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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7413C7 it is the complementary color #8BEC38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7413C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7413C7 shade: #7913C2, #8A25D5, #9B37E8, #AC49FB and #BD5BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7413C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7413C7 shade: #7413C7, #6301B4, #5200A1, #41008E and #30007B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7413C7 shade: #7412C8, #A512C8, #C812BA, #C81289 and #C81258

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7413C7 shade: #7412C8, #4312C8 and #1212C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7413C7 shade matches the following richer shades: #7412C8 and #7600DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7413C7 shade: #7412C8, #7324B6, #7136A5, #704793 and #6F5981

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7413C7 shade: #1212C8, #4312C8, #7312C8, #A412C8 and #C812BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7413C7 shade: #480B7D, #5E0FA2, #7412C8, #8A1AE9 and #9D40ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7413C7 shade: #7413C7, #C81243 and #12C82A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7413C7 shade: #7413C7, #C87312 and #12C873

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7413C7 shade: #7413C7, #C81243, #67C812 and #12C898

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7413C7 shade: #7413C7, #C81812, #67C812 and #12C2C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 90 / 0 / 22

HEX #7413C7

RGB 116 19 199

HSL 272.33, 0.83%, 0.43%

LAB 34.6, 67.64, -71.74

 

Complementary color

CMYK 41 / 0 / 76 / 7

HEX #8BEC38

RGB 139 236 56

HSL 92.33, 0.83%, 0.57%

LAB 84.88, -55.93, 72.37

 

CMYK 38 / 90 / 0 / 24

HEX #7913C2

RGB 121 19 194

HSL 274.97, 0.82%, 0.42%

LAB 34.85, 67.16, -68.37

 

CMYK 35 / 83 / 0 / 16

HEX #8A25D5

RGB 138 37 213

HSL 274.43, 0.7%, 0.49%

LAB 40.46, 68.91, -70.15

 

CMYK 33 / 76 / 0 / 9

HEX #9B37E8

RGB 155 55 232

HSL 273.9, 0.79%, 0.56%

LAB 46.35, 69.6, -71.3

 

CMYK 31 / 71 / 0 / 2

HEX #AC49FB

RGB 172 73 251

HSL 273.37, 0.96%, 0.64%

LAB 52.4, 69.63, -72.02

 

CMYK 26 / 64 / 0 / 0

HEX #BD5BFF

RGB 189 91 255

HSL 275.85, 1%, 0.68%

LAB 57.58, 66.02, -65.77

 

CMYK 42 / 90 / 0 / 22

HEX #7413C7

RGB 116 19 199

HSL 272.33, 0.83%, 0.43%

LAB 34.6, 67.64, -71.74

 

CMYK 45 / 99 / 0 / 29

HEX #6301B4

RGB 99 1 180

HSL 272.85, 0.99%, 0.35%

LAB 29.34, 64.78, -69.28

 

CMYK 49 / 100 / 0 / 37

HEX #5200A1

RGB 82 0 161

HSL 270.56, 1%, 0.32%

LAB 24.85, 59.28, -65.31

 

CMYK 54 / 100 / 0 / 44

HEX #41008E

RGB 65 0 142

HSL 267.46, 1%, 0.28%

LAB 20.35, 53.53, -61.11

 

CMYK 61 / 100 / 0 / 52

HEX #30007B

RGB 48 0 123

HSL 263.41, 1%, 0.24%

LAB 15.79, 47.71, -56.72

 

CMYK 42 / 91 / 0 / 22

HEX #7412C8

RGB 116 18 200

HSL 272.31, 0.83%, 0.43%

LAB 34.63, 68.06, -72.28

 

CMYK 18 / 91 / 0 / 22

HEX #A512C8

RGB 165 18 200

HSL 288.46, 0.83%, 0.43%

LAB 42.16, 74.56, -59.68

 

CMYK 0 / 91 / 7 / 22

HEX #C812BA

RGB 200 18 186

HSL 304.62, 0.83%, 0.43%

LAB 47.31, 78.17, -42.91

 

CMYK 0 / 91 / 32 / 22

HEX #C81289

RGB 200 18 137

HSL 320.77, 0.83%, 0.43%

LAB 44.97, 72.07, -17.29

 

CMYK 0 / 91 / 56 / 22

HEX #C81258

RGB 200 18 88

HSL 336.92, 0.83%, 0.43%

LAB 43.38, 67.76, 10.78

 

CMYK 42 / 91 / 0 / 22

HEX #7412C8

RGB 116 18 200

HSL 272.31, 0.83%, 0.43%

LAB 34.63, 68.06, -72.28

 

CMYK 67 / 91 / 0 / 22

HEX #4312C8

RGB 67 18 200

HSL 256.15, 0.83%, 0.43%

LAB 28.89, 63.83, -81.96

 

CMYK 91 / 91 / 0 / 22

HEX #1212C8

RGB 18 18 200

HSL 240, 0.83%, 0.43%

LAB 25.96, 62.01, -86.93

 

CMYK 42 / 91 / 0 / 22

HEX #7412C8

RGB 116 18 200

HSL 272.31, 0.83%, 0.43%

LAB 34.63, 68.06, -72.28

 

CMYK 46 / 100 / 0 / 15

HEX #7600DA

RGB 118 0 218

HSL 272.48, 1%, 0.43%

LAB 35.82, 74.67, -80.76

 

CMYK 42 / 91 / 0 / 22

HEX #7412C8

RGB 116 18 200

HSL 272.31, 0.83%, 0.43%

LAB 34.63, 68.06, -72.28

 

