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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73E4A8 it is the complementary color #8C1B57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73E4A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73E4A8 shade: #78E4A3, #89F6B6, #9AFFC9, #ABFFDC and #BCFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73E4A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73E4A8 shade: #73E4A8, #62D295, #51C082, #40AE6F and #2F9C5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73E4A8 shade: #72E4A7, #72E488, #7AE472, #99E472 and #B7E472

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73E4A8 shade: #72E4A7, #72E4C6, #72E3E4, #72C4E4 and #72A5E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73E4A8 shade matches the following richer shades: #72E4A7 and #64F2A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73E4A8 shade: #72E4A7, #7FD6A8, #8DC9A9, #9ABBAA and #A8AEAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73E4A8 shade: #79E472, #72E489, #72E4A7, #72E4C6 and #72E4E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73E4A8 shade: #2CD77C, #4FDD92, #72E4A7, #94EBBD and #B7F1D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73E4A8 shade: #73E4A8, #7298E4 and #E47972

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73E4A8 shade: #73E4A8, #A772E4 and #E4A772

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73E4A8 shade: #73E4A8, #7298E4, #E472AF and #E4BE72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73E4A8 shade: #73E4A8, #7275E4, #E472AF and #E4E072

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 26 / 11

HEX #73E4A8

RGB 115 228 168

HSL 148.14, 0.68%, 0.67%

LAB 82.89, -45.78, 19.57

 

Complementary color

CMYK 0 / 81 / 38 / 45

HEX #8C1B57

RGB 140 27 87

HSL 328.14, 0.68%, 0.33%

LAB 31.91, 50.61, -6.7

 

CMYK 47 / 0 / 29 / 11

HEX #78E4A3

RGB 120 228 163

HSL 143.89, 0.67%, 0.68%

LAB 82.98, -45.5, 22.32

 

CMYK 44 / 0 / 26 / 4

HEX #89F6B6

RGB 137 246 182

HSL 144.77, 0.86%, 0.75%

LAB 89.21, -45.29, 21.22

 

CMYK 40 / 0 / 21 / 0

HEX #9AFFC9

RGB 154 255 201

HSL 147.92, 1%, 0.8%

LAB 92.84, -41.11, 16.65

 

CMYK 33 / 0 / 14 / 0

HEX #ABFFDC

RGB 171 255 220

HSL 155, 1%, 0.84%

LAB 94.03, -32.69, 8.69

 

CMYK 26 / 0 / 6 / 0

HEX #BCFFEF

RGB 188 255 239

HSL 165.67, 1%, 0.87%

LAB 95.35, -23.99, 0.91

 

CMYK 50 / 0 / 26 / 11

HEX #73E4A8

RGB 115 228 168

HSL 148.14, 0.68%, 0.67%

LAB 82.89, -45.78, 19.57

 

CMYK 53 / 0 / 29 / 18

HEX #62D295

RGB 98 210 149

HSL 147.32, 0.55%, 0.6%

LAB 76.59, -45.89, 20.73

 

CMYK 58 / 0 / 32 / 25

HEX #51C082

RGB 81 192 130

HSL 146.49, 0.47%, 0.54%

LAB 70.22, -45.93, 21.99

 

CMYK 63 / 0 / 36 / 32

HEX #40AE6F

RGB 64 174 111

HSL 145.64, 0.46%, 0.47%

LAB 63.76, -45.81, 23.35

 

CMYK 70 / 0 / 41 / 39

HEX #2F9C5C

RGB 47 156 92

HSL 144.77, 0.54%, 0.4%

LAB 57.23, -45.47, 24.85

 

CMYK 50 / 0 / 27 / 11

HEX #72E4A7

RGB 114 228 167

HSL 147.89, 0.68%, 0.67%

LAB 82.84, -46.22, 20.01

 

CMYK 50 / 0 / 40 / 11

HEX #72E488

RGB 114 228 136

HSL 131.58, 0.68%, 0.67%

LAB 82.29, -51.73, 35.16

 

