.84, -45.69

 

CMYK 18 / 53 / 0 / 17

HEX #AC64D3

RGB 172 100 211

HSL 278.92, 0.56%, 0.61%

LAB 54.65, 48.08, -45.93

 

CMYK 18 / 49 / 0 / 10

HEX #BD76E6

RGB 189 118 230

HSL 278.04, 0.69%, 0.68%

LAB 61.21, 47.27, -46.1

 

CMYK 27 / 71 / 0 / 38

HEX #742E9F

RGB 116 46 159

HSL 277.17, 0.55%, 0.4%

LAB 34.33, 49.82, -48.39

 

CMYK 29 / 80 / 0 / 45

HEX #631C8C

RGB 99 28 140

HSL 278.04, 0.67%, 0.33%

LAB 27.78, 49.62, -47.48

 

CMYK 32 / 92 / 0 / 53

HEX #520A79

RGB 82 10 121

HSL 278.92, 0.85%, 0.26%

LAB 21.55, 48.13, -45.78

 

CMYK 36 / 100 / 0 / 60

HEX #410066

RGB 65 0 102

HSL 278.24, 1%, 0.2%

LAB 15.92, 44.35, -42.77

 

CMYK 42 / 100 / 0 / 67

HEX #300053

RGB 48 0 83

HSL 274.7, 1%, 0.16%

LAB 10.94, 37.93, -38.28

 

CMYK 27 / 71 / 0 / 38

HEX #732E9E

RGB 115 46 158

HSL 276.96, 0.55%, 0.4%

LAB 34.12, 49.38, -48.13

 

CMYK 8 / 71 / 0 / 38

HEX #922E9E

RGB 146 46 158

HSL 293.57, 0.55%, 0.4%

LAB 38.78, 56.23, -40.4

 

CMYK 0 / 71 / 11 / 38

HEX #9E2E8C

RGB 158 46 140

HSL 309.64, 0.55%, 0.4%

LAB 39.78, 56.04, -27.77

 

CMYK 0 / 71 / 30 / 38

HEX #9E2E6E

RGB 158 46 110

HSL 325.71, 0.55%, 0.4%

LAB 38.46, 51.81, -11.21

 

CMYK 0 / 71 / 49 / 38

HEX #9E2E50

RGB 158 46 80

HSL 341.79, 0.55%, 0.4%

LAB 37.49, 48.53, 6.37

 

CMYK 27 / 71 / 0 / 38

HEX #732E9E

RGB 115 46 158

HSL 276.96, 0.55%, 0.4%

LAB 34.12, 49.38, -48.13

 

CMYK 46 / 71 / 0 / 38

HEX #552E9E

RGB 85 46 158

HSL 260.89, 0.55%, 0.4%

LAB 30.29, 43.36, -54.54

 

CMYK 65 / 71 / 0 / 38

HEX #372E9E

RGB 55 46 158

HSL 244.82, 0.55%, 0.4%

LAB 27.39, 38.5, -59.39

 

CMYK 71 / 71 / 0 / 38

HEX #2E2E9E

RGB 46 46 158

HSL 240, 0.55%, 0.4%

LAB 26.74, 37.36, -60.48

 

CMYK 27 / 71 / 0 / 38

HEX #732E9E

RGB 115 46 158

HSL 276.96, 0.55%, 0.4%

LAB 34.12, 49.38, -48.13

 

CMYK 32 / 83 / 0 / 31

HEX #771DAF

RGB 119 29 175

HSL 276.99, 0.72%, 0.4%

LAB 33.76, 60.33, -58.91

 

CMYK 36 / 93 / 0 / 25

HEX #7B0DBF

RGB 123 13 191

HSL 277.08, 0.87%, 0.4%

LAB 34.52, 67.86, -67.15

 

CMYK 27 / 71 / 0 / 38

HEX #732E9E

RGB 115 46 158

HSL 276.96, 0.55%, 0.4%

LAB 34.12, 49.38, -48.13

 

CMYK 22 / 56 / 0 / 44

HEX #6F3E8E

RGB 111 62 142

HSL 276.75, 0.39%, 0.4%

LAB 35.55, 36.46, -36.13

 

CMYK 14 / 37 / 0 / 51

HEX #6C4F7D

RGB 108 79 125

HSL 277.83, 0.23%, 0.4%

LAB 38.31, 21.42, -21.39

 

CMYK 5 / 13 / 0 / 57

HEX #685F6D

RGB 104 95 109

HSL 278.57, 0.07%, 0.4%

LAB 41.58, 6.49, -6.63

 

CMYK 11 / 0 / 18 / 56

HEX #64705C

RGB 100 112 92

HSL 96, 0.1%, 0.4%

LAB 45.73, -8.59, 9.62

 