CMYK 37 / 80 / 0 / 29

HEX #7324B6

RGB 115 36 182

HSL 272.47, 0.67%, 0.43%

LAB 34.57, 58.94, -61.79

 

CMYK 32 / 67 / 0 / 35

HEX #7136A5

RGB 113 54 165

HSL 271.89, 0.51%, 0.43%

LAB 35.72, 46.77, -49.78

 

CMYK 24 / 52 / 0 / 42

HEX #704793

RGB 112 71 147

HSL 272.37, 0.35%, 0.43%

LAB 37.95, 32.8, -35.37

 

CMYK 14 / 31 / 0 / 49

HEX #6F5981

RGB 111 89 129

HSL 273, 0.18%, 0.43%

LAB 41.39, 17.26, -19.06

 

CMYK 91 / 91 / 0 / 22

HEX #1212C8

RGB 18 18 200

HSL 240, 0.83%, 0.43%

LAB 25.96, 62.01, -86.93

 

CMYK 67 / 91 / 0 / 22

HEX #4312C8

RGB 67 18 200

HSL 256.15, 0.83%, 0.43%

LAB 28.89, 63.83, -81.96

 

CMYK 43 / 91 / 0 / 22

HEX #7312C8

RGB 115 18 200

HSL 271.98, 0.83%, 0.43%

LAB 34.49, 67.95, -72.51

 

CMYK 18 / 91 / 0 / 22

HEX #A412C8

RGB 164 18 200

HSL 288.13, 0.83%, 0.43%

LAB 41.99, 74.4, -59.95

 

CMYK 0 / 91 / 6 / 22

HEX #C812BC

RGB 200 18 188

HSL 303.96, 0.83%, 0.43%

LAB 47.42, 78.45, -43.9

 

CMYK 42 / 91 / 0 / 51

HEX #480B7D

RGB 72 11 125

HSL 272.11, 0.84%, 0.27%

LAB 20.43, 47.37, -50.22

 

CMYK 42 / 91 / 0 / 36

HEX #5E0FA2

RGB 94 15 162

HSL 272.24, 0.83%, 0.35%

LAB 27.65, 57.75, -61.23

 

CMYK 42 / 91 / 0 / 22

HEX #7412C8

RGB 116 18 200

HSL 272.31, 0.83%, 0.43%

LAB 34.63, 68.06, -72.28

 

CMYK 41 / 89 / 0 / 9

HEX #8A1AE9

RGB 138 26 233

HSL 272.46, 0.82%, 0.51%

LAB 41.26, 75.93, -80.29

 

CMYK 34 / 73 / 0 / 7

HEX #9D40ED

RGB 157 64 237

HSL 272.25, 0.83%, 0.59%

LAB 48.2, 67.56, -71.1

 

CMYK 42 / 90 / 0 / 22

HEX #7413C7

RGB 116 19 199

HSL 272.33, 0.83%, 0.43%

LAB 34.6, 67.64, -71.74

 

CMYK 0 / 91 / 67 / 22

HEX #C81243

RGB 200 18 67

HSL 343.85, 0.83%, 0.43%

LAB 42.94, 66.52, 23.37

 

CMYK 91 / 0 / 79 / 22

HEX #12C82A

RGB 18 200 42

HSL 127.91, 0.83%, 0.43%

LAB 70.6, -69.46, 61.87

 

CMYK 42 / 90 / 0 / 22

HEX #7413C7

RGB 116 19 199

HSL 272.33, 0.83%, 0.43%

LAB 34.6, 67.64, -71.74

 

CMYK 0 / 43 / 91 / 22

HEX #C87312

RGB 200 115 18

HSL 31.98, 0.83%, 0.43%

LAB 56.67, 27.43, 60.32

 

CMYK 91 / 0 / 43 / 22

HEX #12C873

RGB 18 200 115

HSL 151.98, 0.83%, 0.43%

LAB 71.33, -60.42, 31.13

 

CMYK 42 / 90 / 0 / 22

HEX #7413C7

RGB 116 19 199

HSL 272.33, 0.83%, 0.43%

LAB 34.6, 67.64, -71.74

 

CMYK 0 / 91 / 67 / 22

HEX #C81243

RGB 200 18 67

HSL 343.85, 0.83%, 0.43%

LAB 42.94, 66.52, 23.37

 

CMYK 49 / 0 / 91 / 22

HEX #67C812

RGB 103 200 18

HSL 91.98, 0.83%, 0.43%

LAB 72.39, -54.92, 69.61

 

CMYK 91 / 0 / 24 / 22

HEX #12C898

RGB 18 200 152

HSL 164.18, 0.83%, 0.43%

LAB 72.03, -52.51, 12.54

 

CMYK 42 / 90 / 0 / 22

HEX #7413C7

RGB 116 19 199

HSL 272.33, 0.83%, 0.43%

LAB 34.6, 67.64, -71.74

 

CMYK 0 / 88 / 91 / 22

HEX #C81812

RGB 200 24 18

HSL 1.98, 0.83%, 0.43%

LAB 42.73, 64.01, 50.32

 

CMYK 49 / 0 / 91 / 22

HEX #67C812

RGB 103 200 18

HSL 91.98, 0.83%, 0.43%

LAB 72.39, -54.92, 69.61

 

CMYK 91 / 3 / 0 / 22

HEX #12C2C8

RGB 18 194 200

HSL 181.98, 0.83%, 0.43%

LAB 71.48, -36.74, -14.36

 

Description

Color code: HEX #7413C7 | qconv.com Color code: HEX #7413C7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 19 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 19 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 90 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 90% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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