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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #742884 it is the complementary color #8BD77B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #742884. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #742884 shade: #79287F, #8A3A92, #9B4CA5, #AC5EB8 and #BD70CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #742884. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #742884 shade: #742884, #631671, #52045E, #41004B and #300038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #742884 shade: #752985, #85297C, #852963, #85294A and #852931

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #742884 shade: #752985, #5C2985, #432985, #2A2985 and #292985

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #742884 shade matches the following richer shades: #752985, #7E1B93 and #870DA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #742884 shade: #752985, #6C3777, #624569, #59535B and #50614D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #742884 shade: #432985, #5B2985, #742985, #85297D and #852964

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #742884 shade: #3D1546, #591F65, #752985, #9032A4 and #AC3DC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #742884 shade: #742884, #852A29 and #29854F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #742884 shade: #742884, #857429 and #298574

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #742884 shade: #742884, #852A29, #3A8529 and #298385

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #742884 shade: #742884, #854629, #3A8529 and #296885

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 70 / 0 / 48

HEX #742884

RGB 116 40 132

HSL 289.57, 0.53%, 0.34%

LAB 31.57, 46.66, -36.26

 

Complementary color

CMYK 35 / 0 / 43 / 16

HEX #8BD77B

RGB 139 215 123

HSL 109.57, 0.53%, 0.66%

LAB 79.34, -40.92, 38.07

 

CMYK 5 / 69 / 0 / 50

HEX #79287F

RGB 121 40 127

HSL 295.86, 0.52%, 0.33%

LAB 32.07, 46.91, -32.3

 

CMYK 5 / 60 / 0 / 43

HEX #8A3A92

RGB 138 58 146

HSL 294.55, 0.43%, 0.4%

LAB 38.73, 46.8, -33.29

 

CMYK 6 / 54 / 0 / 35

HEX #9B4CA5

RGB 155 76 165

HSL 293.26, 0.37%, 0.47%

LAB 45.43, 46.3, -33.97

 

CMYK 7 / 49 / 0 / 28

HEX #AC5EB8

RGB 172 94 184

HSL 292, 0.39%, 0.55%

LAB 52.1, 45.62, -34.47

 

CMYK 7 / 45 / 0 / 20

HEX #BD70CB

RGB 189 112 203

HSL 290.77, 0.47%, 0.62%

LAB 58.71, 44.87, -34.86

 

CMYK 12 / 70 / 0 / 48

HEX #742884

RGB 116 40 132

HSL 289.57, 0.53%, 0.34%

LAB 31.57, 46.66, -36.26

 

CMYK 12 / 81 / 0 / 56

HEX #631671

RGB 99 22 113

HSL 290.77, 0.67%, 0.26%

LAB 25.01, 46.06, -34.9

 

CMYK 13 / 96 / 0 / 63

HEX #52045E

RGB 82 4 94

HSL 292, 0.92%, 0.19%

LAB 18.75, 44.11, -32.71

 

CMYK 13 / 100 / 0 / 71

HEX #41004B

RGB 65 0 75

HSL 292, 1%, 0.15%

LAB 13.42, 38.73, -28.58

 

CMYK 14 / 100 / 0 / 78

HEX #300038

RGB 48 0 56

HSL 291.43, 1%, 0.11%

LAB 8.25, 31.94, -23.64

 

CMYK 12 / 69 / 0 / 48

HEX #752985

RGB 117 41 133

HSL 289.57, 0.53%, 0.34%

LAB 31.95, 46.67, -36.28

 

CMYK 0 / 69 / 7 / 48

HEX #85297C

RGB 133 41 124

HSL 305.87, 0.53%, 0.34%

LAB 34.04, 49.02, -27.18

 

CMYK 0 / 69 / 26 / 48

HEX #852963

RGB 133 41 99

HSL 322.17, 0.53%, 0.34%

LAB 32.86, 45.13, -13.16

 

CMYK 0 / 69 / 44 / 48

HEX #85294A

RGB 133 41 74

HSL 338.48, 0.53%, 0.34%

LAB 31.96, 42.02, 1.71

 

CMYK 0 / 69 / 63 / 48

HEX #852931

RGB 133 41 49

HSL 354.78, 0.53%, 0.34%

LAB 31.33, 39.79, 17.2

 

CMYK 12 / 69 / 0 / 48

HEX #752985

RGB 117 41 133

HSL 289.57, 0.53%, 0.34%

LAB 31.95, 46.67, -36.28

 

CMYK 31 / 69 / 0 / 48

HEX #5C2985

RGB 92 41 133

HSL 273.26, 0.53%, 0.34%

LAB 28.26, 40.78, -42.39

 

CMYK 50 / 69 / 0 / 48

HEX #432985

RGB 67 41 133

HSL 256.96, 0.53%, 0.34%

LAB 25.18, 35.45, -47.54

 

CMYK 68 / 69 / 0 / 48

HEX #2A2985

RGB 42 41 133

HSL 240.65, 0.53%, 0.34%

LAB 22.9, 31.2, -51.35

 

CMYK 69 / 69 / 0 / 48

HEX #292985

RGB 41 41 133

HSL 240, 0.53%, 0.34%

LAB 22.83, 31.06, -51.47

 

CMYK 12 / 69 / 0 / 48

HEX #752985

RGB 117 41 133

HSL 289.57, 0.53%, 0.34%

LAB 31.95, 46.67, -36.28

 

CMYK 14 / 82 / 0 / 42

HEX #7E1B93

RGB 126 27 147

HSL 289.5, 0.69%, 0.34%

LAB 32.54, 56.48, -43.9

 

CMYK 16 / 92 / 0 / 37

HEX #870DA1

RGB 135 13 161

HSL 289.46, 0.85%, 0.34%

LAB 34.01, 63.76, -49.98

 

