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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #741597 it is the complementary color #8BEA68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #741597. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #741597 shade: #791592, #8A27A5, #9B39B8, #AC4BCB and #BD5DDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #741597. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #741597 shade: #741597, #630384, #520071, #41005E and #30004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #741597 shade: #751599, #991599, #991575, #991551 and #99152E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #741597 shade: #751599, #521599, #2E1599 and #151599

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #741597 shade matches the following richer shades: #751599 and #7C07A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #741597 shade: #751599, #6F238B, #68317D, #623F6F and #5B4D60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #741597 shade: #2D1599, #501599, #731599, #961599 and #991578

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #741597 shade: #3D0B50, #591074, #751599, #911ABD and #AD1FE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #741597 shade: #741597, #991520 and #15993F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #741597 shade: #741597, #997315 and #159973

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #741597 shade: #741597, #991520, #3A9915 and #15998E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #741597 shade: #741597, #993115, #3A9915 and #157C99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 86 / 0 / 41

HEX #741597

RGB 116 21 151

HSL 283.85, 0.76%, 0.34%

LAB 30.6, 57.12, -49.57

 

Complementary color

CMYK 41 / 0 / 56 / 8

HEX #8BEA68

RGB 139 234 104

HSL 103.85, 0.76%, 0.66%

LAB 84.66, -51.31, 53.64

 

CMYK 17 / 86 / 0 / 43

HEX #791592

RGB 121 21 146

HSL 288, 0.75%, 0.33%

LAB 31.06, 57.01, -45.71

 

CMYK 16 / 76 / 0 / 35

HEX #8A27A5

RGB 138 39 165

HSL 287.14, 0.62%, 0.4%

LAB 37.06, 58.41, -47.44

 

CMYK 16 / 69 / 0 / 28

HEX #9B39B8

RGB 155 57 184

HSL 286.3, 0.53%, 0.47%

LAB 43.29, 58.83, -48.58

 

CMYK 15 / 63 / 0 / 20

HEX #AC4BCB

RGB 172 75 203

HSL 285.47, 0.55%, 0.55%

LAB 49.63, 58.69, -49.33

 

CMYK 15 / 58 / 0 / 13

HEX #BD5DDE

RGB 189 93 222

HSL 284.65, 0.66%, 0.62%

LAB 56.01, 58.23, -49.86

 

CMYK 23 / 86 / 0 / 41

HEX #741597

RGB 116 21 151

HSL 283.85, 0.76%, 0.34%

LAB 30.6, 57.12, -49.57

 

CMYK 25 / 98 / 0 / 48

HEX #630384

RGB 99 3 132

HSL 284.65, 0.96%, 0.26%

LAB 24.9, 54.46, -47.16

 

CMYK 27 / 100 / 0 / 56

HEX #520071

RGB 82 0 113

HSL 283.54, 1%, 0.22%

LAB 19.99, 48.93, -43.18

 

CMYK 31 / 100 / 0 / 63

HEX #41005E

RGB 65 0 94

HSL 281.49, 1%, 0.18%

LAB 15.13, 42.61, -38.75

 

CMYK 36 / 100 / 0 / 71

HEX #30004B

RGB 48 0 75

HSL 278.4, 1%, 0.15%

LAB 10.08, 36.07, -34.17

 

CMYK 24 / 86 / 0 / 40

HEX #751599

RGB 117 21 153

HSL 283.64, 0.76%, 0.34%

LAB 30.92, 57.69, -50.26

 

CMYK 0 / 86 / 0 / 40

HEX #991599

RGB 153 21 153

HSL 300, 0.76%, 0.34%

LAB 37.13, 64.13, -39.94

 

CMYK 0 / 86 / 24 / 40

HEX #991575

RGB 153 21 117

HSL 316.36, 0.76%, 0.34%

LAB 35.19, 58.93, -20.72

 

CMYK 0 / 86 / 47 / 40

HEX #991551

RGB 153 21 81

HSL 332.73, 0.76%, 0.34%

LAB 33.78, 54.97, 0.27

 

CMYK 0 / 86 / 70 / 40

HEX #99152E

RGB 153 21 46

HSL 348.64, 0.76%, 0.34%

LAB 32.93, 52.5, 22

 

CMYK 24 / 86 / 0 / 40

HEX #751599

RGB 117 21 153

HSL 283.64, 0.76%, 0.34%

LAB 30.92, 57.69, -50.26

 

CMYK 46 / 86 / 0 / 40

HEX #521599

RGB 82 21 153

HSL 267.73, 0.76%, 0.34%

LAB 25.65, 52.48, -59.09

 

CMYK 70 / 86 / 0 / 40

HEX #2E1599

RGB 46 21 153

HSL 251.36, 0.76%, 0.34%

LAB 21.64, 48.77, -65.85

 

CMYK 86 / 86 / 0 / 40

HEX #151599

RGB 21 21 153

HSL 240, 0.76%, 0.34%

LAB 20.03, 47.35, -68.58

 

CMYK 24 / 86 / 0 / 40

HEX #751599

RGB 117 21 153

HSL 283.64, 0.76%, 0.34%

LAB 30.92, 57.69, -50.26

 

CMYK 26 / 96 / 0 / 35

HEX #7C07A7

RGB 124 7 167

HSL 283.88, 0.92%, 0.34%

LAB 32.32, 64.1, -56.44

 

CMYK 24 / 86 / 0 / 40

HEX #751599

RGB 117 21 153

HSL 283.64, 0.76%, 0.34%

LAB 30.92, 57.69, -50.26

 

