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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73EA7F it is the complementary color #8C1580. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73EA7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73EA7F shade: #78EA7A, #89FC8D, #9AFFA0, #ABFFB3 and #BCFFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73EA7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73EA7F shade: #73EA7F, #62D86C, #51C659, #40B446 and #2FA233

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73EA7F shade: #71EA7D, #85EA71, #A6EA71, #C7EA71 and #E7EA71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73EA7F shade: #71EA7D, #71EA9E, #71EABE, #71EADF and #71D4EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73EA7F shade matches the following richer shades: #71EA7D and #64F773

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73EA7F shade: #71EA7D, #7EDD88, #8BCF92, #99C29D and #A6B5A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73EA7F shade: #A5EA71, #85EA71, #71EA7D, #71EA9D and #71EABE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73EA7F shade: #29DF3C, #4DE45C, #71EA7D, #95EF9E and #B9F5BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73EA7F shade: #73EA7F, #71C6EA and #EA7195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73EA7F shade: #73EA7F, #7D71EA and #EA7D71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73EA7F shade: #73EA7F, #71C6EA, #EA71DE and #EA9571

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73EA7F shade: #73EA7F, #71A1EA, #EA71DE and #EAB971

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 46 / 8

HEX #73EA7F

RGB 115 234 127

HSL 126.05, 0.74%, 0.68%

LAB 83.98, -55.24, 41.79

 

Complementary color

CMYK 0 / 85 / 9 / 45

HEX #8C1580

RGB 140 21 128

HSL 306.05, 0.74%, 0.32%

LAB 33.29, 57.64, -30.78

 

CMYK 49 / 0 / 48 / 8

HEX #78EA7A

RGB 120 234 122

HSL 121.05, 0.73%, 0.69%

LAB 84.09, -54.62, 44.39

 

CMYK 46 / 0 / 44 / 1

HEX #89FC8D

RGB 137 252 141

HSL 122.09, 0.95%, 0.76%

LAB 90.26, -54.56, 43.13

 

CMYK 40 / 0 / 37 / 0

HEX #9AFFA0

RGB 154 255 160

HSL 123.56, 1%, 0.8%

LAB 92.1, -48.2, 36.36

 

CMYK 33 / 0 / 30 / 0

HEX #ABFFB3

RGB 171 255 179

HSL 125.71, 1%, 0.84%

LAB 93.2, -40.15, 28.47

 

CMYK 26 / 0 / 22 / 0

HEX #BCFFC6

RGB 188 255 198

HSL 128.96, 1%, 0.87%

LAB 94.44, -31.71, 20.66

 

CMYK 51 / 0 / 46 / 8

HEX #73EA7F

RGB 115 234 127

HSL 126.05, 0.74%, 0.68%

LAB 83.98, -55.24, 41.79

 

CMYK 55 / 0 / 50 / 15

HEX #62D86C

RGB 98 216 108

HSL 125.08, 0.6%, 0.62%

LAB 77.75, -55.18, 43.09

 

CMYK 59 / 0 / 55 / 22

HEX #51C659

RGB 81 198 89

HSL 124.1, 0.51%, 0.55%

LAB 71.46, -54.96, 44.41

 

CMYK 64 / 0 / 61 / 29

HEX #40B446

RGB 64 180 70

HSL 123.1, 0.48%, 0.48%

LAB 65.1, -54.47, 45.67

 

CMYK 71 / 0 / 69 / 36

HEX #2FA233

RGB 47 162 51

HSL 122.09, 0.55%, 0.41%

LAB 58.68, -53.57, 46.75

 

CMYK 52 / 0 / 47 / 8

HEX #71EA7D

RGB 113 234 125

HSL 125.95, 0.74%, 0.68%

LAB 83.88, -56.03, 42.62

 

CMYK 43 / 0 / 52 / 8

HEX #85EA71

RGB 133 234 113

HSL 110.08, 0.74%, 0.68%

LAB 84.5, -52.11, 49.26

 

