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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #740C7E it is the complementary color #8BF381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #740C7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #740C7E shade: #790C79, #8A1E8C, #9B309F, #AC42B2 and #BD54C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #740C7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #740C7E shade: #740C7E, #63006B, #520058, #410045 and #300032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #740C7E shade: #740C7E, #7E0C69, #7E0C4A, #7E0C2C and #7E0C0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #740C7E shade: #740C7E, #550C7E, #360C7E, #180C7E and #0C0C7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #740C7E shade matches the following richer shades: #740C7E and #7D0189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #740C7E shade: #740C7E, #6B1773, #622268, #582D5D and #4F3851

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #740C7E shade: #360C7E, #540C7E, #730C7E, #7E0C6B and #7E0C4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #740C7E shade: #2E0532, #510858, #740C7E, #970FA4 and #B913C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #740C7E shade: #740C7E, #7E170C and #0C7E45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #740C7E shade: #740C7E, #7E730C and #0C7E73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #740C7E shade: #740C7E, #7E170C, #177E0C and #0C737E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #740C7E shade: #740C7E, #7E390C, #177E0C and #0C507E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 90 / 0 / 51

HEX #740C7E

RGB 116 12 126

HSL 294.74, 0.83%, 0.27%

LAB 28.07, 54.45, -38.11

 

Complementary color

CMYK 43 / 0 / 47 / 5

HEX #8BF381

RGB 139 243 129

HSL 114.74, 0.83%, 0.73%

LAB 87.57, -51.99, 45.53

 

CMYK 0 / 90 / 0 / 53

HEX #790C79

RGB 121 12 121

HSL 300, 0.82%, 0.26%

LAB 28.66, 54.55, -33.94

 

CMYK 1 / 79 / 0 / 45

HEX #8A1E8C

RGB 138 30 140

HSL 298.91, 0.65%, 0.33%

LAB 34.45, 56.77, -36.42

 

CMYK 3 / 70 / 0 / 38

HEX #9B309F

RGB 155 48 159

HSL 297.84, 0.54%, 0.41%

LAB 40.55, 57.72, -38.11

 

CMYK 3 / 63 / 0 / 30

HEX #AC42B2

RGB 172 66 178

HSL 296.79, 0.46%, 0.48%

LAB 46.82, 57.9, -39.29

 

CMYK 4 / 57 / 0 / 23

HEX #BD54C5

RGB 189 84 197

HSL 295.75, 0.49%, 0.55%

LAB 53.16, 57.66, -40.15

 

CMYK 8 / 90 / 0 / 51

HEX #740C7E

RGB 116 12 126

HSL 294.74, 0.83%, 0.27%

LAB 28.07, 54.45, -38.11

 

CMYK 7 / 100 / 0 / 58

HEX #63006B

RGB 99 0 107

HSL 295.51, 1%, 0.21%

LAB 22.7, 50.45, -34.73

 

CMYK 7 / 100 / 0 / 65

HEX #520058

RGB 82 0 88

HSL 295.91, 1%, 0.17%

LAB 17.91, 44.14, -30.05

 

CMYK 6 / 100 / 0 / 73

HEX #410045

RGB 65 0 69

HSL 296.52, 1%, 0.14%

LAB 12.94, 37.6, -25.17

 

CMYK 4 / 100 / 0 / 80

HEX #300032

RGB 48 0 50

HSL 297.6, 1%, 0.1%

LAB 7.76, 30.74, -20.04

 

CMYK 8 / 90 / 0 / 51

HEX #740C7E

RGB 116 12 126

HSL 294.74, 0.83%, 0.27%

LAB 28.07, 54.45, -38.11

 

CMYK 0 / 90 / 17 / 51

HEX #7E0C69

RGB 126 12 105

HSL 311.05, 0.83%, 0.27%

LAB 28.69, 53.12, -23.59

 