CMYK 65 / 71 / 0 / 38

HEX #372E9E

RGB 55 46 158

HSL 244.82, 0.55%, 0.4%

LAB 27.39, 38.5, -59.39

 

CMYK 46 / 71 / 0 / 38

HEX #552E9E

RGB 85 46 158

HSL 260.89, 0.55%, 0.4%

LAB 30.29, 43.36, -54.54

 

CMYK 27 / 71 / 0 / 38

HEX #732E9E

RGB 115 46 158

HSL 276.96, 0.55%, 0.4%

LAB 34.12, 49.38, -48.13

 

CMYK 8 / 71 / 0 / 38

HEX #912E9E

RGB 145 46 158

HSL 293.04, 0.55%, 0.4%

LAB 38.62, 56, -40.66

 

CMYK 0 / 71 / 11 / 38

HEX #9E2E8D

RGB 158 46 141

HSL 309.11, 0.55%, 0.4%

LAB 39.83, 56.2, -28.31

 

CMYK 27 / 71 / 0 / 63

HEX #451B5E

RGB 69 27 94

HSL 277.61, 0.55%, 0.24%

LAB 19.46, 32.81, -31.68

 

CMYK 27 / 71 / 0 / 51

HEX #5C257E

RGB 92 37 126

HSL 277.08, 0.55%, 0.32%

LAB 27.03, 41.07, -39.98

 

CMYK 27 / 71 / 0 / 38

HEX #732E9E

RGB 115 46 158

HSL 276.96, 0.55%, 0.4%

LAB 34.12, 49.38, -48.13

 

CMYK 27 / 71 / 0 / 25

HEX #8B37BE

RGB 139 55 190

HSL 277.33, 0.55%, 0.48%

LAB 41.12, 57.54, -55.71

 

CMYK 23 / 60 / 0 / 20

HEX #9E52CD

RGB 158 82 205

HSL 277.07, 0.55%, 0.56%

LAB 49.14, 52.44, -51.37

 

CMYK 27 / 71 / 0 / 38

HEX #742E9F

RGB 116 46 159

HSL 277.17, 0.55%, 0.4%

LAB 34.33, 49.82, -48.39

 

CMYK 0 / 71 / 58 / 38

HEX #9E2E42

RGB 158 46 66

HSL 349.29, 0.55%, 0.4%

LAB 37.15, 47.35, 14.84

 

CMYK 71 / 0 / 56 / 38

HEX #2E9E46

RGB 46 158 70

HSL 132.86, 0.55%, 0.4%

LAB 57.54, -50.06, 36.7

 

CMYK 27 / 71 / 0 / 38

HEX #742E9F

RGB 116 46 159

HSL 277.17, 0.55%, 0.4%

LAB 34.33, 49.82, -48.39

 

CMYK 0 / 27 / 71 / 38

HEX #9E732E

RGB 158 115 46

HSL 36.96, 0.55%, 0.4%

LAB 51.53, 9.87, 43.4

 

CMYK 71 / 0 / 27 / 38

HEX #2E9E73

RGB 46 158 115

HSL 156.96, 0.55%, 0.4%

LAB 58.29, -41.6, 13.61

 

CMYK 27 / 71 / 0 / 38

HEX #742E9F

RGB 116 46 159

HSL 277.17, 0.55%, 0.4%

LAB 34.33, 49.82, -48.39

 

CMYK 0 / 71 / 58 / 38

HEX #9E2E42

RGB 158 46 66

HSL 349.29, 0.55%, 0.4%

LAB 37.15, 47.35, 14.84

 

CMYK 44 / 0 / 71 / 38

HEX #599E2E

RGB 89 158 46

HSL 96.96, 0.55%, 0.4%

LAB 58.77, -41.44, 49.3

 

CMYK 71 / 0 / 13 / 38

HEX #2E9E8A

RGB 46 158 138

HSL 169.29, 0.55%, 0.4%

LAB 58.85, -35.83, 1.44

 

CMYK 27 / 71 / 0 / 38

HEX #742E9F

RGB 116 46 159

HSL 277.17, 0.55%, 0.4%

LAB 34.33, 49.82, -48.39

 

CMYK 0 / 63 / 71 / 38

HEX #9E3B2E

RGB 158 59 46

HSL 6.96, 0.55%, 0.4%

LAB 38.89, 40.39, 29.4

 

CMYK 44 / 0 / 71 / 38

HEX #599E2E

RGB 89 158 46

HSL 96.96, 0.55%, 0.4%

LAB 58.77, -41.44, 49.3

 

CMYK 71 / 8 / 0 / 38

HEX #2E919E

RGB 46 145 158

HSL 186.96, 0.55%, 0.4%

LAB 55.38, -23.64, -15.13

 

Description

Color code: HEX #742E9F | qconv.com Color code: HEX #742E9F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 46 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 46 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 71 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 71% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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