CMYK 20 / 75 / 0 / 45

HEX #6F238B

RGB 111 35 139

HSL 283.85, 0.6%, 0.34%

LAB 30.51, 49.08, -42.36

 

CMYK 17 / 61 / 0 / 51

HEX #68317D

RGB 104 49 125

HSL 283.42, 0.44%, 0.34%

LAB 30.93, 37.71, -33.02

 

CMYK 12 / 43 / 0 / 56

HEX #623F6F

RGB 98 63 111

HSL 283.75, 0.28%, 0.34%

LAB 32.48, 24.57, -21.82

 

CMYK 5 / 20 / 0 / 62

HEX #5B4D60

RGB 91 77 96

HSL 284.21, 0.11%, 0.34%

LAB 34.75, 9.8, -8.92

 

CMYK 71 / 86 / 0 / 40

HEX #2D1599

RGB 45 21 153

HSL 250.91, 0.76%, 0.34%

LAB 21.56, 48.69, -65.99

 

CMYK 48 / 86 / 0 / 40

HEX #501599

RGB 80 21 153

HSL 266.82, 0.76%, 0.34%

LAB 25.39, 52.22, -59.54

 

CMYK 25 / 86 / 0 / 40

HEX #731599

RGB 115 21 153

HSL 282.73, 0.76%, 0.34%

LAB 30.6, 57.36, -50.81

 

CMYK 2 / 86 / 0 / 40

HEX #961599

RGB 150 21 153

HSL 298.64, 0.76%, 0.34%

LAB 36.59, 63.57, -40.83

 

CMYK 0 / 86 / 22 / 40

HEX #991578

RGB 153 21 120

HSL 315, 0.76%, 0.34%

LAB 35.33, 59.32, -22.38

 

CMYK 24 / 86 / 0 / 69

HEX #3D0B50

RGB 61 11 80

HSL 283.48, 0.76%, 0.18%

LAB 14.46, 34.93, -30.38

 

CMYK 23 / 86 / 0 / 55

HEX #591074

RGB 89 16 116

HSL 283.8, 0.76%, 0.26%

LAB 22.85, 46.61, -40.41

 

CMYK 24 / 86 / 0 / 40

HEX #751599

RGB 117 21 153

HSL 283.64, 0.76%, 0.34%

LAB 30.92, 57.69, -50.26

 

CMYK 23 / 86 / 0 / 26

HEX #911ABD

RGB 145 26 189

HSL 283.8, 0.76%, 0.42%

LAB 38.61, 68, -59.15

 

CMYK 23 / 86 / 0 / 12

HEX #AD1FE1

RGB 173 31 225

HSL 283.92, 0.76%, 0.5%

LAB 46.04, 77.91, -67.7

 

CMYK 23 / 86 / 0 / 41

HEX #741597

RGB 116 21 151

HSL 283.85, 0.76%, 0.34%

LAB 30.6, 57.12, -49.57

 

CMYK 0 / 86 / 79 / 40

HEX #991520

RGB 153 21 32

HSL 355, 0.76%, 0.34%

LAB 32.73, 51.9, 30.58

 

CMYK 86 / 0 / 59 / 40

HEX #15993F

RGB 21 153 63

HSL 139.09, 0.76%, 0.34%

LAB 55.38, -52.75, 37.47

 

CMYK 23 / 86 / 0 / 41

HEX #741597

RGB 116 21 151

HSL 283.85, 0.76%, 0.34%

LAB 30.6, 57.12, -49.57

 

CMYK 0 / 25 / 86 / 40

HEX #997315

RGB 153 115 21

HSL 42.73, 0.76%, 0.34%

LAB 50.79, 6.52, 52.35

 

CMYK 86 / 0 / 25 / 40

HEX #159973

RGB 21 153 115

HSL 162.73, 0.76%, 0.34%

LAB 56.27, -42.53, 10.71

 

CMYK 23 / 86 / 0 / 41

HEX #741597

RGB 116 21 151

HSL 283.85, 0.76%, 0.34%

LAB 30.6, 57.12, -49.57

 

CMYK 0 / 86 / 79 / 40

HEX #991520

RGB 153 21 32

HSL 355, 0.76%, 0.34%

LAB 32.73, 51.9, 30.58

 

CMYK 62 / 0 / 86 / 40

HEX #3A9915

RGB 58 153 21

HSL 103.18, 0.76%, 0.34%

LAB 55.82, -50.18, 54.22

 

CMYK 86 / 0 / 7 / 40

HEX #15998E

RGB 21 153 142

HSL 175, 0.76%, 0.34%

LAB 56.97, -35.15, -3.63

 

CMYK 23 / 86 / 0 / 41

HEX #741597

RGB 116 21 151

HSL 283.85, 0.76%, 0.34%

LAB 30.6, 57.12, -49.57

 

CMYK 0 / 68 / 86 / 40

HEX #993115

RGB 153 49 21

HSL 12.73, 0.76%, 0.34%

LAB 36.03, 42.11, 39.78

 

CMYK 62 / 0 / 86 / 40

HEX #3A9915

RGB 58 153 21

HSL 103.18, 0.76%, 0.34%

LAB 55.82, -50.18, 54.22

 

CMYK 86 / 19 / 0 / 40

HEX #157C99

RGB 21 124 153

HSL 193.18, 0.76%, 0.34%

LAB 48.1, -16.94, -23.41

 

Description

Color code: HEX #741597 | qconv.com Color code: HEX #741597 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 21 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 21 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 86 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 86% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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