CMYK 29 / 0 / 52 / 8

HEX #A6EA71

RGB 166 234 113

HSL 93.72, 0.74%, 0.68%

LAB 86.08, -41.47, 51.54

 

CMYK 15 / 0 / 52 / 8

HEX #C7EA71

RGB 199 234 113

HSL 77.36, 0.74%, 0.68%

LAB 88.06, -29.46, 54.37

 

CMYK 1 / 0 / 52 / 8

HEX #E7EA71

RGB 231 234 113

HSL 61.49, 0.74%, 0.68%

LAB 90.33, -17.01, 57.61

 

CMYK 52 / 0 / 47 / 8

HEX #71EA7D

RGB 113 234 125

HSL 125.95, 0.74%, 0.68%

LAB 83.88, -56.03, 42.62

 

CMYK 52 / 0 / 32 / 8

HEX #71EA9E

RGB 113 234 158

HSL 142.31, 0.74%, 0.68%

LAB 84.39, -50.67, 26.78

 

CMYK 52 / 0 / 19 / 8

HEX #71EABE

RGB 113 234 190

HSL 158.18, 0.74%, 0.68%

LAB 85.03, -44.28, 11.08

 

CMYK 52 / 0 / 5 / 8

HEX #71EADF

RGB 113 234 223

HSL 174.55, 0.74%, 0.68%

LAB 85.85, -36.58, -5.07

 

CMYK 52 / 9 / 0 / 8

HEX #71D4EA

RGB 113 212 234

HSL 190.91, 0.74%, 0.68%

LAB 79.92, -23.16, -19.76

 

CMYK 52 / 0 / 47 / 8

HEX #71EA7D

RGB 113 234 125

HSL 125.95, 0.74%, 0.68%

LAB 83.88, -56.03, 42.62

 

CMYK 60 / 0 / 53 / 3

HEX #64F773

RGB 100 247 115

HSL 126.12, 0.9%, 0.68%

LAB 87.23, -65.28, 51.36

 

CMYK 52 / 0 / 47 / 8

HEX #71EA7D

RGB 113 234 125

HSL 125.95, 0.74%, 0.68%

LAB 83.88, -56.03, 42.62

 

CMYK 43 / 0 / 38 / 13

HEX #7EDD88

RGB 126 221 136

HSL 126.32, 0.58%, 0.68%

LAB 80.7, -45.56, 33.16

 

CMYK 33 / 0 / 29 / 19

HEX #8BCF92

RGB 139 207 146

HSL 126.18, 0.41%, 0.68%

LAB 77.39, -33.74, 23.69

 

CMYK 21 / 0 / 19 / 24

HEX #99C29D

RGB 153 194 157

HSL 125.85, 0.25%, 0.68%

LAB 74.69, -20.92, 14.22

 

CMYK 8 / 0 / 8 / 29

HEX #A6B5A7

RGB 166 181 167

HSL 124, 0.09%, 0.68%

LAB 72.19, -7.88, 5.35

 

CMYK 29 / 0 / 52 / 8

HEX #A5EA71

RGB 165 234 113

HSL 94.21, 0.74%, 0.68%

LAB 86.03, -41.81, 51.46

 

CMYK 43 / 0 / 52 / 8

HEX #85EA71

RGB 133 234 113

HSL 110.08, 0.74%, 0.68%

LAB 84.5, -52.11, 49.26

 

CMYK 52 / 0 / 47 / 8

HEX #71EA7D

RGB 113 234 125

HSL 125.95, 0.74%, 0.68%

LAB 83.88, -56.03, 42.62

 

CMYK 52 / 0 / 33 / 8

HEX #71EA9D

RGB 113 234 157

HSL 141.82, 0.74%, 0.68%

LAB 84.38, -50.86, 27.27

 

CMYK 52 / 0 / 19 / 8

HEX #71EABE

RGB 113 234 190

HSL 158.18, 0.74%, 0.68%

LAB 85.03, -44.28, 11.08

 