CMYK 46 / 0 / 50 / 11

HEX #7AE472

RGB 122 228 114

HSL 115.79, 0.68%, 0.67%

LAB 82.29, -52.74, 46

 

CMYK 33 / 0 / 50 / 11

HEX #99E472

RGB 153 228 114

HSL 99.47, 0.68%, 0.67%

LAB 83.69, -43.16, 48.03

 

CMYK 20 / 0 / 50 / 11

HEX #B7E472

RGB 183 228 114

HSL 83.68, 0.68%, 0.67%

LAB 85.39, -32.56, 50.48

 

CMYK 50 / 0 / 27 / 11

HEX #72E4A7

RGB 114 228 167

HSL 147.89, 0.68%, 0.67%

LAB 82.84, -46.22, 20.01

 

CMYK 50 / 0 / 13 / 11

HEX #72E4C6

RGB 114 228 198

HSL 164.21, 0.68%, 0.67%

LAB 83.52, -39.61, 4.7

 

CMYK 50 / 0 / 0 / 11

HEX #72E3E4

RGB 114 227 228

HSL 180.53, 0.68%, 0.67%

LAB 84.03, -31.84, -10.4

 

CMYK 50 / 14 / 0 / 11

HEX #72C4E4

RGB 114 196 228

HSL 196.84, 0.68%, 0.67%

LAB 75.24, -16.45, -23.65

 

CMYK 50 / 28 / 0 / 11

HEX #72A5E4

RGB 114 165 228

HSL 213.16, 0.68%, 0.67%

LAB 66.59, 0.33, -36.98

 

CMYK 50 / 0 / 27 / 11

HEX #72E4A7

RGB 114 228 167

HSL 147.89, 0.68%, 0.67%

LAB 82.84, -46.22, 20.01

 

CMYK 59 / 0 / 31 / 5

HEX #64F2A6

RGB 100 242 166

HSL 147.89, 0.85%, 0.67%

LAB 86.49, -55.29, 25.47

 

CMYK 50 / 0 / 27 / 11

HEX #72E4A7

RGB 114 228 167

HSL 147.89, 0.68%, 0.67%

LAB 82.84, -46.22, 20.01

 

CMYK 41 / 0 / 21 / 16

HEX #7FD6A8

RGB 127 214 168

HSL 148.28, 0.51%, 0.67%

LAB 79.29, -36.45, 14.61

 

CMYK 30 / 0 / 16 / 21

HEX #8DC9A9

RGB 141 201 169

HSL 148, 0.36%, 0.67%

LAB 76.25, -25.99, 9.88

 

CMYK 18 / 0 / 9 / 27

HEX #9ABBAA

RGB 154 187 170

HSL 149.09, 0.2%, 0.67%

LAB 73.1, -14.56, 4.91

 

CMYK 3 / 0 / 2 / 32

HEX #A8AEAB

RGB 168 174 171

HSL 150, 0.04%, 0.67%

LAB 70.55, -2.68, 0.79

 

CMYK 47 / 0 / 50 / 11

HEX #79E472

RGB 121 228 114

HSL 116.32, 0.68%, 0.67%

LAB 82.25, -53.02, 45.94

 

CMYK 50 / 0 / 40 / 11

HEX #72E489

RGB 114 228 137

HSL 132.11, 0.68%, 0.67%

LAB 82.31, -51.57, 34.68

 

CMYK 50 / 0 / 27 / 11

HEX #72E4A7

RGB 114 228 167

HSL 147.89, 0.68%, 0.67%

LAB 82.84, -46.22, 20.01

 

CMYK 50 / 0 / 13 / 11

HEX #72E4C6

RGB 114 228 198

HSL 164.21, 0.68%, 0.67%

LAB 83.52, -39.61, 4.7

 

CMYK 50 / 0 / 0 / 11

HEX #72E4E4

RGB 114 228 228

HSL 180, 0.68%, 0.67%

LAB 84.31, -32.31, -9.98

 

