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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73FB14 it is the complementary color #8C04EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73FB14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73FB14 shade: #78FB0F, #89FF22, #9AFF35, #ABFF48 and #BCFF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73FB14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73FB14 shade: #73FB14, #62E901, #51D700, #40C500 and #2FB300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73FB14 shade: #73FB13, #B1FB13, #F0FB13, #FBC813 and #FB8913

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73FB14 shade: #73FB13, #34FB13, #13FB31, #13FB6F and #13FBAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73FB14 shade matches the following richer shades: #73FB13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73FB14 shade: #73FB13, #76E826, #79D53A, #7DC14D and #80AE60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73FB14 shade: #F0FB13, #B2FB13, #74FB13, #36FB13 and #13FB2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73FB14 shade: #4EB903, #5FE203, #73FB13, #8BFC3C and #A3FD64

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73FB14 shade: #73FB14, #13FBC9 and #FB13D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73FB14 shade: #73FB14, #1374FB and #FB1374

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73FB14 shade: #73FB14, #13FBC9, #9B13FB and #FB1345

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73FB14 shade: #73FB14, #13E8FB, #9B13FB and #FB2613

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 92 / 2

HEX #73FB14

RGB 115 251 20

HSL 95.32, 0.97%, 0.53%

LAB 88.3, -69.66, 82.64

 

Complementary color

CMYK 40 / 98 / 0 / 8

HEX #8C04EB

RGB 140 4 235

HSL 275.32, 0.97%, 0.47%

LAB 40.67, 79.69, -82.37

 

CMYK 52 / 0 / 94 / 2

HEX #78FB0F

RGB 120 251 15

HSL 93.31, 0.97%, 0.52%

LAB 88.46, -68.42, 83.38

 

CMYK 46 / 0 / 87 / 0

HEX #89FF22

RGB 137 255 34

HSL 92.04, 1%, 0.57%

LAB 90.3, -64.59, 82.52

 

CMYK 40 / 0 / 79 / 0

HEX #9AFF35

RGB 154 255 53

HSL 90, 1%, 0.6%

LAB 91.07, -58.63, 79.23

 

CMYK 33 / 0 / 72 / 0

HEX #ABFF48

RGB 171 255 72

HSL 87.54, 1%, 0.64%

LAB 91.97, -51.99, 74.66

 

CMYK 26 / 0 / 64 / 0

HEX #BCFF5B

RGB 188 255 91

HSL 84.51, 1%, 0.68%

LAB 93, -44.79, 69.11

 

CMYK 54 / 0 / 92 / 2

HEX #73FB14

RGB 115 251 20

HSL 95.32, 0.97%, 0.53%

LAB 88.3, -69.66, 82.64

 

CMYK 58 / 0 / 100 / 9

HEX #62E901

RGB 98 233 1

HSL 94.91, 0.99%, 0.46%

LAB 82.31, -68.19, 79.34

 

CMYK 62 / 0 / 100 / 16

HEX #51D700

RGB 81 215 0

HSL 97.4, 1%, 0.42%

LAB 76.28, -66.3, 74.45

 

CMYK 68 / 0 / 100 / 23

HEX #40C500

RGB 64 197 0

HSL 100.51, 1%, 0.39%

LAB 70.19, -64.15, 69.43

 

CMYK 74 / 0 / 100 / 30

HEX #2FB300

RGB 47 179 0

HSL 104.25, 1%, 0.35%

LAB 64.03, -61.66, 64.38

 

CMYK 54 / 0 / 92 / 2

HEX #73FB13

RGB 115 251 19

HSL 95.17, 0.97%, 0.53%

LAB 88.3, -69.68, 82.75

 

CMYK 29 / 0 / 92 / 2

HEX #B1FB13

RGB 177 251 19

HSL 79.14, 0.97%, 0.53%

LAB 90.96, -50.14, 86.01

 

CMYK 4 / 0 / 92 / 2

HEX #F0FB13

RGB 240 251 19

HSL 62.84, 0.97%, 0.53%

LAB 94.98, -25.64, 90.88

 

CMYK 0 / 20 / 92 / 2

HEX #FBC813

RGB 251 200 19

HSL 46.81, 0.97%, 0.53%

LAB 82.84, 4.2, 82.13

 

CMYK 0 / 45 / 92 / 2

HEX #FB8913

RGB 251 137 19

HSL 30.52, 0.97%, 0.53%

LAB 68.35, 36.93, 71.67

 

CMYK 54 / 0 / 92 / 2

HEX #73FB13

RGB 115 251 19

HSL 95.17, 0.97%, 0.53%

LAB 88.3, -69.68, 82.75

 

CMYK 79 / 0 / 92 / 2

HEX #34FB13

RGB 52 251 19

HSL 111.47, 0.97%, 0.53%

LAB 86.88, -81.6, 81.01

 

CMYK 92 / 0 / 80 / 2

HEX #13FB31

RGB 19 251 49

HSL 127.76, 0.97%, 0.53%

LAB 86.68, -83.11, 75.06

 

CMYK 92 / 0 / 56 / 2

HEX #13FB6F

RGB 19 251 111

HSL 143.79, 0.97%, 0.53%

LAB 87.13, -77.38, 52.76

 

CMYK 92 / 0 / 31 / 2

HEX #13FBAE

RGB 19 251 174

HSL 160.09, 0.97%, 0.53%

LAB 88.06, -66.47, 23.34

 

CMYK 54 / 0 / 92 / 2

HEX #73FB13

RGB 115 251 19

HSL 95.17, 0.97%, 0.53%

LAB 88.3, -69.68, 82.75

 

CMYK 54 / 0 / 92 / 2

HEX #73FB13

RGB 115 251 19

HSL 95.17, 0.97%, 0.53%

LAB 88.3, -69.68, 82.75

 

