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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7418EA it is the complementary color #8BE715. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7418EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7418EA shade: #7918E5, #8A2AF8, #9B3CFF, #AC4EFF and #BD60FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7418EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7418EA shade: #7418EA, #6306D7, #5200C4, #4100B1 and #30009E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7418EA shade: #751AEA, #AD1AEA, #E51AEA, #EA1AB6 and #EA1A7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7418EA shade: #751AEA, #3D1AEA and #1A1AEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7418EA shade matches the following richer shades: #751AEA and #7306FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7418EA shade: #751AEA, #782FD6, #7A43C1, #7D57AD and #7F6B99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7418EA shade: #1A2FEA, #3D1AEA, #741AEA, #AC1AEA and #E31AEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7418EA shade: #500FA2, #6213C8, #751AEA, #8C40ED and #A366F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7418EA shade: #7418EA, #EA1A66 and #1AEA21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7418EA shade: #7418EA, #EA741A and #1AEA74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7418EA shade: #7418EA, #EA1A66, #90EA1A and #1AEA9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7418EA shade: #7418EA, #EA1A28, #90EA1A and #1AEADC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 90 / 0 / 8

HEX #7418EA

RGB 116 24 234

HSL 266.29, 0.83%, 0.51%

LAB 38.39, 74.33, -85.68

 

Complementary color

CMYK 40 / 0 / 91 / 9

HEX #8BE715

RGB 139 231 21

HSL 86.29, 0.83%, 0.49%

LAB 83.28, -55.26, 78.78

 

CMYK 47 / 90 / 0 / 10

HEX #7918E5

RGB 121 24 229

HSL 268.39, 0.81%, 0.5%

LAB 38.51, 73.69, -82.61

 

CMYK 44 / 83 / 0 / 3

HEX #8A2AF8

RGB 138 42 248

HSL 267.96, 0.94%, 0.57%

LAB 44, 75.08, -84.25

 

CMYK 39 / 76 / 0 / 0

HEX #9B3CFF

RGB 155 60 255

HSL 269.23, 1%, 0.62%

LAB 48.79, 72.82, -80.23

 

CMYK 33 / 69 / 0 / 0

HEX #AC4EFF

RGB 172 78 255

HSL 271.86, 1%, 0.65%

LAB 53.43, 68.4, -72.58

 

CMYK 26 / 62 / 0 / 0

HEX #BD60FF

RGB 189 96 255

HSL 275.09, 1%, 0.69%

LAB 58.42, 63.72, -64.42

 

CMYK 50 / 90 / 0 / 8

HEX #7418EA

RGB 116 24 234

HSL 266.29, 0.83%, 0.51%

LAB 38.39, 74.33, -85.68

 

CMYK 54 / 97 / 0 / 16

HEX #6306D7

RGB 99 6 215

HSL 266.7, 0.95%, 0.43%

LAB 33.33, 71.7, -83.23

 

CMYK 58 / 100 / 0 / 23

HEX #5200C4

RGB 82 0 196

HSL 265.1, 1%, 0.38%

LAB 28.85, 67.2, -79.64

 

CMYK 63 / 100 / 0 / 31

HEX #4100B1

RGB 65 0 177

HSL 262.03, 1%, 0.35%

LAB 24.63, 61.81, -75.4

 

CMYK 70 / 100 / 0 / 38

HEX #30009E

RGB 48 0 158

HSL 258.23, 1%, 0.31%

LAB 20.43, 56.39, -70.93

 

CMYK 50 / 89 / 0 / 8

HEX #751AEA

RGB 117 26 234

HSL 266.25, 0.83%, 0.51%

LAB 38.66, 73.97, -85.23

 

CMYK 26 / 89 / 0 / 8

HEX #AD1AEA

RGB 173 26 234

HSL 282.4, 0.83%, 0.51%

LAB 46.4, 80.52, -72.24

 

CMYK 2 / 89 / 0 / 8

HEX #E51AEA

RGB 229 26 234

HSL 298.56, 0.83%, 0.51%

LAB 55.42, 89.04, -57.22

 

CMYK 0 / 89 / 22 / 8

HEX #EA1AB6

RGB 234 26 182

HSL 315, 0.83%, 0.51%

LAB 53.61, 83.04, -30.24

 

CMYK 0 / 89 / 46 / 8

HEX #EA1A7F

RGB 234 26 127

HSL 330.87, 0.83%, 0.51%

LAB 51.57, 77.52, -0.65

 

CMYK 50 / 89 / 0 / 8

HEX #751AEA

RGB 117 26 234

HSL 266.25, 0.83%, 0.51%

LAB 38.66, 73.97, -85.23

 

CMYK 74 / 89 / 0 / 8

HEX #3D1AEA

RGB 61 26 234

HSL 250.1, 0.83%, 0.51%

LAB 33.29, 70.06, -94.29

 

CMYK 89 / 89 / 0 / 8

HEX #1A1AEA

RGB 26 26 234

HSL 240, 0.83%, 0.51%

LAB 31.58, 68.96, -97.19

 

CMYK 50 / 89 / 0 / 8

HEX #751AEA

RGB 117 26 234

HSL 266.25, 0.83%, 0.51%

LAB 38.66, 73.97, -85.23

 

CMYK 55 / 98 / 0 / 0

HEX #7306FE

RGB 115 6 254

HSL 266.37, 0.99%, 0.51%

LAB 39.46, 81.4, -95.19

 

CMYK 50 / 89 / 0 / 8

HEX #751AEA

RGB 117 26 234

HSL 266.25, 0.83%, 0.51%

LAB 38.66, 73.97, -85.23

 

