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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73F64C it is the complementary color #8C09B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73F64C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73F64C shade: #78F647, #89FF5A, #9AFF6D, #ABFF80 and #BCFF93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73F64C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73F64C shade: #73F64C, #62E439, #51D226, #40C013 and #2FAE00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73F64C shade: #73F64C, #A0F64C, #CEF64C, #F6EF4C and #F6C14C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73F64C shade: #73F64C, #4CF653, #4CF680, #4CF6AE and #4CF6DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73F64C shade matches the following richer shades: #73F64C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73F64C shade: #73F64C, #7BE65B, #83D76A, #8BC87A and #94B989

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73F64C shade: #CEF64C, #A1F64C, #73F64C, #4CF651 and #4CF67F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73F64C shade: #3DE30C, #54F425, #73F64C, #91F873 and #B0FA9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73F64C shade: #73F64C, #4CF6F0 and #F64CB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73F64C shade: #73F64C, #4C73F6 and #F64C73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73F64C shade: #73F64C, #4CF6F0, #CE4CF6 and #F64C51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73F64C shade: #73F64C, #4CC8F6, #CE4CF6 and #F6794C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 69 / 4

HEX #73F64C

RGB 115 246 76

HSL 106.24, 0.9%, 0.63%

LAB 87.04, -65.31, 67.51

 

Complementary color

CMYK 22 / 95 / 0 / 30

HEX #8C09B3

RGB 140 9 179

HSL 286.24, 0.9%, 0.37%

LAB 36.03, 68.33, -57.46

 

CMYK 51 / 0 / 71 / 4

HEX #78F647

RGB 120 246 71

HSL 103.2, 0.91%, 0.62%

LAB 87.17, -64.36, 69.48

 

CMYK 46 / 0 / 65 / 0

HEX #89FF5A

RGB 137 255 90

HSL 102.91, 1%, 0.68%

LAB 90.59, -61.47, 66.2

 

CMYK 40 / 0 / 57 / 0

HEX #9AFF6D

RGB 154 255 109

HSL 101.51, 1%, 0.71%

LAB 91.46, -54.64, 59.5

 

CMYK 33 / 0 / 50 / 0

HEX #ABFF80

RGB 171 255 128

HSL 99.69, 1%, 0.75%

LAB 92.46, -47.2, 52.35

 

CMYK 26 / 0 / 42 / 0

HEX #BCFF93

RGB 188 255 147

HSL 97.22, 1%, 0.79%

LAB 93.59, -39.28, 44.97

 

CMYK 53 / 0 / 69 / 4

HEX #73F64C

RGB 115 246 76

HSL 106.24, 0.9%, 0.63%

LAB 87.04, -65.31, 67.51

 

CMYK 57 / 0 / 75 / 11

HEX #62E439

RGB 98 228 57

HSL 105.61, 0.76%, 0.56%

LAB 80.95, -64.63, 67.74

 

CMYK 61 / 0 / 82 / 18

HEX #51D226

RGB 81 210 38

HSL 105, 0.69%, 0.49%

LAB 74.81, -63.61, 67.3

 

CMYK 67 / 0 / 90 / 25

HEX #40C013

RGB 64 192 19

HSL 104.39, 0.82%, 0.41%

LAB 68.63, -62.13, 65.79

 

CMYK 73 / 0 / 100 / 32

HEX #2FAE00

RGB 47 174 0

HSL 103.79, 1%, 0.34%

LAB 62.4, -60.11, 63.08

 

CMYK 53 / 0 / 69 / 4

HEX #73F64C

RGB 115 246 76

HSL 106.24, 0.9%, 0.63%

LAB 87.04, -65.31, 67.51

 

CMYK 35 / 0 / 69 / 4

HEX #A0F64C

RGB 160 246 76

HSL 90.35, 0.9%, 0.63%

LAB 88.88, -51.81, 69.99

 

CMYK 16 / 0 / 69 / 4

HEX #CEF64C

RGB 206 246 76

HSL 74.12, 0.9%, 0.63%

LAB 91.48, -35.06, 73.47

 

CMYK 0 / 3 / 69 / 4

HEX #F6EF4C

RGB 246 239 76

HSL 57.53, 0.9%, 0.63%

LAB 92.51, -15.79, 75.44

 

CMYK 0 / 22 / 69 / 4

HEX #F6C14C

RGB 246 193 76

HSL 41.29, 0.9%, 0.63%

LAB 80.88, 7.44, 63.73

 

CMYK 53 / 0 / 69 / 4

HEX #73F64C

RGB 115 246 76

HSL 106.24, 0.9%, 0.63%

LAB 87.04, -65.31, 67.51

 

CMYK 69 / 0 / 66 / 4

HEX #4CF653

RGB 76 246 83

HSL 122.47, 0.9%, 0.63%

LAB 86.04, -73.13, 63.5

 

CMYK 69 / 0 / 48 / 4

HEX #4CF680

RGB 76 246 128

HSL 138.35, 0.9%, 0.63%

LAB 86.51, -67.67, 44.26

 

CMYK 69 / 0 / 29 / 4

HEX #4CF6AE

RGB 76 246 174

HSL 154.59, 0.9%, 0.63%

LAB 87.24, -59.47, 22.32

 

CMYK 69 / 0 / 11 / 4

HEX #4CF6DC

RGB 76 246 220

HSL 170.82, 0.9%, 0.63%

LAB 88.26, -48.89, -0.06

 

CMYK 53 / 0 / 69 / 4

HEX #73F64C

RGB 115 246 76

HSL 106.24, 0.9%, 0.63%

LAB 87.04, -65.31, 67.51

 

