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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73F8AA it is the complementary color #8C0755. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73F8AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73F8AA shade: #78F8A5, #89FFB8, #9AFFCB, #ABFFDE and #BCFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73F8AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73F8AA shade: #73F8AA, #62E697, #51D484, #40C271 and #2FB05E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73F8AA shade: #72F8AA, #72F886, #83F872, #A7F872 and #CBF872

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73F8AA shade: #72F8AA, #72F8CD, #72F8F1, #72DAF8 and #72B6F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73F8AA shade matches the following richer shades: #72F8AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73F8AA shade: #72F8AA, #7EECAC, #8AE0AE, #96D4B0 and #A2C8B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73F8AA shade: #84F872, #72F884, #72F8A8, #72F8CB and #72F8EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73F8AA shade: #24F37A, #4BF692, #72F8AA, #9AFAC1 and #C1FCD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73F8AA shade: #73F8AA, #72A8F8 and #F87272

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73F8AA shade: #73F8AA, #A872F8 and #F8A872

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73F8AA shade: #73F8AA, #72A8F8, #F872C2 and #F8C272

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73F8AA shade: #73F8AA, #7280F8, #F872C2 and #F8EA72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 31 / 3

HEX #73F8AA

RGB 115 248 170

HSL 144.81, 0.9%, 0.71%

LAB 88.77, -53.73, 26.62

 

Complementary color

CMYK 0 / 95 / 39 / 45

HEX #8C0755

RGB 140 7 85

HSL 324.81, 0.9%, 0.29%

LAB 30.36, 54.65, -7.72

 

CMYK 52 / 0 / 33 / 3

HEX #78F8A5

RGB 120 248 165

HSL 141.09, 0.9%, 0.72%

LAB 88.85, -53.47, 29.29

 

CMYK 46 / 0 / 28 / 0

HEX #89FFB8

RGB 137 255 184

HSL 143.9, 1%, 0.77%

LAB 91.82, -48.77, 23.8

 

CMYK 40 / 0 / 20 / 0

HEX #9AFFCB

RGB 154 255 203

HSL 149.11, 1%, 0.8%

LAB 92.88, -40.73, 15.69

 

CMYK 33 / 0 / 13 / 0

HEX #ABFFDE

RGB 171 255 222

HSL 156.43, 1%, 0.84%

LAB 94.08, -32.29, 7.73

 

CMYK 26 / 0 / 5 / 0

HEX #BCFFF1

RGB 188 255 241

HSL 167.46, 1%, 0.87%

LAB 95.4, -23.57, -0.05

 

CMYK 54 / 0 / 31 / 3

HEX #73F8AA

RGB 115 248 170

HSL 144.81, 0.9%, 0.71%

LAB 88.77, -53.73, 26.62

 

CMYK 57 / 0 / 34 / 10

HEX #62E697

RGB 98 230 151

HSL 144.09, 0.73%, 0.64%

LAB 82.61, -53.74, 27.87

 

CMYK 62 / 0 / 38 / 17

HEX #51D484

RGB 81 212 132

HSL 143.36, 0.6%, 0.57%

LAB 76.38, -53.62, 29.22

 

CMYK 67 / 0 / 42 / 24

HEX #40C271

RGB 64 194 113

HSL 142.62, 0.52%, 0.51%

LAB 70.08, -53.32, 30.66

 

CMYK 73 / 0 / 47 / 31

HEX #2FB05E

RGB 47 176 94

HSL 141.86, 0.58%, 0.44%

LAB 63.72, -52.74, 32.2

 

CMYK 54 / 0 / 31 / 3

HEX #72F8AA

RGB 114 248 170

HSL 145.07, 0.91%, 0.71%

LAB 88.74, -53.95, 26.57

 

CMYK 54 / 0 / 46 / 3

HEX #72F886

RGB 114 248 134

HSL 128.96, 0.91%, 0.71%

LAB 88.18, -59.89, 43.7

 

CMYK 47 / 0 / 54 / 3

HEX #83F872

RGB 131 248 114

HSL 112.39, 0.91%, 0.71%

LAB 88.53, -58.1, 53.62

 

CMYK 33 / 0 / 54 / 3

HEX #A7F872

RGB 167 248 114

HSL 96.27, 0.91%, 0.71%

LAB 90.12, -47.07, 55.89

 

CMYK 18 / 0 / 54 / 3

HEX #CBF872

RGB 203 248 114

HSL 80.15, 0.91%, 0.71%

LAB 92.15, -34.34, 58.78

 

CMYK 54 / 0 / 31 / 3

HEX #72F8AA

RGB 114 248 170

HSL 145.07, 0.91%, 0.71%

LAB 88.74, -53.95, 26.57

 

CMYK 54 / 0 / 17 / 3

HEX #72F8CD

RGB 114 248 205

HSL 160.75, 0.91%, 0.71%

LAB 89.45, -46.83, 9.57

 

CMYK 54 / 0 / 3 / 3

HEX #72F8F1

RGB 114 248 241

HSL 176.87, 0.91%, 0.71%

LAB 90.35, -38.29, -7.83

 

CMYK 54 / 12 / 0 / 3

HEX #72DAF8

RGB 114 218 248

HSL 193.43, 0.91%, 0.71%

LAB 82.11, -22.09, -23.89

 

CMYK 54 / 27 / 0 / 3

HEX #72B6F8

RGB 114 182 248

HSL 209.55, 0.91%, 0.71%

LAB 72.1, -3.16, -39.29

 

CMYK 54 / 0 / 31 / 3

HEX #72F8AA

RGB 114 248 170

HSL 145.07, 0.91%, 0.71%

LAB 88.74, -53.95, 26.57

 