CMYK 12 / 69 / 0 / 48

HEX #752985

RGB 117 41 133

HSL 289.57, 0.53%, 0.34%

LAB 31.95, 46.67, -36.28

 

CMYK 9 / 54 / 0 / 53

HEX #6C3777

RGB 108 55 119

HSL 289.69, 0.37%, 0.34%

LAB 32.37, 34.26, -26.93

 

CMYK 7 / 34 / 0 / 59

HEX #624569

RGB 98 69 105

HSL 288.33, 0.21%, 0.34%

LAB 33.72, 19.48, -16.11

 

CMYK 2 / 9 / 0 / 64

HEX #59535B

RGB 89 83 91

HSL 285, 0.05%, 0.34%

LAB 36.11, 4.14, -3.77

 

CMYK 18 / 0 / 21 / 62

HEX #50614D

RGB 80 97 77

HSL 111, 0.11%, 0.34%

LAB 39.23, -10.8, 9.29

 

CMYK 50 / 69 / 0 / 48

HEX #432985

RGB 67 41 133

HSL 256.96, 0.53%, 0.34%

LAB 25.18, 35.45, -47.54

 

CMYK 32 / 69 / 0 / 48

HEX #5B2985

RGB 91 41 133

HSL 272.61, 0.53%, 0.34%

LAB 28.12, 40.55, -42.62

 

CMYK 13 / 69 / 0 / 48

HEX #742985

RGB 116 41 133

HSL 288.91, 0.53%, 0.34%

LAB 31.79, 46.43, -36.53

 

CMYK 0 / 69 / 6 / 48

HEX #85297D

RGB 133 41 125

HSL 305.22, 0.53%, 0.34%

LAB 34.09, 49.19, -27.72

 

CMYK 0 / 69 / 25 / 48

HEX #852964

RGB 133 41 100

HSL 321.52, 0.53%, 0.34%

LAB 32.9, 45.27, -13.74

 

CMYK 13 / 70 / 0 / 73

HEX #3D1546

RGB 61 21 70

HSL 288.98, 0.54%, 0.18%

LAB 15.33, 28.03, -22.09

 

CMYK 12 / 69 / 0 / 60

HEX #591F65

RGB 89 31 101

HSL 289.71, 0.53%, 0.26%

LAB 23.81, 37.56, -29.14

 

CMYK 12 / 69 / 0 / 48

HEX #752985

RGB 117 41 133

HSL 289.57, 0.53%, 0.34%

LAB 31.95, 46.67, -36.28

 

CMYK 12 / 70 / 0 / 36

HEX #9032A4

RGB 144 50 164

HSL 289.47, 0.53%, 0.42%

LAB 39.4, 55.33, -43.05

 

CMYK 12 / 69 / 0 / 24

HEX #AC3DC3

RGB 172 61 195

HSL 289.7, 0.53%, 0.5%

LAB 47.04, 63.07, -48.86

 

CMYK 12 / 70 / 0 / 48

HEX #742884

RGB 116 40 132

HSL 289.57, 0.53%, 0.34%

LAB 31.57, 46.66, -36.26

 

CMYK 0 / 68 / 69 / 48

HEX #852A29

RGB 133 42 41

HSL 0.65, 0.53%, 0.34%

LAB 31.35, 38.82, 22.36

 

CMYK 69 / 0 / 41 / 48

HEX #29854F

RGB 41 133 79

HSL 144.78, 0.53%, 0.34%

LAB 49.27, -39.79, 21.49

 

CMYK 12 / 70 / 0 / 48

HEX #742884

RGB 116 40 132

HSL 289.57, 0.53%, 0.34%

LAB 31.57, 46.66, -36.26

 

CMYK 0 / 13 / 69 / 48

HEX #857429

RGB 133 116 41

HSL 48.91, 0.53%, 0.34%

LAB 49.05, -2.51, 42.29

 

CMYK 69 / 0 / 13 / 48

HEX #298574

RGB 41 133 116

HSL 168.91, 0.53%, 0.34%

LAB 50.11, -30.98, 1.36

 

CMYK 12 / 70 / 0 / 48

HEX #742884

RGB 116 40 132

HSL 289.57, 0.53%, 0.34%

LAB 31.57, 46.66, -36.26

 

CMYK 0 / 68 / 69 / 48

HEX #852A29

RGB 133 42 41

HSL 0.65, 0.53%, 0.34%

LAB 31.35, 38.82, 22.36

 

CMYK 56 / 0 / 69 / 48

HEX #3A8529

RGB 58 133 41

HSL 108.91, 0.53%, 0.34%

LAB 49.29, -41.28, 41.03

 

CMYK 69 / 2 / 0 / 48

HEX #298385

RGB 41 131 133

HSL 181.3, 0.53%, 0.34%

LAB 49.97, -25.02, -8.79

 

CMYK 12 / 70 / 0 / 48

HEX #742884

RGB 116 40 132

HSL 289.57, 0.53%, 0.34%

LAB 31.57, 46.66, -36.26

 

CMYK 0 / 47 / 69 / 48

HEX #854629

RGB 133 70 41

HSL 18.91, 0.53%, 0.34%

LAB 36.98, 24.29, 29.05

 

CMYK 56 / 0 / 69 / 48

HEX #3A8529

RGB 58 133 41

HSL 108.91, 0.53%, 0.34%

LAB 49.29, -41.28, 41.03

 

CMYK 69 / 22 / 0 / 48

HEX #296885

RGB 41 104 133

HSL 198.91, 0.53%, 0.34%

LAB 41.32, -10.25, -21.96

 

Description

Color code: HEX #742884 | qconv.com Color code: HEX #742884 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 40 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 40 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 70 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 70% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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