CMYK 82 / 0 / 73 / 13

HEX #29DF3C

RGB 41 223 60

HSL 126.26, 0.74%, 0.52%

LAB 78.21, -72.93, 63.62

 

CMYK 66 / 0 / 60 / 11

HEX #4DE45C

RGB 77 228 92

HSL 125.96, 0.74%, 0.6%

LAB 80.65, -66.11, 53.78

 

CMYK 52 / 0 / 47 / 8

HEX #71EA7D

RGB 113 234 125

HSL 125.95, 0.74%, 0.68%

LAB 83.88, -56.03, 42.62

 

CMYK 38 / 0 / 34 / 6

HEX #95EF9E

RGB 149 239 158

HSL 126, 0.74%, 0.76%

LAB 87.29, -43.1, 30.93

 

CMYK 24 / 0 / 22 / 4

HEX #B9F5BF

RGB 185 245 191

HSL 126, 0.75%, 0.84%

LAB 91.41, -29.18, 20

 

CMYK 51 / 0 / 46 / 8

HEX #73EA7F

RGB 115 234 127

HSL 126.05, 0.74%, 0.68%

LAB 83.98, -55.24, 41.79

 

CMYK 52 / 15 / 0 / 8

HEX #71C6EA

RGB 113 198 234

HSL 197.85, 0.74%, 0.68%

LAB 75.97, -16.02, -25.77

 

CMYK 0 / 52 / 36 / 8

HEX #EA7195

RGB 234 113 149

HSL 342.15, 0.74%, 0.68%

LAB 62.9, 50.35, 2.9

 

CMYK 51 / 0 / 46 / 8

HEX #73EA7F

RGB 115 234 127

HSL 126.05, 0.74%, 0.68%

LAB 83.98, -55.24, 41.79

 

CMYK 47 / 52 / 0 / 8

HEX #7D71EA

RGB 125 113 234

HSL 245.95, 0.74%, 0.68%

LAB 54.14, 35.09, -59.96

 

CMYK 0 / 47 / 52 / 8

HEX #EA7D71

RGB 234 125 113

HSL 5.95, 0.74%, 0.68%

LAB 64.44, 40.76, 25.53

 

CMYK 51 / 0 / 46 / 8

HEX #73EA7F

RGB 115 234 127

HSL 126.05, 0.74%, 0.68%

LAB 83.98, -55.24, 41.79

 

CMYK 52 / 15 / 0 / 8

HEX #71C6EA

RGB 113 198 234

HSL 197.85, 0.74%, 0.68%

LAB 75.97, -16.02, -25.77

 

CMYK 0 / 52 / 5 / 8

HEX #EA71DE

RGB 234 113 222

HSL 305.95, 0.74%, 0.68%

LAB 65.42, 60.66, -34.66

 

CMYK 0 / 36 / 52 / 8

HEX #EA9571

RGB 234 149 113

HSL 17.85, 0.74%, 0.68%

LAB 69.6, 28.28, 32.27

 

CMYK 51 / 0 / 46 / 8

HEX #73EA7F

RGB 115 234 127

HSL 126.05, 0.74%, 0.68%

LAB 83.98, -55.24, 41.79

 

CMYK 52 / 31 / 0 / 8

HEX #71A1EA

RGB 113 161 234

HSL 216.2, 0.74%, 0.68%

LAB 65.7, 4.18, -41.67

 

CMYK 0 / 52 / 5 / 8

HEX #EA71DE

RGB 234 113 222

HSL 305.95, 0.74%, 0.68%

LAB 65.42, 60.66, -34.66

 

CMYK 0 / 21 / 52 / 8

HEX #EAB971

RGB 234 185 113

HSL 35.7, 0.74%, 0.68%

LAB 78.1, 9.18, 43.02

 

Description

Color code: HEX #73EA7F | qconv.com Color code: HEX #73EA7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 234 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 234 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 46 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 46% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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