CMYK 0 / 90 / 41 / 51

HEX #7E0C4A

RGB 126 12 74

HSL 327.37, 0.83%, 0.27%

LAB 27.28, 49.28, -5.33

 

CMYK 0 / 90 / 65 / 51

HEX #7E0C2C

RGB 126 12 44

HSL 343.16, 0.83%, 0.27%

LAB 26.39, 46.77, 13.77

 

CMYK 0 / 90 / 90 / 51

HEX #7E0C0D

RGB 126 12 13

HSL 359.47, 0.83%, 0.27%

LAB 25.94, 45.47, 32.87

 

CMYK 8 / 90 / 0 / 51

HEX #740C7E

RGB 116 12 126

HSL 294.74, 0.83%, 0.27%

LAB 28.07, 54.45, -38.11

 

CMYK 33 / 90 / 0 / 51

HEX #550C7E

RGB 85 12 126

HSL 278.42, 0.83%, 0.27%

LAB 22.66, 49.2, -47.14

 

CMYK 57 / 90 / 0 / 51

HEX #360C7E

RGB 54 12 126

HSL 262.11, 0.83%, 0.27%

LAB 18.16, 45.2, -54.69

 

CMYK 81 / 90 / 0 / 51

HEX #180C7E

RGB 24 12 126

HSL 246.32, 0.83%, 0.27%

LAB 15.29, 42.91, -59.53

 

CMYK 90 / 90 / 0 / 51

HEX #0C0C7E

RGB 12 12 126

HSL 240, 0.83%, 0.27%

LAB 14.67, 42.45, -60.59

 

CMYK 8 / 90 / 0 / 51

HEX #740C7E

RGB 116 12 126

HSL 294.74, 0.83%, 0.27%

LAB 28.07, 54.45, -38.11

 

CMYK 9 / 99 / 0 / 46

HEX #7D0189

RGB 125 1 137

HSL 294.71, 0.99%, 0.27%

LAB 29.88, 59.74, -42

 

CMYK 8 / 90 / 0 / 51

HEX #740C7E

RGB 116 12 126

HSL 294.74, 0.83%, 0.27%

LAB 28.07, 54.45, -38.11

 

CMYK 7 / 80 / 0 / 55

HEX #6B1773

RGB 107 23 115

HSL 294.78, 0.67%, 0.27%

LAB 26.67, 47.84, -33.45

 

CMYK 6 / 67 / 0 / 59

HEX #622268

RGB 98 34 104

HSL 294.86, 0.51%, 0.27%

LAB 25.98, 39.15, -27.55

 

CMYK 5 / 52 / 0 / 64

HEX #582D5D

RGB 88 45 93

HSL 293.75, 0.35%, 0.27%

LAB 25.99, 27.99, -20.49

 

CMYK 2 / 31 / 0 / 68

HEX #4F3851

RGB 79 56 81

HSL 295.2, 0.18%, 0.27%

LAB 26.97, 15.21, -11.19

 

CMYK 57 / 90 / 0 / 51

HEX #360C7E

RGB 54 12 126

HSL 262.11, 0.83%, 0.27%

LAB 18.16, 45.2, -54.69

 

CMYK 33 / 90 / 0 / 51

HEX #540C7E

RGB 84 12 126

HSL 277.89, 0.83%, 0.27%

LAB 22.49, 49.05, -47.41

 

CMYK 9 / 90 / 0 / 51

HEX #730C7E

RGB 115 12 126

HSL 294.21, 0.83%, 0.27%

LAB 27.88, 54.27, -38.42

 

CMYK 0 / 90 / 15 / 51

HEX #7E0C6B

RGB 126 12 107

HSL 310, 0.83%, 0.27%

LAB 28.8, 53.41, -24.71

 

CMYK 0 / 90 / 40 / 51

HEX #7E0C4C

RGB 126 12 76

HSL 326.32, 0.83%, 0.27%

LAB 27.35, 49.49, -6.56

 