CMYK 44 / 78 / 0 / 16

HEX #782FD6

RGB 120 47 214

HSL 266.23, 0.67%, 0.51%

LAB 39.38, 63.09, -72.59

 

CMYK 37 / 65 / 0 / 24

HEX #7A43C1

RGB 122 67 193

HSL 266.19, 0.5%, 0.51%

LAB 41.22, 49.06, -57.41

 

CMYK 28 / 50 / 0 / 32

HEX #7D57AD

RGB 125 87 173

HSL 266.51, 0.34%, 0.51%

LAB 44.51, 33.62, -40.39

 

CMYK 17 / 30 / 0 / 40

HEX #7F6B99

RGB 127 107 153

HSL 266.09, 0.18%, 0.51%

LAB 48.67, 17.45, -22.08

 

CMYK 89 / 80 / 0 / 8

HEX #1A2FEA

RGB 26 47 234

HSL 233.94, 0.83%, 0.51%

LAB 34.38, 60.59, -92.52

 

CMYK 74 / 89 / 0 / 8

HEX #3D1AEA

RGB 61 26 234

HSL 250.1, 0.83%, 0.51%

LAB 33.29, 70.06, -94.29

 

CMYK 50 / 89 / 0 / 8

HEX #741AEA

RGB 116 26 234

HSL 265.96, 0.83%, 0.51%

LAB 38.54, 73.88, -85.43

 

CMYK 26 / 89 / 0 / 8

HEX #AC1AEA

RGB 172 26 234

HSL 282.12, 0.83%, 0.51%

LAB 46.24, 80.39, -72.49

 

CMYK 3 / 89 / 0 / 8

HEX #E31AEA

RGB 227 26 234

HSL 297.98, 0.83%, 0.51%

LAB 55.08, 88.71, -57.77

 

CMYK 51 / 91 / 0 / 36

HEX #500FA2

RGB 80 15 162

HSL 266.53, 0.83%, 0.35%

LAB 25.73, 56.17, -64.47

 

CMYK 51 / 91 / 0 / 22

HEX #6213C8

RGB 98 19 200

HSL 266.19, 0.83%, 0.43%

LAB 32.33, 65.99, -76.16

 

CMYK 50 / 89 / 0 / 8

HEX #751AEA

RGB 117 26 234

HSL 266.25, 0.83%, 0.51%

LAB 38.66, 73.97, -85.23

 

CMYK 41 / 73 / 0 / 7

HEX #8C40ED

RGB 140 64 237

HSL 266.36, 0.83%, 0.59%

LAB 46.12, 64.68, -74.57

 

CMYK 32 / 58 / 0 / 5

HEX #A366F1

RGB 163 102 241

HSL 266.33, 0.83%, 0.67%

LAB 55.73, 51.7, -61.14

 

CMYK 50 / 90 / 0 / 8

HEX #7418EA

RGB 116 24 234

HSL 266.29, 0.83%, 0.51%

LAB 38.39, 74.33, -85.68

 

CMYK 0 / 89 / 56 / 8

HEX #EA1A66

RGB 234 26 102

HSL 338.08, 0.83%, 0.51%

LAB 50.91, 75.69, 13.6

 

CMYK 89 / 0 / 86 / 8

HEX #1AEA21

RGB 26 234 33

HSL 122.02, 0.83%, 0.51%

LAB 81.39, -78.88, 74

 

CMYK 50 / 90 / 0 / 8

HEX #7418EA

RGB 116 24 234

HSL 266.29, 0.83%, 0.51%

LAB 38.39, 74.33, -85.68

 

CMYK 0 / 50 / 89 / 8

HEX #EA741A

RGB 234 116 26

HSL 25.96, 0.83%, 0.51%

LAB 61.7, 40.89, 64.06

 

CMYK 89 / 0 / 50 / 8

HEX #1AEA74

RGB 26 234 116

HSL 145.96, 0.83%, 0.51%

LAB 82.02, -71.05, 44.24

 

CMYK 50 / 90 / 0 / 8

HEX #7418EA

RGB 116 24 234

HSL 266.29, 0.83%, 0.51%

LAB 38.39, 74.33, -85.68

 

CMYK 0 / 89 / 56 / 8

HEX #EA1A66

RGB 234 26 102

HSL 338.08, 0.83%, 0.51%

LAB 50.91, 75.69, 13.6

 

CMYK 38 / 0 / 89 / 8

HEX #90EA1A

RGB 144 234 26

HSL 85.96, 0.83%, 0.51%

LAB 84.41, -54.65, 79.05

 

CMYK 89 / 0 / 32 / 8

HEX #1AEA9E

RGB 26 234 158

HSL 158.08, 0.83%, 0.51%

LAB 82.66, -63.45, 24.15

 

CMYK 50 / 90 / 0 / 8

HEX #7418EA

RGB 116 24 234

HSL 266.29, 0.83%, 0.51%

LAB 38.39, 74.33, -85.68

 

CMYK 0 / 89 / 83 / 8

HEX #EA1A28

RGB 234 26 40

HSL 355.96, 0.83%, 0.51%

LAB 49.96, 72.99, 48.78

 

CMYK 38 / 0 / 89 / 8

HEX #90EA1A

RGB 144 234 26

HSL 85.96, 0.83%, 0.51%

LAB 84.41, -54.65, 79.05

 

CMYK 89 / 0 / 6 / 8

HEX #1AEADC

RGB 26 234 220

HSL 175.96, 0.83%, 0.51%

LAB 84.09, -48.27, -6.28

 

Description

Color code: HEX #7418EA | qconv.com Color code: HEX #7418EA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 24 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 24 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 90 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 90% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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