CMYK 53 / 0 / 69 / 4

HEX #73F64C

RGB 115 246 76

HSL 106.24, 0.9%, 0.63%

LAB 87.04, -65.31, 67.51

 

CMYK 47 / 0 / 60 / 10

HEX #7BE65B

RGB 123 230 91

HSL 106.19, 0.74%, 0.63%

LAB 82.68, -55.86, 56.91

 

CMYK 39 / 0 / 51 / 16

HEX #83D76A

RGB 131 215 106

HSL 106.24, 0.58%, 0.63%

LAB 78.73, -45.69, 45.55

 

CMYK 31 / 0 / 39 / 22

HEX #8BC87A

RGB 139 200 122

HSL 106.92, 0.41%, 0.63%

LAB 74.95, -34.29, 32.92

 

CMYK 20 / 0 / 26 / 27

HEX #94B989

RGB 148 185 137

HSL 106.25, 0.26%, 0.63%

LAB 71.42, -21.6, 20.39

 

CMYK 16 / 0 / 69 / 4

HEX #CEF64C

RGB 206 246 76

HSL 74.12, 0.9%, 0.63%

LAB 91.48, -35.06, 73.47

 

CMYK 35 / 0 / 69 / 4

HEX #A1F64C

RGB 161 246 76

HSL 90, 0.9%, 0.63%

LAB 88.93, -51.47, 70.05

 

CMYK 53 / 0 / 69 / 4

HEX #73F64C

RGB 115 246 76

HSL 106.24, 0.9%, 0.63%

LAB 87.04, -65.31, 67.51

 

CMYK 69 / 0 / 67 / 4

HEX #4CF651

RGB 76 246 81

HSL 121.76, 0.9%, 0.63%

LAB 86.03, -73.31, 64.25

 

CMYK 69 / 0 / 48 / 4

HEX #4CF67F

RGB 76 246 127

HSL 138, 0.9%, 0.63%

LAB 86.49, -67.82, 44.72

 

CMYK 73 / 0 / 95 / 11

HEX #3DE30C

RGB 61 227 12

HSL 106.33, 0.9%, 0.47%

LAB 79.59, -73.65, 75.81

 

CMYK 66 / 0 / 85 / 4

HEX #54F425

RGB 84 244 37

HSL 106.38, 0.9%, 0.55%

LAB 85.36, -74, 77.01

 

CMYK 53 / 0 / 69 / 4

HEX #73F64C

RGB 115 246 76

HSL 106.24, 0.9%, 0.63%

LAB 87.04, -65.31, 67.51

 

CMYK 42 / 0 / 54 / 3

HEX #91F873

RGB 145 248 115

HSL 106.47, 0.9%, 0.71%

LAB 89.11, -53.94, 53.99

 

CMYK 30 / 0 / 38 / 2

HEX #B0FA9A

RGB 176 250 154

HSL 106.25, 0.91%, 0.79%

LAB 91.66, -40.12, 38.94

 

CMYK 53 / 0 / 69 / 4

HEX #73F64C

RGB 115 246 76

HSL 106.24, 0.9%, 0.63%

LAB 87.04, -65.31, 67.51

 

CMYK 69 / 0 / 2 / 4

HEX #4CF6F0

RGB 76 246 240

HSL 177.88, 0.9%, 0.63%

LAB 88.8, -43.66, -9.71

 

CMYK 0 / 69 / 26 / 4

HEX #F64CB7

RGB 246 76 183

HSL 322.24, 0.9%, 0.63%

LAB 60.05, 73.49, -20.72

 

CMYK 53 / 0 / 69 / 4

HEX #73F64C

RGB 115 246 76

HSL 106.24, 0.9%, 0.63%

LAB 87.04, -65.31, 67.51

 

CMYK 69 / 53 / 0 / 4

HEX #4C73F6

RGB 76 115 246

HSL 226.24, 0.9%, 0.63%

LAB 52.34, 28.93, -69.71

 

CMYK 0 / 69 / 53 / 4

HEX #F64C73

RGB 246 76 115

HSL 346.24, 0.9%, 0.63%

LAB 58.04, 66.74, 16.01

 

CMYK 53 / 0 / 69 / 4

HEX #73F64C

RGB 115 246 76

HSL 106.24, 0.9%, 0.63%

LAB 87.04, -65.31, 67.51

 

CMYK 69 / 0 / 2 / 4

HEX #4CF6F0

RGB 76 246 240

HSL 177.88, 0.9%, 0.63%

LAB 88.8, -43.66, -9.71

 

CMYK 16 / 69 / 0 / 4

HEX #CE4CF6

RGB 206 76 246

HSL 285.88, 0.9%, 0.63%

LAB 57.02, 74, -61.55

 

CMYK 0 / 69 / 67 / 4

HEX #F64C51

RGB 246 76 81

HSL 358.24, 0.9%, 0.63%

LAB 57.42, 64.6, 34.99

 

CMYK 53 / 0 / 69 / 4

HEX #73F64C

RGB 115 246 76

HSL 106.24, 0.9%, 0.63%

LAB 87.04, -65.31, 67.51

 

CMYK 69 / 19 / 0 / 4

HEX #4CC8F6

RGB 76 200 246

HSL 196.24, 0.9%, 0.63%

LAB 75.76, -19.99, -32.65

 

CMYK 16 / 69 / 0 / 4

HEX #CE4CF6

RGB 206 76 246

HSL 285.88, 0.9%, 0.63%

LAB 57.02, 74, -61.55

 

CMYK 0 / 51 / 69 / 4

HEX #F6794C

RGB 246 121 76

HSL 15.88, 0.9%, 0.63%

LAB 64.8, 44.73, 46.36

 

Description

Color code: HEX #73F64C | qconv.com Color code: HEX #73F64C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 246 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 246 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 69 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 69% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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