CMYK 80 / 0 / 42 / 16

HEX #2CD77C

RGB 44 215 124

HSL 148.07, 0.68%, 0.51%

LAB 76.43, -61.89, 33.24

 

CMYK 64 / 0 / 34 / 13

HEX #4FDD92

RGB 79 221 146

HSL 148.31, 0.68%, 0.59%

LAB 79.3, -54.91, 25.9

 

CMYK 50 / 0 / 27 / 11

HEX #72E4A7

RGB 114 228 167

HSL 147.89, 0.68%, 0.67%

LAB 82.84, -46.22, 20.01

 

CMYK 37 / 0 / 20 / 8

HEX #94EBBD

RGB 148 235 189

HSL 148.28, 0.69%, 0.75%

LAB 86.7, -36.07, 14.15

 

CMYK 24 / 0 / 13 / 5

HEX #B7F1D2

RGB 183 241 210

HSL 147.93, 0.67%, 0.83%

LAB 90.61, -24.47, 9.04

 

CMYK 50 / 0 / 26 / 11

HEX #73E4A8

RGB 115 228 168

HSL 148.14, 0.68%, 0.67%

LAB 82.89, -45.78, 19.57

 

CMYK 50 / 33 / 0 / 11

HEX #7298E4

RGB 114 152 228

HSL 220, 0.68%, 0.67%

LAB 63.04, 7.76, -42.53

 

CMYK 0 / 47 / 50 / 11

HEX #E47972

RGB 228 121 114

HSL 3.68, 0.68%, 0.67%

LAB 62.83, 40.66, 22.66

 

CMYK 50 / 0 / 26 / 11

HEX #73E4A8

RGB 115 228 168

HSL 148.14, 0.68%, 0.67%

LAB 82.89, -45.78, 19.57

 

CMYK 27 / 50 / 0 / 11

HEX #A772E4

RGB 167 114 228

HSL 267.89, 0.68%, 0.67%

LAB 57.9, 43.1, -50.39

 

CMYK 0 / 27 / 50 / 11

HEX #E4A772

RGB 228 167 114

HSL 27.89, 0.68%, 0.67%

LAB 73.12, 16.38, 36.12

 

CMYK 50 / 0 / 26 / 11

HEX #73E4A8

RGB 115 228 168

HSL 148.14, 0.68%, 0.67%

LAB 82.89, -45.78, 19.57

 

CMYK 50 / 33 / 0 / 11

HEX #7298E4

RGB 114 152 228

HSL 220, 0.68%, 0.67%

LAB 63.04, 7.76, -42.53

 

CMYK 0 / 50 / 23 / 11

HEX #E472AF

RGB 228 114 175

HSL 327.89, 0.68%, 0.67%

LAB 63.03, 51.2, -11.88

 

CMYK 0 / 17 / 50 / 11

HEX #E4BE72

RGB 228 190 114

HSL 40, 0.68%, 0.67%

LAB 78.77, 4.19, 43.21

 

CMYK 50 / 0 / 26 / 11

HEX #73E4A8

RGB 115 228 168

HSL 148.14, 0.68%, 0.67%

LAB 82.89, -45.78, 19.57

 

CMYK 50 / 49 / 0 / 11

HEX #7275E4

RGB 114 117 228

HSL 238.42, 0.68%, 0.67%

LAB 53.92, 28.53, -57

 

CMYK 0 / 50 / 23 / 11

HEX #E472AF

RGB 228 114 175

HSL 327.89, 0.68%, 0.67%

LAB 63.03, 51.2, -11.88

 

CMYK 0 / 2 / 50 / 11

HEX #E4E072

RGB 228 224 114

HSL 57.89, 0.68%, 0.67%

LAB 87.49, -13.2, 53.76

 

Description

Color code: HEX #73E4A8 | qconv.com Color code: HEX #73E4A8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 228 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 228 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 26 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 26% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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