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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73F577 it is the complementary color #8C0A88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73F577. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73F577 shade: #78F572, #89FF85, #9AFF98, #ABFFAB and #BCFFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73F577. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73F577 shade: #73F577, #62E364, #51D151, #40BF3E and #2FAD2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73F577 shade: #75F579, #93F575, #B6F575, #D9F575 and #F5EF75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73F577 shade: #75F579, #75F59B, #75F5BE, #75F5E1 and #75E7F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73F577 shade matches the following richer shades: #75F579

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73F577 shade: #75F579, #81E984, #8DDD8F, #99D19A and #A5C6A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73F577 shade: #B7F575, #95F575, #75F577, #75F599 and #75F5BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73F577 shade: #28F02E, #4EF353, #75F579, #9BF89E and #C2FBC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73F577 shade: #73F577, #75DAF5 and #F575A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73F577 shade: #73F577, #7775F5 and #F57775

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73F577 shade: #73F577, #75DAF5, #F575F3 and #F59175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73F577 shade: #73F577, #75B3F5, #F575F3 and #F5B775

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 51 / 4

HEX #73F577

RGB 115 245 119

HSL 121.85, 0.87%, 0.71%

LAB 87.13, -60.55, 49.51

 

Complementary color

CMYK 0 / 93 / 3 / 45

HEX #8C0A88

RGB 140 10 136

HSL 301.85, 0.87%, 0.29%

LAB 33.07, 60.88, -36.11

 

CMYK 51 / 0 / 53 / 4

HEX #78F572

RGB 120 245 114

HSL 117.25, 0.87%, 0.7%

LAB 87.25, -59.91, 51.99

 

CMYK 46 / 0 / 48 / 0

HEX #89FF85

RGB 137 255 133

HSL 118.03, 1%, 0.76%

LAB 91.02, -56.84, 47.91

 

CMYK 40 / 0 / 40 / 0

HEX #9AFF98

RGB 154 255 152

HSL 118.83, 1%, 0.8%

LAB 91.98, -49.39, 40.13

 

CMYK 33 / 0 / 33 / 0

HEX #ABFFAB

RGB 171 255 171

HSL 120, 1%, 0.84%

LAB 93.07, -41.42, 32.3

 

CMYK 26 / 0 / 25 / 0

HEX #BCFFBE

RGB 188 255 190

HSL 121.79, 1%, 0.87%

LAB 94.28, -33.05, 24.52

 

CMYK 53 / 0 / 51 / 4

HEX #73F577

RGB 115 245 119

HSL 121.85, 0.87%, 0.71%

LAB 87.13, -60.55, 49.51

 

CMYK 57 / 0 / 56 / 11

HEX #62E364

RGB 98 227 100

HSL 120.93, 0.7%, 0.64%

LAB 80.99, -60.34, 50.75

 

CMYK 61 / 0 / 61 / 18

HEX #51D151

RGB 81 209 81

HSL 120, 0.58%, 0.57%

LAB 74.79, -59.92, 51.93

 

CMYK 66 / 0 / 68 / 25

HEX #40BF3E

RGB 64 191 62

HSL 119.07, 0.51%, 0.5%

LAB 68.53, -59.17, 52.92

 

CMYK 73 / 0 / 75 / 32

HEX #2FAD2B

RGB 47 173 43

HSL 118.15, 0.6%, 0.42%

LAB 62.22, -57.96, 53.5

 

CMYK 52 / 0 / 51 / 4

HEX #75F579

RGB 117 245 121

HSL 121.88, 0.86%, 0.71%

LAB 87.23, -59.8, 48.7

 

CMYK 40 / 0 / 52 / 4

HEX #93F575

RGB 147 245 117

HSL 105.94, 0.86%, 0.71%

LAB 88.35, -51.89, 52.19

 

CMYK 26 / 0 / 52 / 4

HEX #B6F575

RGB 182 245 117

HSL 89.53, 0.86%, 0.71%

LAB 90.11, -40.31, 54.72

 

CMYK 11 / 0 / 52 / 4

HEX #D9F575

RGB 217 245 117

HSL 73.13, 0.86%, 0.71%

LAB 92.28, -27.4, 57.82

 

CMYK 0 / 2 / 52 / 4

HEX #F5EF75

RGB 245 239 117

HSL 57.19, 0.86%, 0.71%

LAB 92.76, -13.58, 58.91

 

CMYK 52 / 0 / 51 / 4

HEX #75F579

RGB 117 245 121

HSL 121.88, 0.86%, 0.71%

LAB 87.23, -59.8, 48.7

 

CMYK 52 / 0 / 37 / 4

HEX #75F59B

RGB 117 245 155

HSL 137.81, 0.86%, 0.71%

LAB 87.7, -54.71, 32.77

 

CMYK 52 / 0 / 22 / 4

HEX #75F5BE

RGB 117 245 190

HSL 154.22, 0.86%, 0.71%

LAB 88.35, -48.12, 15.8

 

CMYK 52 / 0 / 8 / 4

HEX #75F5E1

RGB 117 245 225

HSL 170.63, 0.86%, 0.71%

LAB 89.17, -40.28, -1.22

 

CMYK 52 / 6 / 0 / 4

HEX #75E7F5

RGB 117 231 245

HSL 186.56, 0.86%, 0.71%

LAB 85.77, -28.69, -16.75

 

CMYK 52 / 0 / 51 / 4

HEX #75F579

RGB 117 245 121

HSL 121.88, 0.86%, 0.71%

LAB 87.23, -59.8, 48.7

 

CMYK 52 / 0 / 51 / 4

HEX #75F579

RGB 117 245 121

HSL 121.88, 0.86%, 0.71%

LAB 87.23, -59.8, 48.7

 