CMYK 54 / 0 / 31 / 3

HEX #72F8AA

RGB 114 248 170

HSL 145.07, 0.91%, 0.71%

LAB 88.74, -53.95, 26.57

 

CMYK 47 / 0 / 27 / 7

HEX #7EECAC

RGB 126 236 172

HSL 145.09, 0.74%, 0.71%

LAB 85.71, -45.7, 21.46

 

CMYK 38 / 0 / 22 / 12

HEX #8AE0AE

RGB 138 224 174

HSL 145.12, 0.58%, 0.71%

LAB 82.79, -36.77, 16.43

 

CMYK 29 / 0 / 17 / 17

HEX #96D4B0

RGB 150 212 176

HSL 145.16, 0.42%, 0.71%

LAB 80.01, -27.19, 11.55

 

CMYK 19 / 0 / 11 / 22

HEX #A2C8B2

RGB 162 200 178

HSL 145.26, 0.26%, 0.71%

LAB 77.4, -17.01, 6.84

 

CMYK 47 / 0 / 54 / 3

HEX #84F872

RGB 132 248 114

HSL 111.94, 0.91%, 0.71%

LAB 88.57, -57.82, 53.67

 

CMYK 54 / 0 / 47 / 3

HEX #72F884

RGB 114 248 132

HSL 128.06, 0.91%, 0.71%

LAB 88.15, -60.18, 44.62

 

CMYK 54 / 0 / 32 / 3

HEX #72F8A8

RGB 114 248 168

HSL 144.18, 0.91%, 0.71%

LAB 88.7, -54.32, 27.54

 

CMYK 54 / 0 / 18 / 3

HEX #72F8CB

RGB 114 248 203

HSL 159.85, 0.91%, 0.71%

LAB 89.4, -47.27, 10.54

 

CMYK 54 / 0 / 4 / 3

HEX #72F8EF

RGB 114 248 239

HSL 175.97, 0.91%, 0.71%

LAB 90.3, -38.79, -6.87

 

CMYK 85 / 0 / 50 / 5

HEX #24F37A

RGB 36 243 122

HSL 144.93, 0.9%, 0.55%

LAB 84.94, -72.33, 45.03

 

CMYK 70 / 0 / 41 / 4

HEX #4BF692

RGB 75 246 146

HSL 144.91, 0.9%, 0.63%

LAB 86.74, -64.92, 35.79

 

CMYK 54 / 0 / 31 / 3

HEX #72F8AA

RGB 114 248 170

HSL 145.07, 0.91%, 0.71%

LAB 88.74, -53.95, 26.57

 

CMYK 38 / 0 / 23 / 2

HEX #9AFAC1

RGB 154 250 193

HSL 144.38, 0.91%, 0.79%

LAB 91.28, -40.41, 18.56

 

CMYK 23 / 0 / 14 / 1

HEX #C1FCD9

RGB 193 252 217

HSL 144.41, 0.91%, 0.87%

LAB 94.3, -25.34, 10.77

 

CMYK 54 / 0 / 31 / 3

HEX #73F8AA

RGB 115 248 170

HSL 144.81, 0.9%, 0.71%

LAB 88.77, -53.73, 26.62

 

CMYK 54 / 32 / 0 / 3

HEX #72A8F8

RGB 114 168 248

HSL 215.82, 0.91%, 0.71%

LAB 68.29, 4.67, -45.26

 

CMYK 0 / 54 / 54 / 3

HEX #F87272

RGB 248 114 114

HSL 0, 0.91%, 0.71%

LAB 64.33, 51.29, 25.16

 

CMYK 54 / 0 / 31 / 3

HEX #73F8AA

RGB 115 248 170

HSL 144.81, 0.9%, 0.71%

LAB 88.77, -53.73, 26.62

 

CMYK 32 / 54 / 0 / 3

HEX #A872F8

RGB 168 114 248

HSL 264.18, 0.91%, 0.71%

LAB 59.1, 48.18, -59.58

 

CMYK 0 / 32 / 54 / 3

HEX #F8A872

RGB 248 168 114

HSL 24.18, 0.91%, 0.71%

LAB 75.56, 23.89, 39.67

 

CMYK 54 / 0 / 31 / 3

HEX #73F8AA

RGB 115 248 170

HSL 144.81, 0.9%, 0.71%

LAB 88.77, -53.73, 26.62

 

CMYK 54 / 32 / 0 / 3

HEX #72A8F8

RGB 114 168 248

HSL 215.82, 0.91%, 0.71%

LAB 68.29, 4.67, -45.26

 

CMYK 0 / 54 / 22 / 3

HEX #F872C2

RGB 248 114 194

HSL 324.18, 0.91%, 0.71%

LAB 66.43, 59.99, -17.25

 

CMYK 0 / 22 / 54 / 3

HEX #F8C272

RGB 248 194 114

HSL 35.82, 0.91%, 0.71%

LAB 81.7, 10.24, 47.25

 

CMYK 54 / 0 / 31 / 3

HEX #73F8AA

RGB 115 248 170

HSL 144.81, 0.9%, 0.71%

LAB 88.77, -53.73, 26.62

 

CMYK 54 / 48 / 0 / 3

HEX #7280F8

RGB 114 128 248

HSL 233.73, 0.91%, 0.71%

LAB 57.84, 28.11, -61.85

 

CMYK 0 / 54 / 22 / 3

HEX #F872C2

RGB 248 114 194

HSL 324.18, 0.91%, 0.71%

LAB 66.43, 59.99, -17.25

 

CMYK 0 / 6 / 54 / 3

HEX #F8EA72

RGB 248 234 114

HSL 53.73, 0.91%, 0.71%

LAB 91.69, -10.15, 59.08

 

Description

Color code: HEX #73F8AA | qconv.com Color code: HEX #73F8AA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 248 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 248 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 31 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 31% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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