CMYK 49 / 0 / 84 / 9

HEX #76E826

RGB 118 232 38

HSL 95.26, 0.81%, 0.53%

LAB 82.76, -61.65, 74.89

 

CMYK 43 / 0 / 73 / 16

HEX #79D53A

RGB 121 213 58

HSL 95.61, 0.65%, 0.53%

LAB 77.26, -52.53, 64.05

 

CMYK 35 / 0 / 60 / 24

HEX #7DC14D

RGB 125 193 77

HSL 95.17, 0.48%, 0.53%

LAB 71.58, -41.41, 50.52

 

CMYK 26 / 0 / 45 / 32

HEX #80AE60

RGB 128 174 96

HSL 95.38, 0.33%, 0.53%

LAB 66.29, -29.52, 35.09

 

CMYK 4 / 0 / 92 / 2

HEX #F0FB13

RGB 240 251 19

HSL 62.84, 0.97%, 0.53%

LAB 94.98, -25.64, 90.88

 

CMYK 29 / 0 / 92 / 2

HEX #B2FB13

RGB 178 251 19

HSL 78.88, 0.97%, 0.53%

LAB 91.01, -49.77, 86.08

 

CMYK 54 / 0 / 92 / 2

HEX #74FB13

RGB 116 251 19

HSL 94.91, 0.97%, 0.53%

LAB 88.33, -69.42, 82.79

 

CMYK 78 / 0 / 92 / 2

HEX #36FB13

RGB 54 251 19

HSL 110.95, 0.97%, 0.53%

LAB 86.91, -81.36, 81.04

 

CMYK 92 / 0 / 82 / 2

HEX #13FB2E

RGB 19 251 46

HSL 126.98, 0.97%, 0.53%

LAB 86.67, -83.27, 75.81

 

CMYK 58 / 0 / 98 / 27

HEX #4EB903

RGB 78 185 3

HSL 95.27, 0.97%, 0.37%

LAB 66.77, -56.87, 66.52

 

CMYK 58 / 0 / 99 / 11

HEX #5FE203

RGB 95 226 3

HSL 95.25, 0.97%, 0.45%

LAB 80.09, -66.57, 77.36

 

CMYK 54 / 0 / 92 / 2

HEX #73FB13

RGB 115 251 19

HSL 95.17, 0.97%, 0.53%

LAB 88.3, -69.68, 82.75

 

CMYK 45 / 0 / 76 / 1

HEX #8BFC3C

RGB 139 252 60

HSL 95.31, 0.97%, 0.61%

LAB 89.6, -61.82, 75.66

 

CMYK 36 / 0 / 60 / 1

HEX #A3FD64

RGB 163 253 100

HSL 95.29, 0.97%, 0.69%

LAB 91.21, -51.81, 63.16

 

CMYK 54 / 0 / 92 / 2

HEX #73FB14

RGB 115 251 20

HSL 95.32, 0.97%, 0.53%

LAB 88.3, -69.66, 82.64

 

CMYK 92 / 0 / 20 / 2

HEX #13FBC9

RGB 19 251 201

HSL 167.07, 0.97%, 0.53%

LAB 88.61, -60.34, 10.23

 

CMYK 0 / 92 / 17 / 2

HEX #FB13D1

RGB 251 19 209

HSL 310.86, 0.97%, 0.53%

LAB 57.63, 90.3, -39.3

 

CMYK 54 / 0 / 92 / 2

HEX #73FB14

RGB 115 251 20

HSL 95.32, 0.97%, 0.53%

LAB 88.3, -69.66, 82.64

 

CMYK 92 / 54 / 0 / 2

HEX #1374FB

RGB 19 116 251

HSL 214.91, 0.97%, 0.53%

LAB 51.38, 25.3, -74.13

 

CMYK 0 / 92 / 54 / 2

HEX #FB1374

RGB 251 19 116

HSL 334.91, 0.97%, 0.53%

LAB 54.28, 81.42, 10.31

 

CMYK 54 / 0 / 92 / 2

HEX #73FB14

RGB 115 251 20

HSL 95.32, 0.97%, 0.53%

LAB 88.3, -69.66, 82.64

 

CMYK 92 / 0 / 20 / 2

HEX #13FBC9

RGB 19 251 201

HSL 167.07, 0.97%, 0.53%

LAB 88.61, -60.34, 10.23

 

CMYK 38 / 92 / 0 / 2

HEX #9B13FB

RGB 155 19 251

HSL 275.17, 0.97%, 0.53%

LAB 44.8, 82.71, -84.53

 

CMYK 0 / 92 / 73 / 2

HEX #FB1345

RGB 251 19 69

HSL 347.07, 0.97%, 0.53%

LAB 53.39, 78.98, 37.3

 

CMYK 54 / 0 / 92 / 2

HEX #73FB14

RGB 115 251 20

HSL 95.32, 0.97%, 0.53%

LAB 88.3, -69.66, 82.64

 

CMYK 92 / 8 / 0 / 2

HEX #13E8FB

RGB 19 232 251

HSL 184.91, 0.97%, 0.53%

LAB 84.39, -38.62, -22.18

 

CMYK 38 / 92 / 0 / 2

HEX #9B13FB

RGB 155 19 251

HSL 275.17, 0.97%, 0.53%

LAB 44.8, 82.71, -84.53

 

CMYK 0 / 85 / 92 / 2

HEX #FB2613

RGB 251 38 19

HSL 4.91, 0.97%, 0.53%

LAB 53.97, 74.96, 62.22

 

Description

Color code: HEX #73FB14 | qconv.com Color code: HEX #73FB14 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 251 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 251 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 92 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 92% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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