CMYK 45 / 0 / 43 / 9

HEX #81E984

RGB 129 233 132

HSL 121.73, 0.7%, 0.71%

LAB 84.28, -50.34, 39.83

 

CMYK 36 / 0 / 35 / 13

HEX #8DDD8F

RGB 141 221 143

HSL 121.5, 0.54%, 0.71%

LAB 81.49, -39.98, 30.77

 

CMYK 27 / 0 / 26 / 18

HEX #99D19A

RGB 153 209 154

HSL 121.07, 0.38%, 0.71%

LAB 78.87, -28.79, 21.62

 

CMYK 17 / 0 / 16 / 22

HEX #A5C6A6

RGB 165 198 166

HSL 121.82, 0.22%, 0.71%

LAB 76.76, -17.22, 12.41

 

CMYK 25 / 0 / 52 / 4

HEX #B7F575

RGB 183 245 117

HSL 89.06, 0.86%, 0.71%

LAB 90.16, -39.96, 54.8

 

CMYK 39 / 0 / 52 / 4

HEX #95F575

RGB 149 245 117

HSL 105, 0.86%, 0.71%

LAB 88.44, -51.28, 52.32

 

CMYK 52 / 0 / 51 / 4

HEX #75F577

RGB 117 245 119

HSL 120.94, 0.86%, 0.71%

LAB 87.2, -60.05, 49.61

 

CMYK 52 / 0 / 38 / 4

HEX #75F599

RGB 117 245 153

HSL 136.88, 0.86%, 0.71%

LAB 87.67, -55.05, 33.73

 

CMYK 52 / 0 / 24 / 4

HEX #75F5BB

RGB 117 245 187

HSL 152.81, 0.86%, 0.71%

LAB 88.29, -48.73, 17.26

 

CMYK 83 / 0 / 81 / 6

HEX #28F02E

RGB 40 240 46

HSL 121.8, 0.87%, 0.55%

LAB 83.43, -78.82, 72.88

 

CMYK 68 / 0 / 66 / 5

HEX #4EF353

RGB 78 243 83

HSL 121.82, 0.87%, 0.63%

LAB 85.17, -71.82, 62.57

 

CMYK 52 / 0 / 51 / 4

HEX #75F579

RGB 117 245 121

HSL 121.88, 0.86%, 0.71%

LAB 87.23, -59.8, 48.7

 

CMYK 38 / 0 / 36 / 3

HEX #9BF89E

RGB 155 248 158

HSL 121.94, 0.87%, 0.79%

LAB 90.12, -45.23, 34.75

 

CMYK 23 / 0 / 22 / 2

HEX #C2FBC4

RGB 194 251 196

HSL 122.11, 0.88%, 0.87%

LAB 93.65, -28.27, 20.63

 

CMYK 53 / 0 / 51 / 4

HEX #73F577

RGB 115 245 119

HSL 121.85, 0.87%, 0.71%

LAB 87.13, -60.55, 49.51

 

CMYK 52 / 11 / 0 / 4

HEX #75DAF5

RGB 117 218 245

HSL 192.66, 0.86%, 0.71%

LAB 82.12, -22.31, -22.27

 

CMYK 0 / 52 / 32 / 4

HEX #F575A6

RGB 245 117 166

HSL 337.03, 0.86%, 0.71%

LAB 65.66, 54.05, -2.6

 

CMYK 53 / 0 / 51 / 4

HEX #73F577

RGB 115 245 119

HSL 121.85, 0.87%, 0.71%

LAB 87.13, -60.55, 49.51

 

CMYK 51 / 52 / 0 / 4

HEX #7775F5

RGB 119 117 245

HSL 240.94, 0.86%, 0.71%

LAB 55.32, 34.73, -64.23

 

CMYK 0 / 51 / 52 / 4

HEX #F57775

RGB 245 119 117

HSL 0.94, 0.86%, 0.71%

LAB 64.88, 48.08, 24.13

 

CMYK 53 / 0 / 51 / 4

HEX #73F577

RGB 115 245 119

HSL 121.85, 0.87%, 0.71%

LAB 87.13, -60.55, 49.51

 

CMYK 52 / 11 / 0 / 4

HEX #75DAF5

RGB 117 218 245

HSL 192.66, 0.86%, 0.71%

LAB 82.12, -22.31, -22.27

 

CMYK 0 / 52 / 1 / 4

HEX #F575F3

RGB 245 117 243

HSL 300.94, 0.86%, 0.71%

LAB 68.46, 65.31, -41.42

 

CMYK 0 / 41 / 52 / 4

HEX #F59175

RGB 245 145 117

HSL 13.13, 0.86%, 0.71%

LAB 70.14, 34.99, 31.08

 

CMYK 53 / 0 / 51 / 4

HEX #73F577

RGB 115 245 119

HSL 121.85, 0.87%, 0.71%

LAB 87.13, -60.55, 49.51

 

CMYK 52 / 27 / 0 / 4

HEX #75B3F5

RGB 117 179 245

HSL 210.94, 0.86%, 0.71%

LAB 71.29, -1.76, -38.92

 

CMYK 0 / 52 / 1 / 4

HEX #F575F3

RGB 245 117 243

HSL 300.94, 0.86%, 0.71%

LAB 68.46, 65.31, -41.42

 

CMYK 0 / 25 / 52 / 4

HEX #F5B775

RGB 245 183 117

HSL 30.94, 0.86%, 0.71%

LAB 78.79, 15.04, 42.09

 

Description

Color code: HEX #73F577 | qconv.com Color code: HEX #73F577 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 245 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 245 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 51 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 51% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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