CMYK 8 / 90 / 0 / 80

HEX #2E0532

RGB 46 5 50

HSL 294.67, 0.82%, 0.11%

LAB 8.3, 27.44, -19.18

 

CMYK 8 / 91 / 0 / 65

HEX #510858

RGB 81 8 88

HSL 294.75, 0.83%, 0.19%

LAB 18.49, 41.67, -29.13

 

CMYK 8 / 90 / 0 / 51

HEX #740C7E

RGB 116 12 126

HSL 294.74, 0.83%, 0.27%

LAB 28.07, 54.45, -38.11

 

CMYK 8 / 91 / 0 / 36

HEX #970FA4

RGB 151 15 164

HSL 294.77, 0.83%, 0.35%

LAB 37.12, 66.62, -46.64

 

CMYK 8 / 91 / 0 / 21

HEX #B913C9

RGB 185 19 201

HSL 294.73, 0.83%, 0.43%

LAB 45.63, 77.72, -54.49

 

CMYK 8 / 90 / 0 / 51

HEX #740C7E

RGB 116 12 126

HSL 294.74, 0.83%, 0.27%

LAB 28.07, 54.45, -38.11

 

CMYK 0 / 82 / 90 / 51

HEX #7E170C

RGB 126 23 12

HSL 5.79, 0.83%, 0.27%

LAB 26.95, 42.58, 34.24

 

CMYK 90 / 0 / 45 / 51

HEX #0C7E45

RGB 12 126 69

HSL 150, 0.83%, 0.27%

LAB 46.22, -42.96, 22.98

 

CMYK 8 / 90 / 0 / 51

HEX #740C7E

RGB 116 12 126

HSL 294.74, 0.83%, 0.27%

LAB 28.07, 54.45, -38.11

 

CMYK 0 / 9 / 90 / 51

HEX #7E730C

RGB 126 115 12

HSL 54.21, 0.83%, 0.27%

LAB 47.91, -6.47, 51.19

 

CMYK 90 / 0 / 9 / 51

HEX #0C7E73

RGB 12 126 115

HSL 174.21, 0.83%, 0.27%

LAB 47.28, -31.3, -2.24

 

CMYK 8 / 90 / 0 / 51

HEX #740C7E

RGB 116 12 126

HSL 294.74, 0.83%, 0.27%

LAB 28.07, 54.45, -38.11

 

CMYK 0 / 82 / 90 / 51

HEX #7E170C

RGB 126 23 12

HSL 5.79, 0.83%, 0.27%

LAB 26.95, 42.58, 34.24

 

CMYK 82 / 0 / 90 / 51

HEX #177E0C

RGB 23 126 12

HSL 114.21, 0.83%, 0.27%

LAB 45.81, -48.41, 47.17

 

CMYK 90 / 9 / 0 / 51

HEX #0C737E

RGB 12 115 126

HSL 185.79, 0.83%, 0.27%

LAB 44.01, -22.25, -13.68

 

CMYK 8 / 90 / 0 / 51

HEX #740C7E

RGB 116 12 126

HSL 294.74, 0.83%, 0.27%

LAB 28.07, 54.45, -38.11

 

CMYK 0 / 55 / 90 / 51

HEX #7E390C

RGB 126 57 12

HSL 23.68, 0.83%, 0.27%

LAB 32.68, 27.28, 38.93

 

CMYK 82 / 0 / 90 / 51

HEX #177E0C

RGB 23 126 12

HSL 114.21, 0.83%, 0.27%

LAB 45.81, -48.41, 47.17

 

CMYK 90 / 37 / 0 / 51

HEX #0C507E

RGB 12 80 126

HSL 204.21, 0.83%, 0.27%

LAB 32.53, -1.75, -31.5

 

Description

Color code: HEX #740C7E | qconv.com Color code: HEX #740C7E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 12 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 12 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 90 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 90% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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